| Title |
Pages / Words |
Save |
| Taming of the Shrew |
3 / 644 |
 |
| Fate Playing a Role |
6 / 1642 |
|
| The Love and Devotion of Lady Macbeth |
3 / 615 |
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| the issue of time in othello |
4 / 1006 |
|
| How does Shakespeare portray the nature |
5 / 1231 |
|
| Analyzing Shakespearean Sonnet |
4 / 1020 |
|
| Womans Were In Late 1800'S |
1 / 189 |
|
| Romeo and Juliet |
8 / 2352 |
|
| Othello |
2 / 328 |
|
| King Lear: Everything About The Play Hangs On First Two Scenes |
6 / 1580 |
|
| hesitant hamlet |
3 / 788 |
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| Romeo And Juliet |
4 / 963 |
|
| Hamlet: Essay On Act I |
4 / 1030 |
|
| Comparison Of Shakespeare's Sonnet 73 And Sonnet 116 |
3 / 865 |
|
| english future |
1 / 291 |
|
| poetry essay on various |
3 / 859 |
|
| Ser |
2 / 303 |
|
| king lear |
3 / 740 |
|
| Methought I saw |
1 / 273 |
|
| King Lear - Fool's Character |
4 / 1099 |
|
| Limon Dance Company |
2 / 366 |
|
| Shakespeares Use Of Disguise In Twelfth Night |
2 / 519 |
|
| Explore the ways that Shakespeare makes Act 1 Scene 5 of Romeo and Juliet dramatically effective. |
4 / 1144 |
|
| wide sargasso sea |
5 / 1385 |
|
| iron jawed angels and feminism |
1 / 151 |
|
| Review - Macbeth |
4 / 997 |
|
| The Renaissance |
2 / 456 |
|
| Antony and Cleopatra |
7 / 1848 |
|
| William Wallace |
1 / 281 |
|
| Othello as tragic hero |
3 / 650 |
|
| A Look At Poetry |
4 / 1115 |
|
| Sir William Wallace |
3 / 660 |
|
| The Tempest 4 |
3 / 793 |
|
| To explore and examine the different forms of love within Romeo and Juliet |
7 / 1814 |
|
| Goodnight Sweet Ladies |
7 / 1955 |
|
| In love with Shakespeare |
4 / 1198 |
|
| macbeth |
3 / 692 |
|
| Informative Essay: Women in the U.S. Army |
1 / 241 |
|
| Feminism In Jane Eyre |
5 / 1397 |
|
| Romeo & Juliet in comparrison to Michael Gow's Away |
2 / 582 |
|
| social and political society of shakepeare's time |
5 / 1244 |
|
| The Tempest - Barbarism Versus |
3 / 793 |
|
| Othello's Impact On Today's Society |
3 / 796 |
|
| Text commentary ? outside the walls of Harfleur |
2 / 573 |
|
| Revolutions |
2 / 420 |
|
| Revolutions |
2 / 421 |
|
| Revolutions |
2 / 420 |
|
| a midsummer night's dream |
1 / 249 |
|
| The Tempest - Barbarism versus Civilization |
3 / 793 |
|
| Power In Macbeth |
2 / 579 |
|
| Macbeth - Power |
2 / 579 |
|
| crucible |
2 / 412 |
|
| Macbeth essay |
4 / 1017 |
|
| An Analytical Essay of William Shakespeare's The Tragedy of Hamlet, Prince of Denmark |
4 / 1151 |
|
| Discuss the differences between Beatrice and Hero in the early scenes of the play |
4 / 1191 |
|
| The Snow man |
1 / 260 |
|
| Romeo & Juliet |
4 / 1154 |
|
| Romeo & Juliet Vs. The 1996 Film |
4 / 940 |
|
| conference of the birds |
3 / 719 |
|
| Failure |
3 / 877 |
|
| Hamlet: Hamlet's Hate For His Uncle Brought On By Ghost |
2 / 461 |
|
| The Father of Battle |
3 / 621 |
|
| Explore the different ways Shakespeare uses Hamlet's soliloquies to convey to the audience Hamlet's thoughts and feelings at the time of speaking. |
