| Title |
Pages / Words |
Save |
| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
 |
| Don Jose of Merimee’s Carmen |
2 / 535 |
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| The "Sans-Cullotes" During the French Revolution |
3 / 673 |
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| The Taming of the Shrew |
6 / 1760 |
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| Lucky Paul in The Rocking Horse Winner |
3 / 709 |
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| a beautiful mind |
3 / 786 |
|
| abbott and costello |
6 / 1758 |
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| Chanel |
2 / 529 |
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| charlie chaplin |
8 / 2129 |
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| Media mogul Sumner M. Redstone |
5 / 1327 |
|
| Pablo Picasso |
6 / 1649 |
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| The Narrative Of The Life Of Frederick Douglass: The Formation Of Iden |
8 / 2152 |
|
| William Shakespear |
2 / 597 |
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| Animal Farm by George Orwell |
2 / 571 |
|
| As I Lay Dying |
3 / 659 |
|
| As I Lay Dying: Styles Used By William Faulkner |
3 / 719 |
|
| Crime and Punishment Essay |
2 / 549 |
|
| Crucible Quote Explication |
5 / 1361 |
|
| catcher inthe rye |
3 / 853 |
|
| Hamlet and Macbeth as Tragedies |
3 / 774 |
|
| Hamlet: Contrast Plays A Major Role |
3 / 683 |
|
| How A Single Man Unintentionally Changed A Civilization |
4 / 1115 |
|
| Huckleberry Finn Information |
9 / 2469 |
|
| Intensional Or Accidentall? Similarities Between Romeo And Juliet And |
3 / 836 |
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| Madame Bovary |
3 / 618 |
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| Night of Wishes |
3 / 758 |
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| Oedipus |
3 / 690 |
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| Othello: Iago's Large Appetite For Revenge |
3 / 614 |
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| Pride And Prejudice |
4 / 1082 |
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| The Last Juror |
5 / 1284 |
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| The Lotert |
2 / 457 |
|
| the machine that one the war |
3 / 674 |
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| the machine that won the war |
3 / 672 |
|
| v for vendetta |
5 / 1376 |
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| B2B and B2C Supply Chains |
3 / 837 |
|
| FoxMeyer Drug Company Case |
3 / 700 |
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| MBA Online |
3 / 732 |
|
| Military |
3 / 731 |
|
| The propaganda behind South Park |
5 / 1227 |
|
| 12th night love essay |
8 / 2153 |
|
| A comparative study of Sydney Carton in Dickens' novel, A Tale of Two |
4 / 1104 |
|
| Although the accidental tourist is apparently a comedy it is at heart a quite serious debate over competing views of life it's self. |
3 / 622 |
|
| Analysis Of O. Henry's "Art And The Bronco |
2 / 579 |
|
| Antigone and A Rasin in the Sun |
7 / 1815 |
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| Apostrophe & Personification: Poetic Comparison |
4 / 998 |
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| Are Bodies Really Where You Find Them? |
3 / 817 |
|
| Black Mirror |
2 / 589 |
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| Catcher in the Rye |
3 / 853 |
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| Character Profile On Kite Runner |
