| Title |
Pages / Words |
Save |
| Hamlet's Alienation of Characters |
2 / 579 |
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| E.A.Poe |
2 / 460 |
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| hemingway |
1 / 206 |
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| John Steinbeck |
1 / 263 |
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| Milan Kundera |
3 / 621 |
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| my story |
2 / 381 |
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| Ray Bradbury Biography |
2 / 365 |
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| Roman Empire |
2 / 539 |
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| story of an hour |
4 / 1033 |
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| A Child Called It Book Review |
1 / 171 |
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| A Story Of An Hour: Feelings |
2 / 468 |
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| Allegory in Billy Budd |
2 / 481 |
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| Beloved by Toni Morrison (review) |
2 / 448 |
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| Black Beauty |
3 / 803 |
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| Chronichles of a madman |
3 / 736 |
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| cask of amontillado |
2 / 479 |
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| Deceit Lies Beneath |
2 / 541 |
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| Deception Point |
4 / 1080 |
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| Gossamer Book Review |
2 / 485 |
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| Greasy Lake |
1 / 209 |
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| guess what |
2 / 498 |
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| Harry Potter and the Half Blood Prince |
2 / 431 |
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| Harry Potter |
2 / 321 |
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| Hemingway's "a Clean, Well-lighted Place" And His Life |
4 / 962 |
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| Irony Paper Oedipus And Story Of An Hour |
5 / 1239 |
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| jimmy cross and george orwell comparison |
3 / 836 |
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| Krik? Krak! |
3 / 749 |
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| Les Miserables: Jean Valjean |
2 / 428 |
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| Macbeth: Aristotelian Tragedy |
6 / 1794 |
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| Mary Austin |
5 / 1244 |
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| Mohicans |
5 / 1388 |
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| Naturalistic Elements of \ |
2 / 316 |
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| Oedipus The King: Existence Of Man |
4 / 1107 |
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| Old Man And The Sea |
5 / 1439 |
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| Othello |
2 / 328 |
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| Poe's The Cask Of Amontillado: Themes |
3 / 665 |
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| Policing |
1 / 275 |
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| Speak Character and Plot Summary |
2 / 504 |
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| The Garden Of Forking Path |
2 / 376 |
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| The Hunchback of Notre-Dame |
3 / 700 |
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| The Knife |
3 / 715 |
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| The Polar Express |
1 / 271 |
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| The Reeve's Rebuttal |
2 / 412 |
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| The Terrorist |
3 / 682 |
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| The Time Machine - Plot Summary |
3 / 807 |
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| To Kill A Mocking Bird Comparisson Essay |
1 / 207 |
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| treasure island |
4 / 1156 |
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| When the wind blows |
1 / 282 |
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| Young Goodman Brown |
5 / 1244 |
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| A Guide To Case Analysis |
2 / 302 |
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| Analysis of Financial Statement |
2 / 552 |
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| Business Method |
2 / 307 |
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| Fashion Channel |
1 / 90 |
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| Financial Analysis Of C & V Fashions |
