| Title |
Pages / Words |
Save |
| Androgyny: Will of Shakespeare's Female Characters |
5 / 1437 |
 |
| Merchant of Venice |
4 / 946 |
|
| The Fate of Romeo and Juliet |
2 / 598 |
|
| The Tempest: Allegorical to the Bible |
4 / 1120 |
|
| Lalala |
2 / 367 |
|
| ALL ABOUT SHAKESPEARE |
7 / 1916 |
|
| Shakespeare |
5 / 1472 |
|
| A Compare and Contrast Essay on Apocalypse Now and Heart of Darkness |
2 / 510 |
|
| Comparison Of Shakespeare's Sonnet 73 And Sonnet 116 |
3 / 865 |
|
| Contrast Essay: Romeo And Juliet |
3 / 882 |
|
| Hamlet and King Lear |
2 / 520 |
|
| Hamlet |
4 / 921 |
|
| Hamlet: Act 2 Scene 2 - Compare Hamlet's Reaction To Arrival Of Rosenc |
2 / 585 |
|
| Hamlet: Hamlet Defeated By His Own Flaws |
2 / 465 |
|
| Hamlet: Inner Turmoil |
6 / 1554 |
|
| Iago's Motivations |
3 / 719 |
|
| MacBeth |
5 / 1293 |
|
| Macbeth (witches effect) |
4 / 1088 |
|
| Macbeth: Ambition Is Root Of All Evil |
2 / 561 |
|
| Macbeth: Choices |
2 / 594 |
|
| Macbeth: Macbeth A Tragic Hero |
2 / 459 |
|
| Macbeth: Macbeth's Ambition, Courage, And Moral Cowardness Leads To Hi |
2 / 460 |
|
| Macbeth: Protagonist Becoming Evil |
5 / 1356 |
|
| More than Romeo and Juliet |
4 / 1021 |
|
| Othello: Iago - "o, Beware, My Lord, Of Jealousy" |
4 / 988 |
|
| Psychoanalytic Analysis of Shakespeare's Hamlet |
4 / 1187 |
|
| Schindler's list |
2 / 561 |
|
| Shakespeare's Definition Of A Ghost |
4 / 1169 |
|
| Shakespeare's "Othello" Women's Role |
3 / 713 |
|
| The Taming Of The Shrew: Kate's Soliloquy |
3 / 609 |
|
| The Taming Of The Shrew: Mistaken Identities |
3 / 863 |
|
| The Tragedy of Romeo and Juliet-Critical Lens Essay |
4 / 959 |
|
| Twelfth Night: Two Faces, One Mind |
2 / 488 |
|
| the tragedies of romeo and juliet |
2 / 507 |
|
| Veronika Decides To Die |
1 / 217 |
|
| A Critical Analysis of Hamlet |
6 / 1711 |
|
| A man without feeling |
3 / 628 |
|
| Analysis of major characters in 1984 |
4 / 1112 |
|
| Antony and Cleopatra |
7 / 1848 |
|
| Appearance vs. Reality |
2 / 509 |
|
| Blind Ambition in Macbeth |
4 / 1121 |
|
| Blood Motif in Macbeth |
3 / 626 |
|
| Candide and Hamlet |
3 / 755 |
|
| Close Reading of Shakespeares' Sonnet 12 and 17 |
5 / 1485 |
|
| Comment On Three Fictional Writers |
2 / 544 |
|
| Comparative Essay |
2 / 507 |
|
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
|
| Corruption found in Hamlet |
3 / 669 |
|
| Critical Abstract-MacBeth |
2 / 481 |
|
| Deception Illustrated by Characters in Othello |
4 / 1001 |
|
| Dialectic Deappropriations: Pretextual discourse in the works of Spelling |
2 / 406 |
|
| English Taming Shrew |
3 / 863 |
|
| English oral |
5 / 1464 |
|
| English |
4 / 1078 |
|
| Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts |
6 / 1665 |
|
| Fate in Romeo and Juliet |
4 / 1006 |
|
| Globe Theater |
4 / 1089 |
|
| Hamlet Analysis: Queen Gertrude |
2 / 513 |
|
| Hamlet Essay |
3 / 877 |
|
| Hamlet His own Victim |
3 / 786 |
|
| Hamlet's Love For His Mother |
5 / 1222 |
|
