| Title |
Pages / Words |
Save |
| Absolute Power Corrupts Absolutely |
7 / 1801 |
 |
| Rhinoceros |
2 / 488 |
|
| Macbeth - Manhood |
3 / 750 |
|
| billie jean king |
1 / 225 |
|
| Evangelical Revolt |
1 / 280 |
|
| letters from an american farmer |
1 / 185 |
|
| Euripides |
4 / 1168 |
|
| Jean Paul Gaultier Biography |
2 / 368 |
|
| Theseus |
3 / 731 |
|
| ?An Analysis of Loyalty in Greek Dramas |
6 / 1620 |
|
| Attributes Traditionally Associated With Masculinity And Femininity And Their Contrasts In Medea And Pygmalion |
5 / 1439 |
|
| countee cullen |
1 / 218 |
|
| Desire, Love, and Identity for Les Miserables |
2 / 436 |
|
| Feminity And Lady Macbeth |
2 / 427 |
|
| Good Morning, Midnight Short Analysis Of An Extract Ot The Book |
2 / 311 |
|
| Jane Eyre |
4 / 1162 |
|
| Les Miserables: Jean Valjean |
2 / 428 |
|
| Mede Reaction Paper |
2 / 466 |
|
| Medea And Othello |
5 / 1484 |
|
| Medea Prosecution |
2 / 384 |
|
| Medea |
7 / 1954 |
|
| Medea |
7 / 2043 |
|
| Medea |
3 / 804 |
|
| Medea |
3 / 687 |
|
| Revenge or Justice? |
3 / 715 |
|
| Sexuality In One Flew Over The Cuckoo'S Nest |
2 / 398 |
|
| The representation of the doubleness of selfhood in Charlotte Bronte's Jane Eyre and Jean Rhys's Wide Sargasso Sea |
10 / 2964 |
|
| Wide Sargasso Sea vs Jane Eyre |
5 / 1242 |
|
| Crown Point Cabinetry |
2 / 511 |
|
| Hofstede's Value Dimensions |
2 / 490 |
|
| Nissan &Amp; Renault |
1 / 246 |
|
| Wefwefwe |
2 / 381 |
|
| Will design be the next big issue in Marketing |
2 / 381 |
|
| A Challenge to Male-Dominated Culture |
7 / 2050 |
|
| A Formal Comparison Of Euripides' Medea And Seneca'S Medea |
5 / 1414 |
|
| A Room Of One's Own |
6 / 1648 |
|
| A Summary Of The Play By Aristophanes |
1 / 181 |
|
| A reflection of Antoinette's Live |
5 / 1422 |
|
| Alice walker |
3 / 603 |
|
| Antigone: A Woman Who Believes In The Power Of Women |
7 / 2030 |
|
| Apa Shiloh |
4 / 998 |
|
| Compare/Contrast the treatment of femininity in Pygmalion and Medea |
5 / 1331 |
|
| Feminism in the works Medea and Hedda Gabbler |
6 / 1777 |
|
| Gender Representation |
2 / 380 |
|
| Gothic Horror Brainstorming |
3 / 616 |
|
| Greek Drama |
3 / 817 |
|
| Human Nature |
4 / 1076 |
|
| In the Castle of my Skin |
6 / 1661 |
|
| Jane Eyre and the Price She Pays |
12 / 3469 |
|
| Jason And Medea |
3 / 848 |
|
| Letters From An American Farmer |
3 / 718 |
|
| chorus role in medea |
3 / 682 |
|
| crash as the prejudice and misjudging |
3 / 653 |
|
| femininity in Euripides’ ‘Medea’ and Jean Rhys’ ‘Wide Sargasso Sea’. |
5 / 1227 |
|
| Medea - the conception of drama within theatrical production |
5 / 1309 |
|
| Medea In Full Control Of The Events |
4 / 1182 |
|
| Medea |
2 / 509 |
|
| Medea; element of human passion |
5 / 1413 |
|
| Medea |
1 / 147 |
|
| Medea |
6 / 1525 |
|
| Medea |
7 / 1963 |
|
| Medea |
10 / 2701 |
|
| Medea |
1 / 237 |
|
| Medea |
3 / 687 |
|
| Medea |
4 / 901 |
|
| Medea |
3 / 740 |
|
| Medea: Looking For Revenge |
4 / 958 |
|
