| Title |
Pages / Words |
Save |
| Sunrise |
2 / 533 |
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| Huck Finn |
3 / 636 |
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| Huck Finn |
3 / 636 |
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| Soung And That Fury |
2 / 358 |
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| 20,000,000 leages under the sea |
2 / 426 |
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| Pride and Prejudice |
4 / 1108 |
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| Two Great Rebellion Films |
4 / 990 |
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| Platonic Forms |
2 / 476 |
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| The Merchantof Venice |
2 / 476 |
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| Reality Vs. Illusion |
2 / 413 |
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| Stagecoach movie critique |
2 / 382 |
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| allegory |
2 / 377 |
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| Critical Analysis of a passage from Horace Walpole's Castle of Otranto |
3 / 864 |
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| obtaining freedom |
4 / 1101 |
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| Burning a Hole In Fahrenheit 451 |
4 / 1086 |
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| Pride And Prejudice |
2 / 433 |
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| The Great Gatsby |
5 / 1203 |
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| The Great Gatsby |
5 / 1203 |
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| middleschool madness- pattern of love |
3 / 641 |
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| Short Story Analysis |
2 / 572 |
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| Pardoner's Tale |
4 / 1119 |
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| Baaah |
2 / 371 |
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| "Lost" character analysis |
3 / 724 |
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| To what extent is "Of Mice and Men" more effective than Rainman in giving us understandings of loneliness and friendship? |
5 / 1449 |
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| The tempest |
1 / 82 |
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| A Journey Into A Clockwork Orange |
2 / 561 |
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| Character Analysis for The Heart is a Lonely Hunter |
4 / 1138 |
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| Road to hell |
2 / 452 |
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| Characteristics of Life in Winesburg, Ohio |
4 / 1090 |
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| Aassay |
3 / 720 |
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| much ado |
5 / 1499 |
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| Macbeth |
3 / 728 |
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| Lose It All |
2 / 484 |
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| Friends episode and values |
3 / 830 |
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| Maus |
2 / 378 |
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| Maltese Falcon |
5 / 1477 |
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| asturias |
2 / 378 |
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| television vs. Reality |
5 / 1321 |
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| A Fine Balance - Rohinton Mistry |
4 / 1131 |
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| Narrator |
2 / 522 |
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| To Kill A Mockingbird: The Brave Jem Finch |
2 / 390 |
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| julius caesar |
4 / 1200 |
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| Romeo And Juliet: The Theme Of Death |
2 / 429 |
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| Intolerance Within the Novel The Adventures of Huckleberry Finn |
3 / 664 |
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| The Wind in the Willows |
3 / 702 |
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| Chysalids Compared To By The Waters Of Babylon |
4 / 1077 |
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| A Simple Story of Imagery and Irony |
3 / 830 |
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| Family and Communication in "As I Lay Dying" |
3 / 667 |
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| Play review |
3 / 703 |
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| Hamlet |
4 / 921 |
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| The First King of Shannara |
5 / 1314 |
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| The Use Of Animal Imagery In Othello |
4 / 1029 |
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| The Comparison And Contrast Essay The Book And The Movie |
4 / 902 |
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| Beowulf V. 13th Warrior |
2 / 378 |
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| Wild Straberries Theme |
2 / 561 |
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| Incongruenity of humor |
3 / 614 |
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| Role of Women |
3 / 609 |
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| the real world |
4 / 1052 |
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| Mysterious Macbeth |
3 / 696 |
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| Holes |
2 / 370 |
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| Perception And Plato's Theaetetus |
2 / 453 |
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| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
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| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
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| Alice'S Adventures In Wonderland |
3 / 804 |
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| The Resurrectionists |
2 / 367 |
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| Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat |
4 / 999 |
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| Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat |
