| Title |
Pages / Words |
Save |
| Lord of the Flies |
2 / 515 |
 |
| Of Mice And Men - Curley's Wife |
4 / 1130 |
|
| Reunion |
3 / 763 |
|
| Reunion |
3 / 763 |
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| Sun Angel |
2 / 498 |
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| How Plot, Setting and Characters Influence Readers Response |
3 / 837 |
|
| Fall of a kingdom |
2 / 368 |
|
| Agatha Christie Biography |
2 / 342 |
|
| mr |
3 / 770 |
|
| A Literary Analysis of the Parallels Between "The Knights Tale" and "The Miller's Tale" from the Canterbury Tales |
2 / 461 |
|
| A Tale Of Two Cities: Characters Are "recalled To Life" |
2 / 461 |
|
| A Tale Of Two Cities: Reversal Of Characters |
2 / 510 |
|
| Alice In Wonderland |
2 / 585 |
|
| Analysis of Deathtrap |
3 / 699 |
|
| Blindfold |
2 / 496 |
|
| Book Report Format |
2 / 371 |
|
| Book Report on The Perfect Storm |
3 / 690 |
|
| David Copperfield: The Many Differences Between James Steerforth And T |
2 / 569 |
|
| Dr. Smith |
2 / 574 |
|
| Everyday Use |
3 / 687 |
|
| Feminisim in Frankenstein |
2 / 499 |
|
| GATHERING OF OLD MEN |
2 / 309 |
|
| great gatsby |
2 / 379 |
|
| How is Jane Eyre influenced by the tradition of the Gothic novel? |
2 / 442 |
|
| Kate Chopin's The Awakening |
3 / 876 |
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| Minority Rules |
2 / 547 |
|
| Narrative techniques in Dan Brown’s The Da Vinci Code |
2 / 535 |
|
| Native Son, book 3 analysis |
1 / 289 |
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| Novel reveiw Of Mice and Men |
3 / 616 |
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| Romulus, My Father |
3 / 759 |
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| Starstruck |
3 / 630 |
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| six characters in search of an author |
2 / 599 |
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| The Awakening: Chopin Glorifying Edna's Fatal Situation |
2 / 340 |
|
| The Celestine Prophecy |
2 / 429 |
|
| The Crucible Outline |
2 / 431 |
|
| The Great Gatsby comparison between book and the movie G |
2 / 336 |
|
| The Great Gatsby |
2 / 498 |
|
| The Great Gatsby: A Full Spectrum Of Character |
2 / 557 |
|
| The Interrelationship of |
2 / 432 |
|
| the tragedies of romeo and juliet |
2 / 507 |
|
| Waiting for Godot |
6 / 1669 |
|
| Why Can't this be Love? |
2 / 531 |
|
| Wicked Angel |
2 / 388 |
|
| Christianity humanism Russian literature |
2 / 389 |
|
| Of Mice and Men |
2 / 586 |
|
| 12th Knight |
2 / 478 |
|
| A Raisin In The Sun |
3 / 744 |
|
| A Shape to Fill the Lack: As I Lay Dying, by Willian Faulkner |
3 / 661 |
|
| A Tale Of Two Cites |
3 / 603 |
|
| Antigone and Aristotle |
2 / 469 |
|
| Appearance vs. Reality |
2 / 509 |
|
| CHAUCER |
2 / 544 |
|
| Cat on the Hot Tin Roof |
1 / 292 |
|
| Christianity & Paganism in Beowulf |
2 / 469 |
|
| Christianity and Paganism: The Key to Adventure |
3 / 865 |
|
| Comparing And Contrasting The Characters Of Amanda And Laura From The Glass Menagerie |
4 / 903 |
|
| Comparison Between Abigails Party And Hobsons Choice |
