| Title |
Pages / Words |
Save |
| Sarah Plain and Tall |
1 / 174 |
 |
| Color Purple: Compare and Contrast Novel With Movie |
3 / 727 |
|
| Nascar Speech |
2 / 384 |
|
| Stowaway |
1 / 211 |
|
| White oleander |
6 / 1706 |
|
| William Faulkner |
4 / 1020 |
|
| The Age of Missing Information |
4 / 908 |
|
| Hormel Local P-9 |
1 / 225 |
|
| Allegory in Billy Budd |
2 / 481 |
|
| freudian psychology |
2 / 364 |
|
| For Your World |
6 / 1524 |
|
| King Kong |
2 / 350 |
|
| the connection between audience and author |
4 / 1053 |
|
| Invisible Man Revision |
1 / 261 |
|
| The Great Gatsby Symbolism Essay |
4 / 936 |
|
| boom |
2 / 388 |
|
| The Story Teller |
2 / 483 |
|
| Reflecting the Storyteller (Canterbury Tales) |
4 / 1175 |
|
| Nation's Industry Goes on 40 Hour Work Week |
4 / 958 |
|
| A Christmas Memory Vs. The Gra |
2 / 545 |
|
| Notes To Myself: Facades |
2 / 397 |
|
| The Great Gatsby |
2 / 566 |
|
| Raymond Carver's Cathedral |
3 / 860 |
|
| Comparison of Troy and the Iliad |
3 / 755 |
|
| houde of the scorpion |
3 / 640 |
|
| Red Death |
2 / 513 |
|
| Demon Lover |
2 / 320 |
|
| Cna |
3 / 725 |
|
| the Role of the Intrusive narrator/ author |
2 / 444 |
|
| Beowulf Vs. Sir Gawain |
2 / 475 |
|
| A Compare and Contrast for "Young Goodman Brown" |
3 / 669 |
|
| candide |
2 / 524 |
|
| ethics and law |
1 / 270 |
|
| Brian Winter |
2 / 441 |
|
| Hell'S Angels |
2 / 318 |
|
| Simplistic death of kafka |
2 / 572 |
|
| Mansfield |
6 / 1511 |
|
| James Joyce (araby And Eveline |
4 / 968 |
|
| A Friendship of Deception |
3 / 639 |
|
| Sick Coller -Analysis |
3 / 711 |
|
| Dr. Jekyll and Mr. Hyde |
3 / 810 |
|
| Naturalism |
2 / 461 |
|
| Business One |
4 / 1063 |
|
| A Rose For Emily |
4 / 974 |
|
| The Runaway Bunny |
2 / 368 |
|
| Collection of a 24-Hour Urine Specimen |
2 / 406 |
|
| Medicine River |
2 / 523 |
|
| Tempest in the Teapot |
2 / 412 |
|
| The Necklace |
3 / 797 |
|
| Analysis in narration of the The Tell-Tale Heart |
5 / 1284 |
|
| One Hundred Years Of Solitude |
2 / 421 |
|
| Crime And Punishment |
2 / 342 |
|
| my perfect job |
2 / 326 |
|
| Stephen King Using Gothic Literature |
3 / 784 |
|
| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
|
| Scarlet Letter, Chillingworth A Man Of Evil |
2 / 427 |
|
| Gary Soto |
2 / 480 |
|
| middleschool madness- pattern of love |
3 / 641 |
|
| Juice |
3 / 618 |
|
| Life, Liberty, And The Role Of Women |
2 / 519 |
|
| The Great Gatsby Character Dev |
5 / 1297 |
|
| Salem Telephone |
2 / 404 |
|
| The Most Dangerous Game |
2 / 488 |
|
| Reflections On The Things They |
3 / 842 |
|
| Canterbury Tales:The Pardoner |
3 / 614 |
|
| Canterbury Tales:the Pardoner |
3 / 614 |
|
| Demanded |
3 / 651 |
|
