| Title |
Pages / Words |
Save |
| Jenny Saville |
2 / 407 |
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| Henri Cartier-Bresson |
2 / 476 |
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| Marc Chagall |
5 / 1219 |
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| Three Most significant Absolute Monrchs in European History |
2 / 348 |
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| Italian City |
4 / 1031 |
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| African American Cultural Art Ethnic Paper |
3 / 768 |
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| Age of exploration |
2 / 555 |
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| American Gothic |
4 / 957 |
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| Art History |
4 / 1093 |
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| buffalo soldiers |
3 / 811 |
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| END OF THE SLAVE TRADE |
1 / 231 |
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| Editorials |
2 / 430 |
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| Europe |
2 / 324 |
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| Genocide |
2 / 312 |
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| letters from an american farmer |
1 / 185 |
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| Native Americans vs. Europeans |
2 / 562 |
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| nero |
3 / 663 |
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| Andrew Wyeth |
3 / 716 |
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| Chanel and Natalia Goncharova |
6 / 1680 |
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| Edgar Degas |
3 / 683 |
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| Frida Kahlo: A Life in Pain |
4 / 1157 |
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| gaugain |
2 / 424 |
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| Henry Moore |
4 / 1062 |
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| Hieronymus Bosch |
3 / 845 |
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| Leonardo DaVinci |
2 / 525 |
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| Leonardo da Vinci |
2 / 512 |
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| leonardo da vinci |
7 / 2085 |
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| Picasso |
3 / 614 |
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| raphael sanzio |
6 / 1528 |
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| Siqueiros |
4 / 1088 |
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| Van Gogh |
4 / 907 |
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| Barogue through the post modern era |
1 / 179 |
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| Christopher Columbus |
1 / 232 |
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| censorship |
2 / 334 |
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| Girl with a pearl earring |
3 / 866 |
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| Girl |
9 / 2466 |
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| image as text |
4 / 967 |
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| pollock |
3 / 629 |
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| shakespeare |
3 / 769 |
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| Tobacco |
3 / 652 |
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| the cheese monkeys |
6 / 1764 |
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| Business Law - Cassis De Dijon |
4 / 1090 |
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| Chaos In The Currency Markets : Currency Crisis Of The Ems |
3 / 835 |
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| Different Strokes |
1 / 218 |
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| my paper |
6 / 1525 |
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| Psychology of Marketing |
4 / 953 |
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| Robert Hayden |
6 / 1532 |
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| T |
1 / 214 |
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| A Way of Escape |
1 / 264 |
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| Arts in Culture |
5 / 1463 |
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| Auguste Rodin and Geoges Rouault |
3 / 680 |
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| Cubism |
5 / 1293 |
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| Culture |
4 / 953 |
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| Foreshadowing of Death in Moby Dick |
2 / 556 |
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| GOYA |
2 / 463 |
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| Gertrude Stein: Making Perception |
4 / 985 |
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| Gertude Stein and the Art of Cubism |
5 / 1298 |
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| Giovanni Panini |
1 / 171 |
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| HEart Of Darkness |
5 / 1285 |
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| Lady Lazarus, Sylvia Plath and the Art of Dying |
3 / 652 |
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| de Crevecoeur What is An American? |
2 / 476 |
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| landscape and the fall of icarus |
5 / 1327 |
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| My Analysis on Phyllis Wheatley |
1 / 206 |
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| My Last Duchess |
3 / 619 |
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| My Mother Pieced Quilts |
2 / 535 |
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| Outsider Speech Exploring The "Outsider" Notion |
3 / 776 |
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| Power of Youth and Beauty |
6 / 1778 |
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| Response To Billy The Kid By Jack Spicer |
4 / 1066 |
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| Romanticism |
5 / 1201 |
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| Spirit |
3 / 738 |
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| The Age of Innocence |
3 / 842 |
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| To The Lighthouse |
5 / 1422 |
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| my name is asher lev |
7 / 1890 |
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| report |
3 / 734 |
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| 2. How did Japan, China, and Russia differ in the ways they reacted to Western European commercial and cultural contacts? |
2 / 465 |
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| America |
2 / 328 |
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| Analyze the treatment of Native populations in the Americas during colonization. |
2 / 373 |
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| Art History |
3 / 764 |
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| Augustus of Prima Porta |
4 / 1026 |
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| art history |
3 / 780 |
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| CHange over time 1492-1750 |
2 / 518 |
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| Capitalism |
3 / 853 |
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| Causes Of Ww1 |
1 / 286 |
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| China |
3 / 716 |
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| Comparing Japanese and Western European Feudalism |
2 / 354 |
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| Cubism Art |
5 / 1381 |
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| Culture of Renaissance vs. Culture of Late Middle Ages |
2 / 535 |
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| Da Vinci |
5 / 1250 |
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| DaVinvi VS Michelangelo: Who's the true Renaissance man? |
2 / 485 |
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| Describe and analyze the social, political, and economic effects of European contact with the Americas between 1450 and 1550 |
2 / 586 |
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| Description, Function, Attribution, and Analysis of a Red-figure Type B Kylix |
3 / 700 |
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| Development of Cathedral Architecture |
9 / 2510 |
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| Early American Urbanization |
2 / 308 |
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| Egyptian Art and Architecture |
14 / 4120 |
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| Enlightened despots |
1 / 193 |
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| Euopean Art in the Wake of World War 1 |
4 / 976 |
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| European Integration |
4 / 1128 |
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| European Social Model |
3 / 785 |
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| european Renaissance |
1 / 78 |
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| Four Styles of Roman Wall Painting and Mosaics |
9 / 2639 |
