| Title |
Pages / Words |
Save |
| John Milton |
4 / 989 |
 |
| Comparison And Contrast Of Washington Irving And Edgar Allan |
3 / 687 |
|
| A Critical Analysis Of "the Doctor Won't See You Now" |
3 / 654 |
|
| Elements Of Good Writing |
5 / 1461 |
|
| Crystal Report with Image |
2 / 413 |
|
| A Walk In The Woods: Chapter 9 |
4 / 913 |
|
| William Carlos Williams : Craft Analysis |
4 / 1111 |
|
| Irony |
2 / 417 |
|
| LETTERS FROM HELL |
4 / 901 |
|
| Bill Gates - Business at the speed of thought - review |
3 / 686 |
|
| Age Of Innocence |
3 / 826 |
|
| Age Of Innocence |
3 / 826 |
|
| Thel Shaped Room |
3 / 755 |
|
| The Unlucky Winner |
4 / 996 |
|
| King Leopold's Ghost |
3 / 619 |
|
| Meaningful Quotations from Turn of the Screw |
2 / 424 |
|
| The Powerful Opening Of Kafkas Metamorphisis |
4 / 1102 |
|
| Ernest Hemmingway |
3 / 658 |
|
| The Blindness In Oedipus Rex |
3 / 874 |
|
| Emily Dickinson |
4 / 1056 |
|
| history |
1 / 113 |
|
| Alienation Paper Hemmingway |
3 / 658 |
|
| 20,000 Leagues Under The Sea |
2 / 439 |
|
| 20,000 Leagues Under the Sea |
2 / 439 |
|
| Portrayal of Gothic Images |
2 / 534 |
|
| Enduring Love By Ian McEwan |
5 / 1364 |
|
| Oedipus Vs. Everyman |
3 / 638 |
|
| Flowers for Algernon -narrative form of the novel |
3 / 748 |
|
| "Dulce et Decorum Est," Vs. "Not Waving but Drowning |
2 / 395 |
|
| My Journey With Reading and Writing |
3 / 692 |
|
| Hamlet 7 |
3 / 677 |
|
| COmparisons |
3 / 697 |
|
| There Eyes Are Watching God |
2 / 529 |
|
| Romeo and Juilet imagery |
2 / 416 |
|
| Company of Lovers |
2 / 396 |
|
| Animal Fram |
2 / 379 |
|
| The general strike |
3 / 620 |
|
| Huck Finn |
2 / 447 |
|
| Duffy “Little Red Cap” poem |
7 / 1802 |
|
| The Ironies Of 1984 |
2 / 422 |
|
| 20,000 Leagues Under The Sea: Overview |
2 / 439 |
|
| The Landlady by Roald Dahl |
5 / 1389 |
|
| king of the bingo game |
4 / 993 |
|
| Orwell 1984 And Burmese Days |
3 / 730 |
|
| Scene Analysis - The Awakening |
4 / 944 |
|
| Desiree's Baby |
3 / 876 |
|
| Their Eyes Were Watching God: Janie Crawford |
2 / 529 |
|
| Gilgamesh |
4 / 989 |
|
| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
|
| Tall Tale Heart |
3 / 674 |
|
| Tall Tale Heart |
3 / 674 |
|
| Night Book Review |
2 / 350 |
|
| The Ironies Of Orwell's 1984 |
2 / 422 |
|
| 1984 |
2 / 389 |
|
| The Great Gatsby |
4 / 1161 |
|
| Airframe |
2 / 546 |
|
| Gateway to the Fantastical Faulkner: |
4 / 1132 |
|
| Twain: Genius Realist, Anti-romanticist |
5 / 1201 |
|
| Would Defeat in Iraq be so bad?: Review |
4 / 926 |
|
| Wicked Angel |
2 / 388 |
|
| Rhetorical Essay |
4 / 1154 |
|
| Dover Beach |
4 / 923 |
|
| Dover Beach |
4 / 923 |
|
| coup de grace essay |
2 / 590 |
|
| In Jonathan Swift's Essay, "a |
4 / 1011 |
|
| Pride And Prejudice - Characters |
3 / 833 |
