| Title |
Pages / Words |
Save |
| Rousseau |
2 / 580 |
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| Streetcar named desire |
3 / 863 |
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| v |
1 / 184 |
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| A Letter From Romeo And Juliet's Lawyer |
2 / 416 |
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| great expectations essay |
2 / 501 |
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| Carvers Realism From Fires |
4 / 1153 |
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| Imperialism |
3 / 638 |
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| Dover Beach |
3 / 643 |
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| Discussion Of Local Color In Mark Twain |
3 / 891 |
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| Transition to wholeness |
2 / 549 |
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| flaner o'conner |
1 / 227 |
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| Lululemon |
2 / 373 |
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| Age Of Innocence |
3 / 826 |
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| Age Of Innocence |
3 / 826 |
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| Compare Of Naturalism In "The Jungle" And "Maggie" |
2 / 368 |
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| Hiroshima - John Hersey |
2 / 496 |
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| me3 coursework |
2 / 361 |
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| L/C is a good master but bad servant. why? |
4 / 1100 |
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| Brave New World And 1984 |
2 / 345 |
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| prose analysis |
2 / 429 |
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| Romeo And Juliet - Fate Or Free Will |
2 / 468 |
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| Romeo And Juliet: Fate Or Free Will |
2 / 468 |
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| Huck Finn Morality |
3 / 786 |
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| huck finn |
3 / 738 |
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| Desiree's Baby |
4 / 926 |
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| Character Transformations In Dh Lawrence's "the Blind Man" And "the Ho |
2 / 549 |
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| Character Transformations In DH Lawrence's "The Blind Man" And "The Ho |
2 / 549 |
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| Biography Of Edgar Allen Poe |
7 / 1953 |
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| Eat Drink Man Woman |
2 / 551 |
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| Abc |
2 / 378 |
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| Stranger On A Train |
2 / 423 |
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| the ant and the grasshopper |
1 / 38 |
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| drama unit |
1 / 237 |
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| Letter |
2 / 390 |
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| Hamlet Spying And Deception |
3 / 741 |
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| animal farm reveiw |
1 / 260 |
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| Theme of Opposites Within King Lear |
2 / 591 |
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| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
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| Hamlet |
3 / 647 |
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| Hamlet |
3 / 647 |
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| Credit |
3 / 607 |
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| Children, Television, and Violence |
2 / 584 |
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| History |
2 / 517 |
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| Characterization in Salinger's Nine Stories |
3 / 639 |
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| Crash |
1 / 275 |
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| using excel spreadsheet |
4 / 1063 |
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| Advanced level |
3 / 723 |
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| MLK, Plato and Galbraith |
4 / 955 |
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| Hawthornes Reference To Anne H |
4 / 935 |
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| Death of a Salesman |
2 / 493 |
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| Harry Potter and the Order of the Pheonix |
2 / 442 |
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| Talley's Folly |
3 / 679 |
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| All Quiet on the Wester Front, letter home from Paul Baumer...good if |
2 / 460 |
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| Writers Profile of (your name here) |
4 / 1057 |
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| letter to Sardis |
3 / 615 |
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| Last Of The Mohicans |
2 / 400 |
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| King Lear Edmund |
2 / 385 |
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| Hamlet Vs. Macbeth |
2 / 512 |
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| The Celestine Prophecy |
2 / 429 |
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| Ariel-Letter to Stockholders (fictional) |
2 / 425 |
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| Alone With Nature |
2 / 368 |
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| Stereotypes In Print Texts Legally Blonde |
3 / 607 |
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| Desiree's Baby Analysis |
5 / 1388 |
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| Woah Dude |
3 / 700 |
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| Emma's character in volume 1 of the novel |
5 / 1460 |
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| Compare The Ways In Which Ferg |
5 / 1261 |
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| CIS First Paper |
3 / 779 |
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| Repercussions of Europeans in New world |
2 / 413 |
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| ben |
3 / 848 |
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| Thoughtless Actions are the Cause of Death in Romeo and Juliet |
4 / 1034 |
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| Huckleberry Finn |
3 / 773 |
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| Farewell to Manzanar Book Review |
2 / 538 |
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| a rose for emily |
2 / 323 |
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| Of Mice And Men |
2 / 488 |
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| The Bridge Of San Luis Ray |
5 / 1431 |
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| Lost |
2 / 325 |
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| Greek Actors |
2 / 339 |
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| Henry Ford |
5 / 1325 |
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| Henry Ford |
5 / 1325 |
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| rasin in the sun |
2 / 429 |
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| Of Mice and Men |
3 / 613 |
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| KEYS TO WRITERS |
2 / 513 |
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| english comp |
2 / 393 |
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| Theory Of Character And Characterization |
4 / 972 |
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| Student |
2 / 429 |
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| Why does Frankenstein begin and end with Walton's letters? |
4 / 1146 |
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| Namesake |
2 / 478 |
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| Blind Assassin |
3 / 621 |
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| Agatha Christie Biography |
2 / 342 |
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| Fifth Business: Search For Self Identity |
3 / 844 |
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| analysis |
5 / 1223 |
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| Of Violence |
3 / 622 |
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| I'm Not Scared |
2 / 474 |
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| The Odyssey - Comparing The Ro |
3 / 832 |
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| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
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| Cyrano The Bergerac - Love |
3 / 667 |
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| MacBeth |
3 / 647 |
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| Education |
2 / 406 |
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| Othello - Change Of Character |
