| Title |
Pages / Words |
Save |
| Poetry and Me |
1 / 264 |
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| The Flea |
3 / 684 |
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| Abc |
2 / 459 |
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| J. Robert Oppenheimer: Histy |
3 / 795 |
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| Jews |
2 / 445 |
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| Langston Hughes |
3 / 717 |
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| Byron's Don Juan |
3 / 799 |
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| Charles Darwin |
3 / 685 |
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| great american poets |
3 / 627 |
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| Helen Keller |
6 / 1614 |
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| James Mercer Langston Hughes |
3 / 722 |
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| Jim Morrison; From Boy To Legend |
5 / 1444 |
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| LANGSTON HUHGES |
2 / 449 |
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| Langston Hughes - A Literary Genius |
7 / 1882 |
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| Ogden Nash |
3 / 673 |
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| Robert Burns |
5 / 1402 |
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| Robert Burns |
5 / 1323 |
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| Robert Butler |
4 / 966 |
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| Robert Oppenhimer |
2 / 481 |
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| Thomas Cole (1801-1848) |
2 / 449 |
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| William Faulkner |
5 / 1284 |
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| William Shakespear |
2 / 597 |
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| American Dream |
2 / 393 |
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| Book Review: For Whom The Bell Tolls |
2 / 308 |
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| Homer's Odessy |
3 / 783 |
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| Naturalistic Elements of \ |
2 / 316 |
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| Punishment |
3 / 887 |
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| Robert E. Lee |
4 / 1156 |
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| robert e lee |
3 / 735 |
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| Stange Fits Of Passion |
3 / 805 |
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| Summary Of "the Sun Also Rises" |
3 / 679 |
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| Tears of a tiger |
3 / 757 |
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| The Awakening |
2 / 528 |
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| The Awakening |
2 / 436 |
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| The Awakening: Edna |
2 / 524 |
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| The Bell Jar |
2 / 575 |
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| The Canterbury Tales: Analysis |
1 / 246 |
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| The Cathedral |
3 / 862 |
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| The DA Vinci Code |
2 / 594 |
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| The Great Gatsby And The 'American Dream' |
2 / 324 |
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| The Great Gatsby |
2 / 498 |
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| The Meaning of Women Independence In "Awakening" |
1 / 280 |
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| The Sun Also Rises |
4 / 1095 |
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| The suicide |
4 / 921 |
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| Themes and settings in New Newfoundland and Ice Floes |
3 / 734 |
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| Wave- Book Review |
1 / 289 |
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| Wave- book review |
2 / 439 |
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| Rich Dad Poor Dad |
2 / 468 |
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| A Close Reading Of 'Daffodils' By William Wordsworth |
5 / 1365 |
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| ALLEN GINSBERG, ?§HOWL?? AND THE LITERATURE OF PROTEST |
5 / 1383 |
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| ALLEN GINSBERG: A POET SHAPED BY HIS PERSONAL PROBLEMS AND HIS |
2 / 508 |
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| AMerican Dream |
4 / 1129 |
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| Abstract:Analyzes the poem `Because I Could Not Stop for Death, |
3 / 810 |
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| Adrienne Rich |
6 / 1768 |
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| Alter Ego |
4 / 1097 |
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| Analysis of Elizabeth Bishops The Moose |
5 / 1330 |
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| Awakening |
1 / 260 |
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| BeoWulf |
5 / 1319 |
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| Cathedral |
4 / 1134 |
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| Credo |
3 / 780 |
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| Daffodils |
2 / 599 |
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| Dead Poets Society Essay |
3 / 662 |
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| Defining Romanticism |
1 / 171 |
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| Do0oda |
2 / 570 |
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| Edgar Allan Poe's Poetry |
2 / 398 |
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| Edgar allan poe |
2 / 431 |
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| Edmond Spenser |
5 / 1209 |
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| Edna Pontellier: Selfish, Adulterous, and Suicidal |
5 / 1289 |
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| Emily Dickenson |
1 / 171 |
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| English |
3 / 695 |
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| Entitlement |
3 / 704 |
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| Everyone is Equal |
3 / 712 |
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| Farmhand |
3 / 661 |
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| Flowered Memories: An Analysis of Ted Hughes' Daffodils |
5 / 1279 |
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| Great Santini |
2 / 558 |
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| Half Caste |
3 / 808 |
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| History of the Sonnet and History of Shakespeare |
4 / 985 |
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| How did Arnold deliver the subject/theme of ?°Dover Beach?± |
3 / 757 |
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| How is contrast used in ?Two Scavengers in a truck, Two Beautiful people in a Mercedes', compared to the use of contrast in ?Nothing's Changed'? |
5 / 1449 |
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| ISU Essay Da Vinci Code |
4 / 969 |
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| John Updike |
4 / 1048 |
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| Keats |
4 / 1144 |
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| Langston Hughes |
5 / 1468 |
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| Langston Hughes: In the beginning there was language |
4 / 1031 |
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| Little Scool |
1 / 249 |
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| analysis of "She Walks in Beauty" |
4 / 1052 |
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| araby |
4 / 921 |
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| Maya |
3 / 704 |
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| Musee des Beaux Arts |
1 / 194 |
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| My Last duchess |
1 / 62 |
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| My Mother Pieced Quilts |
2 / 535 |
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| Nature in Lodon and Eastman |
7 / 1903 |
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| Poetry (Lowell, Plath & Owen) |
7 / 1954 |
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| Poetry Comparison - Maya &Amp; Tupac |
4 / 1189 |
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| Poetry paper |
2 / 495 |
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| Point Of View In "A Rose For Emily" |
2 / 552 |
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| Rhetorical Figures in Yeats's \ |
5 / 1241 |
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| Rich Dad Poor Dad / A Lesson Before Dying |
3 / 857 |
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| Richard Cory, Poetry Explication |
3 / 639 |
