| Title |
Pages / Words |
Save |
| T.S. ELIOT |
7 / 2050 |
 |
| My Contemplation on Death and Innocence |
2 / 522 |
|
| A Tale Of Two Cities: Which Chapters Do You Prefer, Those Set In Engla |
3 / 873 |
|
| TellTale Heart Lit Analysis |
3 / 708 |
|
| 1984 - A Grim Prediction of the Future |
4 / 1004 |
|
| Catch 22 And Good As Gold - Sa |
9 / 2468 |
|
| Analysis of Jonty Harrison's EQ |
7 / 1934 |
|
| Anthem for Doomed Youth Commentary Wilfred Owen |
4 / 1133 |
|
| Frank Lloyd Wright |
1 / 174 |
|
| Bunsen Burner |
2 / 397 |
|
| Nineteen Eighty-four: A Grim Prediction Of The Future |
4 / 1005 |
|
| Lincoln, Curry and Donald |
3 / 754 |
|
| Music Buisness |
2 / 516 |
|
| Of Mice and Men Literary Criticism |
6 / 1700 |
|
| Mill and Kant on emotion |
3 / 897 |
|
| Midsummer Night's Dream 5.1.2-22 Interpretation |
2 / 355 |
|
| Beatles |
2 / 483 |
|
| Triage |
1 / 175 |
|
| Creation Or Evolution |
2 / 506 |
|
| edgar allan poe |
2 / 550 |
|
| His |
1 / 291 |
|
| Being and Nothingness Analysis Entry |
1 / 229 |
|
| Essay 2 |
2 / 496 |
|
| life |
5 / 1352 |
|
| 1984 |
2 / 596 |
|
| Black Like Me: A Cultural Book Report |
3 / 779 |
|
| Black Like Me: A Cultural Book Report |
3 / 779 |
|
| The Depressive Styles of Poe |
3 / 826 |
|
| Thomas Merton |
2 / 543 |
|
| My Long and Prosperous Journey as a Writer |
3 / 852 |
|
| Writers |
2 / 470 |
|
| “The ruling ideas of the age are ever the ideas of the ruling class.” – Marx & Engles |
3 / 813 |
|
| Edgar Allan Poe |
4 / 1037 |
|
| Portrayal of Gothic Images |
2 / 534 |
|
| Bruce Lee |
2 / 486 |
|
| Depression |
2 / 432 |
|
| Hearing segregation |
1 / 266 |
|
| Corpse Bride analysis |
3 / 721 |
|
| Generation Ecstasy |
3 / 668 |
|
| Authors |
2 / 470 |
|
| Just Read The Title |
3 / 785 |
|
| “Schools Of Thought-Short Story Essay” |
3 / 838 |
|
| Sarcasm While the Irony's Hot |
3 / 894 |
|
| A True Patriot: Walt Whitman |
4 / 1066 |
|
| history of hip hop |
1 / 288 |
|
| Once more to the Lake |
2 / 517 |
|
| midterm reflection |
2 / 505 |
|
| pavlov's dog |
2 / 406 |
|
| araby |
7 / 2082 |
|
| Swot Analysis Of A Date With Luyu |
2 / 413 |
|
| Commentary Margaret Atwood |
1 / 207 |
|
| Original Writing |
1 / 280 |
|
| Euthyphro’s Divine Moral Dilemma |
4 / 1134 |
|
| Andrew Marvell |
4 / 1157 |
|
| LISTENING TO THE WORLD THROUGH A FRAME: AN EXPLORATION INTO HOW LISTENING IN A MUSICAL CONTEXT GUIDES OUR PERCEPTION |
3 / 839 |
|
| Aural Perception |
4 / 981 |
|
| VIOLENT FEMMES |
1 / 283 |
|
| Did the Children Cry |
1 / 183 |
|
| Recalling A Place |
2 / 325 |
|
| The Araby |
3 / 714 |
|
| Prince of Paranoia: A study of Hamlet's Personality Disorder |
4 / 977 |
|
| Where The Red Fern Grows |
1 / 259 |
|
| what makes an excellent film |
2 / 491 |
|
| Do Literary Works Have an Unconscious |