3 / 876 |
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| London House Price market |
1 / 231 |
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| Macmillan and Grunski Consulting |
2 / 351 |
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| Sensitivity/Scenario Analysis |
2 / 333 |
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| Summary of a Product Analysis |
4 / 1200 |
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| technical analysis |
5 / 1454 |
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| Wal-Mart |
2 / 314 |
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| 10 things i hate bout u |
2 / 337 |
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| A Clean, Well-Lighted Place Introduction |
1 / 256 |
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| A Comparison Of Contemporary And Romance Literature |
5 / 1251 |
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| A Meeting in the Dark |
2 / 416 |
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| A White heron |
2 / 318 |
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| A.S. Byatt |
2 / 498 |
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| Analysis Was It A Dream |
2 / 331 |
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| Analysis of "An Occurrence at Owl Creek Bridge" |
3 / 689 |
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| Another Evening at the Club |
2 / 466 |
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| Another evening at the club |
2 / 366 |
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| Antigone |
2 / 560 |
|
| Authors: M. Rowlandson, J. Edwards, T. Jefferson, W. Irving, And J. Co |
1 / 300 |
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| Ballad of Birmingham |
4 / 1120 |
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| Beloved |
3 / 724 |
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| Compare and contrast the characteristics of Nicholas (The Lumber Room) and Ollie (Happy Birthday). |
3 / 643 |
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| Compare/Contrast: "A Good Man is Hard to Find" with "Hills like White Elephants" |
3 / 892 |
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| Contents of the Dean Man's Pocket |
2 / 347 |
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| Critque of "patches: Quilt and Community in Alice Walker's 'Everyday Use' |
3 / 671 |
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| Deception in Hamlet |
2 / 385 |
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| Dr Jekyll And Mr Hyde |
3 / 739 |
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| EDGAR ALLEN POE |
5 / 1377 |
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| Effectiveness of Point of View |
3 / 836 |
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| Essay on Catherine Mansfield?s "Miss Brill" |
4 / 1155 |
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| Fallacious Woman: An Analysis of Max Shulman's Love is a Fallacy |
5 / 1331 |
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| Fortune' |
2 / 334 |
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| Hahalemon |
6 / 1628 |
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| Harry Potter Vs. Where The Red Fern Grows |
3 / 717 |
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| Horrible Happiness |
1 / 291 |
|
| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
|
| How To Enjoy Reading A Novel |
3 / 602 |
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| Indian Camp |
3 / 859 |
|
| Interpretations Of Heart Of Darkness |
3 / 819 |
|
| King Lear |
7 / 1938 |
|
| King Lear |
2 / 528 |
|
| King Lear: family relationships, human nature and its failings |
4 / 908 |
|
| Literary approaches |
3 / 632 |
|
| "Friendly Skies" analysis |
3 / 718 |
|
| a rose for emily |
2 / 446 |
|
| analysis |
4 / 1081 |
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| comparative narrative |
4 / 1181 |
|
| edgar allen poe |
5 / 1212 |
|
| english teacher |
1 / 272 |
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| essay "A view from a bridge" |
1 / 255 |
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| fountains in the rain |
6 / 1798 |
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| last don |
2 / 536 |
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| life of pi |
2 / 599 |
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| Louise Erdrich' "Fleur" |
2 / 356 |
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| Neighbor |
7 / 1939 |
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| Old Man And The Sea |
5 / 1439 |
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| Plot Analysis of The Lady With the Dog |
3 / 638 |
