| Title |
Pages / Words |
Save |
| Anne Frank |
3 / 627 |
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| How Plot, Setting and Characters Influence Readers Response |
3 / 837 |
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| book review on uncle tom's cabin |
3 / 794 |
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| Kyle's Paper |
1 / 150 |
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| Poe Test |
3 / 802 |
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| 20,000,000 leages under the sea |
2 / 426 |
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| 3mistakes Of My Life |
2 / 396 |
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| A Farewell To Arms: Overview |
1 / 293 |
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| A Single Shard |
2 / 317 |
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| A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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| Analysis of Bjorn Sortland's \ |
2 / 516 |
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| a farewell to arms |
4 / 908 |
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| asturias |
2 / 378 |
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| Beauty |
2 / 524 |
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| Beowulf |
4 / 905 |
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| Burning a Hole In Fahrenheit 451 |
4 / 1086 |
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| Catcher in the rye |
1 / 297 |
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| Characteristics of Life in Winesburg, Ohio |
4 / 1090 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| Dangerous Ground |
2 / 453 |
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| David Mamet's Duck Variations Report |
3 / 700 |
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| Death of a Salesman, Wuthering Heights, and A Clockwork Orange |
2 / 428 |
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| Grapes Of Wrath And Of Mice And Men: Character Study |
4 / 964 |
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| Great Expectations Character Analysis - Pip |
3 / 713 |
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| Great Expectations |
3 / 604 |
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| Hawthorne's Theme |
2 / 531 |
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| Holden Caulfield’s Look at Life |
2 / 456 |
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| Kingsolver |
3 / 624 |
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| Live free or don't live at all |
5 / 1280 |
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| MacBeth |
2 / 470 |
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| not too dure |
2 / 367 |
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| Oliver Twist Analysis |
4 / 1105 |
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| of mice and men |
2 / 527 |
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| Romulus' Philosophy |
3 / 681 |
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| Soung And That Fury |
2 / 358 |
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| Sula |
3 / 779 |
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| Taming of the Shrew Critical Lens |
2 / 367 |
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| The Catcher in the Rye |
2 / 589 |
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| The Full Cupboard of Life |
2 / 509 |
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| The Notebook |
2 / 406 |
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| The Picture of Dorian Grey |
2 / 337 |
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| The Runaway Bunny |
2 / 368 |
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| The purpose of Rosencrantz and Guildenstearn in Hamlet |
1 / 261 |
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| To Reinvent or Not, That is the Question |
2 / 516 |
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| the great gatsby |
2 / 588 |
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| their eyes were watching god |
3 / 844 |
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| Watchmen |
2 / 580 |
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| What looks like crazy on an ordinary day |
3 / 794 |
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| Winston |
1 / 261 |
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| Wuthering Heights - Binary Oppisotes |
3 / 804 |
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| women in hamlet |
2 / 471 |
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| Disney & Pixar |
3 / 734 |
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| It Outsourcing |
2 / 564 |
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| Management |
2 / 375 |
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| 12 angrey men |
3 / 825 |
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| A Long Way Down |
3 / 710 |
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| Audience And Critics Have Said The Crucible Is Deeply Moving And Exciting. Discuss How Millers Stagecraft In Particular At The Begining And Ends Of The Acts Contributes To The Overall Drama Of The Texts |
4 / 1093 |
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| Beowulf (Christianity vs. Paganism) |
3 / 669 |
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| Both stories bestow us characters for whom the reader feels sympathy for. The statement is accurate in that both Rosaura from “The Stolen Party” and Njoroge from “The Martyr” |
2 / 524 |
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| Cherry Orchard |
2 / 586 |
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| Cinderella |
5 / 1279 |
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| Comparative Analysis |
3 / 785 |
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| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Deception in Hamlet |
2 / 385 |
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| Different Styles In The Grapes Of Wrath |
