Title |
Pages / Words |
Save |
Lueen Conning |
1 / 234 |
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Immortal Poetry |
5 / 1453 |
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Graffiti Culture |
2 / 544 |
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How England was conquered |
3 / 665 |
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John Smith and William Bradford |
2 / 342 |
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John Smith and William Bradford |
2 / 342 |
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Blake Mycoskie: Chief Shoegiver |
3 / 874 |
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Bruce Lee |
1 / 183 |
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David Hockney |
2 / 478 |
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Erik Erikson |
1 / 222 |
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George Strait |
2 / 379 |
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jackson pollock |
1 / 205 |
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Mariah Carey |
4 / 947 |
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Michelangelo |
2 / 535 |
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Pablo Picasso |
2 / 344 |
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research paper of jay-z |
2 / 440 |
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Upcominjg Artist |
2 / 450 |
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Whitney Houston |
2 / 539 |
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William Blake |
14 / 4176 |
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William Harrison |
2 / 345 |
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William Howard Taft |
2 / 316 |
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A Bridge to Terabithia |
2 / 474 |
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Big Fish |
2 / 595 |
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Deeper Meaning, The Old Man and the Sea |
2 / 500 |
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Full Tilt |
12 / 3523 |
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Innocence is bliss-catcher in the rye |
2 / 471 |
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image as text |
4 / 967 |
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Looking inside Franz Kafka |
5 / 1290 |
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Mullet Girls |
1 / 275 |
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motivation |
3 / 643 |
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Othello |
3 / 612 |
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Porsche 911 Road Cars |
2 / 488 |
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Sonata For Harp and Bicycle by Joan Aiken |
2 / 311 |
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Terebithia |
2 / 348 |
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The Life of Shakespeare |
2 / 330 |
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The Portrait of the Artist as a Young Man |
3 / 606 |
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Glofish Llc |
3 / 681 |
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Home Depot |
6 / 1743 |
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organizational and societal functions of PR |
1 / 197 |
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Russia Leads Europe'S Shopping Centre Boom |
2 / 406 |
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The Hexidemical Company |
4 / 907 |
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team dynamic |
1 / 297 |
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A Comparison of Blake, Wordsworth and Keats |
9 / 2523 |
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A Portrait of the Artist as a Young Man Passage Commentary |
3 / 682 |
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A Valediction: Forbidding Mourning and The Sun Rising |
2 / 586 |
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Antigone: To Bury or Not to Bury, That's the Dying Question |
5 / 1282 |
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Araby |
2 / 394 |
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Aristotle |
2 / 559 |
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Dances with Wolves by Michael Blake |
5 / 1238 |
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Description Paper |
1 / 286 |
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Edgar Allan Poe's Poetry |
2 / 398 |
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Explicit Lyrics |
3 / 677 |
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Fligth Patterns |
3 / 693 |
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It's Your Outlook that Matters |
2 / 486 |
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Jay Z and his accomplishments |
3 / 727 |
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Kafka's "A Hunger Artist" |
3 / 798 |
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Kipling and The Pre-Raphaelites |
2 / 426 |
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Leadership Model |
3 / 618 |
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Life and Times of |
2 / 496 |
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Litreture Essay" The Killing Bottle" |
3 / 789 |
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Little Women, Persuasive |
1 / 253 |
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brent staples |
3 / 783 |
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crucible |
2 / 412 |
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crucible |
2 / 415 |
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hmm |
2 / 532 |
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inhertitance essay |
2 / 483 |
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Memo |
1 / 246 |
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Mr. |
2 / 399 |
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My First Time Home |
4 / 911 |
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New School |
1 / 207 |
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Paradise Lost |
3 / 825 |
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Pirate |
8 / 2352 |
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Poetry Essay |
4 / 944 |
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Poetry |
1 / 168 |
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Religion In James Joyce's A Portrait Of The Artist As A Young Man. |
4 / 1160 |
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Romanticism and it’s authors |
4 / 1035 |
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Sacks |
3 / 897 |
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Style Wars |
1 / 265 |
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Symbolism in William Blakes "The Rose" |
2 / 446 |
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The Art of Poetry: Interpretation and Imagination in William Carlos Williams' ?The Red Wheelbarrow' |
4 / 985 |
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The Garden Of Love |
5 / 1321 |
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The Grasmere Journals |
3 / 632 |
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The Ideal Society ? Reason vs. Emotions |
2 / 380 |
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The Moonstone Essay |
3 / 801 |
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The Need For Appreciation (A Reflection To "Flight Patterns") |
2 / 482 |
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The Real Thing |
1 / 231 |
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The Romantic Imagination in Action |
11 / 3284 |
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Tomorrow,Tomorrow,Tomorrow |
1 / 289 |
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Who really wrote shakespeare's work |
3 / 760 |
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William Blake, "Love's Secret" |
4 / 1013 |
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William Shakespeare |
2 / 343 |
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William Shatner |
1 / 270 |
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William Wordsworth |
2 / 577 |
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shelley as a revolutionary |
1 / 200 |
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the arhument |
11 / 3072 |
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william shakespear |
2 / 303 |
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Abstraction As Representation |
4 / 1091 |
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bAROQUE AND ROMANTICISM |
1 / 226 |
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Exhibition Review |
3 / 670 |
