Title |
Pages / Words |
Save |
Rikki-Tikki-Tavi The War Story |
5 / 1220 |
![](files/images/content/save.gif) |
The Red Badge of Courage |
5 / 1492 |
![](files/images/content/save.gif) |
Hamlet |
4 / 1043 |
![](files/images/content/save.gif) |
Andrew Jackson |
2 / 395 |
![](files/images/content/save.gif) |
abraham lincoln's life |
38 / 11116 |
![](files/images/content/save.gif) |
assault in the senate |
1 / 196 |
![](files/images/content/save.gif) |
Douglas MacArthur |
2 / 345 |
![](files/images/content/save.gif) |
Ernest Hemmingway |
5 / 1356 |
![](files/images/content/save.gif) |
Memoirs |
3 / 629 |
![](files/images/content/save.gif) |
malcolm x |
2 / 369 |
![](files/images/content/save.gif) |
Native americans |
2 / 387 |
![](files/images/content/save.gif) |
A Comparison Of Arthur Becomes King And David And Goliath |
2 / 480 |
![](files/images/content/save.gif) |
Jinnah: A Charisma Built for Disrupture |
2 / 592 |
![](files/images/content/save.gif) |
Much Ado About Nothing |
2 / 558 |
![](files/images/content/save.gif) |
Richard Marcinko |
2 / 418 |
![](files/images/content/save.gif) |
Woodrow Wilson |
5 / 1277 |
![](files/images/content/save.gif) |
Alice In Wonderland: Enduring, Endearing Nonsense |
3 / 662 |
![](files/images/content/save.gif) |
An Enemy Of The People |
4 / 928 |
![](files/images/content/save.gif) |
Another MacBeth |
2 / 452 |
![](files/images/content/save.gif) |
Attributes Traditionally Associated With Masculinity And Femininity And Their Contrasts In Medea And Pygmalion |
5 / 1439 |
![](files/images/content/save.gif) |
a lesson before dying- heroism |
3 / 808 |
![](files/images/content/save.gif) |
alive |
1 / 296 |
![](files/images/content/save.gif) |
Beowulf And Hrothgar: Anglo-saxon Ideal Code Of Conduct |
2 / 571 |
![](files/images/content/save.gif) |
Beowulf to froto baggins |
4 / 959 |
![](files/images/content/save.gif) |
Beowulf: The Ultimate Hero |
6 / 1739 |
![](files/images/content/save.gif) |
billy Budd By Herman Melville: Captain Vere |
2 / 462 |
![](files/images/content/save.gif) |
Dogs |
3 / 662 |
![](files/images/content/save.gif) |
Dramatic Irony in Oedipus Rex |
2 / 498 |
![](files/images/content/save.gif) |
ENDURING, ENDEARING NONSENSE |
3 / 660 |
![](files/images/content/save.gif) |
Essay By On The Aeneid |
5 / 1251 |
![](files/images/content/save.gif) |
Faust |
3 / 873 |
![](files/images/content/save.gif) |
James and the Giant Peach |
3 / 744 |
![](files/images/content/save.gif) |
King Lear: Lear The Tragic Hero |
6 / 1633 |
![](files/images/content/save.gif) |
Les Miserables: Jean Valjean |
2 / 428 |
![](files/images/content/save.gif) |
Lord Of The Rings |
3 / 776 |
![](files/images/content/save.gif) |
Macbeth: Macbeth's Ambition, Courage, And Moral Cowardness Leads To Hi |
2 / 460 |
![](files/images/content/save.gif) |
Much Ado About Nothing: An Overview |
4 / 1126 |
![](files/images/content/save.gif) |
mcbeth |
2 / 536 |
![](files/images/content/save.gif) |
Okonkwo is a tragic Hero |
3 / 724 |
![](files/images/content/save.gif) |
Questionable Heroes In The Play Julius Caesar |
3 / 703 |
![](files/images/content/save.gif) |
Soul Flayer |
2 / 391 |
![](files/images/content/save.gif) |
The Cat Within |
2 / 333 |
![](files/images/content/save.gif) |
The Last Samurai |
2 / 570 |
![](files/images/content/save.gif) |
The Mysterious Banana |
6 / 1551 |
![](files/images/content/save.gif) |
The Nun's Priest's Tale |
4 / 1146 |
![](files/images/content/save.gif) |
Things Fall Apart- Achebe |
4 / 954 |
![](files/images/content/save.gif) |
To Kill A Mocking Bird |
3 / 664 |
![](files/images/content/save.gif) |
the man in the case |
2 / 313 |
![](files/images/content/save.gif) |
