| Title |
Pages / Words |
Save |
| Civil War Painting |
1 / 275 |
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| alexander pope |
3 / 788 |
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| jamica |
1 / 203 |
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| Estee Lauder |
2 / 495 |
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| Hayden Carruth |
4 / 930 |
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| A Lesson Befor Dying |
1 / 197 |
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| American Beauty Character Analysis |
3 / 628 |
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| Beautiful Disasters: Pearl As A Living Breathing Scarlet Letter |
3 / 673 |
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| Cry, the Beloved Country |
4 / 1051 |
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| Is It Love? |
3 / 693 |
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| Kite Runner |
4 / 1005 |
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| Mr. Gray What Have We Come To? |
6 / 1695 |
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| Pride And Prejudice: What's Love Got To Do With It |
3 / 692 |
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| Pride And Prejudice: What's Love Got To Do With It |
3 / 706 |
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| Pride and Prejudice |
3 / 774 |
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| Smith Z |
1 / 178 |
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| scarelt letter/ Nature vs. Society |
2 / 572 |
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| The Picture of Dorian |
5 / 1418 |
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| The Prophet |
3 / 789 |
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| The Scarlet Letter |
4 / 1058 |
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| The Symbolic Meaning of Pearl Prynne |
3 / 816 |
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| To Autumn |
2 / 504 |
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| White Fang |
3 / 623 |
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| business |
3 / 725 |
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| Chanel and L'Oreal competition |
3 / 790 |
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| L'Oreal |
4 / 1002 |
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| Limited Brands |
4 / 1034 |
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| mary kay |
7 / 1930 |
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| Rite Aid Stock Analysis |
2 / 423 |
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| The Cosmetics and Toiletries Industry |
4 / 1121 |
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| 1920'S Creative |
1 / 295 |
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| A Comparison of Nature in Romantic Poetry |
4 / 1075 |
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| A Perfect Man |
1 / 277 |
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| A Reality Of Presence |
4 / 1128 |
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| A Way of Escape |
1 / 264 |
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| A Woman's Place Is In The Heart |
3 / 789 |
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| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
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| Analysis of "Stopping by woods on a snowy evening" |
3 / 823 |
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| Are Cosmetic Killing Us? |
4 / 1140 |
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| Beauty Pageants |
8 / 2362 |
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| Body Image |
4 / 989 |
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| Characterization: Book 8 of the Odyssey |
1 / 248 |
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| Comparison of Ted Hughes’s Hawk Roosting and William Wordsworth’s |
3 / 716 |
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| Dorian Gray |
4 / 1117 |
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| Enlightenment, Transcendentalism, and Puritan Theology |
6 / 1782 |
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| Essay |
3 / 728 |
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| Examine the ways in which Shakespeare develops the character of Romeo through his use of language. |
4 / 903 |
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| Fitzgerald's Exploration of the American Dream |
2 / 566 |
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| God Father Death |
1 / 274 |
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| Imc |
2 / 491 |
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| Individuality in A Portrait of the Artist as a Young Man |
2 / 555 |
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| Into The Wild |
1 / 246 |
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| JANE EYRE, THE VICTORIAN CINDERELLA |
3 / 849 |
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| Kafka was the Rage |
3 / 709 |
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| Letter To Allision On How To Change Your Ways |
3 / 752 |
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| cathedral |
5 / 1388 |
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| coming to grips with an old foe |
3 / 879 |
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| differences between english & french beauty products directions |
5 / 1301 |
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| effects of tourism on St. Maarten |
3 / 608 |
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| everyman |
3 / 628 |
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| image in society |
5 / 1388 |
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| imaginative Journeys essay |
3 / 863 |
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| kite runner |
4 / 1029 |
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| Mirror |
3 / 624 |
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| Mr.Arcularis |
4 / 1034 |
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| Niagara Falls |
3 / 748 |
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| Ode on a grecian urn |
3 / 894 |
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| Old Story Time |