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Porsche 911 Road Cars |
2 / 479 |
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Raphael Sanzio |
1 / 258 |
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Revolutions |
2 / 420 |
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Roman Empire |
2 / 562 |
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Sir William Wallace |
3 / 693 |
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The Abolition of Man |
2 / 313 |
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The Father of Battle |
3 / 621 |
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William The Conqueror |
3 / 624 |
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Winston Churchill |
5 / 1390 |
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Dr |
2 / 421 |
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Shakespeare |
2 / 426 |
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A Divine Image: Rhyme And Rhythm |
3 / 748 |
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A Portrait Of The Artist As A Young Man |
3 / 761 |
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Art - Old vs. New |
2 / 483 |
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Art and Anatomy |
2 / 306 |
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Art |
2 / 330 |
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Asher Lev |
4 / 945 |
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Asher Lev |
1 / 277 |
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Austin Museum Of Art |
2 / 539 |
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Authentic Music |
3 / 671 |
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art formal analysis |
1 / 281 |
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Battle Of Hastings |
2 / 394 |
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Braveheart |
2 / 439 |
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Centrifugal Pump |
2 / 326 |
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Good Design |
1 / 279 |
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Graffiti |
3 / 746 |
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Hoop Dreams |
3 / 692 |
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Ideal Nude |
4 / 1029 |
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Impressionism |
2 / 456 |
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John Smith And William Bradford |
2 / 342 |
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Leonardo Da Vinci (!) |
1 / 284 |
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Lillian Bassman photography |
1 / 248 |
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Little Women, Persuasive |
1 / 253 |
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Mark Messersmith |
2 / 448 |
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Maurice Sendak |
2 / 570 |
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Much Ado About Nothing |
1 / 42 |
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Museum Assignment |
4 / 1170 |
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My First Time Home |
4 / 911 |
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mock convention |
5 / 1291 |
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mtv |
1 / 281 |
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New England: A Matter Of Perspective |
3 / 665 |
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Objectism |
2 / 407 |
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Poetry Assignment |
8 / 2325 |
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Pop Art’s Response to Mass Consumerism |
4 / 1049 |
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project management -a scientific art |
1 / 230 |
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Real And Unreal |
3 / 872 |
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Religion In James Joyce's A Portrait Of The Artist As A Young Man. |
4 / 1160 |
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Religion In James Joyce's A Portrait Of The Artist As A Young Man. |
4 / 1160 |
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Rennaisance Art |
2 / 552 |
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Revolutions |
2 / 421 |
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Revolutions |
2 / 420 |
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Roman Empire |
2 / 562 |
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Sheldon |
1 / 295 |
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Sir William Wallace |
3 / 660 |
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Sir William Wallace |
3 / 693 |
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The Artist And The Art |
4 / 1150 |
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The Garden Of Love |
5 / 1321 |
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The Name Of The Rose |
2 / 476 |
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The Renaissance (1400-1520 Ad) |
2 / 576 |
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Timothy Findley |
2 / 372 |
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Tower Of London |
1 / 292 |
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vanitas |
2 / 395 |
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What Is The Expression Theory Of Art |
5 / 1347 |
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What Is The Expression Theory Of Art |
5 / 1347 |
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William Few |
2 / 371 |
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William Wallace |
1 / 281 |
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World of Art |
2 / 356 |
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Art Essay |
2 / 441 |
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Braveheart |
2 / 439 |
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creating and implementing an artist career plan |
6 / 1668 |
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Finding Forrester |
1 / 248 |
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Getting Help in the Music Business |
8 / 2218 |
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HOLLA BACK YOUNGIN |
1 / 253 |
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Haiku III |
2 / 406 |
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Hip Hop Bad? |
2 / 323 |
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Human-Likeness In Braveheart Movie |
3 / 891 |
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hip hop |
2 / 556 |
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My favorite artist: 2pac |
1 / 187 |
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Show over soul |
5 / 1331 |
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Sweet and Lowdown |
2 / 310 |
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Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself? |
7 / 1936 |
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Leonardo Da Vinci |
3 / 649 |
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nietzsche |
1 / 141 |
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The Romantic Philosophy |
3 / 841 |
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OBEY GIANT |
2 / 493 |
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Photographic Memories |
3 / 636 |
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Stephen Dedalus: Religion |
4 / 1160 |
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computer graphics |
5 / 1350 |
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evolution of human |
1 / 106 |
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journal 7 |
1 / 286 |
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Molar volume of a gas |
2 / 500 |
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Viscosities of Liquids |
3 / 609 |
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A perfect society |
2 / 479 |
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Analysis of Popular Stereotypes |
3 / 769 |
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Parents affect on their childrens sporting lives |
3 / 763 |
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Symbolic Interactionism |
2 / 372 |
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Value of Art in Society |
2 / 512 |
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CENTRIFUGAL PUMP |
2 / 326 |
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Computers Now |
4 / 989 |
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Functions of Gallery Website Design |
1 / 180 |
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Improve Your Media Experience with Windows Media Player 11 |
1 / 203 |
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