| Title |
Pages / Words |
Save |
| David Livingstone |
3 / 637 |
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| Educating Rita |
4 / 1050 |
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| boy genius |
4 / 901 |
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| Gabriela Mistral |
2 / 599 |
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| hawthorne |
1 / 232 |
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| Lord Kelvin (1824 - 1907) |
3 / 676 |
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| sMargaret Atwood's Thirty Years of Experience Help Her Value the Importance of Language, Not Only as a Writer, But also as a Human. |
4 / 962 |
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| Voltaire |
3 / 644 |
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| william butler yeats |
1 / 207 |
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| A Clockwork Orange Analysis |
3 / 633 |
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| Catcher in the Rye |
4 / 966 |
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| Da Vinci Code Summary |
3 / 631 |
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| Different Texts, Similar Themes |
3 / 861 |
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| Dr. Jekyll and Mr Hyde analysis |
3 / 891 |
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| fiddler on the roof |
1 / 165 |
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| God's Will Vs. Human Will |
5 / 1229 |
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| Homoertic Ambiguity in The Immoralist |
3 / 759 |
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| How does theme help structure Julius Caesar |
4 / 906 |
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| Kingsolver |
3 / 624 |
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| Krik? Krak! |
3 / 749 |
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| Kurt Vonnegut's Cats Cradle use of satire |
5 / 1396 |
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| Like Water for Chocolate-Feminsim |
5 / 1214 |
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| lullaby |
3 / 661 |
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| moby dick |
1 / 195 |
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| Native Son, book 3 analysis |
1 / 289 |
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| Odysseus, Pain for Recognition |
2 / 303 |
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| Oedipus |
2 / 331 |
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| Poe's The Cask Of Amontillado: Themes |
3 / 665 |
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| Review of Charlottes Web |
4 / 1156 |
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| Song Of Solomon |
3 / 842 |
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| Streetcar named Desire |
4 / 1045 |
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| Structure Briar Rose - Jane Yolen |
4 / 919 |
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| Sydney Carton in a Tale of Two Cities |
1 / 284 |
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| Symbolism in The Scarlet Letter |
4 / 1016 |
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| The Outsiders |
4 / 1105 |
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| The Return |
3 / 770 |
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| thornton wilder |
3 / 626 |
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| Universial Themes In "the Return Of The Native" And "great Expectation |
5 / 1238 |
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| Village By The Sea |
1 / 276 |
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| Creative Strategy and Theme |
3 / 860 |
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| Cultural Reflections And The Role Of Advertising In The Socio-Economic And National Development Of Nigeria |
1 / 209 |
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| ecommerce |
1 / 258 |
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| How effective is Act 1 scene 1 in establishing the main theme and characters in the plot. |
7 / 1856 |
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| Visual Merchandising |
1 / 284 |
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| 18th Century Literature |
3 / 643 |
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| A Handful of Dust |
6 / 1743 |
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| A Streetcar themes |
1 / 236 |
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| A White heron |
2 / 318 |
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| Analyzing "Success is Counted Sweetest", "after Apple Picking" and "Mowing" |
3 / 800 |
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| Archetypes In Siddhartha |
3 / 859 |
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| BOY: Tales of Childhood |
5 / 1368 |
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| Beowulf as Christian Propaganda |
5 / 1229 |
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| Cat on the Hot Tin Roof |
1 / 292 |
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| Compare and Contrast "Genesis" and "Penetrating to the Heart of the Forest", |
5 / 1262 |
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| Compare and Contrast the movies Requiem for a Dream and Malena |
5 / 1373 |
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| Comparison & Contrast Essay |
3 / 900 |
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| Discuss The Dramatic Development Of Lady Macbeth |
1 / 240 |
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| Edgar Allan Poe's "The Philosophy of Composition" |
1 / 244 |
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| Egar Allen Poe Biography |
2 / 530 |
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| Envy, Beauty, and Snow White |
5 / 1202 |
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| Fahrenheit 451 |
1 / 278 |
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| Gilgamesh |
6 / 1635 |
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| Heart Of Darkness/symbolizm |
3 / 649 |
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| Heart of Darkness Info |
3 / 810 |
