| Title |
Pages / Words |
Save |
| Critical Approaches |
2 / 421 |
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| The Split Cherry Tree |
3 / 703 |
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| The Split Cherry Tree |
3 / 703 |
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| The Lady With the Dog by Anton Chekov |
2 / 414 |
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| Madame Bovary: Emma's Unorthodox Behavior Due To Childhood |
3 / 625 |
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| Bus Queue |
4 / 998 |
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| Sophocles's Electra Vs. Euripides's Electra |
2 / 569 |
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| Sophocles's Electra Vs. Euripides's Electra |
2 / 569 |
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| My son the fanatic |
2 / 325 |
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| Animal Dreams Honors Essay |
2 / 576 |
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| Robin Hood Summary |
3 / 722 |
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| Editha |
5 / 1285 |
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| Editha |
5 / 1285 |
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| confess |
2 / 519 |
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| Oedipus |
2 / 439 |
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| Death of a Sales-man |
3 / 768 |
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| An Analysis of "A Great Day" by Frank Sargeson |
4 / 1061 |
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| "My Last Duchess" Analysis |
1 / 286 |
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| Rose For Emily |
3 / 875 |
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| A Rose For Emily |
2 / 372 |
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| Assimilate the New Culture |
2 / 451 |
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| Uncertain Quest |
4 / 1122 |
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| Contextual Overview of A Tale of Two Citites |
3 / 755 |
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| I Stand Here Ironing |
1 / 189 |
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| Marc Brown |
1 / 186 |
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| Scarlet Letter |
3 / 740 |
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| Sex trafficking |
1 / 274 |
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| A Comment on Drivers |
3 / 654 |
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| Hamlet |
3 / 621 |
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| night |
3 / 650 |
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| Young Goodman Brown, The Maypole Of Merrymount, And The Birth-mark |
2 / 557 |
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| uncertainty |
2 / 375 |
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| BIBLICAL ALLUSION IN CRY, THE BELOVED COUNTRY |
4 / 969 |
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| True father |
2 / 489 |
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| pandoras' box |
2 / 399 |
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| A Raisin In The SUn |
4 / 1028 |
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| Masque Of The Red Death |
2 / 385 |
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| Masque Of The Red Death |
2 / 385 |
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| Fountain And Tomb- Ignorance A |
5 / 1465 |
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| The Catbird Seat |
4 / 1169 |
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| Braving The Fire |
5 / 1244 |
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| Hinduism |
2 / 517 |
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| Huckelburry Finn |
5 / 1353 |
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| An Analysis of Paul's Case |
1 / 277 |
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| Characters coming into our lives for a reason |
3 / 649 |
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| Montana 1948 |
2 / 398 |
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| Small Country and Tsunami |
2 / 380 |
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| Irvings Feminist Approach |
4 / 1024 |
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| The Black Cat: A Comparison Between The Movie And The Book |
2 / 540 |
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| how does man addapt to change: The Martian Chronicles |
2 / 566 |
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| The Girls in Their Summer Dresses |
3 / 611 |
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| King lear |
2 / 407 |
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| Flannery O'Connor: A Twentieth Century Fiction Writer |
3 / 771 |
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| life |
4 / 952 |
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| For Your World |
6 / 1524 |
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| Jing Mei's Journey |
2 / 510 |
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| Willa Cather...don't Use If U Live In Miles City, Montana PLEASE!! |
2 / 553 |
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| Conversational Narcissism In The Classroom |
4 / 940 |
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| Hills Like White Elephants |
4 / 906 |
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| Othello |
3 / 708 |
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| Style in pulp fiction |
3 / 709 |
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| Biscarlvet |
2 / 448 |
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| The Monkey's Paw |
2 / 425 |
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| Merchant Of Venice |
2 / 586 |
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| a good man is hard to find |
4 / 940 |
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| Soka's Character in Children of the River |
2 / 444 |
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| The Conversation |
1 / 278 |
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| oddysey |
2 / 578 |
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| Sin In The Scarlet Letter |
2 / 516 |
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| Sin In The Scarlet Letter |
2 / 516 |
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| Rocket Boys |
3 / 705 |
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| The Ending Of Princes Brided |
1 / 165 |
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| Irony Of The Metamorphosis |
4 / 1111 |
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| Bonjos |
3 / 679 |
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| Appearnce Vs. Reality Othello |
2 / 488 |
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| Yellow Woman |
2 / 478 |
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| yellow wallpaper and postpartum depression |
3 / 705 |
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| A rose for emily |
5 / 1483 |
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| thomas king, medicin river |
2 / 324 |
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| Lord Of The Flies - Symbolism |
2 / 414 |
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| The Yellow Paper |
4 / 1111 |
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| A Child Called It |
3 / 825 |
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| Father And Son Relationship |
1 / 238 |
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| Curious Incident |
3 / 705 |
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| queen elizabeth II |
2 / 438 |
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| Alice Munro |
4 / 1168 |
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| Black Boy |
3 / 782 |
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| Telephone Communication Issues |
2 / 528 |
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| the necklace |
2 / 466 |
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| "Village In The Jungle" By Leonard Woolf |
3 / 710 |
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| Story Of An Hour |
3 / 655 |
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| Rebel Without a Cause |
3 / 749 |
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| The Effectiveness Of The Opening To Hamlet |
4 / 1197 |
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| Protagonists |
2 / 515 |
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| The Sun Also Rises |
3 / 660 |
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| Sweat By Zora Neale Hurston |
2 / 558 |
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| the depth of vanity |
1 / 262 |
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| Stuart Little |
2 / 396 |
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| Difficult People |
4 / 923 |
