Title |
Pages / Words |
Save |
Lord of the Flies |
2 / 515 |
|
Knights |
1 / 285 |
|
Critique on Open City |
4 / 1101 |
|
Bamboozled |
3 / 829 |
|
Beginning Life of Walt Disney |
2 / 468 |
|
Comparison of Martin Luther King, Jr and Malcolm X |
1 / 66 |
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JFK Assassination |
3 / 689 |
|
Man Down |
7 / 1838 |
|
Annie Hall and Manhattan: Two different ways of looking at New York's Beauty |
8 / 2209 |
|
Boy - Tales of Childhood |
2 / 473 |
|
bruce lee |
4 / 964 |
|
Maryilyn Monroe |
3 / 881 |
|
Norman Rockwell |
3 / 698 |
|
Steven Spielburg |
3 / 814 |
|
A Midsummer Night's Dream |
4 / 1006 |
|
Born to Buy Book REview |
2 / 302 |
|
lack of justice |
3 / 683 |
|
Movie |
5 / 1377 |
|
Othello |
4 / 926 |
|
Sam Spade: Angel or Demon? |
2 / 479 |
|
Such A Beast!: Sexuality And Humanization In Dracula |
5 / 1304 |
|
The Lost Truth |
2 / 375 |
|
Accounting |
1 / 146 |
|
Converse |
2 / 375 |
|
Decision Making |
1 / 221 |
|
kl;kkkk |
2 / 507 |
|
Media Reaction Paper - Crash SOC 315 |
2 / 552 |
|
Positioning Fiat Stilo |
3 / 630 |
|
Radio |
3 / 624 |
|
2001 A Space Odyssey Analysis |
4 / 915 |
|
A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
|
A Comparison Of Multi-valued Orientation And Two Valued Orientation |
2 / 312 |
|
Alfonso Cuaron's use of symbolism and film techniques in Great Expectations |
5 / 1202 |
|
American Beauty |
4 / 1122 |
|
Analysis Of The Fog Of War: Eleven Lessons By Robert S. Mcnamara |
4 / 1024 |
|
Bowling For Columbine as a carnivelsque |
5 / 1382 |
|
Cast Away |
3 / 836 |
|
Changing Perspective Creates Awakening |
4 / 1010 |
|
Emma Clueless |
3 / 626 |
|
Everest |
2 / 525 |
|
Far and Away |
3 / 827 |
|
Film Analysis |
8 / 2111 |
|
Film Noir |
8 / 2295 |
|
Globalization |
1 / 266 |
|
Hamlet |
2 / 453 |
|
Hello |
1 / 278 |
|
Hitchcock, The Artist |
5 / 1223 |
|
Ijikjikj |
2 / 349 |
|
It's more than just Pants |
3 / 840 |
|
King Lear vs Thousand Acres |
2 / 491 |
|
Lantana |
2 / 481 |
|
Linda And Lenina Comparison In Brave New World |
4 / 1062 |
|
"the matrix" film review |
3 / 663 |
|
fairy tale culture |
3 / 855 |
|
graduation by mya angelou |
2 / 449 |
|
life, a short comedy |
1 / 272 |
|
Rabbit Proof Fence |
4 / 1073 |
|
Rashomon |
3 / 722 |
|
Review: Pulp Fiction |
3 / 776 |
|
Romeo And Juliet |
4 / 1126 |
|
Sense and Sensibility: Compare and contrast Elinor and Marianne Dashwood |
4 / 1130 |
|
Students And Teachers |
5 / 1318 |
|
Sula-Nel comparison |
2 / 323 |
|
The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
|
The Crucible Movie Review |
2 / 525 |
|
The Importance of Being Earnest Play/Film Comparitive Essay |
5 / 1376 |
|
The Tommyknockers and Nuclear Energy |
3 / 634 |
|
The Wind That Shakes The Barley |
5 / 1205 |
|
White Man's Muscles |
4 / 908 |
|
Writers are like photographers |
2 / 345 |
|
the breakfast club |
4 / 913 |
|
Fads in the 1940s |
1 / 279 |
|
Gladiator |
5 / 1269 |
|
Hmong Diaspora and Media |
2 / 301 |
|
the kingdom of heaven |
6 / 1622 |
|
What Is Good |
1 / 247 |
|
A Comparison And Contrast Between Flowers From Another World Ad Hi, Ar |
5 / 1465 |
|
ARTS |
3 / 635 |
|
Analysis Of Maltese Falcon |
4 / 994 |
|
Analytical Film Paper |
2 / 323 |
|
Bridge over the River Kwai |
2 / 476 |
|
Censorship |
4 / 945 |
|
Comparison Between African And American Cultures |
1 / 283 |
|
critical analysis |
3 / 731 |
|
Educating Rita |
5 / 1279 |
|
Fear And Loathing In Las Vegas |
2 / 574 |
|
Film Sound |
4 / 951 |
|
Great Depression Themes in 42nd Street |
3 / 711 |
|
History Of Ferrari |
3 / 727 |
|
History Of The Ferrari |
3 / 727 |
|
Hitchcock, The Artist |
5 / 1223 |
|
jaws |
3 / 850 |
|
Kubrick Lives |
4 / 1140 |
|
Lenonard Bernstein |
4 / 994 |
|
Leonard Bernstein |
4 / 994 |
|
Liberty Valance |
2 / 398 |
|
Macbeth - Tragedy |
4 / 1121 |
|
Macbeth As A Tragedy |
4 / 1121 |
|
Mahatma Gandhi |
3 / 616 |
|
Music In The Movies: Experiencing Something New |
6 / 1738 |
|
Nanook of the North |
3 / 877 |
|
North Country, the Movie |
3 / 629 |
|
One Flew Over the Cuckoos Nest |