3 / 878 |
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| Letter From Frederick Douglass |
5 / 1343 |
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| communication report |
6 / 1551 |
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| cry beloved country |
6 / 1705 |
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| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
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| Fate And Feminism |
2 / 476 |
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| Harry Potter And The Sorcerers Stone |
1 / 230 |
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| Revelation |
3 / 771 |
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| The Real Fight for "It's the Real Thing" |
2 / 378 |
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| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
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| Waiting for Godot |
6 / 1669 |
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| Rewriting the Articles of Confederation |
4 / 947 |
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| great gatsby - nick |
1 / 256 |
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| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
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| All Families Are Psychotic |
2 / 533 |
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| The Odyssey |
2 / 564 |
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| Murray Davis' Smut, Erotic Reality/obscene Ideology |
6 / 1713 |
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| Jackie Robinson |
1 / 214 |
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| The Turn of A Screw |
2 / 543 |
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| November Blues |
2 / 442 |
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| USPS facility on its busiest mailing day of the year |
3 / 820 |
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| Comparison Between King Lear and A Thousand Acres |
2 / 497 |
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| The Longest Memory |
3 / 701 |
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| 2nd essay |
5 / 1253 |
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| Me |
1 / 262 |
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| 2nd Presidential Debate 2008 |
2 / 444 |
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| Ollie Vs. The Dragon |
2 / 574 |
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| The most dangerous game |
3 / 602 |
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| The Albanian Virgin |
5 / 1465 |
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| Pit and Pendulum movie vs book |
2 / 301 |
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| Antigone and Aristotle |
2 / 469 |
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| 12th night love essay |
8 / 2153 |
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| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
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| The Lost Mariner Reaction |
2 / 537 |
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| Alice Munro Open Secrets The A |
5 / 1465 |
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| Writing Style And The Reader - |
1 / 266 |
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| Essay #1: Analysis of an Argument |
4 / 1131 |
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| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| Barn Burning 2 |
2 / 401 |
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| Barn Burning |
2 / 401 |
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| Hamlet: Theories Of Hamlet's Delay In Killing Claudius |
3 / 793 |
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| Recruitment Process |
4 / 912 |
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| King Lear |
3 / 622 |
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| Power of Advertising |
2 / 510 |
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| The Sting |
2 / 553 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Brain |
3 / 658 |
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| A Problematic Perspective Of Madame Bovary |
5 / 1259 |
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| Brutus and Antony's Speech |
3 / 831 |
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| the Role of the Intrusive narrator/ author |
2 / 444 |
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| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
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| Bartleby, The Failure |
2 / 453 |
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| Behold the Dreamer Cometh |
2 / 463 |
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| “Desiree’S Baby” |
2 / 479 |
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| Othello |
4 / 1006 |
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| Death Of A Salesman - Minor Characters |
2 / 471 |
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| House Of Spirits |
3 / 710 |
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| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
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| Huck As Hero |
4 / 1150 |
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| Red Badge Of Courage |
2 / 389 |
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| "No Sugar" Essay |
3 / 655 |
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| Charater and Plot Master Harold and the boys. |
2 / 510 |
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| importance of being ernest |
3 / 692 |
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| THE STING |
2 / 553 |
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| Iago's Vengefulness |
2 / 522 |
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| analysis of the magnification of Convex-concave microscope models in transcribing excerpts from Chekhov's chameleon |
4 / 909 |
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| Citizen Kane |
3 / 882 |
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| Scarlet Letter |
4 / 998 |
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| Glory |
2 / 352 |
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| Disability Story |
2 / 580 |
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| history |
2 / 488 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Comical Elements in Romeo & Juliet |
5 / 1459 |
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| stem cells |
2 / 432 |
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| Never The Sinner - Production Critique |
3 / 826 |
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| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
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| client vs snow in august |
2 / 532 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Molex |
3 / 889 |
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| E. M. Forster |
4 / 966 |
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| Christopher Columbus the Liar |
5 / 1236 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
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| The Age Of Innocence |
3 / 817 |
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| The Age of Innocence |
3 / 817 |
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| tomorrow when the war began |
2 / 367 |
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| MAGGIE: A Girl Of the Streets |
2 / 497 |
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| Langston Hughes |
3 / 836 |
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| age of innocence |
2 / 305 |
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| The Value of a College Education |
3 / 650 |
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| Who Moved My Cheese |
5 / 1262 |
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| Two Men In Buckram Critque |
3 / 805 |
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| Public Statement April 12, 1963 |
2 / 437 |
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| A Good Cop |
1 / 262 |
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| Point of View and Narration in The Color Purple and Jane Eyre |
4 / 949 |
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| islam |
3 / 624 |
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| The Cherry Orchard |
2 / 504 |
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| White Oleander |
2 / 341 |
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| Success vs. Failure in Two Heroic Icons |
1 / 249 |
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| Fatalism |
6 / 1693 |
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| Kingsolver |
3 / 624 |
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| As good as it gets |
3 / 644 |
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