| Title |
Pages / Words |
Save |
| myth |
2 / 471 |
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| Beowulf |
2 / 446 |
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| Ibsen's Ghosts Vs. Aristotle's Poetics |
3 / 740 |
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| Strategic Planning |
6 / 1786 |
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| Beowulf |
2 / 554 |
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| Oedipus REx and Aristotle |
3 / 861 |
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| Animal Farm |
2 / 583 |
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| Beowulf |
2 / 598 |
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| Benjamin Franklin - American Hero |
3 / 645 |
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| Poseidon |
3 / 851 |
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| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
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| Does King Lear Play The Tragic |
3 / 866 |
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| Macbeth:Concious Villain To Unrepentant Tyrant |
4 / 1011 |
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| John Milton |
4 / 989 |
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| Things Fall Apart |
5 / 1282 |
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| Is There a High Degree of Violence in Video Games |
3 / 751 |
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| A Marine, A Hero, My Brother |
2 / 496 |
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| Quests |
3 / 840 |
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| Editha |
5 / 1285 |
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| Editha |
5 / 1285 |
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| Macbeth - Tragic Hero |
2 / 397 |
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| Macbeth - Tragic Hero |
2 / 397 |
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| Me |
1 / 145 |
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| BeoWolf |
2 / 377 |
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| Troy. organizational behaviour: teams and groups, organizational power |
7 / 2061 |
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| McGonagall (Minerva) the goddess |
2 / 424 |
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| Hamlet: Antiheroism |
3 / 829 |
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| Dr. Faustus Morality Play And How Its Different. |
4 / 1165 |
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| The Willful Death of an Outrageous Genius |
2 / 443 |
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| Two Flawlessly Flawed Heroes (The Illiad) |
6 / 1542 |
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| Much Ado About Nothing - The Importance Of Noting |
4 / 1146 |
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| Marcus Brutus-the Tragic Hero |
2 / 486 |
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| Beowulf |
2 / 484 |
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| Why Hamlet Is A Hero |
5 / 1367 |
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| Othello: The Tragic Hero |
3 / 791 |
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| Othello - The Tragic Hero |
3 / 791 |
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| Themes of modernism |
3 / 839 |
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| Sisyphus Sinthesys |
2 / 526 |
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| CLassical vs. Hellenistic |
2 / 351 |
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| The Refinement of a Hero in "Beowulf" |
6 / 1696 |
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| Hero |
2 / 529 |
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| Beowulf as the Ultimate Hero |
6 / 1632 |
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| Julius Caesar - A Tragic Hero |
3 / 865 |
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| Macbeth: Macbeth The Tragic Hero |
4 / 908 |
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| Macbeth--a Tragic Hero |
3 / 678 |
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| Beowulf; A True Hero |
5 / 1326 |
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| Death Of A Salesman |
4 / 1195 |
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| Supermarket in Califorina and Constantly Risking Absurdity |
5 / 1380 |
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| Soul Flayer |
2 / 391 |
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| Atticus Finch as a Heroic Character in to Kill a Mockingbird |
3 / 795 |
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| hero |
2 / 525 |
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| Aeneid |
2 / 386 |
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| reading log on the crucible |
2 / 453 |
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| The Epic Hero |
3 / 730 |
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| A formula for genius |
9 / 2488 |
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| Mr. |
4 / 1006 |
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| A Person Who has had influence on my Life |
2 / 444 |
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| The nature of theatre in Europe in the 19th Century |
2 / 522 |
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| Christianity & Paganism in Beowulf |
2 / 469 |
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| Vietnamese Myth |
2 / 459 |
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| Othello |
4 / 1198 |
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| What a loser. |
1 / 240 |
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| Tragedy And The Common Man |
3 / 800 |
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| Shane |
4 / 937 |
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| abraham lincoln's life |
38 / 11116 |
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| The Sage |
2 / 442 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| Paradise Found And Lost - Critique |
2 / 535 |
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| The Bat, The Man, and His Audiences |
5 / 1411 |
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| A & P Analyzation |
1 / 130 |
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| Much Ado About Nothing: Pride and Prejudice |
5 / 1266 |
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| Children's Literature |
2 / 398 |
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| Antigone |
5 / 1392 |
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| Oedipus The King Sophocles |
4 / 1094 |
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| Les Miserables: Jean Valjean |
2 / 428 |
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| Shakespeares depiction of a tragic hero |
5 / 1470 |
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| Hamlet |
4 / 1043 |
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| all the pretty horses versus the searchers |
4 / 925 |
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| Essay By On The Aeneid |
5 / 1251 |
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| bin laden |
2 / 541 |
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| Peter Weir movie analysis |
2 / 542 |
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| Questionable Heroes In The Play Julius Caesar |
3 / 703 |
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| Lord Of The Rings |
3 / 776 |
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| Flawless Heroes? |
2 / 455 |
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| Casablanca |
2 / 470 |
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| Beowulf And Hrothgar: Anglo-saxon Ideal Code Of Conduct |
2 / 571 |
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| Explain How Social Darwinism And Determinism Are Evident In Jack London'S "To Build A Fire" |
2 / 434 |
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| beowulf/grendel |
4 / 1068 |
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| Hercules Comparison |
3 / 730 |
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| Cool Hand Luke |
3 / 837 |
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| Things Fall Apart- Achebe |
4 / 954 |
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| Dota: Manta Style strategy on Tinker |
5 / 1437 |
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| The Cyclops: An Unusual People |
2 / 423 |
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| Cyrano De Bergerac |
2 / 501 |
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| James and the Giant Peach |
3 / 744 |
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| debate |
4 / 970 |
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| Macbeth essay |
5 / 1293 |
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| Oedipus Rex |
4 / 1148 |
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| Othello' Profile |
3 / 666 |
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| Douglas MacArthur |
