| Title |
Pages / Words |
Save |
| The Grifters |
2 / 565 |
 |
| An Inspector Calls |
3 / 830 |
|
| Analysis of Macbeth |
1 / 176 |
|
| Macbeth |
5 / 1467 |
|
| French Rev |
6 / 1617 |
|
| John WIlkes Booth |
2 / 533 |
|
| Anne Boleyn |
2 / 373 |
|
| Biography_William Shakespeare |
2 / 538 |
|
| Dogs |
1 / 297 |
|
| Paul Robeson |
4 / 914 |
|
| William Shakespeare |
4 / 1018 |
|
| A Separate Peace: Finny |
3 / 784 |
|
| A Seperate Piece |
2 / 324 |
|
| A View From The Bridge By Arthur Miller |
3 / 656 |
|
| An Analysis Of The Lord Of The Flies |
3 / 632 |
|
| Analysis of "Of Mice and Men" |
3 / 814 |
|
| Animal Farm-The Comparison Of Napoleon And Keno |
2 / 562 |
|
| Bending Moment Experiment |
8 / 2126 |
|
| Comparison of Book and Movie of One Flew Over the Cuckoo's Nest |
2 / 571 |
|
| crucible |
2 / 370 |
|
| farewell to arms |
2 / 424 |
|
| freshman at large |
2 / 476 |
|
| Hester Prynne char sketch |
3 / 650 |
|
| Holden's Attempt At Isolation In "Catcher In The Rye" |
2 / 446 |
|
| Huck Finn |
2 / 467 |
|
| heart of darkness |
2 / 430 |
|
| Invisible Man Character Analysis |
4 / 949 |
|
| John Hale from the Crucible |
3 / 873 |
|
| King Lear: Conspiracy In Nakedness And Dress |
3 / 612 |
|
| Kingsolver |
3 / 624 |
|
| Lord Of The Flies: We Hate Piggy |
3 / 767 |
|
| Martin Luther King Jr 3rd Grade |
1 / 278 |
|
| Memoirs Of A Boy Soldier |
1 / 236 |
|
| My Brother, My Executioner |
2 / 459 |
|
| macbeth |
4 / 960 |
|
| misshannah |
1 / 209 |
|
| ms |
3 / 620 |
|
| Nagel |
2 / 355 |
|
| Odysseus Character Analysis |
2 / 322 |
|
| Oedipus - Irony - Essay |
2 / 309 |
|
| oedipus rex |
2 / 312 |
|
| old man and the sea |
1 / 209 |
|
| Poe vs. Hammett |
1 / 222 |
|
| So This Was Adolescence, By Annie Dillard: Author Writing Style |
1 / 286 |
|
| Super-Duper Teddy |
2 / 456 |
|
| The Giver |
2 / 303 |
|
| The Innocent |
3 / 762 |
|
| The Little Prince |
2 / 531 |
|
| To Kill A Mockingbird - Character Analysis of Atticus |
2 / 334 |
|
| Organisational Behaviour |
2 / 343 |
|
| A Clockwork Orange |
1 / 250 |
|
| A Dead Lion |
3 / 880 |
|
| A Rose For Emily |
4 / 974 |
|
| A raisin in the sun: family unity |
2 / 428 |
|
| Ambiguity, A human trait, crime and Punishment |
2 / 520 |
|
| An Inspector Calls |
6 / 1547 |
|
| Antigone and Aristotle |
2 / 469 |
|
| Approaching the Mechanicals |
2 / 395 |
|
| Bartleby |
2 / 427 |
|
| Beowulf |
2 / 336 |
|
| Beowulf: Pagan or Christian Hero? |
2 / 318 |
|
| Captains logs |
2 / 493 |
|
| Cask of Amontillado |
3 / 655 |
|
| Character Analysis of Angelo: Outer Angel and Inner Devil |
1 / 186 |
|
| Character Essay |
3 / 624 |
|
| Cliffer |
2 / 313 |
|
| Comparison of Ethan Hawke's and Kenneth Branagh's Versions of Hamlet |
3 / 879 |
|
| Creon Tragic Hero |