7 / 1912 |
|
| catch 22 |
9 / 2540 |
|
| Huck Finn |
3 / 886 |
|
| The Illiad Book XVIII Lines 548-720 |
3 / 709 |
|
| Jabberwocky |
3 / 852 |
|
| Short happy life of francis macomber |
5 / 1219 |
|
| animal poems |
4 / 1162 |
|
| Insane in the Brain |
3 / 736 |
|
| davis |
2 / 439 |
|
| Transpotting Mise-En-Scene, Cinematography And Sound |
1 / 217 |
|
| heartbeats |
3 / 692 |
|
| Leda And The Swan |
7 / 1979 |
|
| Leda And The Swan |
7 / 1979 |
|
| music preformance |
3 / 653 |
|
| beloved |
8 / 2276 |
|
| The Ear And Hearing Loss |
4 / 1112 |
|
| the waste land |
1 / 202 |
|
| shakespeare |
2 / 364 |
|
| flash |
11 / 3089 |
|
| Norman Catherine |
2 / 368 |
|
| Catch 22: Satire On Wwii |
9 / 2558 |
|
| enter |
1 / 281 |
|
| marx |
2 / 546 |
|
| Pied Beauty |
3 / 665 |
|
| Computer Hardware |
1 / 292 |
|
| The Severity Of Sins In The Sc |
2 / 590 |
|
| E.E. Cummings: Defender of Individualism and Non-Conformity |
6 / 1639 |
|
| sound of waves |
3 / 665 |
|
| The Cask of Amontillado |
4 / 923 |
|
| Beowulf's Origins |
2 / 489 |
|
| The Generation Gap Within the Joy Luck Club |
6 / 1669 |
|
| Courtly Love |
1 / 177 |
|
| Edna Pontellier: Selfish, Adulterous, and Suicidal |
5 / 1289 |
|
| History and Demographics |
2 / 564 |
|
| The Red Badge |
5 / 1239 |
|
| middle ear |
3 / 863 |
|
| Fahrenheit 451 Outline of Pgs 99-101 |
2 / 477 |
|
| The DVD Revolution |
4 / 1106 |
|
| Attitude in the Workplace |
1 / 177 |
|
| Creativity |
3 / 623 |
|
| Salvation |
1 / 262 |
|
| Ska! |
4 / 1003 |
|
| Presidential Election |
3 / 720 |
|
| Stoic v. Epicurean: The Battle of Moral Theories |
4 / 1030 |
|
| Socratese Theme Paper |
2 / 545 |
|
| Does Romeo Behave Rashly While Juliet Shows Superior Judgement? |
2 / 549 |
|
| William Faulkner |
7 / 2059 |
|
| Captain Ahab and Moby Dick |
5 / 1233 |
|
| Elizabeth George |
4 / 1075 |
|
| A Midsummer Night's Dream |
1 / 105 |
|
| Comparative Essay - Catcher in The Rye vs. Igby Goes Down |
5 / 1486 |
|
| To The Snake By Denise Leverto |
4 / 1038 |
|
| Voice Recognition |
1 / 282 |
|
| Gender Studies |
2 / 538 |
|
| Edgar Allen Poe |
2 / 545 |
|
| Poe |
3 / 852 |
|
| Vision Out Of The Corner Of One Eye: Literary Analysis |
1 / 261 |
|
| Wole Soyinka Biography |
2 / 427 |
|
| Romantics |
1 / 233 |
|
| An Analysis of "The Snows of Kilimanjaro" |
6 / 1696 |
|
| Rhetorical Purpose Of The Speech: “I Have A Dream” |
2 / 552 |
|
| Huck And Finn |
10 / 2859 |
|
| Compare And Contrast A Remake |
2 / 514 |
|
| Olaudah Equiano |
4 / 1056 |
|
| Olaudah Equiano |
4 / 1056 |
|
| Jack London |
4 / 1053 |
|
| An Analysis of “Rights of Summer” |
4 / 944 |
|
| Life-cycle |
2 / 402 |
|
| comparison between "Countess P's Advice for new girls" by Natash tretheway, "Skinhead" by Patricia Smith, and "Negro Hero" by GWendolyn Brooks |
