| Title |
Pages / Words |
Save |
| analyse shane with specific reference to the films visual style and western themes |
6 / 1556 |
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| Western Movie Critiquing |
3 / 855 |
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| Shane Reaction Notes |
2 / 456 |
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| Shane |
4 / 937 |
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| Who Is The Hero |
4 / 1107 |
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| Death of the West |
3 / 814 |
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| Comparative Thesis Visual and Verbal |
2 / 314 |
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| What makes a great movie |
1 / 257 |
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| grouping |
2 / 308 |
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| African American Cinema |
3 / 673 |
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| movie |
1 / 214 |
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| learning styles |
1 / 247 |
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| Babam Ve Oglum |
4 / 1139 |
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| Film Noir |
3 / 634 |
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| ms |
3 / 843 |
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| FEED Resource Recovery |
4 / 1102 |
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| The Auteur Theory: Stanley Kubrick |
4 / 1134 |
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| godfrey reggio |
4 / 979 |
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| Hong Kong Cinema |
3 / 709 |
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| Film Methodologies - Point Break (1991) |
4 / 1084 |
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| College Student |
1 / 235 |
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| Vertov and Eisenstein |
3 / 750 |
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| Windows Vista |
1 / 283 |
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| Critique Of The Cabinet Of Dr. Caligari |
2 / 481 |
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| Romeo and Juliet: 1968 vs. 1996 films |
1 / 162 |
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| Samurai in Film |
2 / 421 |
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| Matrix paper |
2 / 550 |
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| Mise En Scene |
3 / 696 |
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| Mr |
5 / 1262 |
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| my goodness |
1 / 249 |
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| Week 1 Dq |
2 / 333 |
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| Kubrick Lives |
4 / 1140 |
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| film noir |
3 / 693 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| narrative structures |
3 / 616 |
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| classification of movies |
2 / 425 |
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| Christine de Pizan |
2 / 572 |
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| Blaxpoitation |
2 / 325 |
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| Animation |
2 / 476 |
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| the corporation |
2 / 347 |
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| snatch |
4 / 920 |
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| Christopher Marlowe |
3 / 801 |
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| Lightning Dean Koontz |
2 / 372 |
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| Starbucks integrated marketing communication campaign |
2 / 391 |
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| All Quiet On The Western Front |
2 / 339 |
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| David Fincher |
2 / 468 |
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| A Passage from Beautiful Child: The Lost Chapters |
2 / 569 |
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| Stephen Speilberg |
4 / 1036 |
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| Film: From Silent to Sound |
2 / 551 |
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| Blood, Violence And Gore As Entertainment |
2 / 363 |
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| African Art |
2 / 401 |
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| African Arts |
2 / 401 |
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| Alfred Hitchcock |
4 / 945 |
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| The Outsiders |
4 / 1105 |
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| The Matrix |
4 / 1011 |
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| The Shawshank Redemption |
2 / 528 |
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| marix |
3 / 854 |
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| religion |
2 / 433 |
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| The Art of Africa |
2 / 416 |
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| Nescafe |
2 / 475 |
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| Kung Fu Hustle: A Spoof of Eastern and Western Cultures |
4 / 932 |
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| walt disney |
1 / 223 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| Typecasting in the Real World |
3 / 732 |
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| fahrenheit 451 |
2 / 383 |
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| literary analysis of Mark Twain |
2 / 314 |
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| Censorship in the Media |
3 / 780 |
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| visual perception |
2 / 546 |
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| Film Auteurs |
5 / 1306 |
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| film auterism |
5 / 1361 |
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| Comparing two visual pieces |
5 / 1468 |
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| Blade runner |
5 / 1460 |
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| afaet |
2 / 547 |
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| Francis Ford Coppola |
2 / 500 |
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| takashi murakami |
1 / 287 |
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| The Influence Of Ancient Greece On Western Civilization |
3 / 854 |
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| Movie History |
2 / 568 |
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| ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
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| John Wayne |
3 / 629 |
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| Slaying the Dragon |
2 / 459 |
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| Leone: The Movies of Fantasy |
2 / 582 |
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| Text shape society - respond with reference to film |
7 / 1964 |
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| Style Wars |
1 / 265 |
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| The Breakfest Club |
3 / 694 |
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| Film Sound |
4 / 951 |
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| a river runs thruough it |
3 / 675 |
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| sweatshop article comparasion |
2 / 433 |
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| learning styles |
5 / 1216 |
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| Employee Profiles Interclean |
4 / 985 |
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| Tone And Communication |
3 / 842 |
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| Movie Magic: Audio And Visual Special Effects 1960-1990 |
3 / 893 |
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| The Two-Tiered System of Allusions |
5 / 1497 |
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| My thesis |
2 / 520 |
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| Fight Club |
1 / 229 |
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| The Tell-Tale Heart Analysis |
1 / 217 |
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| Obesity |
1 / 249 |
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| Geography |
3 / 666 |
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| Atmosphere and its Creation |
4 / 1068 |
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| Axe Deo |
1 / 300 |
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| Contemporary Developments In Business And Management (Sim337) |
2 / 485 |
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| Dodge City And Unforgiven |
4 / 1017 |
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| semiotics |
4 / 908 |
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| French New Wave |
4 / 1149 |
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| A film I have seen |
2 / 523 |