the stranger |
5 / 1471 |
![](files/images/content/save.gif) |
u who |
1 / 299 |
![](files/images/content/save.gif) |
International Trade Debate |
1 / 265 |
![](files/images/content/save.gif) |
A Classic Hero |
4 / 1068 |
![](files/images/content/save.gif) |
A hero for the freedom of Scotland |
4 / 922 |
![](files/images/content/save.gif) |
Achilles: a hero no more |
4 / 1003 |
![](files/images/content/save.gif) |
Antigone |
5 / 1392 |
![](files/images/content/save.gif) |
Aristotle and the Irony of Guilt |
5 / 1450 |
![](files/images/content/save.gif) |
Atticus Finch as a Heroic Character in to Kill a Mockingbird |
3 / 795 |
![](files/images/content/save.gif) |
Beowulf As An Epic |
2 / 568 |
![](files/images/content/save.gif) |
Beowulf Essay |
4 / 973 |
![](files/images/content/save.gif) |
Beowulf |
2 / 431 |
![](files/images/content/save.gif) |
Beowulf |
3 / 634 |
![](files/images/content/save.gif) |
Casablanca |
2 / 470 |
![](files/images/content/save.gif) |
Christianity & Paganism in Beowulf |
2 / 469 |
![](files/images/content/save.gif) |
Critical Lens |
3 / 632 |
![](files/images/content/save.gif) |
Dr. Faustus a tragic hero. |
4 / 981 |
![](files/images/content/save.gif) |
Explain How Social Darwinism And Determinism Are Evident In Jack London'S "To Build A Fire" |
2 / 434 |
![](files/images/content/save.gif) |
Explication of Poem for Black Boys |
3 / 688 |
![](files/images/content/save.gif) |
Geat Vs. Greek |
4 / 963 |
![](files/images/content/save.gif) |
Gilgamesh And Oddysey |
4 / 1137 |
![](files/images/content/save.gif) |
Gilgamesh and Odysseus |
4 / 909 |
![](files/images/content/save.gif) |
Hamlet as a Tragic Hero |
6 / 1562 |
![](files/images/content/save.gif) |
Hamlet |
2 / 495 |
![](files/images/content/save.gif) |
Hedda Gabler - A Tragic Hero? |
4 / 1071 |
![](files/images/content/save.gif) |
Hercules Comparison |
3 / 730 |
![](files/images/content/save.gif) |
Hero Project |
4 / 980 |
![](files/images/content/save.gif) |
Heroes in Anglo-Saxon culture |
4 / 1166 |
![](files/images/content/save.gif) |
How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? |
6 / 1639 |
![](files/images/content/save.gif) |
How funny do you find ?Waiting for Godot'? Explore the ways in which Beckett uses humour in the play and the likely impact that this would have on the audience. |
3 / 869 |
![](files/images/content/save.gif) |
Iliad/ Aeneid Essay |
3 / 695 |
![](files/images/content/save.gif) |
Is Duddy Karvitz and Anti-Hero? |
2 / 474 |
![](files/images/content/save.gif) |
all the pretty horses versus the searchers |
4 / 925 |
![](files/images/content/save.gif) |
bin laden |
2 / 541 |
![](files/images/content/save.gif) |
critical essay on for whom the bell tolls |
4 / 1069 |
![](files/images/content/save.gif) |
haindi |
2 / 495 |
![](files/images/content/save.gif) |
hamlet |
5 / 1219 |
![](files/images/content/save.gif) |
hero |
2 / 525 |
![](files/images/content/save.gif) |
Macbeth - Tragic Hero |
3 / 666 |
![](files/images/content/save.gif) |
Macbeth essay |
5 / 1293 |
![](files/images/content/save.gif) |
Macbeth |
2 / 449 |
![](files/images/content/save.gif) |
Macbeth |
2 / 461 |
![](files/images/content/save.gif) |
Mr. |
4 / 1006 |
![](files/images/content/save.gif) |
Much Ado About Nothing: Pride and Prejudice |
5 / 1266 |
![](files/images/content/save.gif) |
Muchadoaboutsomting |
2 / 536 |
![](files/images/content/save.gif) |
Mutability in Tennyson's Ulysses |
4 / 932 |
![](files/images/content/save.gif) |
Odysseus Vs. Gilgamesh |
5 / 1319 |
![](files/images/content/save.gif) |
Odysseus' Journey as an Epic Hero |
5 / 1266 |
![](files/images/content/save.gif) |
Oedipus Rex |
4 / 1148 |
