| Title |
Pages / Words |
Save |
| Comparison Between 3 Parodies (The Passionate Shepherd To His Love, Come Live With Me And Be My Love, The Nymph's Reply To The Shepherd) |
4 / 913 |
 |
| Herrick Vs Marvell |
2 / 533 |
|
| Herrick Vs Marvell |
2 / 533 |
|
| Artistic Form in King Lear |
4 / 1032 |
|
| Mrs. Mallard's experience |
3 / 634 |
|
| Robert Frost |
3 / 621 |
|
| Madame Bovary: The Tragic Love Triangle Of Yonville |
2 / 479 |
|
| Love and Lies |
3 / 886 |
|
| Lord Alfred Tennyson as a Victorian |
3 / 719 |
|
| Online Dating vs. Traditional Dating |
4 / 963 |
|
| Love |
2 / 373 |
|
| The Power of Sympathy |
4 / 971 |
|
| A Rose For Emily |
1 / 128 |
|
| do u have guts |
2 / 320 |
|
| Shakespeare in Love |
2 / 481 |
|
| Social Constructionism |
3 / 879 |
|
| Mormon |
3 / 752 |
|
| what we talk about when we talk about love |
2 / 487 |
|
| Love |
2 / 599 |
|
| Sex In The Media |
5 / 1217 |
|
| The tragedy of Emma Bovary |
5 / 1399 |
|
| Biography Of Emily Bronte |
2 / 356 |
|
| Poetry: The Law Makes Me Go |
1 / 206 |
|
| love |
1 / 187 |
|
| The Enlightenment Writers |
2 / 303 |
|
| The Flea |
3 / 713 |
|
| Emma |
3 / 640 |
|
| Emma |
3 / 640 |
|
| Emily Dickenson (It was a Quiet Way) |
1 / 207 |
|
| Renaissance Art |
1 / 185 |
|
| Cyrano De Bergerac |
3 / 658 |
|
| A Different View of King Arthur and Queen Guinevere |
5 / 1350 |
|
| Literature |
1 / 197 |
|
| milton and his life |
3 / 888 |
|
| Downfall Of The American Dream |
3 / 737 |
|
| Cyrano De Bergerac - Was He Happy? |
3 / 658 |
|
| Dear Golden One (love Letter Based On Anthem) |
2 / 342 |
|
| Robert Frost |
3 / 658 |
|
| Pride And Prejudice: 5 Married Couples |
4 / 1044 |
|
| Pride And Prejudice: 5 Married Couples |
4 / 1044 |
|
| nickel and dimed |
1 / 246 |
|
| Hawthorne To Faulkner: The Evolution Of The Short Story |
6 / 1579 |
|
| Hawthorne To Faulkner: The Evolution Of The Short Story |
6 / 1579 |
|
| Drama |
2 / 459 |
|
| Emily Dickinson & Walt Whitman |
4 / 979 |
|
| A Farewell To Arms |
2 / 390 |
|
| Grey's Anatomy: At its finest hour |
4 / 1154 |
|
| Bakhtin Nad T S Eliot |
5 / 1232 |
|
| Society's Witch |
4 / 1047 |
|
| Romeo And Juliet: Tragedy, Love Story Or Both? |
2 / 576 |
|
| Love In Lolita |
4 / 1174 |
|
| Wind and Window Flower |
1 / 281 |
|
| Bloody Mary |
1 / 241 |
|
| Great Gatsby-sybolism |
3 / 741 |
|
| Great Gatsby-sybolism |
3 / 741 |
|
| federalism |
2 / 403 |
|
| love |
2 / 461 |
|
| Analyzing Shakespears Sonnet 5 |
1 / 223 |
|
| Dylan Thomas |
4 / 909 |
|
| Dylan Thomas |
4 / 909 |
|
| Shakespeare |
2 / 481 |
|
| chris cedars guitar |
2 / 319 |
|
| Constant Individual Conditioning Is Needed To Reinforce Society In Huxley'S Brave New World |
4 / 1011 |
|
| Eliza Doolittle: Pygmalion |
2 / 591 |
|
| Shakespear's "sonnet 55" And Fletcher's "Licia" |
1 / 223 |
|
| Shakespear's "sonnet 55" And Fletcher's "licia" |
