| Title |
Pages / Words |
Save |
| Mercedes Lackey |
3 / 672 |
 |
| 70'S Music And Style |
3 / 607 |
|
| history |
2 / 576 |
|
| Daliism |
2 / 578 |
|
| Edgar Allan Poe |
3 / 607 |
|
| Ernest Hemmingway Speech |
3 / 678 |
|
| H.G. Wells |
2 / 343 |
|
| Jan Vermeer (1632 ? 1675) |
1 / 253 |
|
| a knights tale analysis |
1 / 202 |
|
| Book Film Comparison About When One Flies Over The Cuckoos Nest |
4 / 923 |
|
| bend in the road |
2 / 405 |
|
| breathing under water |
4 / 1132 |
|
| Dark They Were And Golden-Eyed |
3 / 633 |
|
| Dr Jekyll &Amp; Mr Hyde |
1 / 289 |
|
| Gothicism In Rose For Emily” |
2 / 559 |
|
| Horror Show |
2 / 397 |
|
| Is "Loaded" Grunge |
4 / 1060 |
|
| Nightmare on Elm Street |
1 / 248 |
|
| The Matrix |
4 / 1011 |
|
| The Winter's Tale: The Tragedy Within A Romance |
2 / 413 |
|
| health |
2 / 374 |
|
| land rover north american, Inc |
3 / 704 |
|
| A Bronx Tale |
1 / 159 |
|
| A Comparison of the Wong and Zoellner Essays |
2 / 476 |
|
| Bildungsroman |
3 / 637 |
|
| Bless Me Ultima Response |
1 / 155 |
|
| C:\Documents And Settings\Jo\My Documents\An Inspector Calls Was Written In 1944.Doc |
1 / 124 |
|
| Cask of amontillado |
2 / 503 |
|
| Cat Stevens |
1 / 266 |
|
| College Writing Movie Genres |
3 / 736 |
|
| Country Music |
3 / 694 |
|
| Critical Analysis of a passage from Horace Walpole's Castle of Otranto |
3 / 864 |
|
| Critique of "Genres at Home and at School: |
5 / 1385 |
|
| Cultural Studies |
2 / 405 |
|
| Definition of Literature |
4 / 1165 |
|
| Definition of Science Fiction |
4 / 1061 |
|
| Dracula - Gothic Response |
2 / 464 |
|
| Dream Deffered |
1 / 231 |
|
| Edgar Allan Poe |
3 / 861 |
|
| Essay Writing Tips |
1 / 235 |
|
| Farce |
2 / 429 |
|
| Genre |
4 / 964 |
|
| History of Detective Fiction |
2 / 349 |
|
| Horror Movies |
3 / 755 |
|
| How To Write An Essay |
2 / 576 |
|
| Langston Huges |
2 / 599 |
|
| Literary Elements |
2 / 466 |
|
| classification of movies |
2 / 425 |
|
| fly away peter |
4 / 978 |
|
| Mummy |
2 / 368 |
|
| Presidential Election |
3 / 720 |
|
| Reality TV |
2 / 594 |
|
| Rebecca Notes |
3 / 807 |
|
| Romanesque |
4 / 1121 |
|
| Sahara Review |
2 / 458 |
|
| Shakespeare |
3 / 610 |
|
| Significance of chapter 5 to the novel as a whole-Frankenstein |
3 / 687 |
|
| Stuff |
1 / 220 |
|
| The Airport Novel |
2 / 502 |
|
| The Company Therapist |
2 / 489 |
|
| The Develoment of the Horror Genre |
4 / 966 |
|
| The relationship between reader and writer |
2 / 406 |
|
| Type of Genre |
3 / 612 |
|
| Unhappily Average (exemplification essay) |
3 / 611 |
|
| What makes a successful romantic tragedy? |
7 / 1887 |
|
| Writing |
3 / 642 |
|
| lord of the rings |
2 / 341 |
|
| new social history |
2 / 417 |
|
| the jungle |
5 / 1475 |
|
| wife of bath analysis |
1 / 255 |
|
| A History of Rap and Hip Hop |
5 / 1421 |
|
| African history |
2 / 410 |
|
| Distinguish between idealism and parody in Leucippe and Clitophon |
6 / 1597 |
|
| Genre And Landscape Painting |
4 / 1057 |
|
| What is history? |
2 / 352 |
|
| Cantebury Tales |
3 / 833 |
|
| Gothic Literature And Jekyll And Hyde |
1 / 289 |
|
| A Nightmare On Elm Street |
8 / 2284 |
|
| All Types Of Entertainment |
3 / 717 |
|
| Babam Ve Oglum |
4 / 1139 |
|
| Baroque Art in Europe and North America |
5 / 1406 |
|
| Canterbury Tales |
3 / 833 |
|
| Defintition Of History |
1 / 294 |
|
| Discussing Literary Genre |
3 / 805 |
|
| Edward Hallett Carr |
1 / 198 |
|
| Emo VS Indie |
4 / 974 |
|
| Emo as Propaganda in Advertising |
4 / 913 |
|
| Genre Of Clowning (Theatre, Drama, Arts) |
2 / 498 |
|
| HUD: Bucking the Western film stereotype |
5 / 1359 |
|
| Heavy Metal |
3 / 616 |
|
| History |
1 / 293 |
|
| Marsh |
2 / 478 |
|
| Media |
3 / 700 |
|
| Mr |
2 / 315 |
|
| Music Degrading To Women |
1 / 199 |
|
| Music Of Seville, Spain Powerpoint Slides |
2 / 456 |
|
| Music'S Impression |
2 / 502 |
|
| Nightmare On Elm Street |
8 / 2123 |
|
| Photography |
2 / 533 |
|