6 / 1789 |
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| On "anyone lived in a pretty how town" |
1 / 251 |
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| Once Upon A Time |
1 / 238 |
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| Poem in October- Anaylsis |
4 / 931 |
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| Poop Poop Mc Scoop |
3 / 623 |
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| Pride and Prejudice |
5 / 1451 |
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| Prose and Poetry, Audubon and Dillard AP |
2 / 504 |
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| Romeo And Juliet |
6 / 1754 |
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| Self-Hatred |
3 / 690 |
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| Shakespeare's Sonnet 18 |
5 / 1269 |
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| Stopping by the Woods for Some Espionage and Bombs On a Snowy Evening |
4 / 1051 |
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| Symbolism in Steinbeck's "The Chrysanthemums" |
1 / 262 |
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| Text shape society - respond with reference to film |
7 / 1964 |
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| The Bluest Eye |
6 / 1542 |
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| The Changing Face Of Love In English Literature |
5 / 1422 |
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| The Fish |
3 / 621 |
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| The Fish |
1 / 183 |
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| The Instress and Inscape in Hopkin's Pied Beauty |
4 / 928 |
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| The Odes suggest that Keats is inward looking and depressive. How far does your reading of The Odes lead you to agree with this statement? Refer to form, structure and language to support your views. |
3 / 797 |
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| The Picture Of Dorian Gray: Corruption Through Aestheticism |
5 / 1431 |
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| The Role of Women in Antigone and The Iliad |
3 / 617 |
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| Tithonus by Alfred Tennyson |
3 / 797 |
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| War and peace in the samurais garden |
2 / 586 |
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| White Fang |
3 / 640 |
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| mexican beaches |
2 / 514 |
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| pearl in Scarlet letter |
3 / 670 |
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| shakespeare |
4 / 909 |
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| things fall apart chapter summary |
4 / 1013 |
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| where are you going, where have you been? |
5 / 1233 |
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| Black Elk Speaks |
3 / 714 |
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| Divided New Yorkers |
4 / 1100 |
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| Religious Aspects of Romantic Thought |
4 / 1091 |
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| Renaissance |
2 / 529 |
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| The Influence of Humanism in the Renaissance |
3 / 804 |
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| Venus, Cupid, Folly, and Time |
2 / 566 |
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| A Psychological Evaluation Of |
4 / 1039 |
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| A Reality Of Presence |
4 / 1128 |
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| A Very Old Man with Enormous Wings |
5 / 1319 |
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| AD Analysis |
5 / 1206 |
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| Ahprodite/Venus |
2 / 484 |
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| Aphrodite |
3 / 638 |
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| aldo leopold: illinois bus ride |
4 / 1027 |
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| avon case study |
2 / 542 |
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| Backpacking: A Different Way Of Camping |
3 / 662 |
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| Balthazar |
1 / 260 |
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| Beautiful Dance Girl |
3 / 839 |
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| Beautiful Disasters: Pearl As A Living Breathing Scarlet Letter |
3 / 673 |
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| Beauty And The Beast: Feminism And Chauvinism |
5 / 1411 |
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| Children Obesity |
4 / 1051 |
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| Color |
3 / 679 |
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| Compare and Contrast 2 works from the MFA in Boston |
2 / 571 |
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| Comparison Of Shakespeare Shal |
6 / 1503 |
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| compairing the ministers black veil and the birthmark |
3 / 687 |
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| Do I Look Fat? |
5 / 1222 |
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| Domus Aurea, Golden House Of N |
7 / 1889 |
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| Domus Aurea, Golden House Of Nero |
7 / 1889 |
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| discussions on Alegoria de California |
4 / 924 |
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| Edith Whartons The House Of Mi |
7 / 1968 |
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| Flowers for Algernon: Simple Summary |
1 / 254 |
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| Frosts Tuft Of Flowers And Men |
3 / 739 |
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| Futurism |
4 / 929 |
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| Great Gatsby |
4 / 1039 |
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| hawthorne |
2 / 555 |
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| Information on war histories |
2 / 452 |