1 / 223 |
|
| Critical Thinking and Language |
3 / 680 |
|
| Ernest Hemingway |
3 / 812 |
|
| Animal Farm |
1 / 290 |
|
| Emily Dickinson |
4 / 933 |
|
| Love |
2 / 390 |
|
| Comparing And Contrasting Christianity And |
2 / 424 |
|
| Woman Warrior |
2 / 342 |
|
| The Life And Hard Times Of Grantly Marshall |
3 / 622 |
|
| Binary Factorization |
2 / 491 |
|
| Super |
3 / 768 |
|
| Ode To The West Wind |
6 / 1548 |
|
| Dead Poets Society |
2 / 385 |
|
| The Chimney Sweeper |
4 / 908 |
|
| Sixteen Candles |
6 / 1696 |
|
| the love song of j alfred prufrock |
6 / 1792 |
|
| Ode To The West Wind |
6 / 1549 |
|
| Poetry Analysis of "The Mother" |
2 / 492 |
|
| sex without love |
3 / 701 |
|
| Henry Wadsworth Longfellow |
1 / 291 |
|
| Margaret Laurence |
2 / 335 |
|
| Emily Dickinson's Poetry |
4 / 1062 |
|
| Emily Dickinson's Poetry |
4 / 1062 |
|
| Catherine Earnshaw |
3 / 804 |
|
| appearance vs reality |
3 / 706 |
|
| fds |
3 / 845 |
|
| 'Valentine' and 'Stealing' - By Carol Ann Duffy |
4 / 955 |
|
| The Themes of Emily Dickinson's Poetry |
13 / 3844 |
|
| A Contrast Of "A Valediction: Forbidding Mourning", And "To His Coy |
4 / 1012 |
|
| Dulce Et Decorum Est |
4 / 997 |
|
| religion |
2 / 540 |
|
| Shake |
8 / 2138 |
|
| Addition |
2 / 569 |
|
| A Closer Look at Beatty |
5 / 1489 |
|
| Romeo &Amp; Julitet |
2 / 324 |
|
| Problem Set II |
6 / 1586 |
|
| Comparison Of Shakespeare's Sonnet 73 And Sonnet 116 |
3 / 865 |
|
| Good Marriage |
3 / 780 |
|
| Like Water for Chocolate |
8 / 2394 |
|
| Structuralism of the novel disgrace |
2 / 491 |
|
| Cyrano The Bergerac - Love |
3 / 667 |
|
| Modeste Mussorgsky's "Ballet of the Unhatched Chicks", and the Romantic Period |
3 / 882 |
|
| Walt Whitman |
1 / 93 |
|
| Poetry Explanation on Wordsworth's poem "I Wandered As Lonely As A Clo |
3 / 797 |
|
| Robert Frost |
3 / 787 |
|
| Bruce Dawe's Poetry |
3 / 665 |
|
| Day For night |
1 / 242 |
|
| Laws of Life-love, honesty, & responsibility |
2 / 499 |
|
| Mr. |
4 / 929 |
|
| how does leaving ones home cause change |
3 / 684 |
|
| Best Man Speech |
2 / 477 |
|
| Definition of Love |
2 / 427 |
|
| Romeo and Juliet: Act 1 Scene 5 |
3 / 733 |
|
| Poetry Analysis |
2 / 423 |
|
| Human Body in Western Art |
1 / 212 |
|
| Philippine School Vs. American School |
2 / 472 |
|
| Romantism |
12 / 3483 |
|
| Ram Jam - Black Betty |
3 / 716 |
|
| Kuhn vs. Popper vs. Lakatos |
2 / 513 |
|
| Poetry Analysis; "To the Virgins to Make Much of Time" |
2 / 307 |
|
| literature |
10 / 2758 |
|
| Plato and the Affect of Art and Poetry |
6 / 1740 |
|
| E.E. Cummings: Defender of Individualism and Non-Conformity |
6 / 1639 |
|
| salvador dali: influences |
5 / 1422 |
|
| Shakespeare |
3 / 798 |
|
| Maxine Kumin |
6 / 1556 |
|
| "Northern Lights deals with large themes; love, betrayal, religion and science" Discuss |