2 / 559 |
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| Comedy of Errors, Adrianna/ marriage |
3 / 805 |
|
| Comic Potential and The Lieutenant of Inishmore |
7 / 2085 |
|
| Critique of Black Writing, White Reading: Race and the Politics of Feminist Interpretation |
2 / 517 |
|
| Deception in Twelfth Night |
6 / 1704 |
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| Desire Under The Elms |
3 / 681 |
|
| Dulce et Decorum est by Wilfred Owen |
2 / 526 |
|
| Edgar Allan Poe |
5 / 1382 |
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| Edgar Allen Poe |
6 / 1504 |
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| Emma/Clueless |
6 / 1765 |
|
| English Mystery Palys: The Killing of Abel |
7 / 1927 |
|
| Epic Traits of Beowulf |
2 / 543 |
|
| Explore The Use Of Disguise And Deception In Twelfth Night |
8 / 2307 |
|
| Farewell To Arms |
5 / 1438 |
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| Genre Analysis |
4 / 935 |
|
| Greek Drama |
3 / 817 |
|
| Hero-Anti Hero |
3 / 643 |
|
| Heroes and Heroines in Pride and prejudice by Jane Austen |
5 / 1373 |
|
| How does Willy Russell us the separation of the twins in Blood Brothers to good dramatic effect? |
2 / 586 |
|
| How is contrast used in ?Two Scavengers in a truck, Two Beautiful people in a Mercedes', compared to the use of contrast in ?Nothing's Changed'? |
5 / 1449 |
|
| Incongruenity of humor |
3 / 614 |
|
| Interpretation of ``Ozymandias`` |
3 / 619 |
|
| Irony of Earthly Power |
5 / 1287 |
|
| Is Don John a credible villain? |
4 / 904 |
|
| Jane Austen critical analysis |
8 / 2184 |
|
| Journal Of Short Stories |
7 / 1997 |
|
| Leda and the Swan |
2 / 486 |
|
| Letter |
3 / 609 |
|
| Lines 96-113 (poem) In Doctor Faustus |
4 / 997 |
|
| Literary Elements |
2 / 466 |
|
| girls in their summer dresses summary |
3 / 601 |
|
| great expectations |
4 / 1126 |
|
| Madness in King Lear |
4 / 1004 |
|
| Medea |
10 / 2701 |
|
| Mr |
2 / 512 |
|
| Nature And Nurture In Frankenstein |
4 / 1197 |
|
| O Captain! My Captain! |
3 / 661 |
|
| Philippine Literature |
2 / 512 |
|
| Portrayal of Gothic Images |
2 / 534 |
|
| Pride And Prejudice: Elizabeth |
4 / 1156 |
|
| Remember The Titans |
3 / 717 |
|
| Romeo & Juliet |
3 / 688 |
|
| Romeo And Juliet Essay |
4 / 972 |
|
| Romeo And Juliet |
5 / 1484 |
|
| Romeo Juliet Film Comparison to text |
5 / 1459 |
|
| SS |
4 / 1179 |
|
| See I Told You So, Rush Limbaugh |
2 / 552 |
|
| Shakespeare |
3 / 644 |
|
| Short Stories |
4 / 1051 |
|
| Starbucks Commercial |
3 / 695 |
|
| The 13 Clocks |
2 / 576 |
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| The Castle |
3 / 657 |
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| The Fireman |
4 / 985 |
|
| The Handmaid's Tale book review |
2 / 530 |
|
| The Idealistic Salmon |
2 / 590 |
|
| The Importance of heritage in “Everyday Use” |
3 / 702 |
|
| The Lottery Irony |
3 / 667 |
|
| The Poetic Devices In Alanis Morsiette's "Ironic" |
3 / 804 |
|
| The Rocking-Horse Winner |
2 / 534 |
|
| The Seven Key Essentials of Fiction |
3 / 644 |
|
| The Split Cherry Tree |
3 / 703 |
|
| The Tragedy Of Othelo |
9 / 2628 |
|
| The World is a Circus ; Ghost Boy |
5 / 1438 |
|
| The role and function of the fool in king lear |
10 / 2928 |
|
| Things Fall Apart, Joy Luck Club comparison essay |
3 / 651 |
|
| WASHINGTON SQUARE HENRY JAMES |
5 / 1369 |
|
| Wag The Dog |
3 / 749 |
|
| Writing Styles Of Choy and Trimble |