2 / 427 |
|
| Demetrius, A Superbly Unique and Difficult Character |
2 / 516 |
|
| Don't Judge a Book by the Cover |
2 / 598 |
|
| Dynamic Characters In A Tale Of Two Cities |
4 / 1094 |
|
| Edgar Allen Poe - Cause and effect |
2 / 574 |
|
| Edith Wharton |
2 / 499 |
|
| Essay On Chapter One In 'Siddhartha' By Herman Hesse |
3 / 804 |
|
| Everyday Use |
3 / 707 |
|
| Explore how the character of Prospero develops in the course of The Tempest. How does the Prospero of Act One Scene Two compare to that we hear in the final scene of the play? Compare your interpretation of the play with that of other critics. |
6 / 1609 |
|
| Fathers and Daughters in Shakespeare |
3 / 650 |
|
| Globe Theater |
4 / 1089 |
|
| Greasy Lake |
2 / 568 |
|
| Great Santini |
2 / 558 |
|
| Grow Up! |
3 / 613 |
|
| Hamlet |
2 / 492 |
|
| Hemingway |
2 / 352 |
|
| Indiana Jones |
1 / 231 |
|
| Life, Liberty, And The Role Of Women |
2 / 519 |
|
| a rose for emily |
2 / 323 |
|
| day of the swallows |
2 / 310 |
|
| free will |
2 / 569 |
|
| hedda |
2 / 564 |
|
| Love song and preludes comparative |
2 / 319 |
|
| Macbeth's Changing Character |
2 / 588 |
|
| Macbeth--a Tragic Hero |
3 / 678 |
|
| Macbeth |
2 / 519 |
|
| Macbeths Downfall |
2 / 474 |
|
| Montana 1948 |
2 / 514 |
|
| Mr. |
2 / 316 |
|
| Narrator |
2 / 522 |
|
| Never judge a book by its cover |
1 / 281 |
|
| No Sugar |
1 / 192 |
|
| Oedipus REx and Aristotle |
3 / 861 |
|
| Of Mice and Men themes |
2 / 340 |
|
| Othello, the Romatic Figure |
30 / 8762 |
|
| Radical Feminism in Like Water for Chocolate |
2 / 597 |
|
| Romeo and Juliet ;techniques used to show change |
4 / 1049 |
|
| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
|
| Scarlet Letter |
2 / 468 |
|
| Shakespeare's Life |
2 / 461 |
|
| The Character Of Bendick In Much Ado About Nothing |
2 / 308 |
|
| The Crucible |
3 / 630 |
|
| The Eyre Affair Setting |
1 / 280 |
|
| The Fly Crysanthemum |
2 / 400 |
|
| The Great Gatsby |
4 / 1076 |
|
| The Great Gatsby |
2 / 521 |
|
| The House of the Spirits by Isabel Allende |
2 / 364 |
|
| The Pit an the Pendulum |
2 / 391 |
|
| The Return |
1 / 235 |
|
| The River Sutra |
3 / 638 |
|
| The Time Machine |
2 / 389 |
|
| The adventures of huckelberry fin |
1 / 222 |
|
| The character traits of macbeth |
2 / 599 |
|
| The roles of women in Death of a Salesman |
2 / 562 |
|
| Tragedy |
3 / 700 |
|
| Why Comedy Movies Are So Great |
3 / 831 |
|
| Winter Dreams |
2 / 302 |
|
| Yellow Wallpaper And Rest Treatment |
3 / 743 |
|
| sound and the fury |
2 / 506 |
|
| tale of two cities |
2 / 423 |
|
| the grabes of wrath |
2 / 442 |
|
| william shakespear |
2 / 537 |
|
| women in shakespeare's plays |
2 / 552 |
|
| yellow wallpaper |
5 / 1402 |
|
| Homer and O Brother Where art thou |
