| Title |
Pages / Words |
Save |
| Rikki-Tikki-Tavi The War Story |
5 / 1220 |
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| The Red Badge of Courage |
5 / 1492 |
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| Hamlet |
4 / 1043 |
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| Andrew Jackson |
2 / 395 |
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| abraham lincoln's life |
38 / 11116 |
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| assault in the senate |
1 / 196 |
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| Charles Lindbergh |
9 / 2443 |
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| Douglas MacArthur |
2 / 345 |
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| Dred Scott |
4 / 1030 |
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| French Revolution |
8 / 2284 |
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| hugh capet |
1 / 206 |
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| Memoirs |
3 / 629 |
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| malcolm x |
2 / 369 |
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| A Comparison Of Arthur Becomes King And David And Goliath |
2 / 480 |
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| Jesse Jackson |
4 / 1025 |
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| Jinnah: A Charisma Built for Disrupture |
2 / 592 |
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| Louis Armstrong |
5 / 1388 |
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| Maya Angelou |
1 / 160 |
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| Me And rae |
3 / 860 |
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| Much Ado About Nothing |
2 / 558 |
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| madam cj walker |
2 / 458 |
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| Richard Marcinko |
2 / 418 |
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| Victor Hugo 1802-1885 |
4 / 946 |
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| Woodrow Wilson |
5 / 1277 |
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| An Analysis Of Maya Angelou's "i Know Why The Caged Bird Sings" |
3 / 805 |
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| An Enemy Of The People |
4 / 928 |
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| Another MacBeth |
2 / 452 |
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| a lesson before dying- heroism |
3 / 808 |
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| alive |
1 / 296 |
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| Beowulf And Hrothgar: Anglo-saxon Ideal Code Of Conduct |
2 / 571 |
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| Beowulf to froto baggins |
4 / 959 |
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| Beowulf: The Ultimate Hero |
6 / 1739 |
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| billy Budd By Herman Melville: Captain Vere |
2 / 462 |
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| Dramatic Irony in Oedipus Rex |
2 / 498 |
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| Essay By On The Aeneid |
5 / 1251 |
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| Faust |
3 / 873 |
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| I know why the caged bird sings |
2 / 561 |
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| James and the Giant Peach |
3 / 744 |
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| King Lear: Lear The Tragic Hero |
6 / 1633 |
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| LaSalle |
2 / 507 |
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| Les Miserables: Jean Valjean |
2 / 428 |
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| Lord Of The Rings |
3 / 776 |
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| Macbeth: Macbeth's Ambition, Courage, And Moral Cowardness Leads To Hi |
2 / 460 |
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| Much Ado About Nothing: An Overview |
4 / 1126 |
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| mcbeth |
2 / 536 |
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| Okonkwo is a tragic Hero |
3 / 724 |
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| panera bread |
4 / 976 |
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| Questionable Heroes In The Play Julius Caesar |
3 / 703 |
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| Romeo And Juliet: Shakespeare's Metaphor Of Comparing Man To Plants |
3 / 716 |
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| The Last Samurai |
2 / 570 |
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| Things Fall Apart- Achebe |
4 / 954 |
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| To Kill A Mocking Bird |
3 / 664 |
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| “Critically discussed issues, dimensions, benefits and barriers associated with IMC (Integrated Marketing Communications) in relation to advertising strategy and planning in the UK” |
8 / 2119 |
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| Business Management |
4 / 1017 |
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| IMC in UK |
8 / 2111 |
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| Panera Bread |
3 / 820 |
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| A Classic Hero |
4 / 1068 |
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| Achilles: a hero no more |
4 / 1003 |
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| Antigone |
5 / 1392 |
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| Aristotle and the Irony of Guilt |
5 / 1450 |
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| Beowulf As An Epic |
2 / 568 |
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| Beowulf Essay |
4 / 973 |
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| Beowulf |
2 / 431 |
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| Beowulf |
3 / 634 |
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| Casablanca |
2 / 470 |
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| Christianity & Paganism in Beowulf |
2 / 469 |
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| Critical Lens |
3 / 632 |
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| Explain How Social Darwinism And Determinism Are Evident In Jack London'S "To Build A Fire" |
2 / 434 |
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| Geat Vs. Greek |
4 / 963 |
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| Gilgamesh And Oddysey |
4 / 1137 |
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| Gilgamesh and Odysseus |
4 / 909 |
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| Hamlet |
2 / 495 |
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| Hedda Gabler - A Tragic Hero? |
4 / 1071 |
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| Hercules Comparison |
3 / 730 |
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| Hero Project |
4 / 980 |
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| How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? |
6 / 1639 |
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| Lavender |
3 / 631 |
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| all the pretty horses versus the searchers |
4 / 925 |
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| bin laden |
2 / 541 |
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| critical essay on for whom the bell tolls |
4 / 1069 |
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| haindi |
2 / 495 |
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| Macbeth essay |
5 / 1293 |
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| Macbeth |
2 / 449 |
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| Macbeth |
2 / 461 |
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| Much Ado About Nothing: Pride and Prejudice |
5 / 1266 |
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| Muchadoaboutsomting |
2 / 536 |
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| Mutability in Tennyson's Ulysses |
4 / 932 |
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| Odysseus Vs. Gilgamesh |
5 / 1319 |
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| Odysseus' Journey as an Epic Hero |
5 / 1266 |
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| Oedipus Rex |
4 / 1148 |
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| Othello' Profile |
3 / 666 |
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| Othello |
4 / 1198 |
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| Peter Weir movie analysis |
2 / 542 |
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| Shakespeares depiction of a tragic hero |
5 / 1470 |
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| Sir Gawain and the Green Knight |
3 / 648 |
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| T.S. Eliot and a Coward |