5 / 1312 |
|
| changes of macbeth |
2 / 307 |
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| Love in twelfth night |
3 / 721 |
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| Hamlet: Contrast Plays A Major Role |
3 / 683 |
|
| Shakespeare Sonnet 138 |
7 / 1855 |
|
| Anti-Semitism in Merchant of Venice |
4 / 926 |
|
| An Analysis of Hamlet's Solilquy at The End of Act 2 |
4 / 1043 |
|
| macbeth |
2 / 385 |
|
| Macbeth |
3 / 849 |
|
| Macbeth |
3 / 849 |
|
| Hamlet: Finding Courage To Die |
2 / 517 |
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| Macbeth-Tragic Hero |
2 / 389 |
|
| Social Status in Shakespeare's Plays |
7 / 1878 |
|
| Othello: Iago - "o, Beware, My Lord, Of Jealousy" |
4 / 988 |
|
| Romeo And Juliet 11 - |
7 / 1922 |
|
| Richard Iii |
3 / 718 |
|
| Julius Caesar: Brutus' Mistakes Or Harmartias |
2 / 448 |
|
| Shakespeare's Richard III |
3 / 647 |
|
| Feminism |
7 / 1804 |
|
| romeo + juliet |
4 / 1066 |
|
| Romeo And Juliet: From Play To Big Screen |
7 / 1839 |
|
| The Taming of the Shrew |
6 / 1760 |
|
| crucible |
2 / 415 |
|
| Conflict Romeo Juliet |
4 / 917 |
|
| Macbeth - Evil And Darkness |
2 / 552 |
|
| Macbeth - Evil And Darkness |
2 / 552 |
|
| Mr |
2 / 326 |
|
| Mr. |
1 / 272 |
|
| The Merchant Of Venice - Anti- |
2 / 504 |
|
| Othello Fatal Flaw |
4 / 1040 |
|
| The Merchant Of Venice Essay |
2 / 504 |
|
| Justice In Hamlet |
5 / 1237 |
|
| The Justice in Marriage |
6 / 1590 |
|
| A Look at Hamlet Through His Soliloquies: His Metamorphosis |
6 / 1688 |
|
| Women's Role |
2 / 403 |
|
| Elizabethan Theatre |
1 / 290 |
|
| King Lear |
6 / 1516 |
|
| Fools and Foolishness in King Lear |
6 / 1504 |
|
| theatre of the absurd in r+G |
4 / 1142 |
|
| BLood Imagery in Macbeth |
7 / 1933 |
|
| Sir William Wallace |
3 / 693 |
|
| Sir William Wallace |
3 / 693 |
|
| How Does Shakespeare Use Hamle |
4 / 1086 |
|
| Romeo and Juliet |
3 / 868 |
|
| Hamlet Analyzed In Terms Of Ar |
3 / 871 |
|
| A Critical Analysis Of William |
5 / 1305 |
|
| Women In The House Of Commons |
1 / 143 |
|
| The Tragedy Of Romeo And Juliet: Who Is To Blame For Their Deaths? |
5 / 1208 |
|
| VISUAl |
2 / 516 |
|
| julius caesasr |
3 / 763 |
|
| To Act or Not to Act |
2 / 550 |
|
| Othello Vs Much Ado About North |
3 / 618 |
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| Idents |
2 / 393 |
|
| Women in the 19th Century |
1 / 18 |
|
| King Lear - Childishness, Old Age, Sight, Blindness |
2 / 330 |
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| The Witches In Macbeth |
6 / 1716 |
|
| Does Othello have a used by date? |
3 / 608 |
|
| Shakespeare's Sonnet 19 |
2 / 380 |
|
| ernest hemmingway |
4 / 1093 |
|
| The Comparison Of Forest Of Ar |
3 / 605 |
|
| The Tragedy of Romeo and Juliet-Critical Lens Essay |
4 / 959 |
|
| Anthony and Cleopatra |
7 / 1810 |
|
| Othello |
3 / 802 |
|
| Othello |
3 / 802 |
|
| Othello 2 |
3 / 802 |
|
| Love and Life Shakspeare |
2 / 454 |
