Title |
Pages / Words |
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A Cream Cracker Under the Settee |
4 / 1122 |
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A Cream Cracker Under The Settee |
2 / 588 |
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The Jilting of Granny Weatherall |
3 / 822 |
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Hamlet |
3 / 655 |
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Abbie Hoffman: A Present Day Monologue |
3 / 752 |
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I Have a Dream |
2 / 549 |
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masha |
3 / 790 |
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Cleaver-Tim Parks |
3 / 725 |
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Isaac Basheevis |
3 / 747 |
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Johnny Carson |
4 / 965 |
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William Faulkner |
2 / 355 |
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Another Catcher in the Rye |
6 / 1655 |
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Antony in Julius Caesar |
3 / 704 |
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Attempting to Cheat Fate |
4 / 1054 |
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Catcher in the Rye |
2 / 319 |
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Crime and Punishment as Polyphonic |
2 / 350 |
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Holden's Attempt At Isolation In "Catcher In The Rye" |
2 / 446 |
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heart of darkness |
6 / 1729 |
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Mirror |
3 / 844 |
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My Last Duchess- Robert Browning |
2 / 396 |
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Notes On "Road Not Taken" |
4 / 983 |
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of mice and men |
3 / 858 |
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Parallels between Heart of Darkness and Apocalypse Now |
6 / 1729 |
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parrot in the oven |
3 / 838 |
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Speak Character and Plot Summary |
2 / 504 |
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The Creator Speaking Through His Creation |
2 / 380 |
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The Merchant Of Venice: Hath Not A Jew Mercy? |
5 / 1334 |
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The Tempest: Bringing It All Together |
2 / 573 |
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vanity fair |
3 / 655 |
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A Hopeless Quality |
3 / 829 |
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A Shape to Fill the Lack: As I Lay Dying, by Willian Faulkner |
3 / 661 |
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Alienation in Fahrenheit 451 |
7 / 1968 |
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All Quiet On The Western Front |
3 / 809 |
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Analyse michele robers 'YOUR SHOES' in detail discussing symbol, structure etc |
11 / 3296 |
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Analysis of the Epilogue of the Tempest |
2 / 556 |
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As You Like It |
3 / 652 |
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Bringing It All Together |
2 / 560 |
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CONTEXTUAL ESSAY: THE IMPORTANCE OF BEING EARNEST |
3 / 684 |
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Central Ideas in "The Seafarer" |
2 / 306 |
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China coin |
6 / 1580 |
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Commentary On ‘A Gift’ By Rahila Gupta |
3 / 644 |
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Comparing "Girl" and "A&P" |
4 / 1092 |
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Does Othello have a used by date? |
3 / 608 |
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Edgar Allen Poe Narrative |
4 / 917 |
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Explication of The Man He Killed |
2 / 541 |
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Fires in the Mirror |
3 / 681 |
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Focalization in Richard Wrights |
5 / 1496 |
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Hamlet - Rouge and Peasant Slave Solo Analysis |
3 / 805 |
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Hamlet as a Tragic Hero |
6 / 1562 |
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Hamlet |
3 / 737 |
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Heart Of Darkness |
2 / 473 |
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IF - a victim of its own success |
3 / 636 |
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Interior Monologue on Lady Macbeth |
3 / 651 |
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Interpretation of Robert Browning's My Last Duchess |
3 / 699 |
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Jane Eyre |
2 / 308 |
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Jungian) image of the "beast" in society/film/literature |
3 / 882 |
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Katherine Mansfield's Taking the Veil Analisys |
3 / 639 |
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Lines 96-113 (poem) In Doctor Faustus |
4 / 997 |
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Literature in Society |
3 / 861 |
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"My Last Duchess" Analysis |
1 / 286 |
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"not waving but drowning" a modern poem |
2 / 596 |
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alberta monolouge |
2 / 419 |
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analysis of the mirror |
2 / 392 |
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caliban upon setebos |
6 / 1604 |
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change |
3 / 824 |
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changing self, context in song lyrics |
4 / 957 |
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characterisation of hamlet |
6 / 1564 |
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fra leppo lippo |
8 / 2251 |
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iago |
3 / 739 |
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Love Monologue |
3 / 695 |
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MY LAST DUCHESS |
3 / 654 |
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Macbeth |
4 / 918 |
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Male Superiority within Domestic Life |
3 / 712 |
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Monologue – Juliet |
3 / 602 |
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Monologue |
3 / 616 |
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Mr |
3 / 792 |
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My Last Duchess |
7 / 1879 |
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My Last Duchess |
2 / 567 |
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My Last Duchess |
4 / 981 |
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Poem Analysis: "Monlogue for an Onion" |
3 / 849 |
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Poetry Of Robert Browning |
6 / 1524 |
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Poetry Throughout the Ages |
3 / 625 |
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Prufrock |
3 / 693 |
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Raymond Carver's Cathedral |
3 / 860 |
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Red rose |
3 / 663 |
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Robert Browning and the Dramatic Monologue |
5 / 1370 |
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Robert Browning |
2 / 522 |
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Romeo and Juliet Key Speeches from Act II |
6 / 1594 |
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TS Eliot's Prufrock |
5 / 1432 |
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Taming of the Shrew |
2 / 572 |
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The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
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The Caretaker By Pinter: A Play Can Be Confrontational, Challenging An |
7 / 1924 |
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The Love Song of J Alfred Proofrock |
2 / 363 |
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The Pigman |
2 / 454 |
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The Runaway Pilgrim Point essay |
2 / 445 |
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The Taming Of The Shrew |
5 / 1320 |
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The Tempest |
2 / 552 |
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The Ways Of Revealing |