2 / 476 |
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| Divine Comedy |
2 / 474 |
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| Dont Judge A Book By It's Cover:A Twelfth Night Comparrison Of Feste A |
3 / 627 |
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| Farewell To Arms |
1 / 281 |
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| Fenstad's Mother |
4 / 954 |
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| Greasy Lake |
2 / 568 |
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| Great Expectations: Self-Sacrifice |
2 / 537 |
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| Greek Theater related to Oedipus |
2 / 519 |
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| HUMAN ACTIONS IN ROMEO AND JULIET |
2 / 529 |
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| Iago |
5 / 1443 |
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| Iago |
3 / 675 |
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| Inherit The Wind |
2 / 580 |
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| Is Othello a Racist Play |
2 / 415 |
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| characterisation of hamlet |
6 / 1564 |
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| literature |
1 / 261 |
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| “A&P” vs. “Secret Life Of Walter Mitty” |
2 / 471 |
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| Love In Disguise-Analysis of a Shakespearean Comedy |
4 / 932 |
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| Macbeth and Washizu: The Tragic Heroes |
3 / 828 |
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| Macbeth |
3 / 654 |
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| Macbeth |
3 / 820 |
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| Mary's Convert Analytical Paper |
4 / 1090 |
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| My Paper |
2 / 594 |
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| Night |
2 / 311 |
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| Of Mice of Men |
2 / 586 |
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| Ofmmice And Men |
3 / 706 |
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| One who Flew over cuckoos nest COMPARED to movie |
5 / 1313 |
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| Othello |
1 / 296 |
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| Point of View Analysis of "A Rose for Emily" by William Faulkner |
2 / 523 |
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| Pride And Prejudice |
2 / 433 |
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| Pygmalion |
3 / 778 |
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| Quest for Something More |
1 / 292 |
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| Racism in Disney's Aladdin |
3 / 833 |
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| Reality Vs. Illusion |
2 / 413 |
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| Rip Van Winkle |
2 / 408 |
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| Roland Barthes Narrative |
1 / 263 |
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| Romeo and Juliet |
4 / 914 |
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| Symbolism in "Young Goodman Brown" |
2 / 424 |
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| TV and Children Violence |
4 / 1191 |
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| The Amazing Life of F. Scott Fitzgerald |
4 / 1047 |
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| The Cathedral |
3 / 684 |
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| The Love and the Nightgale |
2 / 566 |
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| The Pearl |
1 / 278 |
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| The Struggle For Inner Truth And Reality |
3 / 694 |
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| Tragic Myrtle |
2 / 364 |
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| Use of Characters in No Sugar |
3 / 663 |
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| Varying Perspectives of Killing: Jack from Lord of the Flies vs. The Barber from "Just Lather, That's All" |
2 / 517 |
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| What are the author's purpose behind the portrayal of Turgenev's Anna Sergeyevna in ?Fathers and Sons', and Chekhov's Natasha Ivanova in ?Three Sisters', and how are they presented? |
6 / 1629 |
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| Willa Cather...don't Use If U Live In Miles City, Montana PLEASE!! |
2 / 553 |
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| prejudice in to kill a mockingbird |
5 / 1340 |
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| scarlet letter: theme of sin |
2 / 351 |
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| shadow of a doubt |
3 / 713 |
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| the club - character differences |
2 / 566 |
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| things they carried |
2 / 365 |
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| tomorrow when the war began |
3 / 687 |
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| what they want us to see |
2 / 535 |
|
| what we talk about when we talk about love |
2 / 487 |
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| Maus |
2 / 378 |
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| pride in the iliad |
2 / 539 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
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| 3 most important things in my life |
4 / 983 |
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| A Christmas Memory Vs. The Gra |
2 / 545 |
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| A Marine, A Hero, My Brother |
2 / 496 |
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| A Natural Curiosity By Margare |
2 / 400 |
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| Animal Farm 2 |
4 / 1001 |
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| Appealing to our children, teens and tweens |
1 / 259 |
