| Title | Pages / Words | Save |
| oscar wilde | 3 / 764 |  |
| A view from a bridge dramatic techniques | 8 / 2144 | |
| Audience And Critics Have Said The Crucible Is Deeply Moving And Exciting. Discuss How Millers Stagecraft In Particular At The Begining And Ends Of The Acts Contributes To The Overall Drama Of The Texts | 4 / 1093 | |
| Comic Potential and The Lieutenant of Inishmore | 7 / 2085 | |
| Hamlet and Macbeth and the new King of England | 3 / 850 | |
| history of theatre | 2 / 468 | |
| Macbeth- the decline of Macbeth and his wife. | 5 / 1366 | |
| Rosencrantz and Guildenstern are making a point | 5 / 1456 | |
| peter shaffer | 2 / 562 | |
| Theater | 21 / 6114 | |
| Naturalism in Russia and the Creation of the Moscow Art Theatre | 4 / 1044 | |
| Outcome 3 "He Always" - Realism | 3 / 875 | |
| Stagecraft | 2 / 438 | |
| The Front Page Analysis | 4 / 1103 | |
| Jean Luc Godard's Weekend as Didactic Self-Reflexive Cinema | 7 / 1884 | |
| Opera | 11 / 3020 | |
| Ibsen Versus Strindberg | 18 / 5287 | |
| Religious Ceremonies In Theatre | 7 / 2033 | |