3 / 800 |
|
| Monsoon Wedding |
4 / 976 |
|
| Araby A Revalation |
3 / 717 |
|
| Maya Angelou's Influences |
4 / 1148 |
|
| Ddb |
2 / 504 |
|
| Fathers and Daughters in Shakespeare |
3 / 650 |
|
| How WW1 Changed British Literature |
6 / 1661 |
|
| Adrienne Rich |
6 / 1768 |
|
| Stepping Up |
1 / 255 |
|
| To Foil or not to Foil, That is the Question |
2 / 369 |
|
| Techniques to Tragedies |
3 / 652 |
|
| Latin Literature In History |
4 / 1199 |
|
| Andrew Marvell |
4 / 1157 |
|
| Wilfred Owen |
5 / 1464 |
|
| frankenstien |
2 / 434 |
|
| Langston Hughes |
3 / 612 |
|
| Love |
2 / 507 |
|
| This phenomenon called love |
8 / 2262 |
|
| On "Canticle to the Waterbirds" |
3 / 737 |
|
| Great Gatsby letter |
2 / 517 |
|
| William Shakespeare |
3 / 844 |
|
| Last of the Mohicans |
4 / 1015 |
|
| Letters by Women of the Ming-Qing Period ?V Yu Yin Cheng |
4 / 941 |
|
| Michelangelo |
2 / 405 |
|
| Israfel By Edgar Allan Poe |
6 / 1708 |
|
| The Secret Sharer |
4 / 981 |
|
| king arthur |
2 / 395 |
|
| Emily Dickinson |
3 / 873 |
|
| Petuchio: In the Eyes of Society |
4 / 1195 |
|
| Redemption |
6 / 1600 |
|
| The Yellow Wallpaper/ A Rose for Emily |
3 / 711 |
|
| hazards of volcanos |
2 / 403 |
|
| A Farewell to Arms |
6 / 1733 |
|
| Divine Comedy |
2 / 474 |
|
| Beyond Moved |
4 / 979 |
|
| plato |
2 / 479 |
|
| True Justice: Augustine vs. Reality |
3 / 829 |
|
| The Californians Tale |
2 / 370 |
|
| anne bradstreet |
7 / 1927 |
|
| platonic relationships? |
4 / 1063 |
|
| Before I Die |
5 / 1284 |
|
| Comparison Of Two Irish Writers (no bibliography) |
5 / 1222 |
|
| piegon woman |
2 / 527 |
|
| Sir Thomas More - A Unique Her |
2 / 428 |
|
| wutherin |
4 / 951 |
|
| Comical Elements in Romeo & Juliet |
5 / 1459 |
|
| The One And Only |
5 / 1268 |
|
| Fahrenheit 451 |
2 / 420 |
|
| Romeo And Juliet Act 3 Scene 1 |
3 / 604 |
|
| Reflection of a Homily by Gregory the Great |
2 / 585 |
|
| Robert Frost |
5 / 1363 |
|
| Movies |
2 / 322 |
|
| Artist Members Of Society |
4 / 1102 |
|
| Jungle Night |
2 / 537 |
|
| What Family Is To Me |
2 / 441 |
|
| Red Sorghum |
2 / 581 |
|
| A person in love will sacrifice all for the object of that love. |
2 / 359 |
|
| Poe |
3 / 852 |
|
| People prefer to know or learn from what they see instead of what they hear. |
1 / 237 |
|
| Australian Poets: Oodgeroo Noonuccal |
3 / 817 |
|
| A Response to Every Step A Lotus |
5 / 1243 |
|
| Irregularities |
1 / 218 |
|
| Is It Love? |
3 / 693 |
|
| Kite Runner |
4 / 943 |
|
| Federico Garcia Lorca |
2 / 546 |
|
| How does Ford portray the city of Parma? How might an English audience in the 1630’s respond? |
4 / 1065 |
|
| The Language of Seamus Heaney`s Death of a Naturalist successfully evokes the texture of rural life. Discuss. |
4 / 1171 |
|
| Lewis Carroll |
5 / 1379 |
|
| Lewis Carroll |
5 / 1379 |
|
