| Title |
Pages / Words |
Save |
| Elie Wiesel: A Survivor of the Holocaust |
6 / 1622 |
 |
| Gregorik Andras |
12 / 3357 |
|
| Grendel: Apples and Pain |
3 / 883 |
|
| Much Ado About Nothing |
12 / 3465 |
|
| 1642 |
3 / 875 |
|
| American's pursuit of liberty from Declaration of Independenc |
3 / 606 |
|
| fds |
3 / 845 |
|
| Ku Kux Clan |
3 / 679 |
|
| Modernism |
4 / 939 |
|
| afadfadfas |
2 / 572 |
|
| BIo of katechopin |
3 / 645 |
|
| Book Review: First Man, The Life of Neil Armstrong |
3 / 712 |
|
| charles pierre Baudelaire |
3 / 628 |
|
| Edgar Allan Poe Bio |
3 / 843 |
|
| Ernest Hemingway |
6 / 1540 |
|
| Hemmingway |
2 / 549 |
|
| Jack Kerouac |
7 / 1873 |
|
| Kurt Vonnegut |
3 / 724 |
|
| Miguel De Cervantes Saavedra |
2 / 485 |
|
| n. scott momaday |
7 / 2051 |
|
| nick joaquin |
2 / 561 |
|
| Robert Frost |
3 / 787 |
|
| Roger Angell |
4 / 920 |
|
| Tennessee Williams |
2 / 543 |
|
| Yasunari Kawabata |
3 / 856 |
|
| A Critical Analysis Of "the Parting" By Michael Drayton |
3 / 856 |
|
| A Farewell To Arms: Style |
2 / 595 |
|
| A Farewell to Arms |
2 / 591 |
|
| A Small, Good Thing |
6 / 1746 |
|
| Animal farm |
3 / 759 |
|
| Antisemitism in Chaucer |
3 / 718 |
|
| Conquered |
2 / 518 |
|
| Dr. Jekyll and Mr. Hyde |
3 / 805 |
|
| Elemetns Of Dark Humor |
7 / 1921 |
|
| Emma |
10 / 2771 |
|
| La Notion De Genre |
10 / 2803 |
|
| Lionel Trilling's “Of This Time, Of That Place" |
4 / 937 |
|
| Poetry Essay |
4 / 1097 |
|
| Portraying Ad Magic through a literary elements |
3 / 755 |
|
| The Alchemist |
8 / 2111 |
|
| The Catcher in the Rye |
3 / 893 |
|
| The Open Boat |
4 / 1012 |
|
| The Open Boat |
3 / 851 |
|
| the good earth |
2 / 512 |
|
| the iceberg theory in the old man and the sea |
11 / 3197 |
|
| theatre of the absurd in r+G |
4 / 1142 |
|
| Watchmen |
2 / 580 |
|
| Home |
3 / 624 |
|
| Maddox Rocks |
3 / 821 |
|
| Reading summary |
3 / 793 |
|
| A Comparison of the Depiction of William Wordsworth within Percy Shelley's To Wordsworth and Mary Shelley's On Reading Wordsworth's Lines on Peele Castle. |
5 / 1305 |
|
| A Good Man is Hard to Find |
7 / 2008 |
|
| A Pioneer Of American Writing Willa Cather |
3 / 897 |
|
| A Study of a Very Old Man with Enormous Wings |
4 / 1128 |
|
| Adrienne rich |
2 / 481 |
|
| Aspects of Postmodernism in "Happy Endings" and "Videotape" |
5 / 1489 |
|
| Beowulf |
7 / 1822 |
|
| Capital Punishment |
4 / 956 |
|
| Catch-22 Theme of Insanity |
9 / 2578 |
|
| Cesar |
4 / 1030 |
|
| Chicago: The Legacy Of Carl Sandburg |
4 / 1092 |
|
| Contemporary American Lit |
3 / 688 |
|
| Does Beowulf evoke a human element that allows the reader to associate |
3 / 759 |
|
| Egar Allen Poe Biography |
2 / 530 |
|
| Enlightenment, Transcendentalism, and Puritan Theology |
6 / 1782 |
|
| Explore the attitude of each of the four young men (Benvolio, Mercutio, Tybalt and Romeo) involved in Act 3 Scene 1 |
