| Title |
Pages / Words |
Save |
| Subway Scene |
2 / 487 |
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| Michelangelo Buonarroti, the artist. |
2 / 470 |
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| 20th Century Genius |
4 / 1081 |
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| Art History |
4 / 1093 |
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| First Amendment and Music Censorship |
4 / 1148 |
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| Biography Of Nick Joaquin |
2 / 446 |
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| David Hockney |
2 / 383 |
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| Diana Ross |
2 / 354 |
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| Diana Ross |
2 / 301 |
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| Edgar Degas |
2 / 351 |
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| Freydoon Rassouli, Rembrandt Harmenszoon van Rijn and and Vincent Van Gogh comparason |
3 / 843 |
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| Frida Kahlo |
3 / 658 |
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| Jackson Pollock |
2 / 389 |
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| Jacob Lawrence |
2 / 487 |
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| John Tenniel |
2 / 550 |
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| Kandisky |
3 / 653 |
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| Leonardo da Vinci |
2 / 351 |
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| Loretta Lux |
2 / 379 |
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| Mariah Carey |
2 / 492 |
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| Michelangelo Buonarroti, The Artist. |
2 / 470 |
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| mariah carey |
2 / 392 |
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| sdfsd |
4 / 1122 |
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| Taylor Poe |
1 / 268 |
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| Thomas Kincade |
3 / 676 |
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| Colors in The Great gatsby |
3 / 790 |
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| Lalala |
2 / 468 |
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| Lolita |
2 / 523 |
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| Michelangelo and the Pope's Ceiliing |
5 / 1265 |
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| Survivig the Applewhites |
2 / 356 |
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| The Art Of Keeping Cool |
3 / 675 |
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| The Great Gatsby: Symbolism In Colors |
3 / 790 |
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| the kill artist |
3 / 686 |
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| Words and the way we see art |
3 / 815 |
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| adamek |
3 / 650 |
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| Business |
3 / 671 |
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| Computers |
4 / 1083 |
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| Farming |
1 / 114 |
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| the furture of music business |
2 / 433 |
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| All art is quite useless |
3 / 844 |
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| Analysis Of O. Henry's "Art And The Bronco |
2 / 579 |
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| Artistic License in Soyinka?¦s Death and the Kings Horseman |
5 / 1434 |
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| Behind the Music |
5 / 1399 |
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| Campfire, Adirondacks By Winslow Homer |
3 / 607 |
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| Critic about EMP |
2 / 548 |
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| Death Of Napster |
4 / 928 |
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| Fear and Edvard Munch painting |
2 / 501 |
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| Franz Kafka's Themes |
5 / 1239 |
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| John Berger and History |
5 / 1295 |
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| Langston Hughes |
4 / 938 |
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| artist throughout history that have sefldisrtucted |
5 / 1456 |
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| free speech or just offensive |
4 / 1053 |
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| from pieces to weight book summary |
2 / 463 |
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| hip hop |
3 / 682 |
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| Look At Pablo Picasso’S Girl In A Chemise (Illustration Book, Colour Plate 40). |
2 / 353 |
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| MY FIRST TATOO |
2 / 599 |
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| Michelangelp Buonarotti |
2 / 347 |
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| Music Censorship |
3 / 853 |
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| Raphael Sanzio inspired |
5 / 1230 |
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| Romanesque |
4 / 1121 |
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| Sss |
4 / 954 |
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| Values |
2 / 427 |
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| Venus standing in a landscape |
2 / 363 |
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| outline of Vincent Van Gogh |
3 / 889 |
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| sarah mceneaney |
2 / 570 |
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| sex drugs, rock and roll |
3 / 889 |
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| Abstraction As Representation |
4 / 1091 |
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| Alaxander Gardner |
3 / 794 |
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| Ancient greek art |
2 / 538 |
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| Art Analysis Salvador Dahli |
4 / 999 |
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| brown vs. board of education |
4 / 1094 |
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| Caravaggio vs. The Camera Obscura |
5 / 1308 |
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| compare and contrast of statue art |
2 / 381 |
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| Early Perspectives |
2 / 492 |
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| French Renaissance Art under Loius XIV |
2 / 440 |
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| Graffiti Review |
3 / 658 |
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| History, Structure, and Architectural Aspects of the Pantheon |
3 / 669 |
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| Michaelangelo |
3 / 786 |
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| orientalism |
3 / 616 |
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| Patron-Artist Relations in the Renaissance |
4 / 1166 |
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| picaso |
2 / 395 |
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| Rauschenberg:Combines |
4 / 1077 |
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| Red Figure Amphora With Musical Scene |
3 / 737 |
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| Renaissance vs. The Middle Ages |
2 / 429 |
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| rennaissance and mannerist |
2 / 493 |
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| Tattoos |
6 / 1549 |
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| The Life And Times Of James Joyce |
4 / 954 |
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| tattooing |
2 / 347 |
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| the magic of crucifixion |
3 / 850 |
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| Ukiyo-e |
3 / 764 |
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| What is Primitive |
2 / 511 |
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| AVAM |
4 / 1000 |
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| Active Intellect In Aristotle, |
4 / 959 |
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| Alice Walker |
2 / 325 |
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| Analysis Of O. Henry's "art And The Bronco |
2 / 579 |
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| Art Censorship |
2 / 494 |
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| Art Comparison |
6 / 1714 |
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| Art Trends In The Renaissance |
3 / 724 |
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| Artist Comparison |
2 / 327 |