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| Plot in The Scarlet Letter |
4 / 1124 |
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| Raymond Carver, 'The father' |
2 / 335 |
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| Sadness in Kate Chopins The Locket |
1 / 296 |
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| Shooting An Elephant |
2 / 422 |
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| Sound of Thunder |
1 / 211 |
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| Story of an Hour |
4 / 908 |
|
| Style analysis of Joseph Conrad and James Cooper |
2 / 422 |
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| Summary of "A Dolls House" |
2 / 438 |
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| Tale Of Two Cities |
5 / 1332 |
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| The Brethren |
2 / 448 |
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| The Cask of Amontillado |
4 / 1010 |
|
| The Crucible |
3 / 683 |
|
| The Horse Dealer's Daughter |
4 / 978 |
|
| The Important Contextual Influences On Shakespeare'S "King Lear" |
4 / 1090 |
|
| The Lesson |
3 / 697 |
|
| The Passionate Shepherd Poems |
2 / 349 |
|
| The Red Convertible |
5 / 1497 |
|
| The Socialist/Marxist critic to "Diary" by Chuck Palahniuk |
2 / 348 |
|
| Theme Analysis of "Everyday Use" |
3 / 628 |
|
| Thoughts From The Short Story Of "The Interview" |
3 / 765 |
|
| Tomorrow,Tomorrow,Tomorrow |
1 / 289 |
|
| Turning Points in Hamlet |
4 / 911 |
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| What Means What |
4 / 1016 |
|
| William Faulkner |
4 / 1020 |
|
| Women in the odysee |
3 / 620 |
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| World War II (In-depth Look Into Effects of the War) |
2 / 365 |
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| Yellow Wallpaper And Rest Treatment |
3 / 743 |
|
| medea |
3 / 825 |
|
| symbolisms and realisms in "the great gatsby" |
4 / 956 |
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| the leader of the people |
5 / 1455 |
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| things they carried |
2 / 365 |
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| Greek Chorus |
2 / 386 |
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| Philippine Literature |
1 / 214 |
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| Johnsteinbeck |
4 / 960 |
|
| A Haunted House: Treasures Of Life |
2 / 409 |
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| Antigone |
2 / 560 |
|
| Cathedral 2 |
3 / 695 |
|
| Chrysanthemums And Its Symboli |
3 / 609 |
|
| Chrysanthemums And Its Symboli |
3 / 609 |
|
| Discussing Literary Genre |
3 / 805 |
|
| Elephant Man |
3 / 735 |
|
| Fiction and the Business Lesson |
3 / 805 |
|
| Greek Myth Book Report: Prometheus Steals Fire From Heaven |
5 / 1224 |
|
| Harrison Ainsworth Rookwood An |
4 / 1189 |
|
| Henry dumas |
5 / 1306 |
|
| Huck Finn |
3 / 819 |
|
| Interpretations Of Heart Of Darkness |
3 / 819 |
|
| Johnsteinbeck |
4 / 960 |
|
| Jungle Book 2 |
5 / 1353 |
|
| Jungle Book |
5 / 1353 |
|
| King Lear - Power Corrupts |
3 / 678 |
|
| Kripsy Kreme |
1 / 296 |
|
| Love, Sex & Eating the Bones |
4 / 1124 |
|
| Magnificence |
2 / 509 |
|
| Mars is Heaven Analyzed |
4 / 911 |
|
| Oedipus Rex: Tragedy Of Fate |
3 / 745 |
|
| Old Man And The Sea |
5 / 1439 |
|
| Ray Bradbury Biography |
2 / 365 |
|
| Renaissance Drama |
2 / 386 |
|
| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
|
| Romeo And Juliet - Comparisson To West Side Story |
4 / 904 |
|
| Strange News From Another Star |
2 / 515 |
|
| Tale Of Two Cities |
5 / 1332 |
|
| The Cask Of Amontillado |
8 / 2295 |
|
| The Hunchback Of Notre-dame |
2 / 407 |
|
| The Hunchback Of Notre-dame |
3 / 700 |
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| The Knife |
3 / 715 |
|
| The Lottery 2 |
4 / 975 |
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| The Martian Chronicles |
5 / 1230 |
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| The Rime Of The Ancient Marine |
3 / 619 |
|
| The Untouchables |
2 / 572 |
|
| Three Days To See |
2 / 500 |
|
| Three Days To See |
2 / 500 |
|
| Use Of Literary Elements |
4 / 975 |
|
| What Means What |
4 / 1016 |
|
| Where are you going where have you been |
4 / 1085 |
|
| Film genre, narration, reality tv |
6 / 1677 |
|
| Gladiator: A Classic is Born |
5 / 1351 |
|
| Italian Opera |
3 / 852 |
|
| L'Avventura |
3 / 851 |
|
| Supervolcano |
2 / 496 |
|
| The Italian Job |
3 / 755 |
|
| What makes a great movie |
1 / 257 |
|
| Two Critical Analyses of Hemingway's "Hills Like White Elephants" |
4 / 967 |
|
| The Other Sister Critque |
2 / 434 |
|
| tilte |
3 / 723 |
|
| davinci code |
1 / 298 |
|
| paradise lost |
2 / 316 |
|
| Exploring Motion And Force |
3 / 783 |
|
| done |
2 / 485 |
|
