| Title |
Pages / Words |
Save |
| Ray Bradbury |
3 / 893 |
 |
| Innocent Victim of Love |
3 / 678 |
|
| ambrose |
2 / 596 |
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| Film Industry: then and now |
4 / 1111 |
|
| history of hollywood |
3 / 854 |
|
| Kiss Me Deadly and Film Noir |
2 / 530 |
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| Muckrakers |
2 / 388 |
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| Bob Saget |
2 / 405 |
|
| Bruce Lee |
6 / 1517 |
|
| Norman Rockwell |
3 / 698 |
|
| Woody Allen |
3 / 658 |
|
| 12 Angry Men |
3 / 750 |
|
| analysis of "the handmaid's tale" |
4 / 1057 |
|
| Book report: What are they? |
10 / 2878 |
|
| Brave new world |
2 / 494 |
|
| Donnie Brasco |
2 / 315 |
|
| Eragon |
5 / 1363 |
|
| Going After Cacciato |
2 / 477 |
|
| Hannibal |
3 / 716 |
|
| Harry Potter and the Prisoner of Askaban |
5 / 1244 |
|
| Hell |
3 / 619 |
|
| Horror Show |
2 / 397 |
|
| I never sang for my father |
3 / 857 |
|
| Inkspell |
2 / 515 |
|
| Of Mice and men |
5 / 1326 |
|
| Schindlers List |
4 / 1015 |
|
| Streetcar Named Desire Essay |
2 / 591 |
|
| Summer Reading |
2 / 534 |
|
| THE STRANGER by William Faulkner |
3 / 818 |
|
| Train Spotting |
4 / 1176 |
|
| the seventh tower |
5 / 1218 |
|
| Virginia Woolf's Style and subject in a Room of her own |
7 / 1841 |
|
| e-commerce |
4 / 955 |
|
| Marketing James Patterson |
7 / 1829 |
|
| Medieval Lessons in Leadership |
6 / 1654 |
|
| Rich Dad |
2 / 494 |
|
| 007 |
23 / 6721 |
|
| 2001 A Space Odyssey Analysis |
4 / 915 |
|
| A crowd gathered quickly, curious of the contents in the abandoned backpack. Describe the scene |
3 / 880 |
|
| American Beauty |
4 / 1122 |
|
| Beloved |
4 / 963 |
|
| Characters Of Dark City By Frank Lauria |
3 / 777 |
|
| Comparison of Nathaniel Hawthrone’s |
5 / 1490 |
|
| Critique ( Choices) |
3 / 892 |
|
| Dames, Coppers, and Crooks: A L:ook At Film Noir |
10 / 2877 |
|
| Dont Know how he did it |
4 / 950 |
|
| Dramatic irony in Oedipus Rex |
3 / 741 |
|
| Essay Analysis Paper |
3 / 634 |
|
| Etiquette_sitting Order |
3 / 648 |
|
| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
|
| Everest |
2 / 525 |
|
| Far and Away |
3 / 827 |
|
| Film Adaptation of Antigone |
2 / 550 |
|
| Film Comparison- Shawshank Redemption VS Murder In The First |
3 / 652 |
|
| Film Openings |
3 / 784 |
|
| Film: Philadelphia, Aids/Gay |
7 / 1853 |
|
| Gattaca |
3 / 725 |
|
| Hamlet |
2 / 453 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| Importance of Bein Earnest |
4 / 1153 |
|
| It happened One Night Film |
3 / 616 |
|
| John Stienbeck - Of Mice And Men |
2 / 319 |
|
| Kate Chopin's \ |
3 / 632 |
|
| Kurt vonnegut |
3 / 836 |
|
| film reviews and summaries |
2 / 366 |
|
| life of pi |
2 / 599 |
|
| Macbeth Film Interpretation |
4 / 1032 |
|
| Macomber and Most Dangerous Game Essay |
4 / 909 |
|
| Mansfield Park, the novel, or Mansfield Park the film? |
6 / 1742 |
|
| Mica and men review |
2 / 366 |
|
| Miss |
4 / 1055 |
|
| Othello Movie Review |
2 / 418 |
|
| Rabbit Proof Fence |
4 / 1073 |
|
| Rashomon |
3 / 722 |
|
| Romeo And Juliet Film Review |
3 / 660 |
|
| Romeo and Juliet Speech |
2 / 349 |
|
| Shine - David Helfgott |
2 / 512 |
|
| Stephen King |
9 / 2599 |
|
| Studying the English Language |
1 / 243 |
|
| The Realtionship Between Salamano And His Dog The Stranger By Albert C |
2 / 400 |
|
| The Stranger ? A Sign of Hope |
5 / 1239 |
|
| Toulmin Analysis of "It's the ABC Oscars: anything but Crash" |
2 / 599 |
|
| What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
|
| White Man's Muscles |
4 / 908 |
|
| the curse |
5 / 1265 |
|
| the stranger |
2 / 345 |
|
| A Brief History of Film |
4 / 1006 |
|
| Blah. I Did This To Get The Registration Thing On. |
3 / 705 |
|
| film history |
4 / 1047 |
|
| The Most Convincing Propogandist |
5 / 1204 |
|
| Hawthorne Writing Style |
1 / 84 |
|
| A COMPARISON BETWEEN THE BOOK AND MOVIE: MALCOLM X |
2 / 538 |
|
| Babylon Revisited |
1 / 82 |
|
| Borat |
3 / 737 |
|
| Bridge over the River Kwai |