5 / 1266 |
|
| lord of the flies |
4 / 1193 |
|
| ozymandias |
3 / 609 |
|
| peter shaffer |
2 / 562 |
|
| romanticism in the Scarlet Letter |
2 / 589 |
|
| sense and sensibility |
2 / 443 |
|
| the cask of amontillado |
3 / 614 |
|
| the girls in their summer dresses |
3 / 601 |
|
| 17th centry teater |
5 / 1424 |
|
| Enlightening The Burden of Ignorance II |
2 / 447 |
|
| Enlightening The Burden of Ignorance II |
2 / 447 |
|
| Enlightening The Burden of Ignorance |
2 / 405 |
|
| Explication of Hiroshima |
2 / 533 |
|
| governor Rick Perry |
3 / 668 |
|
| histery of Socrates |
5 / 1452 |
|
| Introducing Islam |
2 / 533 |
|
| Oedipus Rex |
6 / 1696 |
|
| student |
2 / 449 |
|
| The End of Apartheid |
3 / 741 |
|
| Don Quixote |
3 / 666 |
|
| A letter to the people |
3 / 886 |
|
| Alienated People |
4 / 959 |
|
| Analysis Of O. Henry's "art And The Bronco |
2 / 579 |
|
| Aqua- 4 One Act Palys |
3 / 780 |
|
| Arms And The Man |
3 / 638 |
|
| Artificial Nigger |
3 / 638 |
|
| As I Lay Dying |
3 / 650 |
|
| Bladerunner - Humanity And Nature |
6 / 1787 |
|
| Courtly And Uncourtly Views Of |
6 / 1746 |
|
| Crucible Quote Explication |
5 / 1361 |
|
| Docter Faustus |
4 / 997 |
|
| Emily Dickinson 3 |
7 / 2091 |
|
| George Carlin |
2 / 466 |
|
| Greenleaf |
3 / 743 |
|
| In Iago, Shakespeare has Created an Engaging and Complex Villain who Governs the Actions of the Play. Discuss |
9 / 2428 |
|
| Interpretation Of ``ozymandias`` |
3 / 619 |
|
| Lines 96-113 (poem) In Doctor Faustus |
4 / 997 |
|
| Lord of the Flies Short Essay on Symbolism |
2 / 577 |
|
| Marketing Paper |
3 / 744 |
|
| Military |
3 / 731 |
|
| Much Ado About Nothing |
3 / 872 |
|
| Othello - Compared To Twelfth Night |
3 / 662 |
|
| Paper Motif On Invisible Man |
3 / 764 |
|
| Pied Beauty |
3 / 665 |
|
| Poem, Lines 96-113 In Docter F |
4 / 997 |
|
| Pride And Prejudice |
5 / 1317 |
|
| Pride And Prejudice: Elizabeth |
4 / 1156 |
|
| See, I Told You So |
2 / 556 |
|
| Suffer The Little Children - S |
2 / 581 |
|
| Symbolism In Young Goodman Bro |
5 / 1269 |
|
| Television Mirrors Society |
3 / 729 |
|
| The Birth Of A Nation And Greed |
4 / 1185 |
|
| The Double Life In The Importa |
5 / 1319 |
|
| The Golden Girls |
3 / 602 |
|
| The Simpsons |
14 / 4127 |
|
| The Split Cherry Tree |
3 / 703 |
|
| To Tame A Shrew |
7 / 1908 |
|
| the road not taken |
3 / 661 |
|
| Wag The Dog |
3 / 749 |
|
| What's Love Got To Do With It |
3 / 768 |
|
| Young Goodman Brown - Symbolism |
5 / 1269 |
|
| Alfred Hitchcock's Rear Window: Sound |
5 / 1236 |
|
| evaluating the Musical Crazy for you |
3 / 651 |
|
| Family Guy |
3 / 809 |
|
| High Fidelity |
2 / 481 |
|
| Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
|
| Movie Review: Sense And Sensibility |
3 / 681 |
|
| Music in Animation |
3 / 685 |
|
| Originality and Repetition in Contemporary Cinema |
7 / 1945 |
|
| Shadow Of A Doubt |
11 / 3272 |
|
| semiotics |
4 / 908 |
|
| Freud, Civilization and its Discontents |
2 / 576 |
|
| The Art of Fear |
2 / 568 |
|
| will to power |
4 / 1124 |
|
| Alienated People |
4 / 959 |
|
| Islam And The Scientific Revolution |
2 / 539 |
|
| islamic economics |
8 / 2328 |
|
| Buffy, The Vampire Slayer: A Gender Discussion |
5 / 1486 |
|
| Drunken Mother |
4 / 919 |
|
| fountainhead |
5 / 1215 |
|
| Influence of Media Violence |
5 / 1466 |
|
| Soup Nazi |
3 / 704 |
|
| Watershortage |
8 / 2312 |
|
| Nondigestible Spam, How Healthy Is It ? |
5 / 1382 |
|
| OSI Model |
3 / 731 |
|