7 / 1999 |
|
| Gertrude Stein |
3 / 858 |
|
| Gulliver's Travels |
3 / 698 |
|
| Hemingway's 'The Handle': Death and Deliverance |
3 / 725 |
|
| How Can You Laugh At A Time Like This? |
5 / 1474 |
|
| How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? |
6 / 1639 |
|
| Illiteracy |
3 / 841 |
|
| In the skin of a lion |
2 / 486 |
|
| Indian writing in English |
5 / 1361 |
|
| Information on Modernism: |
3 / 740 |
|
| Interpretations Of Heart Of Darkness |
3 / 819 |
|
| Interpretations Of Heart Of Darkness |
3 / 871 |
|
| Interpretations Of Heart Of Darkness |
3 / 870 |
|
| Jane Eyre, Hamlet And Keats |
6 / 1566 |
|
| Literature |
3 / 752 |
|
| commentr |
4 / 1083 |
|
| crane |
3 / 853 |
|
| etymology |
4 / 927 |
|
| julius caesasr |
3 / 763 |
|
| Lord of the Flies by William Golding |
3 / 878 |
|
| MANS SEARCH |
4 / 982 |
|
| Masculine dominance in Hemingway |
6 / 1717 |
|
| Miltons Life |
7 / 1832 |
|
| Modernism's Lamentation and Postmodernism's Celebration |
6 / 1577 |
|
| Mr Mole |
3 / 618 |
|
| Music and Connie |
4 / 1060 |
|
| Mythological Realism in Fifth Business |
4 / 919 |
|
| Native Son, A Critical Review |
4 / 933 |
|
| Not Just for Laughs: Remembering the Porter |
6 / 1672 |
|
| On Drama Translation |
7 / 1805 |
|
| On The Road |
11 / 3119 |
|
| On the fear of death |
3 / 830 |
|
| Othello Essay |
3 / 710 |
|
| Passage Analysis- A Farewell to Arms |
6 / 1589 |
|
| Pre1914-Prose |
14 / 4016 |
|
| Prometheus Unbound |
8 / 2269 |
|
| Robert Herrick’s “To Daffodils |
4 / 1140 |
|
| Romulus |
4 / 948 |
|
| Seeing is Believing |
3 / 865 |
|
| Shakespeare: Close Reading Brutus`S Speech |
4 / 1075 |
|
| Six and Seven in "Masque of the Red Death" |
2 / 590 |
|
| St Augustine and classical education |
4 / 1024 |
|
| Style and Trademarks of Hemingway |
3 / 722 |
|
| The Analogousness of Hawthorne's "The Birthmark" and "Young Goodman Brown" |
7 / 2011 |
|
| The Beat Generation |
3 / 796 |
|
| The Influence of Shakespeare |
3 / 675 |
|
| The Killer Angels |
3 / 658 |
|
| The Lover: A Journey From 1897 to 1987 |
4 / 1080 |
|
| The Narrative Techniques and Style of the Language in Hemingway's The Old Man and the Sea |
3 / 732 |
|
| The One Who Waits By Bradbury Essay |
5 / 1202 |
|
| The Open Boat |
3 / 853 |
|
| The Romantic Imagination in Action |
11 / 3284 |
|
| The Use of Diction Within Romantic Pieces |
3 / 865 |
|
| The White Hotel |
9 / 2666 |
|
| The signifigance of Fishing in The Sun Also Rises |
3 / 774 |
|
| Thomas Hardy As A War Poet |
7 / 1915 |
|
| Too close for comfort |
3 / 882 |
|
| Twinkle, Little Star |
5 / 1499 |
|
| Whether Portia Is On Stage Or Not She Is Central To Every Important Action In The Play. How Far Do You Agree - Provide Detailed Reasons To Support Your Argument. |
4 / 924 |
|
| William Blake - Man Obsessed with the Divine |
3 / 872 |
|
| Wlat Whitman |