2 / 561 |
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| The Iliad |
5 / 1428 |
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| The Red Badge of Courage |
5 / 1455 |
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| The Tragic Fate of Oedipus the King |
4 / 935 |
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| The nature of theatre in Europe in the 19th Century |
2 / 522 |
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| Who Am I? Essay |
3 / 833 |
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| macbeth: a tragic hero |
2 / 456 |
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| rise in elizabethan theatre system |
1 / 184 |
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| small steps |
3 / 685 |
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| Absolutism |
4 / 1081 |
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| Analysis Of The French Revolution |
8 / 2266 |
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| Analysis and Comparison of Two Epic Characters Gilgamesh and Enkidu |
2 / 484 |
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| Children's Literature |
2 / 398 |
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| DBQ French Revolution |
1 / 227 |
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| Feudal society in Champagne |
4 / 1016 |
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| French Revolution |
2 / 514 |
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| king Louis |
8 / 2377 |
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| LOTR TROY Immortality of heroes |
8 / 2194 |
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| Louis Blanc 's Oganisation of Labor |
5 / 1433 |
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| Napolean Bonaparte |
4 / 1072 |
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| Napolean |
2 / 548 |
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| Q: European monarchs of the late fifteenth and early sixteenth centuri |
3 / 683 |
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| Reign of Terror |
5 / 1249 |
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| Revolution |
3 / 622 |
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| Russia's unjust occupation of Chechnya |
2 / 412 |
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| The Getty Museum and Napoleon XVI |
7 / 1992 |
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| the french revolution / king louis XVI |
5 / 1367 |
|
| what changed in French society as a result of the early events of the revolution? |
5 / 1301 |
|
| A & P Analyzation |
1 / 130 |
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| A Classic Hero |
4 / 1068 |
|
| A Person Who has had influence on my Life |
2 / 444 |
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| Actions Speak Louder Than Words |
1 / 277 |
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| Analysis Of The French Revolution |
8 / 2266 |
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| Antigone (creon As The Tragic |
2 / 439 |
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| Aristotle On Tragedy |
4 / 1046 |
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| Being A Hero |
5 / 1495 |
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| Beowulf As An Epic |
2 / 568 |
|
| Beowulf Vs. Gilgamesh |
4 / 1181 |
|
| Beowulf: Heroism |
4 / 928 |
|
| Beowulf: Heroism |
4 / 928 |
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| beowulf/grendel |
4 / 1068 |
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| Cambodia And United Nations |
4 / 1098 |
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| Causes Of The French Revolutio |
2 / 525 |
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| Charles Lindbergh |
6 / 1632 |
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| Chateaux French |
2 / 486 |
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| Chicago |
5 / 1249 |
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| Cool Hand Luke |
3 / 837 |
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| Cyrano De Bergerac |
2 / 501 |
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| casablanca tid-bits |
11 / 3020 |
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| Death Be Not Proud |
1 / 155 |
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| Different Cultures, Different |
3 / 827 |
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| dc vs marvel |
3 / 682 |
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| debate |
4 / 970 |
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| Geat Vs. Greek |
4 / 963 |
|
| Gilgamesh, Achilles, Aeneas, And Roland |
6 / 1606 |
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| Glass Menagerie |
2 / 517 |
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| Hamlet |
2 / 495 |
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| Heroes And Villains |
2 / 558 |
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| Huck As Hero |
4 / 1150 |
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| Huffman Trucking Telephony Systems |
4 / 935 |
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| Iliad 2 - |
2 / 580 |
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| kill bill |
2 / 518 |
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| Law Does Not Drive Us, Reason Does |
3 / 886 |
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| Louis Comfort Tiffany: Creator of Art in Design |
2 / 469 |
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| Louis Pasteur |
5 / 1283 |
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| Louis Pasteur |
5 / 1283 |
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| Macbeth - Hero Or Villain? |
5 / 1389 |
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| Macbeth: From Hero To Villain |
5 / 1235 |
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| My Hero |
3 / 820 |
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| Napolean |
1 / 122 |
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| Oedipus The King Sophocles |
4 / 1094 |
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| Orestes An Innocent Hero |
4 / 1151 |
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| Oskar Schindler: A Hero Study |
4 / 1059 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| Paris: The Iliad |
2 / 580 |
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| Paris: The Iliad |
2 / 580 |
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| studenty |
3 / 622 |
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| super bwl |
2 / 561 |
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| The Bat, The Man, and His Audiences |
5 / 1411 |
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| The French Revolution |
5 / 1219 |
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| The Iliad |
5 / 1428 |
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| The Old Man And The Sea |
1 / 234 |
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| The Style and Techinque of Louis Armstrong |
4 / 1136 |
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| The Underdog Can Win! |
5 / 1478 |
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| Theseus Athens Great Hero |
2 / 556 |
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| Tragedy And The Common Man |
3 / 800 |
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| Un Viaje A Itaca |
2 / 325 |
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| What a loser. |
1 / 240 |
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| Big Night |
1 / 195 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| Flawless Heroes? |
2 / 455 |
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| Jazz: A History |
3 / 727 |
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| Shane |
4 / 937 |
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| A Hero in a Loincloth… and His Methods |
3 / 815 |
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| Adjustment |
4 / 914 |
|
| paul |
5 / 1230 |
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| Communion: Catholic vs. Methodist |
5 / 1244 |
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| Movement |
2 / 500 |
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| Role Opportunities For Nurses In Community Care In Elderly |
2 / 429 |
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| Puppy Mills |
2 / 538 |
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| Stopping a McDonalds: The St. Louis Story |
3 / 651 |
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| The Romantic Present |
2 / 582 |
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| Dota: Manta Style strategy on Tinker |
5 / 1437 |
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| isaac newton |
1 / 192 |
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