| Great Gatsby |
2 / 329 |
|
| Great Gatsby |
2 / 329 |
|
| Great Divorce |
4 / 972 |
|
| Joyce Carol Oates' "Where Are You Going, Where Have You Been?" |
3 / 648 |
|
| Cathedral 2 |
2 / 502 |
|
| Of Mice and Men themes |
2 / 340 |
|
| Wuthering Heights |
2 / 313 |
|
| Wuthering Heights |
2 / 313 |
|
| A Conversation With My Father |
3 / 786 |
|
| Who Is Crazier? Compare/Contrast Essay |
4 / 915 |
|
| Who Is Crazier? Compare/contrast Essay |
4 / 915 |
|
| Deceit Lies Beneath |
2 / 541 |
|
| Fleurs Tracks |
4 / 1116 |
|
| The Mother |
2 / 490 |
|
| Another evening at the club |
2 / 366 |
|
| The Great Gatsby |
5 / 1203 |
|
| The Great Gatsby |
5 / 1203 |
|
| The Pigman |
2 / 358 |
|
| ghost world |
3 / 754 |
|
| A Soldier's Battle |
3 / 749 |
|
| Salem: A result of Good Or Evil? |
2 / 465 |
|
| Gods Grandeur |
3 / 614 |
|
| Comparing and contrast of 19th century writers |
4 / 1179 |
|
| Weekend |
4 / 998 |
|
| Procrastination |
2 / 465 |
|
| Alice Walkers Everyday Use |
3 / 778 |
|
| Miss |
2 / 479 |
|
| The Great Gatsby |
3 / 786 |
|
| Fiction vs. Nonfiction |
5 / 1279 |
|
| Romeo and Juliet |
1 / 189 |
|
| Odeipus the king |
2 / 525 |
|
| everyday use |
2 / 479 |
|
| Oedipus Rex |
3 / 754 |
|
| Racism in Heart of Darkness |
1 / 265 |
|
| Literary Analysis Of The Red D |
2 / 579 |
|
| Hollywood & History |
2 / 449 |
|
| Homework |
1 / 236 |
|
| Noahs Flood |
1 / 237 |
|
| short story essay: maturity |
3 / 843 |
|
| Coming of Age through Investigation of Sexual Identity |
5 / 1244 |
|
| The Man |
3 / 699 |
|
| A descent into the Maelstrom |
2 / 403 |
|
| The pearl |
1 / 273 |
|
| Beloved |
3 / 823 |
|
| lord of the flies |
2 / 449 |
|
| farewell to arms |
2 / 424 |
|
| John Deer |
3 / 612 |
|
| Higher Power of Lucky |
2 / 442 |
|
| heart of darkness |
2 / 310 |
|
| MLKJ |
4 / 1045 |
|
| The Metaphor of the Dawn in the Odyssey |
4 / 914 |
|
| Who Moved My Cheese |
3 / 724 |
|
| Beowulf |
2 / 431 |
|
| Traditions In "a Moment Before The Gun Went Off" And "the Lottery" |
3 / 782 |
|
| GATHERING OF OLD MEN |
2 / 309 |
|
| An Analysis of The Adventure of the Empty House |
3 / 826 |
|
| the Yellow Wallpaper: The Main Character And Cry For Freedom |
5 / 1496 |
|
| The headless horseman |
3 / 724 |
|
| Comparing "Girl" and "A&P" |
4 / 1092 |
|
| Internet privacy (Not complete yet) |
2 / 324 |
|
| unfinished |
3 / 820 |
|
| The Partner |
3 / 656 |
|
| The Partner |
3 / 656 |
|
| what to do about you |
2 / 552 |
|
| critical lens |
2 / 482 |
|
| Character Analysis of Fluer Pillager |
2 / 518 |
|
| Insight On Necrophilia,whats T |
3 / 638 |
|
| Mythology |
2 / 465 |
|
| a Rose For Emily: A Review |
3 / 626 |
|
| LP640 |
2 / 522 |
|
| Siddhartha |
2 / 464 |
|