3 / 659 |
|
| Wuthering Heights |
4 / 910 |
|
| naturalism in the open boat |
3 / 857 |
|
| plot structure and setting in Emma |
4 / 1168 |
|
| shakespeare |
4 / 909 |
|
| sonny's blues |
3 / 615 |
|
| the curious incident of the dog in the night time |
3 / 827 |
|
| you fit into me |
3 / 882 |
|
| Chinese Culture |
3 / 679 |
|
| caesar critique |
4 / 1182 |
|
| cultural revolution |
3 / 788 |
|
| Herodotus: The Father of History |
4 / 1016 |
|
| may 25, 1983 |
3 / 615 |
|
| Racial Ethnic Relations Towards Hispanics |
7 / 2025 |
|
| Snowflakees |
4 / 921 |
|
| The Prince |
3 / 868 |
|
| Victorian Age |
5 / 1257 |
|
| What Is A Lit Review |
3 / 729 |
|
| A Farewell To Arms |
2 / 591 |
|
| A Formal Application |
3 / 826 |
|
| A Friendly Enemy |
3 / 826 |
|
| A Pioneer Of American Writing Willa Cather |
3 / 897 |
|
| Anatomy of a Research Paper |
3 / 647 |
|
| Another Voice In Frankenstein |
3 / 877 |
|
| Blind Obedience |
3 / 690 |
|
| Canterbury Tales |
3 / 608 |
|
| Chicago: The Legacy Of Carl Sandburg |
4 / 1092 |
|
| Comparison Of Franklin & Douglass |
4 / 980 |
|
| Conventions Of Drama |
7 / 1857 |
|
| Criticism Of Shame |
3 / 720 |
|
| Doctor Faustus - Analysis |
6 / 1754 |
|
| Education |
4 / 1110 |
|
| Epic Vs. Modern Heroes |
3 / 877 |
|
| Essay |
2 / 564 |
|
| Gertrude Stein |
3 / 858 |
|
| Gonzo |
2 / 519 |
|
| geometry in hair accessories |
3 / 636 |
|
| hazlitt's eassays |
9 / 2479 |
|
| In Iago, Shakespeare has Created an Engaging and Complex Villain who Governs the Actions of the Play. Discuss |
9 / 2428 |
|
| Interpretations Of Heart Of Darkness |
3 / 819 |
|
| Interpretations Of Heart Of Darkness |
3 / 871 |
|
| Investigating The Style And Te |
6 / 1624 |
|
| Jack Kerouac |
7 / 1873 |
|
| James Boswell |
4 / 1073 |
|
| Lie |
4 / 1197 |
|
| Lie |
4 / 1197 |
|
| Macbeth Essay |
3 / 817 |
|
| narrative voice in pride and prejudice |
5 / 1241 |
|
| Oscar Wilde |
4 / 1053 |
|
| P.g. Wodehouse, His Life, And His Works |
3 / 857 |
|
| Rap |
4 / 1068 |
|
| Shakespeare - Definition Of Love |
4 / 958 |
|
| Shame |
3 / 720 |
|
| The Cherry Orchard |
3 / 840 |
|
| The Cherry Orchard |
3 / 840 |
|
| The Crucible by Arthur Miller |
2 / 589 |
|
| The Killer Angels |
3 / 658 |
|
| The Merchant Of Venice 2 |
4 / 1024 |
|
| The Sun Rises |
3 / 849 |
|
| The White Hotel |
9 / 2666 |
|
| Victorian England |
4 / 1006 |
|
| Zoroastrianism |
5 / 1466 |
|
| Jim Morrison |
3 / 709 |
|
| Jon B |
3 / 877 |
|
| Nietzsche : God Is Dead |
3 / 738 |
|
| salvador dali: influences |
5 / 1422 |
|
| The Age Of Reason to the Romantic Dawn |
8 / 2302 |
|
| Maya angelou alice walker |
3 / 708 |
|
| Saraswati |
5 / 1490 |
|
| The Sign of the Loincloth: Jeremiah (13:1-11) |
7 / 2033 |
|
| The World is a Text |
3 / 634 |
|
| Education |
4 / 1110 |
|
| Running the Gauntlet |
2 / 568 |
|
| Viet Nam |
3 / 670 |
|
| Google |
8 / 2323 |
|