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| Holding the attention of the audience in Othello |
5 / 1248 |
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| Jane Eyre |
3 / 877 |
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| Jumping Mouse |
4 / 1145 |
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| King Lear essay |
7 / 2003 |
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| Le Cid |
3 / 713 |
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| Les Miserables |
3 / 623 |
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| "Death of a Hired Man" by Robert Frost Textual Analysis |
3 / 789 |
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| "Romeo and Juliet" / "West Side Story" - A Comparison / Contrast |
3 / 900 |
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| class plan |
3 / 648 |
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| gatsby-natural comparison |
3 / 840 |
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| how do shakespeare's sonnets feed off the world around him? |
3 / 867 |
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| j.d. salinger |
3 / 635 |
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| literary anylasis |
1 / 297 |
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| “The Destructors” And “The Rocking Horse Winner” |
3 / 771 |
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| MR |
4 / 1042 |
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| Metho Drinker Analysis |
3 / 671 |
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| Neighbor |
3 / 838 |
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| Protestants and Catholics |
3 / 813 |
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| Recalled To life |
3 / 842 |
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| Rocking Horse Winner Literary Devices |
5 / 1210 |
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| Self and Other: The Scarlet Letter |
1 / 257 |
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| Shawshank Redemption |
3 / 779 |
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| Shdow of a Doubt |
3 / 746 |
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| Shifts in Sensibility |
3 / 601 |
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| Sight and Blindness in Oedipus Rex |
4 / 1154 |
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| Significance of chapter 5 to the novel as a whole-Frankenstein |
3 / 687 |
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| Style Analysis of Kurt Vonnegut on Slaughterhouse Five |
5 / 1460 |
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| Success |
3 / 800 |
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| Symbolisim and themes in the Lottery |
4 / 1006 |
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| Text shape society - respond with reference to film |
7 / 1964 |
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| The Age Of Revolt |
3 / 796 |
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| The French Lieutenant’s Woman |
3 / 899 |
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| The Invisible Man |
4 / 908 |
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| The Old System |
4 / 1044 |
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| The Tell Tale Heart |
3 / 789 |
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| The influence of religion in The Kite Runner: |
3 / 640 |
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| Themes In A Farewell To Arms |
4 / 980 |
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| Themes In Samuel Beckett'S 'Waiting For Godot |
4 / 968 |
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| Themes in Beowulf |
4 / 977 |
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| Themes of |
4 / 1066 |
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| Themes: TheThings They Carried |
4 / 1115 |
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| To be or not to be |
2 / 364 |
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| Using Endgame and Top Girls as your starting point, examine the ways in which departures from theatrical naturalism are used to develop the main themes of these plays. |
7 / 1817 |
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| Vertigo |
6 / 1597 |
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| World Lit to Renaissance |
3 / 662 |
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| Yeats |
7 / 1911 |
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| Yeats: Enlarging Friends and Family to heroic proportions |
13 / 3646 |
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| one flew over the cuckoos nest |
4 / 1086 |
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| othello passage analysis ACT 3, SCENE 3, LINES 163-215 |
4 / 1031 |
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| oy Luck Club- mother-daughter relationships |
5 / 1357 |
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| Artemisia Gentileschi |
4 / 1004 |
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| Bibliography Reference to Mathew and Mark |
1 / 262 |
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| Greek |
1 / 232 |
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| Miss |
2 / 445 |
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| Racism in The Reviers: The Novel and Film Version |
4 / 1005 |
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| Siberian Dream |
1 / 251 |
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| The Northern Rennaisance |
2 / 489 |
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| The Parliament |
3 / 729 |
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| The Pre-Raphaelites |
4 / 911 |
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| Von Daniken'S Evidence |
1 / 237 |
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| A Farewell To Arms |
2 / 390 |
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| Absolute Power Corrupts Absolu |
1 / 243 |
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| Absolute Power Corrupts Absolu |
1 / 243 |
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| Advertising Privacy |
7 / 1958 |
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| Babam Ve Oglum |
4 / 1139 |
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| Bless Me Ultima - Tony |