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| a box of violence |
4 / 1187 |
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| Cantebary Tales |
4 / 1093 |
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| Compare And Contrast Of The Me |
2 / 474 |
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| dc vs marvel |
3 / 682 |
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| Easy Rider |
2 / 396 |
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| Educating Rita Compare and contrast |
5 / 1259 |
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| Farewell To Arms |
1 / 281 |
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| Fifth Business |
4 / 945 |
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| Great Expectations |
3 / 604 |
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| How The Choices Of The Characters Affected Each Other |
1 / 271 |
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| Human Actions In Romeo And Juliet |
2 / 498 |
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| Larp |
2 / 446 |
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| Lolita's Boys |
2 / 415 |
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| Lord Of The Flies 9 |
3 / 717 |
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| Lord Of The Flies |
3 / 717 |
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| Lose It All |
2 / 484 |
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| Mattimeo |
2 / 453 |
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| Media |
3 / 700 |
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| Minor Characters |
3 / 638 |
|
| Most Memorable Scene In Of Mice And Men |
3 / 702 |
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| Much Ado about Nothing |
3 / 783 |
|
| mr. |
2 / 570 |
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| Othello Vs Much Ado About North |
3 / 618 |
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| of mice and men |
3 / 737 |
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| PSYCHOANALYTIC ANALYSIS OF LOOKING FOR ALASKA |
3 / 813 |
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| Pardoner's Tale |
4 / 1119 |
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| Polonius: A Tedious Old Fool |
4 / 1087 |
|
| Pre-AP Summer Assignment |
2 / 388 |
|
| Pride And Prejudice - Characters |
3 / 833 |
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| Pride And Prejudice- First Impressions |
5 / 1315 |
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| Role Of The Common Man In A Ma |
3 / 717 |
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| Role of Identity in Mary Shelleys Frankenstein |
4 / 933 |
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| Romeo And Juliet - Chain Of Hu |
2 / 498 |
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| Romeo And Juliet, Human Action |
2 / 498 |
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| Scarlet Letter |
2 / 351 |
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| Setting And Story |
2 / 443 |
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| Showboat - Production Critique |
2 / 543 |
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| Singing In The Rain Analysis |
3 / 742 |
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| Sitcoms analyzed |
4 / 936 |
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| Song Of Solomon - What's In A Name? |
3 / 836 |
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| street car named desire |
1 / 245 |
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| The World According To Garp Movie Report |
3 / 819 |
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| The World According To Garp Movie Report |
3 / 819 |
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| Where Did My Morality Come From? |
2 / 390 |
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| Wuthering Heights |
3 / 607 |
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| Wuthering Heights |
3 / 607 |
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| 12 angry men |
2 / 406 |
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| As good as it gets |
3 / 644 |
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| Crash - Analysis |
2 / 533 |
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| Critique of One Flew Over the Cuckoo's Nest |
2 / 487 |
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| Dead Man Walking |
2 / 535 |
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| Easy Rider |
2 / 396 |
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| L'Avventura |
3 / 851 |
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| pulp fiction |
4 / 1110 |
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| Seinfeld |
2 / 313 |
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| Show Boat |
1 / 276 |
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| Spartacus |
3 / 700 |
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| The World According to Garp Movie Report |
3 / 819 |
|
| the pianist |
2 / 550 |
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| West Side Story Analysis |
2 / 507 |
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| Aristotle-Ethics |
6 / 1742 |
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| Aristotle |
4 / 1170 |
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| My Iliad |
2 / 552 |
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| Where Did My Morality Come From? |
2 / 390 |
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| Worst Natue |
4 / 921 |
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| Catherine A. Lutz - Unnatural Emotions |
4 / 1090 |
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| science |
2 / 356 |
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| cutting |
5 / 1297 |
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| Frankenstein, The modern prometheus |
4 / 933 |
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| Homosexuality in Film |
4 / 914 |
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| Mr |
2 / 311 |
|