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| artist |
7 / 2033 |
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| Baroque Art in Europe and North America |
5 / 1406 |
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| Censorship |
3 / 607 |
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| Charcoal Drawing |
2 / 565 |
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| Chinese Art |
5 / 1204 |
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| Comparison of Self-Portraits and Their Importance During the 18th Century |
1 / 136 |
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| Cubism Art |
3 / 767 |
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| capra cu trei iezi |
2 / 549 |
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| chuck close |
4 / 968 |
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| Direct Painting |
3 / 820 |
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| divided we speak |
3 / 819 |
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| Edward Hallett Carr |
1 / 198 |
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| Fashion |
3 / 674 |
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| Fra Lippo Lippi |
5 / 1481 |
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| first ladies |
1 / 113 |
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| Getting Your Tragus Pierced |
3 / 640 |
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| Greek Art |
5 / 1288 |
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| He Beatles |
1 / 95 |
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| History Of Photography |
4 / 1192 |
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| History |
1 / 293 |
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| history of music |
2 / 309 |
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| Immortal Technique is a Great Rapper |
2 / 495 |
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| James Taylor |
2 / 449 |
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| johnt |
3 / 680 |
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| Kintaro |
3 / 849 |
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| Leo |
2 / 407 |
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| Lichtenstein: The Evolution of Pop |
3 / 887 |
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| M.C. Escher |
2 / 326 |
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| M.c. Escher |
2 / 326 |
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| Mr |
4 / 1152 |
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| Museum Assignment |
4 / 1170 |
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| Napster |
3 / 805 |
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| Pornography |
2 / 590 |
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| pandoras' box |
2 / 399 |
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| romantic artists |
5 / 1307 |
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| Salvidor Dali |
2 / 442 |
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| salvatore Dali |
4 / 1110 |
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| The Awakening |
3 / 749 |
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| The Basic Dilemma Of The Artist |
6 / 1666 |
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| The European Renaissance |
2 / 368 |
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| The Marvelous Sauce |
3 / 743 |
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| The Picture Of Dorian Gray 2 |
3 / 817 |
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| The Vision of Saint Anthony of Padua |
3 / 638 |
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| The Walls Are Talking |
6 / 1686 |
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| The White Lilacs |
2 / 438 |
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| The old guitarist |
2 / 552 |
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| the persistence of memory |
4 / 1049 |
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| What Is The Expression Theory Of Art |
5 / 1347 |
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| What Is The Expression Theory Of Art |
5 / 1347 |
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| Artist Public Appearance Agreement |
9 / 2616 |
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| Col. Tom Parker |
2 / 506 |
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| Culture and Music |
2 / 463 |
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| Duke ellington biography |
3 / 607 |
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| Exploring Popular music |
5 / 1248 |
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| George Gershwin |
3 / 750 |
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| Getting Help in the Music Business |
8 / 2218 |
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| Hip Hop: An American Culture |
6 / 1706 |
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| Madonna's Like a Prayer Analysis |
3 / 637 |
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| Media |
3 / 657 |
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| Movie Magic: Audio And Visual Special Effects 1960-1990 |
3 / 893 |
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| Music Piracy |
5 / 1429 |
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| Music of India |
4 / 1170 |
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| media law |
7 / 1884 |
|
| music apre |
2 / 398 |
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| music is were the heart is |
2 / 441 |
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| Napster |
5 / 1334 |
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| no more censorship |
2 / 433 |
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| Rave And Rock |
4 / 999 |
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| Shared Music |
3 / 602 |
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| Show over soul |
5 / 1331 |
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| What Is Music Copyright? |
6 / 1624 |
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| Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself? |
7 / 1936 |
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| gravity |
2 / 544 |
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| Nature |
3 / 760 |
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| Pablo Picasso |
4 / 1107 |
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| Philosophy of Art Van Gogh painting |
6 / 1747 |
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| Struggle of Artists Throughout Time |
2 / 520 |
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| Truth |
5 / 1265 |
|
| manic depression and creativity |
3 / 665 |
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| Quasi Experiment |
2 / 566 |
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| The Art Of Insanity |
3 / 677 |
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| The movement |
2 / 319 |
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| lion king |
3 / 823 |
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| The Middle Age Artist Giotto |
3 / 623 |
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| computer graphics |
5 / 1350 |
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| Global Warming |
3 / 727 |
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| Student |
2 / 497 |
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| A CELEBRATION OF LIFE |
3 / 739 |
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| Illegal Music Downloading |
2 / 593 |
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| importance of language |
4 / 1007 |
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| Political Art |
5 / 1291 |
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| Prodigies |
2 / 478 |
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| Reaction Paper |
2 / 441 |
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| Role Of Viewers |
4 / 974 |
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| SEXUAL IMAGES IN RAP VIDEOS |
3 / 766 |
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| Tattoos |
4 / 916 |
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| Tv Or Not Tv: Is It Even A Question? |
4 / 939 |
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| Claim Of policy |
4 / 942 |
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| Computers Now |
4 / 989 |
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| digital photography artists |
2 / 362 |
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| file sharing |
3 / 721 |
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| the transfiguration |
1 / 159 |
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