2 / 476 |
|
| beautiful mind |
2 / 441 |
|
| Cabaret |
3 / 850 |
|
| Catcher In The Rye- Movie Proposal |
6 / 1532 |
|
| Censorship |
4 / 945 |
|
| Curious Incident of the dog in the nighttime |
2 / 515 |
|
| Death Note |
2 / 420 |
|
| George Eastman |
2 / 514 |
|
| Gummo - Movie Critique |
2 / 411 |
|
| Henry V - Film |
4 / 929 |
|
| Hitchcock, The Artist |
5 / 1223 |
|
| How Much Land Does A Man Need |
3 / 833 |
|
| Is There Life Out There? |
2 / 527 |
|
| L.A. Confidential |
4 / 1020 |
|
| Liberty Valance |
2 / 398 |
|
| Lolita (film And Novel Compari |
5 / 1265 |
|
| Mahatma Gandhi |
3 / 616 |
|
| Maurice Sendak |
2 / 570 |
|
| Media |
3 / 700 |
|
| Mrs Dalloway - Analysis Of The |
2 / 427 |
|
| Nafta |
5 / 1266 |
|
| On Freedom |
2 / 443 |
|
| One Flew Over the Cuckoos Nest |
3 / 821 |
|
| Ray Bradbury |
4 / 1172 |
|
| Romeo And Juliet 4 -2 |
3 / 722 |
|
| respect |
2 / 391 |
|
| SWOT Analysis |
3 / 603 |
|
| Short-story Paper |
7 / 2083 |
|
| The Birth Of A Nation And Greed |
4 / 1185 |
|
| The Catcher In The Rye |
3 / 719 |
|
| Viewer Response - The Graduate |
2 / 387 |
|
| We Are Heading To An Apocalypse Of Our Own Creation. |
6 / 1748 |
|
| 5th Element |
7 / 1935 |
|
| Alfred Hitchcock |
4 / 965 |
|
| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
|
| Annie Hall and Jesus |
3 / 750 |
|
| american pie |
2 / 390 |
|
| Billy Elliot |
2 / 342 |
|
| Blue Velvet: Scene Analysis |
2 / 594 |
|
| Bye Bye Brazil |
3 / 715 |
|
| Casablanca |
2 / 486 |
|
| Citizen Kane |
2 / 600 |
|
| Crash - Analysis |
2 / 533 |
|
| citizen kane |
2 / 600 |
|
| Dreyer's Vampyr |
6 / 1754 |
|
| Eat Man Drink Woman |
2 / 359 |
|
| Firestarter |
3 / 769 |
|
| film analysis |
3 / 802 |
|
| Groups in 'The Castle' |
3 / 652 |
|
| Harrison Ford and The Conversation |
4 / 923 |
|
| Harry Potter Differences |
4 / 1154 |
|
| Hello, My Name Is Orson Welles |
6 / 1575 |
|
| Hoosiers, Film Analysis |
10 / 2957 |
|
| Indonesian Cinema by Christine Hakim |
5 / 1323 |
|
| Interview with Mel Stuart |
4 / 977 |
|
| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
|
| indian cinema |
3 / 713 |
|
| Kite Runner Movie |
1 / 298 |
|
| kramer Vs kramer |
4 / 908 |
|
| lord of the rings |
4 / 1114 |
|
| Made Of Honor: Made To Watch |
2 / 424 |
|
| Memento |
4 / 1093 |
|
| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
|
| Patch Adams |
2 / 510 |
|
| Planet of the Apes |
3 / 848 |
|
| Psycho |
2 / 489 |
|
| pulp fiction |
4 / 1110 |
|
| ritchie rich |
2 / 433 |
|
| Space Jam |
2 / 467 |
|
| Spinning Gasing |
4 / 1104 |
|
| sterphen spielberg |
3 / 605 |
|
| superman |
5 / 1414 |
|
| The Bicycle Thief |
4 / 1119 |
|
| The Royal Tenenmbaums |
3 / 860 |
|
| The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
|
| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
|
| Tommy: the album vs. the movie |
5 / 1455 |
|
| the life of david gale film review |
4 / 1011 |
|
| the piano movie |
3 / 609 |
|
| twelve angry men |
3 / 750 |
|
| Viewer Response - The Graduate |
2 / 387 |
|
| War In Cinema |
3 / 885 |
|
| Wong Kar Wai and french new wave |
3 / 652 |
|
| 12 angrey men |
3 / 750 |
|
| A Clockwork Orange Film Analysis |
2 / 536 |
|
| Kafta And The Metamorphisis |
5 / 1480 |
|
| Miss Brill |
2 / 590 |
|
| A Beautiful Mind |
2 / 383 |
|
| A Beautiful Mind |
3 / 644 |
|
| Clowns and Cubicles |
8 / 2272 |
|
| Imagination |
3 / 752 |
|
| parent and child relationships |
2 / 493 |
|
| Thin |
3 / 676 |
|
| Religious Undertones In The Matrix |
7 / 2089 |
|
| Vice Virtue |
3 / 831 |
|
| Asimov On Chemistry By Isaac Asimov |
4 / 1074 |
|
| Effect Of Temperature On Activity Of Alcalase And Savinase |
6 / 1643 |
|
| Sci-fI Films |
8 / 2199 |
|
| Americans In Film- Race, Gender, And |
2 / 494 |
|
| Bombs Away: Different Reactions to the Vietnam War in Across the Universe |
2 / 570 |
|
| COmparisons |
3 / 697 |
|
| Current Event |
2 / 311 |
|
| Date Rape |
3 / 895 |
|
| Father son relationship in "Reunion" |
3 / 790 |
|
| Life & Debt |
2 / 444 |
|
| True Event in Colorful Film |
2 / 513 |
|