|
| Rulemaking |
3 / 869 |
|
| One Of The Weaknesses Of The N |
3 / 833 |
|
| Hansel And Gretel |
5 / 1453 |
|
| tulips by slvia plath |
2 / 474 |
|
| The Allegory of Chapter 3 |
3 / 811 |
|
| The Awakening |
4 / 1118 |
|
| Lucky Paul in The Rocking Horse Winner |
3 / 709 |
|
| argument |
2 / 459 |
|
| The Martian Chronicles |
5 / 1230 |
|
| T.S. Eliot and a Coward |
2 / 561 |
|
| Point of View Analysis of "A Rose for Emily" by William Faulkner |
2 / 523 |
|
| all my sons |
4 / 999 |
|
| Little Irish Kids, Another Whi |
4 / 1011 |
|
| Spotted Horses |
4 / 953 |
|
| Compare the successes of Troy and Boldwood in courting Bathsheba |
2 / 470 |
|
| Spotted Horses Vs. Mule In The |
4 / 953 |
|
| Stegner |
3 / 881 |
|
| The Bluest Eye |
3 / 874 |
|
| The Bluest Eye 4 |
3 / 874 |
|
| Elements In "The Road Not Taken" |
3 / 620 |
|
| Mr. |
3 / 643 |
|
| King Lear |
2 / 425 |
|
| Robert Frost's "The Road Not Taken" |
3 / 733 |
|
| Briar Rose Allegory |
5 / 1399 |
|
| steroid use |
4 / 937 |
|
| Frankenstein (analysis Of The |
2 / 469 |
|
| The Struggle of "weight" in Tim O'Brien's The Things They Carried |
5 / 1287 |
|
| suspense examples in A Prayer for Owen Meany |
5 / 1476 |
|
| AP English - Didion |
2 / 515 |
|
| Fiction_Analysis_Hills_Like_White_Elephants |
3 / 743 |
|
| The Use of Symbols in John Steinbeck's "The Chrysanthemums" |
3 / 675 |
|
| Does Beowulf evoke a human element that allows the reader to associate |
3 / 759 |
|
| A Worn Path |
4 / 1077 |
|
| A Worn Path |
4 / 1077 |
|
| Psychoanalytic Analysis of Shakespeare's Hamlet |
4 / 1187 |
|
| Comparison Of 1984 And Animal Farm |
2 / 397 |
|
| Occurrence at Owl Creek Bridge |
4 / 967 |
|
| A Comparison of Two Stories: The Lottery & The Story of an Hour |
5 / 1242 |
|
| Calvary Crossing A Ford |
2 / 507 |
|
| The Tempest |
3 / 670 |
|
| effective report |
4 / 1012 |
|
| List For Lust |
3 / 651 |
|
| List For Lust |
3 / 651 |
|
| Mark Twain'S Tom Sawyer |
2 / 368 |
|
| The Book of Genesis |
3 / 872 |
|
| Street Car Named Desire: Stanley's Brutality |
2 / 468 |
|
| Edgar Allan Poe |
2 / 482 |
|
| Night |
2 / 471 |
|
| "The Lottery" Overview |
4 / 910 |
|
| Elie's Night |
3 / 865 |
|
| Oedipus rex |
3 / 717 |
|
| Short stories |
4 / 1146 |
|
| catcher in the rye |
2 / 461 |
|
| The Cask Of Amontillado |
5 / 1258 |
|
| The Cask Of Amontillado |
5 / 1258 |
|
| GIGLAMESH |
4 / 1007 |
|
| The Black Cat: What Goes Around Comes Around |
5 / 1208 |
|
| Mansfield |
6 / 1511 |
|
| Guitar |
6 / 1728 |
|
| What Rose? |
4 / 930 |
|
| The shaping of cyber and offline identities through blogging |
5 / 1283 |
|
| Rhetorical Purpose Of The Speech: “I Have A Dream” |
2 / 552 |
|
| Fever Pitch |
5 / 1495 |
|
| Some Writings of Edgar Allen Poe |
3 / 883 |
|
| Quote Analysis Essay |
2 / 452 |
|