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| Frank Lloyd Wright; Falling Water |
2 / 307 |
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| Greeks Influence on Western Civilization |
2 / 351 |
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| gothic terms discussed |
2 / 328 |
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| graffiti |
3 / 888 |
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| Imperialism And Its Effects |
1 / 261 |
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| International Oil Analysis |
2 / 555 |
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| Jupiter and Semele |
5 / 1216 |
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| japanese ink paintings |
6 / 1572 |
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| Laocoon's influence on Renaissance Artists |
7 / 1913 |
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| Leonardo Da Vinci |
2 / 501 |
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| looking inth 19th century |
4 / 1126 |
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| Napoleon |
8 / 2228 |
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| olmecs |
9 / 2470 |
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| origins of human art |
3 / 826 |
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| Pablo Picasso'S Guernica |
2 / 550 |
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| Pictorialism |
2 / 485 |
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| Portugal |
3 / 717 |
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| The European Dis-Union |
5 / 1209 |
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| The renaissance |
2 / 597 |
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| us vs eu |
4 / 1002 |
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| Venus, Cupid, Folly, and Time |
2 / 566 |
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| WWI |
2 / 539 |
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| western european attitudes towards children |
2 / 420 |
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| Different Types Of Art Forms |
5 / 1431 |
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| Should Moral Values Be Taught In Schools |
3 / 732 |
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| Early Civilization Matrix |
4 / 1098 |
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| Accesion of Turkey |
2 / 538 |
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| Acme (Greenfield) |
3 / 670 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| American criticism |
3 / 775 |
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| Analyze The Differences In Leisure Activities Shown In The Two Paintings, And Reflect About The Social Life Of Peasants (The Peasant Dance) And Of Urban Dwellers In The 19Th Century (Sunday Afternoon On The Island Of The Grande Jatte). |
4 / 1023 |
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| Aphrodite |
3 / 638 |
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| Art Comparison |
6 / 1714 |
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| Art Evaluation (year10) |
4 / 1145 |
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| Art Values |
3 / 606 |
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| art |
1 / 259 |
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| beauty and the sublime |
9 / 2556 |
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| Chuck Close |
2 / 479 |
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| David |
4 / 978 |
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| Dennis Oppenheim Device to Root Out Evil |
7 / 1854 |
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| Diversity In Body Art |
3 / 609 |
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| discussions on Alegoria de California |
4 / 924 |
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| European Integration |
4 / 1128 |
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| Fra Lippo Lippi |
5 / 1481 |
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| George Berkley |
2 / 547 |
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| Goya |
2 / 463 |
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| Greek Art |
5 / 1288 |
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| Greek Statues And the Olympics |
2 / 337 |
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| Henri Matisse:Goldfish |
5 / 1241 |
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| Ideal Nude |
4 / 1029 |
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| Imperialism |
2 / 387 |
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| investing in eu member countries |
3 / 647 |
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| Juan Gris |
5 / 1467 |
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| Ken Ferguson: Kansas City Ceramics |
1 / 199 |
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| Manet - Still Life |
7 / 1938 |
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| Marilyn Monroe Vs. Crying Girl: Who Is The Face Of Pop Art? |
4 / 1141 |
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| Matisse |
1 / 198 |
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| Monet |
7 / 1938 |
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| Monets Green Reflections |
3 / 870 |
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| Paint a House |
3 / 655 |
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| Picasso's Guernica and Uccello's Battle of San Romano : Different Images of War |
6 / 1629 |
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| Portugal |
3 / 717 |
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| Postimpressionism: Paul Cezanne (1839-1906) and Georges Seurat (1859-61) |
6 / 1765 |
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| pieta |
2 / 457 |
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| pop art |
3 / 698 |
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| Quotes About Life |
1 / 219 |
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| Renoir's Depection of Women in 19th Century Art |
7 / 2043 |
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| Reproduction Businesses of Thomas Kinkade's painting |
4 / 1063 |
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| Symbolism and multiple meanings in Jan Van Eyck's Wedding Portrait |
7 / 1836 |
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| The Picture Of Dorian Gray: Evil |
3 / 897 |
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| turkey and eu relation |
3 / 712 |
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| Vincent Van Gogh |
5 / 1233 |
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| Vincent van Gogh |
4 / 1118 |
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| World Art |
7 / 1949 |
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| World War2 |
1 / 247 |
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| World of Art |
2 / 356 |
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| what shapes a trust bridge have |
4 / 1167 |
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| Life of Jazz |
2 / 311 |
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| rennacaince power point |
2 / 512 |
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| Surprise! |
2 / 562 |
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| Vincent Van Gogh Critique |
1 / 262 |
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| Aquinas' 2nd Argument |
3 / 724 |
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| What does it mean to be an Individual? |
3 / 778 |
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| Art Theories and Influence on Artists |
7 / 1828 |
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| There is a God! |
3 / 723 |
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| Apple Inc |
2 / 533 |
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| Perceptual Compression of Space Through Position Integration |
6 / 1760 |
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| Culture of a country for new comer |
2 / 415 |
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| changes in europe after ww2 |
4 / 911 |
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| History of Glabalization |
2 / 337 |
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| international trade |
4 / 922 |
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| No More Killing |
3 / 606 |
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| Security Communities |
3 / 826 |
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| Stress |
1 / 252 |
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| Study Group Art Commission |
4 / 1098 |
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| The Future of European Citizenship |
4 / 914 |
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| Underage Drinking |
1 / 267 |
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| CRU steel |
2 / 329 |
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| Digital Euro Music |
2 / 491 |
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| Windows - EU |
2 / 344 |
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