| Medea:Looking For Revenge |
7 / 1963 |
|
| Medeas:genger Roles |
3 / 681 |
|
| Miss Julie |
3 / 830 |
|
| Miss Julie |
2 / 500 |
|
| Miss |
3 / 746 |
|
| Plato & Medea |
4 / 1082 |
|
| Power In Shiloh |
3 / 649 |
|
| Representation of Women's Roles in Society- Medea |
4 / 1001 |
|
| Revenge Of Medea And Creon |
7 / 2030 |
|
| Review of Baby Disaster by Robert Creeley |
4 / 920 |
|
| Revision of Master Narratives within Jane Eyre and Wide Sargasso Sea |
8 / 2115 |
|
| Shilo |
2 / 495 |
|
| Shiloh |
4 / 990 |
|
| Shiloh: Changing Lives In Different Directions |
4 / 1190 |
|
| Similarities Between |
13 / 3716 |
|
| Sophocles's Electra Vs. Euripides's Electra |
2 / 569 |
|
| Subversion In Women's Fiction: Power Relations And Alienation In Jean Rhys's "Wide Sargasso Sea" And Arundhati Roy's "The God Of Small Things" |
23 / 6607 |
|
| Sylvia Makes a Choice |
2 / 558 |
|
| The Dramatic Appeal of Human Props in Greek Drama |
9 / 2502 |
|
| The Thematic Significance Of The Floral Images In Wide Sargasso Sea. |
2 / 318 |
|
| The Themes of Medea |
7 / 1973 |
|
| There Is No Wrath Worse Than That Of A Womans Scorn.........Medea |
4 / 1008 |
|
| Things Fall Apart |
3 / 727 |
|
| Things We Lost In Hurricane |
2 / 351 |
|
| To What Extent Can It Be Said That Bernarda Alba, From 'the House Of Bernarda Alba' By Federico Garcia Lorca And Medea, From The Play By Euripides, Although Created Millennia Apart, Are Very Similar Characters? |
5 / 1436 |
|
| Tragedy |
3 / 700 |
|
| Unrealism in Medea and Odyssey |
5 / 1313 |
|
| Veiled Femininity |
4 / 1110 |
|
| Wide Sargasso Sea Vs Jane Eyre |
1 / 276 |
|
| Wide Sargasso Sea and The Color Purple |
3 / 776 |
|
| Wide Sargasso Sea |
7 / 1866 |
|
| Women's Identities in the Color Purple and Behind A Mask |
6 / 1540 |
|
| medea-oppression and marginalisation of the outsider |
4 / 985 |
|
| medea |
3 / 825 |
|
| medea |
2 / 377 |
|
| medea |
3 / 681 |
|
| medea |
3 / 798 |
|
| theseus |
3 / 620 |
|
| weight of water |
2 / 350 |
|
| wide sargasso sea |
3 / 769 |
|
| ANCIENT GREEK THEATER |
3 / 642 |
|
| Athenian Drama |
5 / 1256 |
|
| Casestudy On Grand Jean Company |
2 / 365 |
|
| Contradictions in Greek Mythology |
3 / 778 |
|
| clytaemnestra and Medea |
1 / 257 |
|
| Fairy Tale: Jason and the Argonauts |
10 / 2738 |
|
| Gender Roles in Lysistrata and Medea |
5 / 1486 |
|
| Greek Theatre History |
2 / 406 |
|
| herakles role in the alcestis |
4 / 912 |
|
| Jason reflects on life |
1 / 249 |
|
| Medea and democracy |
2 / 588 |
|
| Movie Review: Enemy At The Gates. |
1 / 277 |
|
| Non Traditional activity for Women |
2 / 378 |
|
| On Euripides and War: An Historical Analysis of Hecuba, Trojan Women, and Iphegenia at Aulis |
3 / 635 |
|
| Women's Revenge in The Oresteia and Medea |
4 / 1042 |
|
| womenhood |
2 / 474 |
|
| Inexcusable Acts In Literature |
7 / 2049 |
|
| Medea |
2 / 509 |
|
| A Friendly Enemy |
2 / 511 |
|
| A Friendly Enemy |
2 / 511 |
|
| A Gathering Of Old Men |
2 / 511 |
|
| Alcestis |