| Kate Chopin, "The Story of an Hour" on Mrs. Mallard |
6 / 1716 |
|
| Crucible Act Ii |
2 / 430 |
|
| Edgar Allan Poe |
5 / 1205 |
|
| hey guysssss what |
2 / 378 |
|
| The Stranger summary and analysis author: Andrew Camus |
2 / 422 |
|
| Hills Like White Elephants |
4 / 1097 |
|
| Elizabeth Kolbert |
4 / 966 |
|
| A Farewell To Arms |
3 / 797 |
|
| A Farewell To Arms |
3 / 797 |
|
| Theodore Roethke's Poem Sale |
5 / 1242 |
|
| The Illiad |
3 / 719 |
|
| Media Influence |
3 / 869 |
|
| When Words Do Not Mean What They Say - An Analysis of Swift's "Modest Proposal" |
4 / 953 |
|
| The Lottery by Shirley Jackson |
4 / 953 |
|
| Stephen Crane's "the Open Book": Determinism, Objectivity, And Pessimi |
3 / 642 |
|
| nuns offer clues to alzheimer's and aging (essay on an article) |
4 / 927 |
|
| Robert E. Lee |
4 / 915 |
|
| Candide |
2 / 499 |
|
| Advert Analysis |
3 / 710 |
|
| Agatha Christie And Deception |
3 / 767 |
|
| phonics |
2 / 359 |
|
| Devil We Knew |
3 / 746 |
|
| Andre's Mother |
3 / 691 |
|
| The Adventures Of Huckelberry |
2 / 362 |
|
| The Wife And The Cat |
3 / 687 |
|
| Prose and Poetry, Audubon and Dillard AP |
2 / 504 |
|
| The Lonely Wanderer |
2 / 429 |
|
| Pride And Prejudice |
3 / 816 |
|
| Bharat |
2 / 560 |
|
| the truth must be told |
3 / 810 |
|
| Return Of The Native 2 |
2 / 451 |
|
| Dial 'XY' for Murder |
4 / 927 |
|
| perceptions of faith in young goodman brown |
3 / 633 |
|
| research methods essay |
3 / 742 |
|
| Market Knowledge |
2 / 369 |
|
| Paradise Lost |
4 / 965 |
|
| emmma |
1 / 252 |
|
| the cask of amontillado |
6 / 1685 |
|
| Compare and contrast The Storm and The Saboter |
5 / 1229 |
|
| lord of flies |
2 / 346 |
|
| Mudhouse Sabbath |
3 / 744 |
|
| The Road Not Taken |
2 / 549 |
|
| Role of Stephen in Cat's Eye |
2 / 429 |
|
| Wilfred Owen |
4 / 958 |
|
| Pins218@hotmail.com |
2 / 465 |
|
| Pins218@hotmail.com |
2 / 465 |
|
| The factors that contribute to the comprehension of text. |
5 / 1204 |
|
| Realizations in \ |
3 / 900 |
|
| 1984 |
3 / 730 |
|
| Treasure Island |
3 / 751 |
|
| Love |
2 / 498 |
|
| A Clean Well-lighted Place And The Love Song Of J. Alfred Prufrock |
2 / 463 |
|
| The Whipping=evaluation=1200 W |
4 / 1009 |
|
| Essay Analysis Paper |
3 / 634 |
|
| St George Bank Undervalue Bid |
2 / 322 |
|
| Alice Walker |
3 / 653 |
|
| 1d4 |
4 / 1114 |
|
| The Good Earth |
2 / 394 |
|
| I Started Early-took My Dog |
4 / 914 |
|
| The Vision |
4 / 983 |
|
| war poetry and one related material |
2 / 435 |
|
| Disclosure Analysis - Anheuser Busch |
3 / 851 |
|
| Government |
4 / 1030 |
|
| I Like The Look Of Agony |
6 / 1589 |
|
| A Brief Look at Symbolism |
2 / 456 |
|
| TV Addiction |
3 / 778 |
|
| Frankenstein |
3 / 871 |
|
| Research |
2 / 480 |
|
| Mastering The Short Story |
2 / 411 |
|