2 / 427 |
|
| Comparison of the Novel Pride and Predjudice and the Movie Sense and Sensibility |
2 / 582 |
|
| Critical Analysis of Raymond Carver's "Neighbors" |
3 / 721 |
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| Critical Lens Essay |
2 / 465 |
|
| Dead Man Walking [movie] |
2 / 377 |
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| Death Of a Salesman |
2 / 308 |
|
| Devial And Daniel Webster |
1 / 279 |
|
| Differences between The Birds the Movie and The Birds short story |
2 / 594 |
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| Dog Soldiers |
2 / 425 |
|
| Economics test |
3 / 633 |
|
| Fantastic Four |
2 / 482 |
|
| Foil And Parallel Characters In Oedipus The King And Antigone |
2 / 595 |
|
| Frankenstein, snow balling revenge |
3 / 603 |
|
| Gatsby |
3 / 855 |
|
| Good and Evil in The Crucible |
2 / 480 |
|
| Hamlet Response Essay |
2 / 571 |
|
| Hamlet composition |
1 / 264 |
|
| Hemingway |
2 / 352 |
|
| Hi My Name Is.... |
1 / 276 |
|
| Individual Lost |
1 / 276 |
|
| Intolerance Within the Novel The Adventures of Huckleberry Finn |
3 / 664 |
|
| John Steinbeck: Interview Transcript |
3 / 698 |
|
| "The Crucible" critical analysis |
2 / 353 |
|
| "The Lamp at Noon" setting |
2 / 439 |
|
| choice |
1 / 226 |
|
| fairytales |
1 / 232 |
|
| huckleberry finn |
3 / 810 |
|
| last don |
2 / 536 |
|
| “An Ambiguous Narrative about a Controversial Debate” |
2 / 527 |
|
| Mica and men review |
2 / 366 |
|
| Motif In One Hundred Years Of Solitude |
3 / 712 |
|
| Mr. |
2 / 316 |
|
| Mr |
1 / 157 |
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| No Sugar |
3 / 663 |
|
| Of Mice and Men |
3 / 613 |
|
| Of Mice and Men |
1 / 197 |
|
| Othello |
2 / 521 |
|
| Perfect Storm vs. the wreck of the hesperus |
3 / 688 |
|
| Point of View |
3 / 708 |
|
| Pride and Prejudice |
3 / 779 |
|
| Romeo & Juliet Movie Review |
1 / 153 |
|
| Romeo and Juliet |
2 / 359 |
|
| Romeo and Juliet: Compare and Contrast |
2 / 373 |
|
| Saboteur |
2 / 326 |
|
| Satire in Candide |
2 / 379 |
|
| Smile |
2 / 342 |
|
| Student |
2 / 426 |
|
| Success vs. Failure in Two Heroic Icons |
1 / 249 |
|
| The Cay Book Recamendation |
2 / 392 |
|
| The Effects of Wishes |
2 / 427 |
|
| The First Line From Waiting For Godot, “nothin To Be Done”, Could Be Said To Sum Up The Theatre Of The Absurd, Except That There’s Always Something Happening. |
1 / 257 |
|
| The Last Unicorn |
4 / 1078 |
|
| The Pigman |
2 / 358 |
|
| The Tragedy Of Julius Caesar - Tragic Hero |
2 / 480 |
|
| The secret history |
4 / 1141 |
|
| The things They Carried |
2 / 436 |
|
| Tom Stoppard |
1 / 295 |
|
| Twelfth Night |
2 / 571 |
|
| Zombies in Movies |
3 / 767 |
|
| loss of innocence in frankenstein |
4 / 1152 |
|
| mice and men |
1 / 286 |
|
| neuromancer |
2 / 508 |
|
| romanticism vs. realism |
2 / 587 |
|
| romulus my farther |
2 / 415 |
|
| wuthering heights |
2 / 469 |
|
| comedy |
1 / 188 |
|
| Fahrenheit 451 Scene Change Analysis |
1 / 196 |
|
| Julius Ceaser |
1 / 212 |
|
| A Tale Of Two Cities - Suspens |
2 / 473 |
|
| A Tale Of Two Cities |