2 / 304 |
|
| Paper |
2 / 520 |
|
| "Lost" character analysis |
3 / 724 |
|
| A Clockwork Orange 2 |
3 / 608 |
|
| A Clockwork Orange |
3 / 608 |
|
| A Review Of Lessing's "flight" |
2 / 587 |
|
| A Separate Peace 2 |
2 / 392 |
|
| A Separate Peace |
2 / 392 |
|
| A View From The Bridge By Arthur Miller |
3 / 656 |
|
| Americanization in the Jazz Singer |
3 / 866 |
|
| An Ounce Of Cure |
2 / 462 |
|
| Analyzing Macbeth According To The 7 Habits Of Highly Effective Teens |
2 / 464 |
|
| Animal Farm-the Comparison Of Napoleon And Keno |
2 / 562 |
|
| As The Old Saying Goes, "an Ou |
2 / 462 |
|
| Biography_william Shakespeare |
2 / 538 |
|
| Bone |
2 / 327 |
|
| Burmese Days - Criticism |
2 / 464 |
|
| Character Essay |
3 / 624 |
|
| Character Roles In Steinbecks |
2 / 535 |
|
| Character Sketch On Ges Estell |
1 / 246 |
|
| Death Of A Salesman |
2 / 428 |
|
| Dynamic Characters In A Tale Of Two Cities |
4 / 1094 |
|
| Glass Menagerie 3 |
3 / 709 |
|
| Hamlet - What People Are Made Of |
4 / 1053 |
|
| Induction paper for NHS |
2 / 499 |
|
| Inheritance Intros |
2 / 390 |
|
| James Joyce (araby And Eveline |
4 / 968 |
|
| King Lear - Fool's Character |
4 / 1099 |
|
| L.A.'s Traffic Causes Trouble |
3 / 740 |
|
| ME |
2 / 419 |
|
| Macbeth - Tragedy |
4 / 1121 |
|
| Macbeth As A Tragedy |
4 / 1121 |
|
| Makeup Application |
2 / 572 |
|
| Merchant Of Venice Shylock Stu |
2 / 370 |
|
| New England Weather |
1 / 288 |
|
| Role Of The Common Man In A Ma |
3 / 717 |
|
| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
|
| Shakespeare 3 -- |
2 / 536 |
|
| Super-duper Teddy |
2 / 456 |
|
| Symbolism in Fahrenheit 451 |
3 / 646 |
|
| The Corrruption Of Innocence |
3 / 868 |
|
| The Crucible - A Harsh Reality |
2 / 370 |
|
| The Crucible |
3 / 630 |
|
| The Curse By Andre Dubus |
3 / 855 |
|
| The Curse |
1 / 154 |
|
| The Red Badge Of Courage Essay |
3 / 659 |
|
| The Use Of The Word Love |
3 / 635 |
|
| Values |
2 / 363 |
|
| When Loss Is A Gain Bean Tree |
2 / 445 |
|
| Why Comedy Movies Are So Great |
3 / 831 |
|
| Yellow Wallpaper 5 |
5 / 1315 |
|
| A Raisin In The Sun |
3 / 672 |
|
| Bye Bye Brazil |
3 / 715 |
|
| LA STORY AND SHAKESPEARE |
5 / 1450 |
|
| rear window |
2 / 333 |
|
| Some Like It Hot |
2 / 316 |
|
| Sweeney Todd |
2 / 318 |
|
| lily |
3 / 771 |
|
| The Tao of Pooh |
2 / 519 |
|
| The incompatibility of happiness and truth |
3 / 664 |
|
| Diagnosing the Narrator from 'Fight Club' |
2 / 354 |
|
| One flew over the cuckoos nest |
2 / 491 |
|
| Cats |
1 / 295 |
|
| Greasy Lake |
3 / 726 |
|
| Hills Like White Elephants: Jig |
4 / 944 |
|
| National Character |
3 / 674 |
|
| To Be a Man Today |
2 / 318 |
|
| television and violence |
1 / 264 |
|
| Jetyu |
2 / 324 |
|