![](files/images/content/save.gif) |
Othello V.’S. Macbeth: Battle Of Tragedy |
8 / 2308 |
![](files/images/content/save.gif) |
Othello' Profile |
3 / 666 |
![](files/images/content/save.gif) |
Othello |
4 / 1198 |
![](files/images/content/save.gif) |
Peter Weir movie analysis |
2 / 542 |
![](files/images/content/save.gif) |
Reflective essays |
5 / 1279 |
![](files/images/content/save.gif) |
Rhetorical Analysis on "Shooting an Elephant" |
3 / 789 |
![](files/images/content/save.gif) |
Romanticism in Frankenstein |
3 / 837 |
![](files/images/content/save.gif) |
Shakespeares depiction of a tragic hero |
5 / 1470 |
![](files/images/content/save.gif) |
Shooting an Elephant |
2 / 311 |
![](files/images/content/save.gif) |
Sir Gawain and the Green Knight |
3 / 648 |
![](files/images/content/save.gif) |
The Epic Hero |
3 / 730 |
![](files/images/content/save.gif) |
The Iliad |
5 / 1428 |
![](files/images/content/save.gif) |
The Red Badge of Courage |
5 / 1455 |
![](files/images/content/save.gif) |
The Tragic Fate of Oedipus the King |
4 / 935 |
![](files/images/content/save.gif) |
The nature of theatre in Europe in the 19th Century |
2 / 522 |
![](files/images/content/save.gif) |
Tragedy In Drama |
6 / 1705 |
![](files/images/content/save.gif) |
Unknown citizen |
2 / 304 |
![](files/images/content/save.gif) |
Who Am I? Essay |
3 / 833 |
![](files/images/content/save.gif) |
macbeth: a tragic hero |
2 / 456 |
![](files/images/content/save.gif) |
reading log on the crucible |
2 / 453 |
![](files/images/content/save.gif) |
same sex marriage |
2 / 421 |
![](files/images/content/save.gif) |
Analysis and Comparison of Two Epic Characters Gilgamesh and Enkidu |
2 / 484 |
![](files/images/content/save.gif) |
Ben Franklin |
3 / 645 |
![](files/images/content/save.gif) |
Children's Literature |
2 / 398 |
![](files/images/content/save.gif) |
LOTR TROY Immortality of heroes |
8 / 2194 |
![](files/images/content/save.gif) |
Russia's unjust occupation of Chechnya |
2 / 412 |
![](files/images/content/save.gif) |
A & P Analyzation |
1 / 130 |
![](files/images/content/save.gif) |
A Classic Hero |
4 / 1068 |
![](files/images/content/save.gif) |
A Person Who has had influence on my Life |
2 / 444 |
![](files/images/content/save.gif) |
Aeneid |
2 / 386 |
![](files/images/content/save.gif) |
Antigone (creon As The Tragic |
2 / 439 |
![](files/images/content/save.gif) |
Aristotle On Tragedy |
4 / 1046 |
![](files/images/content/save.gif) |
Beck's Music |
4 / 949 |
![](files/images/content/save.gif) |
Being A Hero |
5 / 1495 |
![](files/images/content/save.gif) |
Beowulf As An Epic |
2 / 568 |
![](files/images/content/save.gif) |
Beowulf Vs. Gilgamesh |
4 / 1181 |
![](files/images/content/save.gif) |
Beowulf: Heroism |
4 / 928 |
![](files/images/content/save.gif) |
Beowulf: Heroism |
4 / 928 |
![](files/images/content/save.gif) |
beowulf/grendel |
4 / 1068 |
![](files/images/content/save.gif) |
Candide |
3 / 728 |
![](files/images/content/save.gif) |
Cool Hand Luke |
3 / 837 |
![](files/images/content/save.gif) |
Cyrano De Bergerac |
2 / 501 |
![](files/images/content/save.gif) |
Death Be Not Proud |
1 / 155 |
![](files/images/content/save.gif) |
Different Cultures, Different |
3 / 827 |
![](files/images/content/save.gif) |
dc vs marvel |
3 / 682 |
![](files/images/content/save.gif) |
debate |
4 / 970 |
![](files/images/content/save.gif) |
drinking age |
4 / 902 |
![](files/images/content/save.gif) |
Enduring, Endearing Nonsense |
3 / 660 |
![](files/images/content/save.gif) |
Entertaining Mr Sloane |
9 / 2427 |
![](files/images/content/save.gif) |
Geat Vs. Greek |
4 / 963 |
![](files/images/content/save.gif) |
Gilgamesh, Achilles, Aeneas, And Roland |