4 / 999 |
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| Hills Like White Elephants |
4 / 1129 |
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| Macbeth |
2 / 465 |
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| Henry V |
2 / 418 |
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| Wuthering Heights |
2 / 358 |
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| Stereotypes: Black Women Vs. White Women In The Media |
3 / 757 |
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| It Outsourcing |
2 / 564 |
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| Scarlet Letter |
3 / 663 |
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| lets go |
2 / 357 |
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| Hunger Of Memory 2 |
2 / 562 |
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| Madame Bovary 4 |
1 / 96 |
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| Rama |
2 / 389 |
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| Lord Of The Flies |
3 / 626 |
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| Why Should Students Study Shakespeare In School? |
2 / 535 |
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| Why Should Students Study Shakespeare In School? |
2 / 535 |
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| Great Gatsby: Confusions And Complexities |
4 / 1019 |
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| The Things They Carried 2 |
2 / 522 |
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| Benjy's Character in the Sound and the fury |
3 / 809 |
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| The Pugilist at Rest |
2 / 367 |
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| just want the grade |
3 / 692 |
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| William Shakespeare |
2 / 479 |
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| Canterbury Tales:the Pardoner |
3 / 614 |
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| Canterbury Tales:The Pardoner |
3 / 614 |
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| Dream Deferred |
2 / 394 |
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| Fake Love In The Truman Show |
2 / 576 |
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| More than an Enemy, a Reflection (Comparative Comentary between Heart of Darkness and Apocalypse Now) |
5 / 1329 |
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| Dialouge in Pride and Prejudice |
5 / 1397 |
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| Liberty and The Characters of Balzac |
3 / 824 |
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| Gatsby |
3 / 855 |
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| The Storm |
5 / 1253 |
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| Macbeth: ACT I |
2 / 361 |
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| Myself |
2 / 530 |
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| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
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| Similarities Of Harper Lee's Life To Her Nove "to |
2 / 405 |
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| The Importance of Being Ernest |
2 / 517 |
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| Essay On Tragic Characters Fro |
2 / 414 |
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| Fahrenhiet 451 |
2 / 589 |
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| Da vinci's summary |
2 / 561 |
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| A Farewell To Arms: Love And Role Playing |
3 / 739 |
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| Loneliness In Of Mice And Men |
2 / 514 |
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| Gods Grandeur |
3 / 614 |
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| A Birthday |
2 / 426 |
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| The Great Gatsby In Relation To Society |
3 / 777 |
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| Macbeth |
2 / 387 |
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| Lord Loss Book Report |
2 / 477 |
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| The Great Gatsby |
2 / 440 |
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| kill a mocking bird |
2 / 319 |
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| Television "Food" Commercials |
3 / 834 |
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| jaws media |
2 / 598 |
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| How To Enjoy Reading A Novel |
3 / 602 |
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| Separate Peace |
3 / 670 |
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| Of Love and Freedom: the Use of Character in \ |
2 / 464 |
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| The Great Gatsby |
4 / 1068 |
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| J.d. Salinger |
6 / 1508 |
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| Social Structure of the 1930's - Daphne Du Maurier |
4 / 934 |
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| Passion |
2 / 547 |
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| Lord Of The Flies |
3 / 813 |
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| farewell to arms |
2 / 424 |
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| Cinderella |
5 / 1279 |
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| The Great Gatsby: The American Dream |
3 / 739 |
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| Thusiiiiz |
2 / 338 |
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| Uncle Tom's Cabin |
3 / 748 |
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| Matrix |
2 / 505 |
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| Hardy Boys-Casefiles No. 46: Foul Play |
2 / 364 |
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| Plot Analysis Of Conspiracy Th |
2 / 403 |
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| The Chorus Of Antigone |
2 / 457 |
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| scarlet letter |
2 / 339 |
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| Rebecca By Daphne Du Maurier |
3 / 745 |
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| Educating Rita Compare and contrast |