3 / 821 |
|
oh what |
4 / 1126 |
|
POW 14 Eight Bags of Gold |
2 / 307 |
|
Romeo Dallaire |
2 / 396 |
|
Schindler's List |
3 / 814 |
|
The Contemporary Male ? The New masculinity in Film |
2 / 504 |
|
The Graduate Sequence Analysis |
3 / 726 |
|
The Wizord Of Oz Symbolizing The Gilded Age |
2 / 533 |
|
Tragically Real |
5 / 1371 |
|
William Shakespeare |
3 / 863 |
|
William Shakespeare |
3 / 863 |
|
(Streetcar Named Desire): the Damsel in Distress vs the Damsel Brings Distress |
5 / 1353 |
|
"American Beauty" and its Music |
5 / 1247 |
|
A flavour of contemporary India monsoons on screen |
3 / 728 |
|
A |
4 / 961 |
|
APPLICATION OF VARIOUS MEDIA PHILOSOPHICAL THEORIES IN CONECTION WITH CULTURE. |
4 / 1088 |
|
An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
|
Analysis of the Maltese Falcon |
4 / 994 |
|
Art and Business of Film Making |
6 / 1577 |
|
Butterfly Effect Movie Review |
4 / 943 |
|
belly vs. traning day |
3 / 747 |
|
Casablanca |
3 / 663 |
|
Casablanca |
2 / 486 |
|
Casablanca |
4 / 916 |
|
Citizen Kane |
3 / 655 |
|
Comparative Essay between Save The Last Dance and Centerstage |
2 / 347 |
|
Construnction Of Film |
5 / 1237 |
|
Crash - Analysis |
2 / 533 |
|
Depiction of Native Americans in American Film |
4 / 1009 |
|
Dodge City And Unforgiven |
4 / 1017 |
|
Essay on Do the Right Thing |
3 / 779 |
|
Ethical And Moral Issues |
3 / 717 |
|
erin |
2 / 314 |
|
False Proclamations of Love and Other Betrayals in Talk to Her |
3 / 642 |
|
Fear And Loathing In Las Vegas An Essay |
2 / 574 |
|
Film:Analysis: The Life of David Gale |
3 / 643 |
|
Firestarter |
3 / 769 |
|
Follow Your Dreams |
5 / 1368 |
|
finding neverland movie review |
2 / 557 |
|
Gatsby Film |
1 / 297 |
|
Horror Movies Are a Waste of Time |
4 / 942 |
|
Horror Movies |
3 / 613 |
|
Impressive Nobodies |
3 / 649 |
|
Interview with Mel Stuart |
4 / 977 |
|
Kinsey Movie Review |
1 / 293 |
|
Kite Runner Movie |
1 / 298 |
|
La Traviata |
2 / 437 |
|
Man With A Movie Camera |
3 / 695 |
|
Matrix Reloaded Movie Review |
5 / 1432 |
|
Moral Issues Within Gattaca |
3 / 728 |
|
My Ass Hurts |
2 / 426 |
|
Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
|
Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
|
Patch Adams |
2 / 510 |
|
Planet of the Apes |
3 / 848 |
|
photography |
8 / 2376 |
|
picasso movie |
2 / 334 |
|
Red Rock West |
2 / 577 |
|
Review |
3 / 707 |
|
real window review |
2 / 337 |
|
Seabiscuit |
1 / 126 |
|
Shadow of a Doubt review |
4 / 1125 |
|
Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
sterphen spielberg |
3 / 605 |
|
Talented Mr Ripley |
2 / 372 |
|
Texas Chainsaw Massacre |
2 / 556 |
|
The Day After Tomorrow Film Review |
1 / 275 |
|
The Dude's Edition |
4 / 925 |
|
The Grapes of Wrath |
3 / 723 |
|
The Italian Job |
3 / 755 |
|
The Royal Tenenmbaums |
3 / 860 |
|
The characters in Donnie Darko are isolated, confused and many are unable to cope with reality. Richard Kelly has presented a disturbing portrait of human existence and interpersonal relationships. Discuss. |
3 / 645 |
|
the life of david gale film review |
4 / 1011 |
|
Vera Drake |
5 / 1222 |
|
Vertov and Eisenstein |
3 / 750 |
|
What It Takes To Produce A Film |
3 / 844 |
|
Why do you think the Italian authorities might not have been too pleased for Ladri di biciclette to be distributed abroad? |
5 / 1220 |
|
Women in Spike Lee's Bamboozled |
3 / 790 |
|
Wong Kar Wai and french new wave |
3 / 652 |
|
A Beautiful Mind |
3 / 644 |
|
I am Sam psychology movie review |
2 / 433 |
|
Faith VS Belief |
3 / 878 |
|
There Will Be Blood |
3 / 830 |
|
the big one |
2 / 519 |
|
Zen Buddhism In Japan |
6 / 1518 |
|
Uranium |
1 / 259 |
|
Americans In Film- Race, Gender, And |
2 / 494 |
|
baderman island |
3 / 875 |
|
Current Event |
2 / 311 |
|
college rape |
3 / 887 |
|
Dumbo |
2 / 364 |
|
Fear of flying |
6 / 1555 |
|
Hispanics In The Film Industry |
2 / 578 |
|
How Women Are Viewd |
3 / 747 |
|
Justifiable Means |
2 / 534 |
|
Life & Debt |
2 / 444 |
|
Streets |
3 / 841 |
|
violence |
2 / 317 |
|