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| Battle Royal |
2 / 537 |
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| Student |
2 / 500 |
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| A Worn Path |
2 / 545 |
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| The Sun Also Rises: A Review |
3 / 663 |
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| The Secret Lion |
3 / 645 |
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| Milton Freedman |
4 / 911 |
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| Finding Forester |
2 / 392 |
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| song of solomon |
3 / 628 |
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| 12 Angry Men |
2 / 405 |
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| The Most Dangerous Game |
1 / 271 |
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| The Pretenders |
2 / 406 |
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| Sharon Olds The Blue Dress |
2 / 549 |
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| Narration: Faulkner's "A Rose for Emily" |
3 / 694 |
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| Sure Thing |
3 / 807 |
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| eveline |
2 / 546 |
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| The Rescue |
2 / 440 |
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| na |
1 / 243 |
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| Sonny's Blues |
3 / 836 |
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| Ophelia |
6 / 1619 |
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| Saboteur |
3 / 762 |
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| Edgar Allan Poe |
3 / 735 |
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| computer science 110 |
2 / 490 |
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| Outline On Edgar Allen Poe |
1 / 290 |
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| Oedipus Rex |
1 / 276 |
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| Dandelion Wine |
2 / 542 |
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| The Cathedral |
3 / 684 |
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| THE BUTTERFLY EFFECT |
2 / 544 |
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| Oddessy |
2 / 539 |
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| A Profund Etimology |
3 / 838 |
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| Critique of Ralph Ellison's Battle Royal |
4 / 918 |
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| Rattle Bone |
4 / 1131 |
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| Cask Of Amontillado Anaylysis |
2 / 494 |
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| Characters |
3 / 601 |
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| Analysis of Gatsby |
3 / 891 |
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| Mid Summer |
4 / 1132 |
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| Anne Frank Book Report |
3 / 713 |
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| cruise |
6 / 1509 |
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| Eng 327 |
6 / 1571 |
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| A Day of the Butterfly |
4 / 1017 |
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| Story of an Hour |
2 / 329 |
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| Cathedral |
4 / 1134 |
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| Character and Plot in "Why I live in the P.O." |
3 / 690 |
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| My Oedipus Complex |
4 / 1018 |
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| Heart of Darkness - Outline |
2 / 413 |
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| Oedipus, The King Summary |
2 / 482 |
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| Dorthy Soelle |
2 / 324 |
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| rape fantasies |
5 / 1349 |
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| A Rose for Emily |
3 / 605 |
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| In Memory Of Emily Grierson |
4 / 1109 |
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| The Sign Of The Beaver |
4 / 995 |
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| Pasage to india |
1 / 222 |
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| q3tr |
2 / 398 |
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| House |
5 / 1215 |
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| A Brief Analysis of the Theme of "Harrison Bergeron" |
2 / 310 |
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| Summary Analysis of 'Hills Like White elephants' |
2 / 387 |
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| A Rose For Emily - In Memory Of Emily Grierson |
4 / 1109 |
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| Death Of A Salesman |
3 / 858 |
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| Death Of A Salesman |
3 / 858 |
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| Bay Of Pigs |
2 / 465 |
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| Japanese Lesson Plan |
2 / 517 |
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| two fishermen |
1 / 238 |
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| A clean, well-lighted place |
4 / 1193 |
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| The Lottery As An Allegory |
2 / 562 |
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| Andrew Wythe |
3 / 653 |
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| Andrew Wythe |
3 / 653 |
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| Katherine Mansfield's Taking the Veil Analisys |
3 / 639 |
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| The person who most influenced me |
3 / 854 |
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| A doe Season |
2 / 553 |
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| Consequences of Imperialism in Asia |
3 / 658 |
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| Lord Of The Flies |
2 / 459 |
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| Edgar Allan Poe |
4 / 1037 |
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| mrs. mallard between the lines |
3 / 710 |
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| A Gift Of Magic |
2 / 435 |
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| TellTale Heart Lit Analysis |
3 / 708 |
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| Obadiah The Prophet |
4 / 1058 |
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| The greater danger for most of us lies not in setting our aim too high and falling short, but in setting our aim too low and achieving our mark. |
2 / 469 |
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| the red pony |
2 / 589 |
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| Characterization, Tone, and Setting in The Story of an Hour |
2 / 527 |
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| Doll House |
3 / 733 |
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| Young Goodman Brown VS. Paul |
4 / 1037 |
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| The Araby |
3 / 714 |
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| Most Despicable Character |
2 / 352 |
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| Flannery |
2 / 390 |
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| mothers tongue |
2 / 549 |
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| a rose for emily |
4 / 945 |
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| night |
3 / 602 |
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| Instant Messaging: Emotionless Conversation |
3 / 646 |
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| A Stranger Is Watching |
2 / 511 |
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| Alice In Wonderland |
2 / 344 |
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| A Biography On Lousia May Alcot |
2 / 465 |
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| A Biography On Lousia May Alcot |
2 / 465 |
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| Kite Runner |
4 / 943 |
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| Betrayer |
2 / 392 |
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| children book analysis |
2 / 587 |
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| The Bluset Eye |
1 / 253 |
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| Philocetes |
2 / 597 |
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| Symoblism in The Great Gatsby |
4 / 902 |
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| A Stranger Is Watching |
2 / 553 |
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| A Stranger Is Watching |
2 / 553 |
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| Symbolism In Shizuko's Daughter |
3 / 686 |
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| To Kill A Mocking Bird |
2 / 508 |
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