5 / 1259 |
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| Hamlet; How Far Do You Believe He Is Mad |
5 / 1320 |
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| Hawthorne's Theme |
2 / 531 |
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| Hamlet: Appearance Vs. Reality |
4 / 904 |
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| Edgar Allan Poe's Influence on Stephen King |
2 / 576 |
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| Tender Offer |
2 / 370 |
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| medea |
2 / 377 |
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| the collector |
2 / 547 |
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| The Lady with the Pet Dog |
3 / 759 |
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| Tim Burton's Corpse Bride |
2 / 467 |
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| How is Jane Eyre influenced by the tradition of the Gothic novel? |
2 / 442 |
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| pathways of sin |
2 / 583 |
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| 20,000 Leagues Under The Sea |
2 / 439 |
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| 20,000 Leagues Under the Sea |
2 / 439 |
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| Social Monsters: A Social View of Mary Shelley’s Frankenstein and David Fincher’s Fight Club |
3 / 627 |
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| James And The Giant Peach |
2 / 536 |
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| ghost world |
3 / 754 |
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| Outline of Old Testement |
2 / 473 |
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| Comparison and Constrast between Characters and Characterization in "Telling Stories" and "You Were Perfectly Fine" |
4 / 905 |
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| Gavin Willingham |
2 / 517 |
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| Romeo and Juliet: Crimes Committed |
3 / 829 |
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| Blindfold |
2 / 496 |
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| phonograph |
3 / 817 |
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| Thematic Concerns Of Who's AFriad Of Virginia Woolf |
2 / 409 |
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| Texas Chainsaw Massacre |
2 / 556 |
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| Trainspotting: A Novel By Irvine Welsh |
2 / 556 |
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| All The Kings Men 2 |
3 / 632 |
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| frankenstein vs paradise lost |
2 / 403 |
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| Nature |
2 / 410 |
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| Great Gatsby Essay |
2 / 439 |
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| Frankenstein |
2 / 424 |
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| Kino, a poor Indian fisherman |
3 / 777 |
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| Volpone Ben Jonson |
4 / 1123 |
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| Cheers A Semiotic Analysis By |
2 / 464 |
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| theatre of the absurd in r+G |
4 / 1142 |
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| color symbolism in the great gatsby |
4 / 1020 |
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| Heart Of Darkness - Comments |
4 / 1171 |
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| Comparison of Troy and the Iliad |
3 / 755 |
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| Advantages And Disadvantages Of Subtitles |
2 / 546 |
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| Designing the Message of a Lifetime |
2 / 589 |
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| 20,000 Leagues Under The Sea: Overview |
2 / 439 |
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| Isaac Basheevis |
3 / 747 |
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| Symbolism In Ethan From |
2 / 418 |
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| Albert Camus and Herman Hesse – Comparing both “The Outsider” to “Siddhartha” |
4 / 962 |
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| idealistic views of love |
2 / 419 |
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| whose life is it anyway |
1 / 124 |
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| Critics On Slaughter House-5 |
3 / 852 |
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| CRITICS ON SLAUGHTER HOUSE-FIVE |
3 / 852 |
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| Critics On Slaughter House-five |
3 / 852 |
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| Americas Pastime |
3 / 877 |
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| The Taming Of The Shrew: Mistaken Identities |
3 / 863 |
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| English Taming Shrew |
3 / 863 |
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| Oliver Twist Analysis |
4 / 1105 |
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| The magic barrel |
2 / 324 |
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| A Wrinkle In Time |
1 / 139 |
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| Irony in "The Lottery" |
3 / 634 |
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| a raisin in the sun |
3 / 615 |
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| Deceit Lies Beneath |
2 / 530 |
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| William Faulkner |
2 / 355 |
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| Brains Winter |
1 / 256 |
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| Yet Another The Pearl |
3 / 784 |
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| rear window |
3 / 637 |
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| The Great Gatsby |
4 / 1111 |
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| Light Vs. Dark |
3 / 894 |
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| thematic essay on identity |
4 / 926 |
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| Tom Stoppard |
5 / 1370 |
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