| pandoras' box |
2 / 399 |
|
| Real But Not Really: The Reality TV Genre |
6 / 1654 |
|
| Sarah Plain and Tall |
1 / 174 |
|
| Seeing is believing |
4 / 991 |
|
| Senior Project |
6 / 1514 |
|
| Shallow Persecutions |
3 / 748 |
|
| Sony Playstation Vs Nintendo 64 |
2 / 390 |
|
| Steel drums |
1 / 225 |
|
| Stephen King |
1 / 188 |
|
| sci-fi tv |
4 / 1088 |
|
| science fiction and fantasy |
4 / 1046 |
|
| Techno Music |
2 / 589 |
|
| The Best |
3 / 716 |
|
| The History of the Hard-Boiled Detective |
3 / 808 |
|
| The Life Aquatic |
1 / 226 |
|
| The Maltese Falcon |
6 / 1564 |
|
| To Listen Or Not To Listen: A Pop-music Question |
3 / 745 |
|
| Tupac Shakur |
2 / 546 |
|
| Tupac |
2 / 546 |
|
| Types of Gamers |
3 / 669 |
|
| 24 and how it fits into many genres |
5 / 1339 |
|
| "Chinatown" as film noir |
3 / 849 |
|
| A Brief History of American Hardcore |
5 / 1240 |
|
| A Nightmare On Elm Street |
8 / 2284 |
|
| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
|
| African Drumming |
3 / 679 |
|
| alternative |
2 / 448 |
|
| Batman begins and sleepy hollow |
2 / 502 |
|
| Bessie Smith and St. Louie Blues |
2 / 411 |
|
| Bhangra, A Great Dance To Learn |
6 / 1516 |
|
| big sleep |
4 / 923 |
|
| Crime Films |
7 / 2043 |
|
| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
|
| Dodge City And Unforgiven |
4 / 1017 |
|
| discuss how genre is communicated in halloween |
2 / 505 |
|
| Effects of Music |
2 / 531 |
|
| Entering The Post-modern Era |
1 / 247 |
|
| Exploring Popular music |
5 / 1248 |
|
| Film Methodologies - Point Break (1991) |
4 / 1084 |
|
| Film genre, narration, reality tv |
6 / 1677 |
|
| Film genres |
2 / 479 |
|
| From Rags to Ragga |
4 / 1150 |
|
| favourit music genre. |
2 / 370 |
|
| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
|
| George Gershwin |
3 / 750 |
|
| Grief |
7 / 1846 |
|
| Heavy Metal |
3 / 656 |
|
| Heavy Metal |
3 / 819 |
|
| History Of Rolling Stones |
2 / 443 |
|
| History of Rock |
3 / 725 |
|
| Hong Kong Cinema |
3 / 709 |
|
| Horror Movies: Gateway to Our Dark Side |
4 / 1176 |
|
| How TV title music influences it's viewers |
4 / 995 |
|
| hawaiian music |
2 / 370 |
|
| Italian & French Opera |
2 / 512 |
|
| Keller Williams One Man Band |
6 / 1614 |
|
| L.A. Confidential review |
3 / 738 |
|
| Lake |
3 / 809 |
|
| Latin jazz orchestra |
3 / 855 |
|
| Led Zeppelin |
4 / 976 |
|
| Leone: The Movies of Fantasy |
2 / 582 |
|
| Life is Beautiful, a fable? |
2 / 386 |
|
| Lisa Lewis Paper |
2 / 573 |
|
| l.a confidential film noir |
4 / 952 |
|
| Maltese Falcon |
5 / 1477 |
|
| Memento |
4 / 1093 |
|
| Moulin Rouge |
3 / 649 |
|
| Moulin Rouge |
1 / 266 |
|
| Music in our everyday lives |
4 / 1174 |
|
| Music |
5 / 1302 |
|
| Music |
2 / 468 |
|
| media |
4 / 978 |
|
| music |
2 / 524 |
|
| punk rock |
2 / 596 |
|
| Reality Telivision |
2 / 332 |
|
| Robert Altman's The Long Goodbye As A Genre Revisionist Film |
6 / 1570 |
|
| Samurai in Film |
2 / 421 |
|
| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
|
| semiotics |
4 / 908 |
|
| snatch |
4 / 920 |
|
| Talented Mr Ripley |
2 / 372 |
|
| The Genre of Horror |
2 / 597 |
|
| The Island |
2 / 574 |
|
| The Lost Boys Horror Genre |
3 / 619 |
|
| The social and political context of the 1950's is crucial to any understanding of the birth of rock n roll |
3 / 811 |
|
| To Listen Or Not To Listen: A Pop-Music Question |
3 / 745 |
|
| Tupac |
2 / 546 |
|
| the Beatles |
2 / 401 |
|
| Kill Bill |
2 / 367 |
|
| The Context of Collapse: Surrealism, dialectic nihilism and objectivism |
3 / 860 |
|
| Gospel |
2 / 555 |
|
| Isaiah 40:1-2 |
5 / 1267 |
|
| Pericope-Reading the Bible |
9 / 2559 |
|
| Hip Hop |
3 / 800 |
|
| Morality and Computer Games, Where do you draw the line? |
2 / 430 |
|
| night mother |
2 / 384 |
|
| Outfoxed vs Supersize me |
2 / 360 |
|
| Reality Television |
2 / 432 |
|
| Shallow Persecutions |
3 / 748 |
|
| AI |
3 / 671 |
|
| Reality Telivision |
3 / 641 |
|