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| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
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| Dangdut |
1 / 217 |
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| electronic presentaions |
1 / 290 |
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| How does the production in new Hollywood differ fron that of the studio era? describe what makes new hollywood cinema new. |
1 / 164 |
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| Taxi Driver: A modern version of the Western Film |
3 / 721 |
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| Does Othello have a used by date? |
3 / 608 |
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| 1920's |
1 / 157 |
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| Schindler's List, The Pianist, and Life is Beautiful |
1 / 259 |
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| Requiem for a Dream |
2 / 328 |
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| Amelie |
2 / 330 |
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| john williams |
3 / 762 |
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| Master Filmaker Akira Kurosawa |
4 / 1198 |
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| Saving Private Ryan Help Sheet |
2 / 320 |
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| Life, Liberty, and the Pursuit of Epicurean Philosophy - A brief discussion on how to achieve happiness while denying the grip of death |
2 / 324 |
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| Advantages And Disadvantages Of Subtitles |
2 / 546 |
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| Pixar Investment Profile |
2 / 449 |
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| Tim Burton Film Characteristics |
9 / 2595 |
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| Movie Marketing In India |
2 / 329 |
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| Johnny Depp |
2 / 398 |
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| Thoughts on Tania Modleski's "Cinema and the Dark Continent: Race and Gender in Popular Film" |
1 / 263 |
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| Oil Prices To Fall Down |
3 / 652 |
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| faherenheit 9/11 |
4 / 1171 |
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| Artist: Turner: Outline |
2 / 347 |
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| DARKER CITIES |
2 / 595 |
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| The Birth Of A Nation And Greed |
4 / 1185 |
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| pleasantville |
3 / 835 |
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| Mla Documentation |
2 / 301 |
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| Cinema of Japan |
6 / 1713 |
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| Prayer Book |
2 / 370 |
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| Fight Club |
1 / 253 |
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| Post-Renaissance Films |
1 / 253 |
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| mr |
1 / 265 |
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| Mise-En-Scene in Calagari |
2 / 352 |
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| oh what |
4 / 1126 |
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| On the waterfront |
1 / 126 |
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| yay |
3 / 707 |
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| Ca Twiste a Popenguine |
1 / 123 |
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| The Road Beneath My Feet |
2 / 529 |
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| Old Movies And America |
2 / 462 |
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| ^case study analysis |
2 / 597 |
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| response to boyz n the hood |
3 / 770 |
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| opionative essay on smoking |
1 / 276 |
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| the greeks |
2 / 382 |
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| Horror Movies |
3 / 613 |
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| Life of a Computer Programmer |
1 / 172 |
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| sfsf |
2 / 474 |
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| discussion paper how to read a roman portrait |
2 / 402 |
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| Alfred Hitchcock (Rough) |
5 / 1214 |
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| a clockwork orange |
2 / 475 |
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| hitchcock |
2 / 418 |
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| Why We Crave Horror Movies |
1 / 248 |
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| Stephen King |
1 / 188 |
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| Action films. Good or Bad ?? |
2 / 501 |
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| Red River |
3 / 795 |
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| politics and the english language |
3 / 692 |
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| Madonna Case Study |
1 / 286 |
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| Gillian Armstrong |
6 / 1556 |
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| Film noir |
6 / 1584 |
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| Culture Of Film |
6 / 1579 |
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| Visual Basic |
2 / 593 |
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| what is an auteur? |
5 / 1425 |
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| Harry Potter |
1 / 140 |
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| Edgar Allen Poe's Obscure Style |
3 / 651 |
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| Films that were enjoyed and disliked |
3 / 730 |
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| Soical Class |
3 / 858 |
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| Fashion With Some Individuality |
2 / 365 |
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| Masculinity In Popular Japanese Music |
7 / 2043 |
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| Chinese Dress |
2 / 505 |
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| Cultural Analysis of "The Last Samurai" |
4 / 1062 |
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| George Lucas: One of the greatest filmmakers |
5 / 1454 |
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| major themes of the scarlet letter |
2 / 321 |
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| Hollywood Vs. The World |
4 / 1134 |
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| Classical and Post-Classical Hollywood Cinema |
9 / 2512 |
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| Alfred Hitchcock |
4 / 965 |
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| Greek Influence in Western Culture |
1 / 294 |
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| Summary and Analysis on Practices of Looking |
3 / 819 |
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| Ikea |
1 / 264 |
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| School Leadership |
1 / 212 |
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| Tannnebaum & Schmidt's continuum of leadership theory (task, followers, and him/herself) |
2 / 354 |
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| into the wild two viewpoints |
4 / 1045 |
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| religion in film |
8 / 2275 |
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| VAK Learning Styles |
3 / 711 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| The Seduction |
1 / 186 |
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| Film Violence |
2 / 412 |
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| Power to the Little People |
2 / 432 |
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| C-grade answer for the impact of Hollywood's focus on the blockbuster film and how it's affected the up-turn in box office figures in the last 10 years. |
1 / 271 |
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| BMW Films |
2 / 328 |
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| Referencing |
2 / 318 |
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| pHYSO aNALYSIS |
2 / 343 |
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| help me |
2 / 477 |
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| Working memory and its components |
3 / 632 |
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| The Indian Premier League (IPL) of T20 Cricket and its take-away for Organizational Strategy |
2 / 459 |
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| visual basic |
2 / 406 |
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| Hamouda |
2 / 438 |
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| Japan: Social Customs |
2 / 431 |
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