6 / 1772 |
|
| Ancient Greek Drama |
8 / 2347 |
|
| Antigone: A Woman Who Believes In The Power Of Women |
7 / 2030 |
|
| Chanel |
1 / 148 |
|
| Character Sketch For Shiloh |
3 / 730 |
|
| Charlotte Brontes Jane Eyre An |
12 / 3364 |
|
| Discuss the view that a variety of feminine and masculine |
4 / 1002 |
|
| Eugene Ionesco's "rhinoceros": True Means Resides In Action Not Words |
3 / 744 |
|
| Euripides Medea |
3 / 612 |
|
| Euripides |
2 / 336 |
|
| Fallen Souls In "the Inferno" |
3 / 771 |
|
| Femininity |
2 / 585 |
|
| Gender And Communication |
3 / 771 |
|
| Jason and Medea |
3 / 645 |
|
| Les Miserables |
2 / 458 |
|
| Les Miserables |
3 / 867 |
|
| Les Miserables |
2 / 389 |
|
| Lysistrata - |
4 / 1039 |
|
| Medea - Male And Female Perceptions Of The World |
2 / 575 |
|
| Medea - Techniques |
4 / 1114 |
|
| Medea - The Abandonment Of Gender Roles |
3 / 681 |
|
| Medea By Euripides |
2 / 509 |
|
| Medea Vs. Antigone |
3 / 813 |
|
| Medea Vs. Hedda Gabbler |
4 / 1039 |
|
| Medea Vs. Hedda Gabbler |
4 / 1039 |
|
| Medea's Revenge |
7 / 1974 |
|
| Medea |
3 / 766 |
|
| Medea |
6 / 1774 |
|
| Medea |
3 / 766 |
|
| Medea |
2 / 361 |
|
| Medea: Discuss The Role Of The Chorus |
4 / 1142 |
|
| Medea: Jason Brings His Own Downfall |
3 / 604 |
|
| Misunderstanding Men And Women |
4 / 1110 |
|
| me3 coursework |
2 / 361 |
|
| Oedipus, Antogone, And Media |
2 / 597 |
|
| Oedipus, Antogone, And Media |
2 / 597 |
|
| On Revenge And Medea |
3 / 827 |
|
| On Revenge And Medea |
3 / 827 |
|
| Plato & Medea |
4 / 1082 |
|
| Shilo |
3 / 714 |
|
| Shiloh |
5 / 1204 |
|
| Shiloh |
2 / 472 |
|
| Similarities In "miss Jean Brodie", "dead Poets Society", And "the Tri |
2 / 454 |
|
| Sophocles's Electra Vs. Euripides's Electra |
2 / 569 |
|
| Symbolism in \ |
3 / 660 |
|
| Synopsis |
4 / 1112 |
|
| Textual Analysis - Maybelline XXL Mascara |
4 / 1102 |
|
| The Role Of Women In Medea |
4 / 1020 |
|
| The Sanctity Of Oaths In Medea |
2 / 373 |
|
| The Thematic Significance Of The Floral Images In Wide Sargasso Sea. |
2 / 318 |
|
| The Yellow Wallpaper By Charlo |
2 / 472 |
|
| Wide Sargasso Sea Motif Walls Essay |
3 / 756 |
|
| Women in Myth |
5 / 1265 |
|
| Amelie |
2 / 330 |
|
| crash |
1 / 153 |
|
| Jean-Claude Van Damme - DOUBLE IMPACT |
3 / 717 |
|
| Musical Love Prints |
2 / 560 |
|
| music |
2 / 551 |
|
| Treatment outline |
2 / 495 |
|
| Bakhai and Siddhartha |
3 / 689 |
|
| euripides |
1 / 217 |
|
| the children of herecles |
4 / 1079 |
|
| Breggin humanistic theory vs. Brown feminist theory |
2 / 473 |
|
| Organizational Behavior |
1 / 262 |
|
| Representations Of Masculinity And Femininity In Miguel Street |
2 / 484 |
|
| Three Female Characters In Greek Tragedies |
5 / 1455 |
|
| Culture Defined |
1 / 264 |
|
| feminism and masculinity |
3 / 770 |
|
| How media defines femininity |
4 / 902 |
|
| Misunderstanding Men And Women |
4 / 1110 |
|
| To be independent? Or not to be Independent? Feminism |
4 / 1045 |
|
| women |
2 / 474 |
|