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| Road Not Taken |
4 / 966 |
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| Romanticism |
4 / 1081 |
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| Slavery In The Tempest |
2 / 330 |
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| Sonnet 29 |
2 / 358 |
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| Sylvia Plath |
1 / 164 |
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| Tartuff |
2 / 590 |
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| Tears Of a Tiger |
2 / 543 |
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| Tempest Essay |
4 / 1027 |
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| The Author to her book |
2 / 511 |
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| The Calamity of Calamus |
7 / 1812 |
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| The Conquistador |
4 / 1127 |
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| The Dead by Rupert Brooke (analysis) |
2 / 339 |
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| The Flea - John Donne |
2 / 524 |
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| The Horses By Edwin Muir |
2 / 569 |
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| The Past |
6 / 1726 |
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| The Poet Wallase Stevens |
5 / 1341 |
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| The Poetry Of A. E. Housman |
3 / 846 |
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| The Runaway Pilgrim Point essay |
2 / 445 |
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| The Wars by Timothy Findley |
4 / 1154 |
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| The Wars |
5 / 1348 |
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| To a Skylark |
3 / 700 |
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| Transcendentalism |
6 / 1610 |
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| What does it mean to be an American |
2 / 384 |
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| William Carlos Williams : Craft Analysis |
4 / 1111 |
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| rober lowell |
3 / 809 |
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| the awakening |
5 / 1316 |
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| the bare sylvia plath |
4 / 1010 |
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| to build a fire |
3 / 832 |
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| battle of lexington |
3 / 672 |
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| Literature: A Tool for Philippine Liberation |
6 / 1648 |
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| New Deal- recovery of America during The Great Depression |
1 / 271 |
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| Poetry Explanation on Wordsworth's poem "I Wandered As Lonely As A Clo |
3 / 797 |
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| Salem |
3 / 685 |
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| Shakespeare |
2 / 533 |
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| the medieval crusades |
3 / 610 |
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| Dante Alighieri 2 |
3 / 884 |
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| Acid Rain: Scourge From The Skies |
4 / 999 |
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| Advantages and disadvantages of direct selling: perspectives of both tourism operators and tourists |
7 / 1998 |
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| Aleksis Kivi |
1 / 229 |
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| All Quiet On The Western Front |
5 / 1243 |
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| American Dream |
2 / 393 |
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| Bacillus Anthracis 2 |
2 / 311 |
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| Bacillus Anthracis |
2 / 311 |
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| Braveheart |
2 / 439 |
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| Criminology, John Widemans Bro |
6 / 1513 |
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| Dead Man Walking |
4 / 1100 |
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| Education Of Ee Cummings |
6 / 1749 |
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| Emily Dickinson 2 |
4 / 1198 |
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| Explaining The Three Parts Of |
1 / 251 |
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| Jim Morrison; From Boy To Legend |
5 / 1444 |
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| Love Canal |
2 / 425 |
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| Mondavi case analysis |
4 / 1142 |
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| My Contemplation on Death and Innocence |
2 / 522 |
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| Outsourcing & Global Economy |
3 / 671 |
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| of mice and men |
3 / 737 |
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| PSYCHOANALYTIC ANALYSIS OF LOOKING FOR ALASKA |
3 / 813 |
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| Paraguay |
2 / 411 |
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| Paraguay |
2 / 411 |
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| pop art |
3 / 698 |
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| Robert Burns |
5 / 1402 |
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| The Awakening |
4 / 1038 |
|
| The Doors Biography |
4 / 1032 |
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| The Odyssey - Gender Roles |
3 / 786 |
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| The One, The Only, Shel Silverstein |
5 / 1463 |
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| The Poet Wallase Stevens |
5 / 1341 |
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| Transcendentalism |
6 / 1610 |
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| Victorian England |
4 / 1006 |
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| Walt Whitman 3 |
4 / 1007 |
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| Watcher |
4 / 1162 |
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| What Does It Mean To Be Americ |
2 / 349 |
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| Why Slavery? |
1 / 279 |
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| William Carlos Williams |
3 / 770 |
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| Winston Churchill |
4 / 1032 |
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| Woman To Man |
4 / 1051 |
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| Braveheart |
2 / 439 |
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| Doctor Zhivago Film Review |
5 / 1237 |
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| History of Led Zeppelin |
2 / 495 |
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| Jazz: Still Got the Blues? |
3 / 731 |
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| John Keating |
4 / 1004 |
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| Mindwalk: International Relations |
2 / 327 |
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| My favorite artist: 2pac |
1 / 187 |
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| natural born killers |
2 / 433 |
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| O Worship the King |
3 / 678 |
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| Power to the Little People |
2 / 432 |
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| Robert Preston |
4 / 1095 |
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| Roc Boys |
2 / 493 |
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| The Doors Biography |
4 / 1032 |
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| Happiness |
2 / 577 |
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| Indirectness |
2 / 370 |
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| John Locke |
1 / 242 |
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| RUssian Holidays |
4 / 991 |
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| The Bible |
3 / 622 |
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| Acid Rain |
1 / 290 |
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| Biotech |
3 / 638 |
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| Charles Darwin |
3 / 667 |
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| death penalty |
3 / 776 |
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| freedom of speech |
4 / 947 |
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| Organisational Culture |
12 / 3455 |
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| The Awakening |
6 / 1543 |
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| Thomas Malthus |
2 / 550 |
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| Analytical Look At "traffic" And The U.s. War On Drugs |
2 / 510 |
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