1 / 216 |
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The love song of J alfred Prufrock |
3 / 804 |
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Un-Victorian Tenets Of Browning In Karshish |
4 / 907 |
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Unrequited Love In "Porphyria's Lover" |
4 / 901 |
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Weapons Training |
2 / 435 |
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Who Knows |
2 / 563 |
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macbeth |
3 / 789 |
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my last duchess |
3 / 669 |
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my last dutchess character analyzing |
3 / 726 |
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my last dutchess |
2 / 355 |
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porphryias lover |
3 / 728 |
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reading poetry |
3 / 829 |
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robert browning speakers |
3 / 649 |
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taming of the shrew |
3 / 748 |
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tennyson |
3 / 869 |
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the last duchess |
11 / 3166 |
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the tempest essay |
3 / 775 |
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the waste land |
1 / 202 |
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tithonus |
2 / 499 |
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vers le sud |
2 / 525 |
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victimization in Margaret Atwood's ?§Rape Fantasies?? |
3 / 862 |
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waiting for godot |
3 / 826 |
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william blake |
4 / 1026 |
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Judging A Book By Its Pages |
3 / 850 |
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Mona Lisa |
3 / 780 |
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P.O." |
2 / 319 |
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Wining The Swine |
3 / 861 |
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"Fall Of Icarus": Microcosm Of Contemporary Philippines |
3 / 801 |
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A Dream |
3 / 881 |
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A Hero Among Men, A Man Among |
4 / 1043 |
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A Senator's Pain |
3 / 793 |
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Another Catcher In The Rye |
6 / 1655 |
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As I Lay Dying - Objectivity/subjectivity |
4 / 1024 |
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As I Lay Dying |
4 / 1063 |
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As I Lay Dying: The Love Of Family |
2 / 377 |
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Docter Faustus |
4 / 997 |
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Drama Monologue |
1 / 247 |
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Editorial-why Conan O Brian Is |
2 / 365 |
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Emily Dickenson And The Theme Of Death |
3 / 610 |
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Fra Lippo Lippi |
5 / 1481 |
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GOVERNMENT REGULATIONS ON RADIO BROADCASTING |
8 / 2327 |
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Gonzo |
2 / 519 |
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Government Regulations On Radio Broadcasting |
8 / 2327 |
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Grey Matter Rationale |
2 / 550 |
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Hamlet 14 |
2 / 411 |
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Hamlet |
3 / 737 |
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Johnny Carson |
3 / 623 |
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Karshish By Robert Browning |
3 / 857 |
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Killer Angels |
2 / 378 |
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La Princesse De Cleves |
5 / 1226 |
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Les Miserables, Theme (forgiveness, Self Sacrifice, And Courage) |
4 / 931 |
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Lines 96-113 (poem) In Doctor Faustus |
4 / 997 |
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Macbeth |
4 / 1056 |
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My Last Duchess 2 |
2 / 489 |
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My Last Duchess 4 |
5 / 1227 |
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My Last Duchess |
7 / 1879 |
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My Last Duchess |
3 / 654 |
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My Last Duchness |
3 / 767 |
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My last Duchess |
5 / 1214 |
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methods of persuasion |
3 / 871 |
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Pg 8 Dramatic Monologue |
2 / 340 |
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Poem, Lines 96-113 In Docter F |
4 / 997 |
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Prospice |
4 / 1134 |
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Reading Response To Waiting For Godot |
3 / 826 |
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Romeo And Juliet |
4 / 1007 |
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The Duke And His Duchess |
2 / 512 |
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The Longest Memory |
3 / 701 |
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The Tempest - Bringing It All Together |
2 / 497 |
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The Tempest - Bringing It All Together |
2 / 497 |
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The Women Of Shakespear |
7 / 1840 |
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Theatrical Practitioners: Konstantin Stanislavski System |
7 / 1814 |
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Tithonus |
3 / 745 |
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Topdog/Underdog |
3 / 762 |
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Vagina Monologues |
3 / 842 |
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Waiting For Godot |
3 / 826 |
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"American Beauty" and its Music |
5 / 1247 |
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Comparison of Rebecca and Foreign Correspondent |
3 / 853 |
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cast away |
2 / 576 |
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Dances |
3 / 809 |
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Drama (find me) |
5 / 1471 |
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fassinbiner |
4 / 1075 |
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Jean Baptiste Lully |
5 / 1266 |
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Kenneth Baranagh's "Henry V" |
2 / 457 |
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Leehom Wang |
3 / 645 |
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liveperformance |
2 / 548 |
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Movie Review on "The Egyptian" |
2 / 377 |
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Music |
5 / 1249 |
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marx |
2 / 546 |
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Reading Summary: Amplification of Sound |
2 / 316 |
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Robert Altman's "Nashville" |
3 / 784 |
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Sound in 'PI' |
2 / 323 |
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Swordfish |
2 / 441 |
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taxi driver |
2 / 421 |
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Wong Kar Wai and french new wave |
3 / 652 |
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Socrates |
2 / 455 |
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Understanding Dostoevsky |
2 / 583 |
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Self Reflection |
4 / 1059 |
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Social Acceptance and Its Consequences |
2 / 553 |
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The Problems, Challenges And Opportunities Offered By Inter-Faith Dialogue |
3 / 768 |
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Current Advertising Theory |
3 / 852 |
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societys changes reflected in theatre |
1 / 227 |
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tr |
1 / 247 |
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Women Monologues in Philippines |
2 / 551 |
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