|
| Feminism in Hamlet |
5 / 1408 |
|
| The Power of Sympathy |
4 / 971 |
|
| romeo and juliet |
3 / 690 |
|
| "In what ways is ?The Taming of the Shrew' an appropriate title for the play?". An exploration of Shakespeare's dramatic presentation of Katherina. |
5 / 1435 |
|
| ur face |
1 / 283 |
|
| The battle of the boyne |
3 / 625 |
|
| Macbeth |
2 / 320 |
|
| the curious incident of the dog in the night time |
3 / 827 |
|
| Hamlet: Horatio - A Man Of Thought, Fortinbras - A Man Of Action |
3 / 756 |
|
| Discrimination |
1 / 199 |
|
| Hamlet |
2 / 583 |
|
| health |
5 / 1290 |
|
| What is normal |
2 / 361 |
|
| Macbeth, King Lear and Much Ado About No |
4 / 926 |
|
| Ophelia's Hamlet |
4 / 1090 |
|
| Tragic Flaws Of Othello |
4 / 1080 |
|
| Othello |
5 / 1414 |
|
| Hamlet Vs. Laertes |
3 / 869 |
|
| Analysis of major characters in 1984 |
4 / 1112 |
|
| Ovid |
2 / 553 |
|
| Cesar |
4 / 1030 |
|
| Admirable |
2 / 483 |
|
| Marie Rose |
2 / 487 |
|
| Psychoanalytic Analysis of Shakespeare's Hamlet |
4 / 1187 |
|
| Female Convicts |
1 / 239 |
|
| Degrees of Guilt in Othello |
9 / 2469 |
|
| a feminist critique on Frankenstein |
2 / 421 |
|
| paper 1 |
1 / 79 |
|
| Iago |
5 / 1228 |
|
| Romeo + Juliet: An E Ticket Ride |
3 / 728 |
|
| Hamlet |
3 / 651 |
|
| No Loner Mourn For Me Explication |
2 / 433 |
|
| Hamlet: Symbolism In Yorick's skull |
1 / 289 |
|
| midsummer night's dream |
1 / 287 |
|
| Ophelia |
6 / 1511 |
|
| Mr. |
4 / 1006 |
|
| Hamlet Analyzed In Terms Of Ar |
3 / 889 |
|
| Kit's Character Development |
3 / 719 |
|
| Shakespeare'S Sonnets – A View On Love |
6 / 1538 |
|
| Pornography and Censorship |
3 / 675 |
|
| the bear |
2 / 400 |
|
| The Globe Theater |
3 / 873 |
|
| Romeo and Juliet essay |
4 / 963 |
|
| macbeth |
1 / 283 |
|
| shakespeare |
4 / 1093 |
|
| Classification Essay |
2 / 539 |
|
| WOMEN'S ROLE IN SHAKESPEAREAN TRAGEDY |
6 / 1667 |
|
| Woman Roles in Past Civilization |
2 / 303 |
|
| Othello - Compared To Twelfth Night |
3 / 662 |
|
| Case Study |
3 / 601 |
|
| Women and Depression: Biological Factors |
3 / 828 |
|
| Pro Choice |
2 / 542 |
|
| Seeing Storms And Madness |
5 / 1209 |
|
| romeo and juliet |
4 / 1144 |
|
| Definition of hero |
2 / 485 |
|
| conlonial comparison essay |
2 / 591 |
|
| Romeo & Juilet |
1 / 285 |
|
| Sonnet 116 |
3 / 643 |
|
| Shakespeare and the Movies |
8 / 2326 |
|
| Iago |
3 / 675 |
|
| Poesie |
6 / 1725 |
|
| On Fate In Hamlet |
2 / 450 |
|
| King Lear |
4 / 1040 |
|
| Tragedy |
3 / 847 |
|
| Different Images Of The Wife Between Sixteenth Centuries And Today |
3 / 601 |
|
| Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts |
6 / 1665 |
|
| othello |
3 / 858 |
|
| Courage in Black Like Me and Romeo and Juliet |
4 / 902 |
|
| Examine the ways in which Shakespeare develops the character of Romeo through his use of language. |
4 / 903 |
|
| Shakespeare: Close Reading Brutus`S Speech |
4 / 1075 |
|
| King Lear |
3 / 622 |
|
| Masking Ends in Deception, Much Ado About Nothing |
2 / 550 |
|