| How Does Shakespeare Represent Same-Sex and Opposite-Sex Relationships in the Much Ado About Nothing and Twelfth Night |
5 / 1496 |
|
| How Shakespear Makes Act 1 Scene 5 of Rome & Juliet Dramatically Effective |
3 / 846 |
|
| How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? |
6 / 1639 |
|
| Iago's Vengefulness |
2 / 522 |
|
| Imagery In Macbeth |
5 / 1398 |
|
| Interpertation |
4 / 945 |
|
| Journeys |
1 / 156 |
|
| Justice In Hamlet |
5 / 1237 |
|
| King Lear Essay Lear's descent into madness and his subsequent recognition of his faults |
3 / 656 |
|
| King Lear |
2 / 530 |
|
| King Lear |
4 / 1040 |
|
| Lady Macbeth |
5 / 1272 |
|
| Lady Macbeth |
2 / 549 |
|
| "Honor" In Henry IV, Part I ? Falstaff vs. Hotspur |
6 / 1514 |
|
| hamlet: critical analysis |
6 / 1711 |
|
| iago |
3 / 739 |
|
| julius caesasr |
3 / 763 |
|
| kot e kot |
2 / 485 |
|
| Macbeth A Warrior Till the End |
2 / 502 |
|
| Macbeth Senior Research Paper |
6 / 1774 |
|
| Macbeth Supernatural Versus Natural |
4 / 996 |
|
| Macbeth Vs. The Chrysalids Essay |
5 / 1488 |
|
| Macbeth |
5 / 1446 |
|
| Macbeth |
2 / 461 |
|
| Macbeth |
2 / 517 |
|
| Maccbeth The Role Of The Witches In Act 1 |
3 / 745 |
|
| Merchant Of Venice |
5 / 1451 |
|
| Merchant of venice |
6 / 1545 |
|
| Mid Summer Night's Dream |
1 / 210 |
|
| Midsummer Night's Dream |
1 / 210 |
|
| Millay Vs. Shakespeare: Love, Loss and Lament |
5 / 1340 |
|
| Much Ado About Nothing - "Game of Love" |
3 / 792 |
|
| Natures of Love in A Midsummer Night's Dream |
7 / 1974 |
|
| Ophelia's Hamlet |
4 / 1090 |
|
| Othello Fatal Flaw |
4 / 1040 |
|
| Othello's Impact On Today's Society |
3 / 796 |
|
| Othello |
3 / 708 |
|
| Othello: Iago The Evil |
3 / 893 |
|
| Power Of Darkness In Macbeth |
2 / 572 |
|
| Pursuasion Essay |
5 / 1264 |
|
| Race and Racism in Othello |
6 / 1741 |
|
| Racism in Othello |
2 / 474 |
|
| Relationships in Shakespeare's Sonnets |
8 / 2239 |
|
| Review - Macbeth |
4 / 997 |
|
| Review Of Shakespear's "The Tempest" |
4 / 1054 |
|
| Romeo And Juliet |
4 / 1065 |
|
| Romeo And Julliet |
1 / 178 |
|
| Romeo and Juliet ;techniques used to show change |
4 / 1049 |
|
| Romeo and Juliet Act 3 Scene 1 Review |
3 / 792 |
|
| Romeo and Juliet essay |
3 / 620 |
|
| Romeo |
3 / 740 |
|
| Shakespeare and Similarity of Gender Roles |
5 / 1270 |
|
| Shakespeare's Romeo And Juliet |
2 / 508 |
|
| Shakespeare |
4 / 1003 |
|
| Shakespeare |
3 / 644 |
|
| Shakespeare |
3 / 856 |
|
| Shakespeare: Close Reading Brutus`S Speech |
4 / 1075 |
|
| Shakespeare?s 10 things |
4 / 1187 |
|
| Shakespeares View On Love |
7 / 1968 |
|
| Social Status in Shakespeare's Plays |
7 / 1878 |
|
| Tempest Vs. Where The Wild Things Are |
3 / 624 |
|
| The Influence of Longinus on 18th Century Criticism. |
6 / 1624 |
|
| The Relationship Between Macbeth And Lady Macbeth In Act I, Scene Vii |
3 / 671 |
|
| The Role Of Drama In Othello |
4 / 963 |
|
| The Role Of Enobarbus In The Play \ |
4 / 913 |
|
| The Temoest as a theatrical contribution |
4 / 1182 |
|
| The Tempest's Power |
2 / 397 |
|
