| Title |
Pages / Words |
Save |
| How Women Are Viewd |
3 / 747 |
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| Students And Teachers |
5 / 1318 |
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| 1950's Movie Essay: "Rebel Without a Cause" |
4 / 1018 |
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| Kinsey Movie Review |
1 / 293 |
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| Red Rock West |
2 / 577 |
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| romeo and juliet |
4 / 1200 |
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| APPLICATION OF VARIOUS MEDIA PHILOSOPHICAL THEORIES IN CONECTION WITH CULTURE. |
4 / 1088 |
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| The Dude's Edition |
4 / 925 |
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| the big one |
2 / 519 |
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| Impressive Nobodies |
3 / 649 |
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| King Lear vs Thousand Acres |
2 / 491 |
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| Follow Your Dreams |
5 / 1368 |
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| Vertov and Eisenstein |
3 / 750 |
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| bruce lee |
4 / 964 |
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| the breakfast club |
4 / 913 |
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| The Crucible Movie Review |
2 / 525 |
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| Ethical And Moral Issues |
3 / 717 |
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| Lord of the Flies |
2 / 515 |
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| Why do you think the Italian authorities might not have been too pleased for Ladri di biciclette to be distributed abroad? |
5 / 1220 |
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| lack of justice |
3 / 683 |
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| Women in Spike Lee's Bamboozled |
3 / 790 |
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| Casablanca |
4 / 916 |
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| The characters in Donnie Darko are isolated, confused and many are unable to cope with reality. Richard Kelly has presented a disturbing portrait of human existence and interpersonal relationships. Discuss. |
3 / 645 |
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| The Wind That Shakes The Barley |
5 / 1205 |
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| Film:Analysis: The Life of David Gale |
3 / 643 |
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| Maryilyn Monroe |
3 / 881 |
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| belly vs. traning day |
3 / 747 |
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| What Is Good |
1 / 247 |
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| The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
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| What It Takes To Produce A Film |
3 / 844 |
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| Tragically Real |
5 / 1371 |
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| Construnction Of Film |
5 / 1237 |
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| Bowling For Columbine as a carnivelsque |
5 / 1382 |
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| Fads in the 1940s |
1 / 279 |
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| Schindler's List |
3 / 814 |
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| Walter Benjamin and Siegfrizd Kracauer |
5 / 1400 |
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| Moral Issues Within Gattaca |
3 / 728 |
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| Seabiscuit |
1 / 126 |
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| picasso movie |
2 / 334 |
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| Zen Buddhism In Japan |
6 / 1518 |
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| Analysis Of The Fog Of War: Eleven Lessons By Robert S. Mcnamara |
4 / 1024 |
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| The Lost Truth |
2 / 375 |
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| I am Sam psychology movie review |
2 / 433 |
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| Horror Movies Are a Waste of Time |
4 / 942 |
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| Hmong Diaspora and Media |
2 / 301 |
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| Steven Spielburg |
3 / 814 |
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| Film analysis Guess Who and Guess who's coming to dinner |
4 / 1067 |
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| Vera Drake |
5 / 1222 |
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| A Beautiful Mind |
3 / 644 |
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| Importance of Bein Earnest |
4 / 1153 |
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| Casablanca |
2 / 486 |
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| Film Analysis |
8 / 2111 |
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| Wong Kar Wai and french new wave |
3 / 652 |
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| the life of david gale film review |
4 / 1011 |
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| Kite Runner Movie |
1 / 298 |
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| Tommy: the album vs. the movie |
5 / 1455 |
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| Mahatma Gandhi |
3 / 616 |
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| Everest |
2 / 525 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Americans In Film- Race, Gender, And |
2 / 494 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| The Royal Tenenmbaums |
3 / 860 |
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| Liberty Valance |
2 / 398 |
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| American Beauty |
4 / 1122 |
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| Life & Debt |
2 / 444 |
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| Crash - Analysis |
2 / 533 |
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| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
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| Rabbit Proof Fence |
4 / 1073 |
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| in Cold Blood Review |
3 / 670 |
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| Rashomon |
3 / 722 |
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| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
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| sterphen spielberg |
3 / 605 |
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| Miss |
4 / 1055 |
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| Norman Rockwell |
3 / 698 |
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| Hamlet |
2 / 453 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
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| Planet of the Apes |
3 / 848 |
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| White Man's Muscles |
4 / 908 |
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| Effect Of Temperature On Activity Of Alcalase And Savinase |
6 / 1643 |
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| Review: Pulp Fiction |
3 / 776 |
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| Censorship |
4 / 945 |
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| Bridge over the River Kwai |
2 / 476 |
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| Patch Adams |
2 / 510 |
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| Far and Away |
3 / 827 |
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| Current Event |
2 / 311 |
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| Firestarter |
3 / 769 |
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| Pankaj |
2 / 540 |
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| Interview with Mel Stuart |
4 / 977 |
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| 2001 A Space Odyssey Analysis |
4 / 915 |
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| ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
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| Romeo And Juliet Film Review |
3 / 660 |
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| Film Openings |
3 / 784 |
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| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
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| Beloved |
4 / 963 |
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| Donnie Brasco |
2 / 315 |
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| Macbeth Film Interpretation |
4 / 1032 |
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| Film Industry: then and now |
4 / 1111 |