6 / 1606 |
![](files/images/content/save.gif) |
Hamlet |
2 / 495 |
![](files/images/content/save.gif) |
Heroes And Villains |
2 / 558 |
![](files/images/content/save.gif) |
Huck As Hero |
4 / 1150 |
![](files/images/content/save.gif) |
Iliad 2 - |
2 / 580 |
![](files/images/content/save.gif) |
kill bill |
2 / 518 |
![](files/images/content/save.gif) |
Lean On Me |
2 / 320 |
![](files/images/content/save.gif) |
Lean On Me |
2 / 320 |
![](files/images/content/save.gif) |
Lean On Me |
2 / 320 |
![](files/images/content/save.gif) |
Lean On Me |
2 / 320 |
![](files/images/content/save.gif) |
Macbeth - Hero Or Villain? |
5 / 1389 |
![](files/images/content/save.gif) |
Macbeth: From Hero To Villain |
5 / 1235 |
![](files/images/content/save.gif) |
Martin scorsese's taxi driver |
2 / 321 |
![](files/images/content/save.gif) |
My Hero |
3 / 820 |
![](files/images/content/save.gif) |
Napolean |
1 / 122 |
![](files/images/content/save.gif) |
OEDIPUS REX ANALISYS |
3 / 851 |
![](files/images/content/save.gif) |
Oedipus The King Sophocles |
4 / 1094 |
![](files/images/content/save.gif) |
Orestes An Innocent Hero |
4 / 1151 |
![](files/images/content/save.gif) |
Oskar Schindler: A Hero Study |
4 / 1059 |
![](files/images/content/save.gif) |
Paradise Found And Lost - Critique |
2 / 535 |
![](files/images/content/save.gif) |
Paradise Found And Lost - Critique |
2 / 535 |
![](files/images/content/save.gif) |
Paris: The Iliad |
2 / 580 |
![](files/images/content/save.gif) |
Paris: The Iliad |
2 / 580 |
![](files/images/content/save.gif) |
Statutory interpretation |
2 / 333 |
![](files/images/content/save.gif) |
studenty |
3 / 622 |
![](files/images/content/save.gif) |
The Bat, The Man, and His Audiences |
5 / 1411 |
![](files/images/content/save.gif) |
The Iliad |
5 / 1428 |
![](files/images/content/save.gif) |
The Old Man And The Sea |
1 / 234 |
![](files/images/content/save.gif) |
The Underdog Can Win! |
5 / 1478 |
![](files/images/content/save.gif) |
Theseus Athens Great Hero |
2 / 556 |
![](files/images/content/save.gif) |
Tragedy And The Common Man |
3 / 800 |
![](files/images/content/save.gif) |
Un Viaje A Itaca |
2 / 325 |
![](files/images/content/save.gif) |
What a loser. |
1 / 240 |
![](files/images/content/save.gif) |
Woman In Theater |
2 / 330 |
![](files/images/content/save.gif) |
Casablanca |
3 / 663 |
![](files/images/content/save.gif) |
Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
![](files/images/content/save.gif) |
Flawless Heroes? |
2 / 455 |
![](files/images/content/save.gif) |
Shane |
4 / 937 |
![](files/images/content/save.gif) |
A Hero in a Loincloth… and His Methods |
3 / 815 |
![](files/images/content/save.gif) |
An Analysis of Camus’s Interpretation of the |
4 / 1049 |
![](files/images/content/save.gif) |
Confidentiality |
2 / 346 |
![](files/images/content/save.gif) |
Continental Philosophy |
3 / 707 |
![](files/images/content/save.gif) |
Faith Seeking Understanding |
4 / 988 |
![](files/images/content/save.gif) |
galilo |
2 / 308 |
![](files/images/content/save.gif) |
Socrates |
2 / 305 |
![](files/images/content/save.gif) |
The Odyssey |
2 / 465 |
![](files/images/content/save.gif) |
Virtue Theory |
4 / 1062 |
![](files/images/content/save.gif) |
Importanice of greek mythology |
2 / 356 |
![](files/images/content/save.gif) |
Jung, Gardner, and Freud comparison |
4 / 959 |
![](files/images/content/save.gif) |
paul |
5 / 1230 |
![](files/images/content/save.gif) |
the dream scheme |
2 / 358 |
![](files/images/content/save.gif) |
The Romantic Present |
2 / 582 |
![](files/images/content/save.gif) |
Dota: Manta Style strategy on Tinker |
5 / 1437 |
![](files/images/content/save.gif) |