| The Tempest, a Brave New World; or just a sad goodbye? |
6 / 1563 |
|
| The conscience of a King |
3 / 825 |
|
| Tragic Flaws Of Othello |
4 / 1080 |
|
| What is Love, a comparison of love in othello and king lear |
5 / 1281 |
|
| macbeth |
6 / 1502 |
|
| othello |
2 / 534 |
|
| othello |
4 / 926 |
|
| romeo and juliet |
4 / 1144 |
|
| shakespeare |
4 / 1093 |
|
| stealing by c. duffy |
3 / 724 |
|
| the tempest |
3 / 765 |
|
| themes of tragedies |
2 / 479 |
|
| analysis of king lear |
5 / 1254 |
|
| Historic Accuracy in King Lear |
5 / 1469 |
|
| Social Darwinism and You |
2 / 367 |
|
| Was Lord Liverpool a Good prime minister |
2 / 493 |
|
| Review Of Shakespear's "the Tempest" |
4 / 1054 |
|
| Traffic Hero |
4 / 1083 |
|
| Ambition and death - the story of the Renaissance in Macbeth |
4 / 1095 |
|
| Analysis Of Act Iv, Scene I, Lines 89-106 (friar Laurence) |
3 / 667 |
|
| Analyzing Shakespearean Sonnet |
4 / 1020 |
|
| Bill clinton |
5 / 1223 |
|
| Blood As An Image In Macbeth |
2 / 529 |
|
| Chaos In King Lear - As Reflec |
3 / 896 |
|
| Does The Pattern Fit? |
4 / 991 |
|
| Familial Themes With Shakespea |
6 / 1530 |
|
| Genre Cpmarison For The Movie "O" And Shakespeare'S Play Othello |
4 / 912 |
|
| Hamlet's Humanness |
3 / 689 |
|
| Hamlet: The Dog Will Have His Day |
3 / 715 |
|
| Iago: The Evil In Othello |
3 / 893 |
|
| Imagery In Macbeth |
2 / 487 |
|
| Imagery In Macbeth |
5 / 1235 |
|
| King James I |
5 / 1237 |
|
| King Lear - Fool's Character |
4 / 1099 |
|
| Macbeth - Blood As An Image In Macbeth |
2 / 529 |
|
| Macbeth - Imagery In Macbeth |
5 / 1235 |
|
| Macbeth - Imagery In Macbeth |
2 / 487 |
|
| Macbeth - Macbeth Is A Statement Of Evil |
4 / 947 |
|
| Macbeth - Power |
2 / 579 |
|
| Macbeth - Supernatural Theme |
3 / 626 |
|
| Macbeth - Supernatural Theme |
3 / 626 |
|
| Macbeth - Supernatural Theme |
3 / 626 |
|
| Macbeth -schizophrenia In Macbeth |
3 / 744 |
|
| Macbeth 9 |
2 / 433 |
|
| Macbeth Character Analysis |
2 / 571 |
|
| Macbeth Is A Statement Of Evil |
4 / 947 |
|
| Macbeth |
5 / 1293 |
|
| Macbeth |
2 / 433 |
|
| Macbeth |
2 / 432 |
|
| Macbeth: Tragedy |
3 / 886 |
|
| Much Ado About Nothing |
3 / 872 |
|
| Photography in the classroom |
2 / 502 |
|
| Power In Macbeth |
2 / 579 |
|
| Romeo & Juliet |
4 / 1154 |
|
| Romeo And Juliet - Vs Much Ado About Nothing |
2 / 554 |
|
| Romeo And Juliet 11 - |
7 / 1922 |
|
| Romeo And Juliet Vs Much Ado A |
2 / 554 |
|
| Romeo And Juliet |
2 / 439 |
|
| romeo and juliet |
3 / 668 |
|
| Shakespeare Movie Reviews |
4 / 1132 |
|
| Shakespeare |
4 / 1003 |
|
| Sonnet 18 Metaphore |
2 / 465 |
|
| Symptoms Of Schizophrenia In Macbeth |
3 / 744 |
|
| Tamed Shrews And Twelfth Night |
4 / 951 |
|
| Tamed Shrews And Twelfth Nights: The Role Of Women In Shakes |
4 / 951 |
|
| The Dead Butcher And The Fiend |
3 / 779 |
|
| The Globe Theatre |
3 / 754 |
|
| The merchant of Venice |
4 / 970 |
|
| Baz R+J |
1 / 126 |
|
| Gattaca |
2 / 546 |
|
| Is Hamlet Moral? |
2 / 594 |
|
| LA STORY AND SHAKESPEARE |
5 / 1450 |
|