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| Comparison Of The Film Beloved |
3 / 695 |
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| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
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| War In Cinema |
3 / 885 |
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| Thin |
3 / 676 |
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| Curious Incident of the dog in the nighttime |
2 / 515 |
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| ritchie rich |
2 / 433 |
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| Indonesian Cinema by Christine Hakim |
5 / 1323 |
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| Blue Velvet: Scene Analysis |
2 / 594 |
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| history of hollywood |
3 / 854 |
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| film history |
4 / 1047 |
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| Horror Show |
2 / 397 |
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| Annie Hall and Jesus |
3 / 750 |
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| kramer Vs kramer |
4 / 908 |
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| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
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| 007 |
23 / 6721 |
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| indian cinema |
3 / 713 |
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| Media |
3 / 700 |
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| Woody Allen |
3 / 658 |
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| Billy Elliot |
2 / 342 |
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| The Most Convincing Propogandist |
5 / 1204 |
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| Romeo And Juliet 4 -2 |
3 / 722 |
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| James A. Michner's: TEXAS |
3 / 724 |
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| Of Mice and men |
5 / 1326 |
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| Vertigo |
4 / 1072 |
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| Psycho |
2 / 489 |
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| Bye Bye Brazil |
3 / 715 |
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| Manifesto |
3 / 652 |
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| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
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| The Bicycle Thief |
4 / 1119 |
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| Romeo and Juliet Speech |
2 / 349 |
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| Vice Virtue |
3 / 831 |
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| Gattaca |
3 / 725 |
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| beautiful mind |
2 / 441 |
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| What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
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| Michael Black Dances with the Wolves |
2 / 460 |
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| The notebook |
2 / 595 |
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| It happened One Night Film |
3 / 616 |
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| George Eastman |
2 / 514 |
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| Tarantino |
5 / 1293 |
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| Citizen Kane |
2 / 600 |
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| citizen kane |
2 / 600 |
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| Viewer Response - The Graduate |
2 / 387 |
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| Viewer Response - The Graduate |
2 / 387 |
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| Bombs Away: Different Reactions to the Vietnam War in Across the Universe |
2 / 570 |
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| the piano movie |
3 / 609 |
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| How has James Cameron presented and adapted the true story of the Titanic? |
5 / 1413 |
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| Spinning Gasing |
4 / 1104 |
|
| A Clockwork Orange Film Analysis |
2 / 536 |
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| Schindlers List |
4 / 1015 |
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| Space Jam |
2 / 467 |
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| Mrs Dalloway - Analysis Of The |
2 / 427 |
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| Shine - David Helfgott |
2 / 512 |
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| capra cu trei iezi |
2 / 549 |
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| A Beautiful Mind |
2 / 383 |
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| parent and child relationships |
2 / 493 |
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| Harry Potter Differences |
4 / 1154 |
|
| The Birth Of A Nation And Greed |
4 / 1185 |
|
| Othello Movie Review |
2 / 418 |
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| Deceiving Images of Bowling for Columbine |
6 / 1638 |
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| I never sang for my father |
3 / 857 |
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| A COMPARISON BETWEEN THE BOOK AND MOVIE: MALCOLM X |
2 / 538 |
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| Streetcar Named Desire Essay |
2 / 591 |
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| Film: Philadelphia, Aids/Gay |
7 / 1853 |
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| Alfred Hitchcock |
4 / 945 |
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| Alfred Hitchcock |
4 / 965 |
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| True Event in Colorful Film |
2 / 513 |
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| faherenheit 9/11 |
4 / 1171 |
|
| Toulmin Analysis of "It's the ABC Oscars: anything but Crash" |
2 / 599 |
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| Norma Rae |
3 / 752 |
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| A Brief History of Film |
4 / 1006 |
|
| lord of the rings |
4 / 1114 |
|
| Mica and men review |
2 / 366 |
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| Gummo - Movie Critique |
2 / 411 |
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| Henry V - Film |
4 / 929 |
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| Eat Man Drink Woman |
2 / 359 |
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| Critique ( Choices) |
3 / 892 |
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| american pie |
2 / 390 |
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| film reviews and summaries |
2 / 366 |
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| Film Comparison- Shawshank Redemption VS Murder In The First |
3 / 652 |
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| Hannibal |
3 / 716 |
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| Kiss Me Deadly and Film Noir |
2 / 530 |
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| 12 Angry Men |
3 / 750 |
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| film analysis |
3 / 802 |
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| Made Of Honor: Made To Watch |
2 / 424 |
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| twelve angry men |
3 / 750 |
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| 12 angrey men |
3 / 750 |
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| Film Adaptation of Antigone |
2 / 550 |
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| Bob Saget |
2 / 405 |
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| Adventure Sports |
2 / 586 |
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| Cabaret |
3 / 850 |
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| Crash |
3 / 818 |
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| Kodak |
4 / 1057 |
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| the rookie |
4 / 1151 |
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| Schindlers List, short |
2 / 330 |
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| true existence |
2 / 597 |
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| Pearl Harbor |
5 / 1343 |
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| Cabaret |
3 / 750 |
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| finding forester |
3 / 688 |
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| Chocolat |
2 / 366 |
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| Movie Review |
2 / 400 |
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| Coppola's short biography |
3 / 738 |
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| Mad City |
2 / 588 |
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