2 / 473 |
|
| Agatha Christie |
2 / 549 |
|
| Alienation Paper Hemmingway |
3 / 658 |
|
| Analysis If Homeward Bound |
2 / 559 |
|
| Animal Farm 3 |
2 / 468 |
|
| Barn Burning 2 |
2 / 401 |
|
| Barn Burning |
2 / 401 |
|
| Beowulf Vs. Grendal |
2 / 422 |
|
| Beowulf Vs. Grendal |
2 / 422 |
|
| Big Game |
2 / 466 |
|
| Black Hawk Down |
1 / 195 |
|
| Chaucer |
2 / 544 |
|
| Comaparison Of Crucible And So |
3 / 714 |
|
| Comaparison Of Crucible And So |
3 / 714 |
|
| Compare Rosencrantz And Guilde |
5 / 1309 |
|
| Cruise Ship |
1 / 291 |
|
| compare/contrast point of view in "the short happy life of francis macomber" and "the lottery" |
2 / 597 |
|
| drama corse work- bedlum |
2 / 472 |
|
| Ernest Hemmingway |
3 / 658 |
|
| Essay On By The Pricking Of My |
2 / 521 |
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| Ethan From 2 |
1 / 254 |
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| Goodbye Chicken Little |
2 / 350 |
|
| Herman Melville 2 |
2 / 425 |
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| Herman Melville |
2 / 425 |
|
| Lord Of Fliez |
2 / 504 |
|
| Minority Rules |
2 / 547 |
|
| macbeth |
1 / 263 |
|
| Of Mice And Men |
1 / 197 |
|
| Outcome 3 "He Always" - Realism |
3 / 875 |
|
| Pride And Prejudice |
2 / 436 |
|
| Roger And Me |
2 / 410 |
|
| Role Of The Common Man In A Ma |
3 / 717 |
|
| Roll Of Thunder Hear My Cry |
2 / 600 |
|
| Roll Of Thunder, Hear My Cry |
2 / 600 |
|
| Romeo And Juliet - Vs Much Ado About Nothing |
2 / 554 |
|
| Romeo And Juliet Vs Much Ado A |
2 / 554 |
|
| Simplicity in a "Clean Well Lighted Place" |
2 / 440 |
|
| Somersby |
3 / 714 |
|
| Something Wicked This Way Come |
2 / 531 |
|
| Something Wicked This Way Comes |
2 / 531 |
|
| Tale Of Two Cities |
2 / 473 |
|
| The Blue Hotel |
3 / 663 |
|
| The Bluest Eye 3 |
2 / 444 |
|
| The Bluest Eye |
2 / 444 |
|
| The Sun Also Rises |
1 / 275 |
|
| whO |
2 / 541 |
|
| Billy Elliot |
2 / 461 |
|
| Do The Right Thing |
1 / 224 |
|
| Fen review |
3 / 688 |
|
| Film Review: Tyler Perry's "Why Did I Get Married?" |
2 / 315 |
|
| knife in the water |
3 / 796 |
|
| Mindwalk: International Relations |
2 / 327 |
|
| Neon Genesis Evangelion |
1 / 159 |
|
| Oedipus Rex |
1 / 237 |
|
| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
|
| Potemkin |
2 / 401 |
|
| Requiem For A Dream |
2 / 436 |
|
| Space Jam |
2 / 467 |
|
| Spoon River Anthology |
2 / 308 |
|
| Taking Sides |
2 / 398 |
|
| The Cover Of Life |
3 / 676 |
|
| The great Escape |
3 / 785 |
|
| Dostoyevsky Response |
1 / 198 |
|
| Existentialists: I Am Me, And You Are You |
3 / 613 |
|
| Parmenides' Argument |
3 / 651 |
|
| Gender |
2 / 489 |
|
| The Super Mario Brothers |
2 / 415 |
|
| An Idiot's Guide To Sucessful Humor |
2 / 321 |
|
| Cladistics |
2 / 499 |
|
| The Canterbury Tales: A Character Sketch Of Chaucer's Knight |
2 / 544 |
|
| The day after tomorrow |
2 / 471 |
|
| Alcohol Viewed Through the Eyes of Raymond Carver |
3 / 736 |
|
| Interactionist Perspective |
3 / 785 |
|
| Media Critics Beavis and Butt-head |
2 / 456 |
|
| Input And Output Devices |
2 / 549 |
|