2 / 345 |
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| Sir Gawain and the Green Knight |
3 / 648 |
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| Macbeth - Hero Or Villain? |
5 / 1389 |
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| Much Ado About Nothing |
2 / 558 |
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| billy Budd By Herman Melville: Captain Vere |
2 / 462 |
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| Beowulf: The Ultimate Hero |
6 / 1739 |
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| alive |
1 / 296 |
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| malcolm x |
2 / 369 |
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| Gilgamesh And Oddysey |
4 / 1137 |
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| Russia's unjust occupation of Chechnya |
2 / 412 |
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| The Romantic Present |
2 / 582 |
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| Beowulf Essay |
4 / 973 |
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| Persuasive techniques and a powerful refusal in Iliad Book IX |
14 / 3920 |
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| Death Be Not Proud |
1 / 155 |
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| Different Cultures, Different |
3 / 827 |
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| Gilgamesh, Achilles, Aeneas, And Roland |
6 / 1606 |
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| The Underdog Can Win! |
5 / 1478 |
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| Being A Hero |
5 / 1495 |
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| Much Ado About Nothing: An Overview |
4 / 1126 |
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| Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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| A Hero in a Loincloth… and His Methods |
3 / 815 |
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| Critical Lens |
3 / 632 |
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| Hero Project |
4 / 980 |
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| Muchadoaboutsomting |
2 / 536 |
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| Faust |
3 / 873 |
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| Un Viaje A Itaca |
2 / 325 |
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| The Golden Age Of Greece |
9 / 2536 |
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| The Golden Age Of Greece |
9 / 2536 |
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| Ancient Egyptian |
9 / 2536 |
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| A Comparison Of Arthur Becomes King And David And Goliath |
2 / 480 |
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| Orestes An Innocent Hero |
4 / 1151 |
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| Beowulf |
3 / 634 |
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| haindi |
2 / 495 |
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| Hamlet |
2 / 495 |
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| Hamlet |
2 / 495 |
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| Achilles: a hero no more |
4 / 1003 |
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| Iliad As A Dictate Of The Fath |
8 / 2279 |
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| Macbeth |
2 / 449 |
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| The Red Badge of Courage |
5 / 1455 |
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| Huck As Hero |
4 / 1150 |
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| Hedda Gabler - A Tragic Hero? |
4 / 1071 |
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| Rikki-Tikki-Tavi The War Story |
5 / 1220 |
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| The Tragic Fate of Oedipus the King |
4 / 935 |
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| a lesson before dying- heroism |
3 / 808 |
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| macbeth: a tragic hero |
2 / 456 |
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| Another MacBeth |
2 / 452 |
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| Beowulf |
2 / 431 |
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| paul |
5 / 1230 |
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| TWENTY RHOUSAND LEAGUES UNDER THE SEA |
2 / 395 |
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| Who Am I? Essay |
3 / 833 |
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| Richard Marcinko |
2 / 418 |
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| studenty |
3 / 622 |
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| Woodrow Wilson |
5 / 1277 |
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| Macbeth |
2 / 461 |
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| Theseus Athens Great Hero |
2 / 556 |
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| The Red Badge of Courage |
5 / 1492 |
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| kill bill |
2 / 518 |
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| Dramatic Irony in Oedipus Rex |
2 / 498 |
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| Mutability in Tennyson's Ulysses |
4 / 932 |
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| Sidetracked Movies |
4 / 1060 |
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| dc vs marvel |
3 / 682 |
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| An Enemy Of The People |
4 / 928 |
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| Beowulf Vs. Gilgamesh |
4 / 1181 |
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| Antigone (creon As The Tragic |
2 / 439 |
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| Oskar Schindler: A Hero Study |
4 / 1059 |
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| Beowulf As An Epic |
2 / 568 |
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| Beowulf As An Epic |
2 / 568 |
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| Beowulf: Heroism |
4 / 928 |
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| Beowulf: Heroism |
4 / 928 |
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| Napolean |
1 / 122 |
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| Heroes And Villains |
2 / 558 |
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| The Iliad |
5 / 1428 |
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| The Iliad |
5 / 1428 |
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| Helen Of Troy |
2 / 436 |
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| Beowulf to froto baggins |
4 / 959 |
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| To Kill A Mocking Bird |
3 / 664 |
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| Casablanca |
3 / 663 |
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| Themes in Cold Mountain |
5 / 1297 |
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| Macbeth: Macbeth's Ambition, Courage, And Moral Cowardness Leads To Hi |
2 / 460 |
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| Andrew Jackson |
2 / 395 |
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| King Lear: Lear The Tragic Hero |
6 / 1633 |
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| Odysseus's Bow |
2 / 531 |
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| Analysis and Comparison of Two Epic Characters Gilgamesh and Enkidu |
2 / 484 |
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| mcbeth |
2 / 536 |
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| Iliad 2 - |
2 / 580 |
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| Paris: The Iliad |
2 / 580 |
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| Paris: The Iliad |
2 / 580 |
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| How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes? |
6 / 1639 |
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| My Hero |
3 / 820 |
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| Aristotle On Tragedy |
4 / 1046 |
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| A Classic Hero |
4 / 1068 |
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| A Classic Hero |
4 / 1068 |
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| Macbeth: From Hero To Villain |
5 / 1235 |
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| The Last Samurai |
2 / 570 |
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| Virtue Theory |
4 / 1062 |
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| assault in the senate |
1 / 196 |
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| Aristotle and the Irony of Guilt |
5 / 1450 |
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| Memoirs |
3 / 629 |
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| Geat Vs. Greek |
4 / 963 |
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| Geat Vs. Greek |
4 / 963 |
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| critical essay on for whom the bell tolls |
4 / 1069 |
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