3 / 801 |
|
| Imagery In Macbeth |
7 / 1802 |
|
| Usage of sound in Wim Wenders' Wings of Desire |
6 / 1673 |
|
| The Flea |
5 / 1426 |
|
| A Brief Analysis of the Theme of "Harrison Bergeron" |
2 / 310 |
|
| Saving Private Ryan |
8 / 2347 |
|
| romeo and juliet |
2 / 456 |
|
| Sex |
3 / 674 |
|
| Mark Twain |
3 / 672 |
|
| The Last Juror |
5 / 1284 |
|
| adaptaion |
3 / 660 |
|
| Anatomy of Hearing including Ear Structures and Brain Structures |
4 / 1032 |
|
| MacBeth |
3 / 865 |
|
| Miracles |
2 / 561 |
|
| Beowulf: A Pagan Epic Hero? |
6 / 1566 |
|
| Frankenstein |
4 / 1107 |
|
| Review Of Gyorgi Ligeti's Danse Macarbei |
1 / 280 |
|
| Genital Mutilation In Sudan |
2 / 475 |
|
| Charles Dickens |
1 / 220 |
|
| A little prince |
1 / 234 |
|
| Are Unicorns a Myth or Reality? |
2 / 436 |
|
| to kill a mockinbird racism, sexism, social class conflict |
4 / 1008 |
|
| life cycle of a tennis player |
2 / 319 |
|
| A Reading of "Those Winter Sundays" |
3 / 819 |
|
| Macbeths Demise |
4 / 906 |
|
| What to Expect From a Military NCO |
2 / 354 |
|
| INTRODUCTION TO HUMANITIES |
4 / 921 |
|
| signals and songs |
2 / 328 |
|
| machiavelli |
1 / 245 |
|
| The Harlem Renaissance |
6 / 1712 |
|
| Josquin |
2 / 313 |
|
| John Proctor- The Crucible |
3 / 670 |
|
| The Beatles Sgt. Pepper |
3 / 696 |
|
| Intro To Music |
2 / 518 |
|
| mrs |
3 / 828 |
|
| Lady Chatterley's Lover |
7 / 1816 |
|
| The Time I Made A Fool Of Myself |
2 / 462 |
|
| The Time I Made A Fool Of Myself |
2 / 462 |
|
| Jamaica's Intellectual Property Office |
4 / 1155 |
|
| symbolism of the tell-tale heart |
3 / 812 |
|
| literary device |
1 / 229 |
|
| Winckelmann Article |
2 / 519 |
|
| does god exist |
5 / 1402 |
|
| China’s Moment in the Olympic Spotlight by Anne Meng |
4 / 937 |
|
| How To Listen To Music, Not Just Hear It |
4 / 995 |
|
| How To Listen To Music, Not Just Hear It |
4 / 994 |
|
| Bullet in the Brain |
4 / 976 |
|
| Shakespeare's Sonnet #73 |
3 / 709 |
|
| Mark Twain |
5 / 1316 |
|
| Response to Death of a Moth |
2 / 584 |
|
| Tears of a Tiger |
3 / 676 |
|
| Bram Stoker |
2 / 514 |
|
| Analysis of The Raven by Edgar Allan Poe |
2 / 455 |
|
| Review of Arsenic and Old Lace |
1 / 176 |
|
| Global Warming |
2 / 497 |
|
| Heart Of Darkness |
3 / 660 |
|
| What is Character |
2 / 412 |
|
| Personal Strengths and Weaknesses |
3 / 656 |
|
| Kennedy |
3 / 658 |
|
| A Shadow Of His Hand |
2 / 452 |
|
| Aquinas' 2nd Argument |
3 / 724 |
|
| shelley as a revolutionary |
1 / 200 |
|
| Nights of Terror |
1 / 295 |
|
| dreaming |
2 / 434 |
|
| Teddy Boy Youth Movement |
3 / 662 |
|
| Yarr! |
1 / 278 |
|
| Leadership styles |
1 / 234 |
|
| Literary View |
1 / 222 |
|
| Childhood Experience |
2 / 351 |
|