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| Invisible Man - Identity |
8 / 2114 |
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| Kid Nobody Could Handle |
3 / 637 |
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| Miss Clairol |
5 / 1316 |
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| Philosophy: A Comprehensive Definition |
1 / 201 |
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| Prefontaine |
1 / 228 |
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| Renaissance |
2 / 529 |
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| STEEL MAGNOLIAS |
3 / 824 |
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| Stereotype In Ads |
5 / 1263 |
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| Sybolism In White Fang |
3 / 849 |
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| The Analysis Of The Main Chara |
3 / 644 |
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| The Analysis Of The Main Characters And Conflicts In A Streetcar Named |
3 / 644 |
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| The Birth of Venus |
7 / 2052 |
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| The Bluest Eye 2 |
4 / 1192 |
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| The Bluest Eye |
4 / 1192 |
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| The Effect Of Media Images |
3 / 776 |
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| The Glory That Was Greece |
3 / 698 |
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| The Merchant Of Venice 2 |
4 / 1024 |
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| The Picture Of Dorian Gray 2 |
3 / 817 |
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| The Picture Of Dorian |
5 / 1418 |
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| The Pitfall Of The Insensitive |
1 / 285 |
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| The Prophet |
3 / 789 |
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| Transformations In Ovid |
5 / 1350 |
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| Whistler Paintings |
1 / 265 |
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| White Fang |
5 / 1348 |
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| White Fang |
3 / 849 |
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| White Fang |
5 / 1348 |
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| A Leauge of their own |
3 / 754 |
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| Elephant the movie |
5 / 1247 |
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| Movie Review: The Mirror Has Two Faces |
2 / 527 |
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| Potop |
1 / 204 |
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| Design Argument |
3 / 702 |
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| Explain the platonic concept of forms |
3 / 721 |
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| Is the existence of evil compatible with the existence of god? |
4 / 1108 |
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| Kant and the Horseman in the Sky |
1 / 239 |
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| Koyaanisqatsi |
3 / 702 |
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| Plato's "The Symposium" |
8 / 2171 |
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| plato |
5 / 1430 |
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| Sappho's view of love |
3 / 686 |
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| The Other Side of the Hedge |
2 / 584 |
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| Thoreau |
4 / 991 |
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| Age of Beauty? Or Two? |
2 / 306 |
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| Gender |
1 / 227 |
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| Beholding the Beauty of Christ: A Blessed Paradox |
5 / 1394 |
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| Feminine image |
8 / 2291 |
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| Hamartiology |
3 / 743 |
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| Shaminism |
1 / 216 |
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| Chemicals Found Everywhere |
2 / 584 |
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| Cosmetic Through Ages |
4 / 1107 |
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| acting like a lady |
4 / 1061 |
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| Barbie's Effect On Girls |
3 / 833 |
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| Disney Princesses |
3 / 873 |
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| Distorted Media mirror |
6 / 1607 |
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| Dr. Healy |
3 / 741 |
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| disney is not taking over childrens lives - persuasive speech |
3 / 772 |
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| Feminism and Advertising |
3 / 640 |
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| Gender Roles & Stereotypes |
8 / 2373 |
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| identity formation and oppression of muslim culture |
6 / 1692 |
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| Justice |
3 / 834 |
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| Media and It's Effects |
4 / 1013 |
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| No More Killing |
3 / 606 |
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| Nothing as it seems |
4 / 946 |
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| reading |
1 / 293 |
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| The Law of Both Earth and Economics |
3 / 863 |
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| The Media's Influence on Eating Disorders |
1 / 189 |
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| the great pyramid, Khufu |
2 / 576 |
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| Why journalists should remain unbiased |
2 / 485 |
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| Wifeswap and Society |
3 / 769 |
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| Woman today |
3 / 859 |
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| women in media |
3 / 800 |
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