| Title |
Pages / Words |
Save |
| Ancient Greece |
2 / 447 |
 |
| Henri Cartier-Bresson |
2 / 476 |
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| Marc Chagall |
5 / 1219 |
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| The Temptresses of Unconcious Enticements |
2 / 376 |
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| Bidding for lives |
4 / 949 |
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| buffalo soldiers |
3 / 811 |
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| bunching hoisery |
3 / 747 |
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| Don Quixote |
2 / 384 |
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| Edvard Munch |
5 / 1413 |
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| Graffiti Culture |
2 / 544 |
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| It Did Matter if You Were Black or White |
4 / 1190 |
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| Andrew Wyeth |
3 / 716 |
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| claude monet |
5 / 1326 |
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| Edgar Degas |
3 / 683 |
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| Fra Lippi |
2 / 493 |
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| Frida Kahlo: A Life in Pain |
4 / 1157 |
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| Heraclitus |
3 / 651 |
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| Hieronymus Bosch |
3 / 845 |
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| Leonardo da Vinci |
2 / 512 |
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| Michelangelo Buonarroti |
4 / 1189 |
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| Michelangelo Buornarriti |
6 / 1604 |
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| Pablo Picasso |
2 / 498 |
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| Picasso |
3 / 614 |
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| raphael sanzio |
6 / 1528 |
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| Short Biiography of George Gordon, Lord Byron |
1 / 277 |
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| Siqueiros |
4 / 1088 |
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| Van Gogh |
4 / 907 |
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| Antigone |
2 / 572 |
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| Antigone: Divine Law vs. Human Law |
4 / 907 |
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| Homer Homer and more of Homer |
2 / 522 |
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| image as text |
4 / 967 |
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| Venus In Furs |
4 / 911 |
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| How To Make Sandblasted Signs |
3 / 628 |
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| InterClena Inc |
5 / 1312 |
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| Robert Hayden |
6 / 1532 |
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| Common Source |
4 / 1035 |
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| Culture |
4 / 953 |
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| Destiny in the Aeneid |
2 / 559 |
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| Giovanni Panini |
1 / 171 |
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| Haha. |
2 / 405 |
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| Heart Of Darknesss |
5 / 1442 |
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| Homer & The Odyssey |
3 / 872 |
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| Ksk - Ja |
2 / 537 |
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| Lady Lazarus, Sylvia Plath and the Art of Dying |
3 / 652 |
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| Landscape with the Fall of Icarus |
3 / 614 |
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| Literature |
3 / 894 |
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| landscape and the fall of icarus |
5 / 1327 |
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| leda and the swan |
2 / 501 |
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| Medea |
7 / 1963 |
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| Medea:Looking For Revenge |
7 / 1963 |
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| My Analysis on Phyllis Wheatley |
1 / 206 |
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| My Last Duchess |
3 / 619 |
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| Response To Billy The Kid By Jack Spicer |
4 / 1066 |
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| Ruling A Kingdom |
3 / 650 |
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| The Age of Innocence |
3 / 842 |
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| The Iliad |
2 / 318 |
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| The Olympics |
2 / 387 |
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| The Themes of Medea |
7 / 1973 |
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| The Trojan War |
5 / 1287 |
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| The meaning of words |
1 / 110 |
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| Title |
4 / 1197 |
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| To The Lighthouse |
5 / 1422 |
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| What is Greek Tragedy? |
4 / 1029 |
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| Women in the odysee |
3 / 620 |
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| medea-oppression and marginalisation of the outsider |
4 / 985 |
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| ode on a grecian urn |
2 / 417 |
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| racism in society |
5 / 1293 |
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| women in greek plays |
5 / 1250 |
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| Alex The Great |
2 / 362 |
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| Alexander The Great |
3 / 663 |
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| Ancient Greek Wars |
4 / 1138 |
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| Archimedes |
2 / 557 |
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| Art & Society |
6 / 1621 |
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| Art History |
2 / 430 |
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| american people series by faith ringgold |
4 / 1188 |
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| ancient cultures |
4 / 948 |
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| art history |
5 / 1255 |
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| augustus |
2 / 418 |
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| Caravaggio vs. The Camera Obscura |
5 / 1308 |
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| Changes In History |
3 / 715 |
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| Cubism Art |
5 / 1381 |
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| Cultural Bias and Structure in Herodotus |
3 / 649 |
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| DaVinvi VS Michelangelo: Who's the true Renaissance man? |
2 / 485 |
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| Daily Athenian life |
2 / 320 |
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| Defense of Father Historia |
4 / 935 |
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| education in the past |
3 / 751 |
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| French Baroque 1600c.e.-1750c.e. |
4 / 949 |
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| GREEK THEATRE |
4 / 1009 |
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| Goya: Truth and War |
4 / 1126 |
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| Greece |
3 / 811 |
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| Greece |
3 / 897 |
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| Greek Theatre History |
2 / 406 |
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| Greeks Influence on Western Civilization |
2 / 351 |
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| Group of Seven |
4 / 992 |
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| graffiti |