3 / 692 |
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| Boesman And Lena - A Uniquely South African Play |
1 / 226 |
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| Butoh: Body on the Edge of Crisis |
3 / 680 |
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| Charles Darwin |
3 / 625 |
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| Cloudstreet, Tim Winton |
4 / 1163 |
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| Cloudstreet |
4 / 1163 |
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| Comparing the Scarlet Letter & The Crucible |
5 / 1203 |
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| Dance 2 |
3 / 681 |
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| Emily Dickenson |
1 / 267 |
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| Ethan From - Chapter Summary |
1 / 292 |
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| Eye of the beholder |
1 / 284 |
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| Farewell To Arms |
1 / 289 |
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| Frankenstein - Themes |
6 / 1720 |
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| Gilgamesh |
6 / 1635 |
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| Great Depression Themes in 42nd Street |
3 / 711 |
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| Hollywood Vs. The World |
4 / 1134 |
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| How To Write A Good Research Papper |
7 / 1954 |
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| how to do a research paper |
7 / 1926 |
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| Immorality In Television |
4 / 1153 |
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| lesson of the evils of liquer |
6 / 1673 |
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| Motorcycle |
5 / 1350 |
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| Motorcycle |
5 / 1350 |
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| Mrs. Warren's Profession |
4 / 1114 |
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| Of Mice And Men - The Importance Of George |
6 / 1715 |
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| Song Of Solomon |
3 / 842 |
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| Sweeny Todd |
1 / 264 |
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| Talented Or Higly Intelligent People |
5 / 1499 |
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| Tender Mercies |
3 / 847 |
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| Tender Mercies |
3 / 847 |
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| The Great Gatsby |
3 / 677 |
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| The Invisible Man |
4 / 908 |
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| The Old Man And The Sea |
3 / 783 |
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| The Parliament |
3 / 729 |
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| Themes In A Farewell To Arms |
4 / 980 |
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| Themes In Chicago Hope - Tribu |
5 / 1416 |
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| Themes Of Frankenstein |
4 / 1143 |
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| Why Should Students Study Shakespeare In School? |
2 / 535 |
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| Why Should Students Study Shakespeare In School? |
2 / 535 |
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| 25th Hour |
4 / 1090 |
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| Bob Dylan |
3 / 629 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| Cider House Rules |
4 / 1161 |
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| Citizen Kane |
1 / 291 |
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| Examining the Pathetique Sonata |
5 / 1256 |
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| Mise En Scene |
3 / 696 |
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| Odyssean Epic Film |
3 / 656 |
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| Rabbit Proof Fence |
3 / 602 |
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| Ralph Vaughan Williams: Symphony Number Five |
5 / 1244 |
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| Review on Brahms's Third Symphony |
3 / 605 |
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| Sonata Allegro Form |
4 / 1035 |
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| The Auteur Theory: Stanley Kubrick |
4 / 1134 |
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| West Side Story |
2 / 531 |
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| What makes a great movie |
1 / 257 |
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| Continental Philosophy |
3 / 621 |
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| Eat Drink Man Woman |
3 / 867 |
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| Existentialism Vs. Phenomenology |
4 / 969 |
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| Hinduism vs Buddhism |
1 / 273 |
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| philosophy of self |
2 / 326 |
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| Soren Kierkegaard |
5 / 1387 |
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| The Illiad Book XVIII Lines 548-720 |
3 / 709 |
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| The Scales |
2 / 542 |
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| I robot |
5 / 1288 |
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| Muhammed |
3 / 676 |
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| evolution |
1 / 278 |
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| Global Warming |
1 / 257 |
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| Gregor Mendel |
2 / 582 |
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| Image In Commercials |
2 / 302 |
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| Management |
1 / 269 |
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| personal |
2 / 547 |
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| Flash 8 Scrollpane |
1 / 259 |
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| Hotmail |
1 / 251 |
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