| Stephen Crane's "the Open Book": Determinism, Objectivity, And Pessimi |
3 / 642 |
|
| Evil Dead Vs. Evil Dead 2 |
3 / 611 |
|
| character sketch of emily |
2 / 524 |
|
| The Lover: A Journey From 1897 to 1987 |
4 / 1080 |
|
| Finding Humor in Grendel |
2 / 589 |
|
| Alice Walker |
4 / 1000 |
|
| The Arabian Knights |
3 / 798 |
|
| the right to die |
2 / 595 |
|
| Transients in Arcadia ? Character Analysis |
2 / 407 |
|
| Begotten |
3 / 783 |
|
| A Good Man Is Hard To Find |
4 / 995 |
|
| MacBeth |
2 / 466 |
|
| The Great Gatsby: Nick Carroway A Good And Neutral Narrator |
3 / 796 |
|
| Bless Me, Ultima |
2 / 526 |
|
| things they carried |
2 / 365 |
|
| Anderson And Hemingway's Use Of The First Person |
4 / 1162 |
|
| Illness in \ |
2 / 309 |
|
| The Waters Of Babylon |
3 / 692 |
|
| compare/contrast point of view in "the short happy life of francis macomber" and "the lottery" |
2 / 597 |
|
| Symbolism in the Masque of the Red Death |
3 / 791 |
|
| The Garden Of Forking Path |
2 / 376 |
|
| The Sandman: A Case of the Uncanny |
3 / 671 |
|
| Comparing Symbolism in Poe |
3 / 790 |
|
| Reflections |
3 / 883 |
|
| Trifles |
4 / 934 |
|
| Heart of Darkness |
5 / 1259 |
|
| Romeo And Juliet Versus West Side Story |
3 / 649 |
|
| Scarlet Letter Literary Criticism |
3 / 883 |
|
| medicine river |
2 / 420 |
|
| Animal Farm-The Comparison Of Napoleon And Keno |
2 / 562 |
|
| Animal Farm-the Comparison Of Napoleon And Keno |
2 / 562 |
|
| A Walk To Remember |
1 / 105 |
|
| the Cathedral |
2 / 576 |
|
| King Arthur |
3 / 631 |
|
| Review of "The Tell-Tale Heart" (by Edgar Allen Poe) |
1 / 288 |
|
| The Great Gatsby: Nick - A Good And Neutral Narrator |
3 / 796 |
|
| Sjure |
1 / 220 |
|
| A Clean, Well-lighted Place |
2 / 507 |
|
| A Clean Well-lighted Place |
2 / 507 |
|
| A Clean, Well-lighted Place |
2 / 507 |
|
| In the Shadow of War |
3 / 851 |
|
| Mama In "Everyday Use" |
2 / 333 |
|
| tuesday siesta |
2 / 354 |
|
| The Crucible Outline |
2 / 431 |
|
| Analysis On The Bride Comes To Yellow Sky |
3 / 602 |
|
| The Ways Of Revealing |
1 / 216 |
|
| The Camera Never Blinks Twice |
2 / 547 |
|
| Cormac McCarthy The Crossing |
2 / 572 |
|
| MIB |
3 / 778 |
|
| noni |
1 / 180 |
|
| The Short And Happy Life Of Francis Macomber |
2 / 356 |
|
| notes from underground |
2 / 338 |
|
| To Kill A Mockingbird |
2 / 472 |
|
| Chocolate War |
3 / 640 |
|
| Chocolate War |
3 / 640 |
|
| The Secret Lion |
3 / 645 |
|
| Analysis Of Abe Kobos The Red |
4 / 1134 |
|
| Creative Writing: The Tale Of Me And Summer Reading |
3 / 772 |
|
| Big Two-hearted River: Part Ii |
4 / 1169 |
|
| Big Two-Hearted River: Part II |
4 / 1169 |
|
| Slam! |
2 / 465 |
|
| Ball Eveline and The Rocking Horse Winner |
2 / 588 |
|