3 / 888 |
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| History of the Museum |
3 / 733 |
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| heroism |
5 / 1319 |
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| humanism in renaissance |
3 / 741 |
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| Israel |
2 / 318 |
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| Leonardo Da Vinci |
2 / 545 |
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| Leonardo Da Vinci |
2 / 501 |
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| Metroploitan Art |
5 / 1223 |
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| Mosaics in Early Byzantine Era |
4 / 1048 |
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| Odysseus |
4 / 955 |
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| Pictorialism |
2 / 485 |
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| Rennaisance |
12 / 3422 |
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| Riligious expression in ancient Greece |
7 / 1880 |
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| Roman Vs Greek Mythology |
4 / 1127 |
|
| The Laocoon Group |
4 / 1116 |
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| The Parthenon |
3 / 794 |
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| The Persian Wars: How the Greeks Won |
6 / 1637 |
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| The Renaissance Period |
3 / 828 |
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| The Renaissance Period |
3 / 831 |
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| The Second Balkan War Of 1913 |
4 / 953 |
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| Title |
2 / 509 |
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| the greeks |
2 / 382 |
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| Venus, Cupid, Folly, and Time |
2 / 566 |
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| A Friendly Enemy |
2 / 511 |
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| A Friendly Enemy |
2 / 511 |
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| A Gathering Of Old Men |
2 / 511 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| Ahprodite/Venus |
2 / 484 |
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| An Artist's Life |
4 / 1105 |
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| Art Comparison |
6 / 1714 |
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| Art Evaluation (year10) |
4 / 1145 |
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| Art |
2 / 523 |
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| Baroqe Art |
2 / 499 |
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| Champ D' Avoine |
5 / 1326 |
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| Changes In History |
3 / 715 |
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| Charles Dickins |
5 / 1326 |
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| Chuck Close |
2 / 479 |
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| Compare and Contrast Two Statuettes |
3 / 883 |
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| Comparison and Contrast: Achilles and Hector |
2 / 534 |
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| Comparison of Picasso and Raoul Dufy |
4 / 1004 |
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| cancer |
2 / 390 |
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| chuck close |
4 / 968 |
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| Death Of A Salesman |
2 / 428 |
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| Dinosaur |
4 / 1131 |
|
| discussions on Alegoria de California |
4 / 924 |
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| Euclidean Geometry |
2 / 391 |
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| Fffff |
2 / 567 |
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| Fra Lippo Lippi |
5 / 1481 |
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| George Berkley |
2 / 547 |
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| Greek Gods |
3 / 819 |
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| Henri Matisse:Goldfish |
5 / 1241 |
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| Impressionism |
2 / 456 |
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| Juan Gris |
5 / 1467 |
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| Leonilla, Princess of Sayn-Wittgenstein-Sayn |
4 / 1169 |
|
| last supper |
3 / 893 |
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| Marilyn Monroe Vs. Crying Girl: Who Is The Face Of Pop Art? |
4 / 1141 |
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| Matisse |
1 / 198 |
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| Medea's Revenge |
7 / 1974 |
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| Michelangelo 3 |
2 / 514 |
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| Museum Collection Completion |
5 / 1227 |
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| Note Taking |
2 / 530 |
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| Odysseus |
4 / 955 |
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| Picasso - Cultural Expression |
3 / 867 |
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| Quotes About Life |
1 / 219 |
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| Renee Magritte |
2 / 459 |
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| Rennaisance Art |
2 / 552 |
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| Renoir's Depection of Women in 19th Century Art |
7 / 2043 |
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| Reproduction Businesses of Thomas Kinkade's painting |
4 / 1063 |
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| Roman And Greek Gods |
5 / 1472 |
|
| Statues of David |
2 / 348 |
|
| Symbolism and multiple meanings in Jan Van Eyck's Wedding Portrait |
7 / 1836 |
|
| The Mask Of Apollo - Review |
3 / 837 |
|
| The Picture Of Dorian Gray: Evil |
3 / 897 |
|
| The Renaissance Period |
3 / 828 |
|
| Things Fall Apart 2 |
3 / 687 |
|
| Vincent Van Gogh |
5 / 1233 |
|
| Wittgenstein And Asthetics |
3 / 688 |
|
| what shapes a trust bridge have |
4 / 1167 |
|
| works of art compaired |
7 / 1995 |
|
| Young Goodman Brown |
2 / 557 |
|
| rennacaince power point |
2 / 512 |
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| Anaxagoras |
2 / 491 |
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| a lost love |
1 / 175 |
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| Descartes Meditation I |
4 / 1119 |
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| Essay On Animism And The Contributions Of Thales, Anaximander, And Ana |
2 / 549 |
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| Gods and Goddesses |
3 / 891 |
|
| Gustave Courbet |
4 / 1161 |
|
| Heroism, Hubris, and Moderation in Homer's the Iliad |
2 / 552 |
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| Illiad |
5 / 1371 |
|
| riane eisler |
2 / 343 |
|
| trojan war |
4 / 1198 |
|
| What does it mean to be an Individual? |
3 / 778 |
|
| Wittgenstein And Asthetics |
3 / 688 |
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| psychodynamic approach |
2 / 413 |
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| An Artist's Life |
4 / 1105 |
|
| Art Theories and Influence on Artists |
7 / 1828 |
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| christyanity |
3 / 845 |
|
| How the Gods of Antiquity Were Used to Explain Creation |
5 / 1212 |
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| Man to God Relationship |
3 / 756 |
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| The Bible |
3 / 622 |
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| Complimentarity |
5 / 1274 |
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| Kepler |
2 / 349 |
|
| The Beginnings of Western Science |
2 / 332 |
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| interculturalo event |
4 / 1190 |
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| prejudice in greek system |
4 / 1167 |
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| The Heated Debate Surrounding Navajo Sand Painting |
3 / 894 |
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