| Title |
Pages / Words |
Save |
| Chesapeake and New England |
1 / 172 |
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| A Midsummer Night's Dream, quote response/analysis |
3 / 620 |
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| The Turn of A Screw |
2 / 543 |
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| A worn path |
3 / 772 |
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| book review on uncle tom's cabin |
3 / 794 |
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| Dick |
2 / 368 |
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| Glory |
2 / 352 |
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| Agatha Christie Biography |
2 / 342 |
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| Alicia Keys- An Awesomee Musician! |
2 / 369 |
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| BEETHOVEN |
3 / 758 |
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| bob wills and roy acuff |
1 / 144 |
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| eleanor roosevelt |
2 / 591 |
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| Me |
1 / 262 |
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| Poe Test |
3 / 802 |
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| 3mistakes Of My Life |
2 / 396 |
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| A Bridge to Terabithia |
2 / 474 |
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| A Review: The Day Of The Jackal |
2 / 494 |
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| A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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| Analysis of Bjorn Sortland's \ |
2 / 516 |
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| Analysis on Beowulf |
6 / 1519 |
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| Arturo Perez-Reverte' The Club Dumas |
3 / 612 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| client vs snow in august |
2 / 532 |
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| cry the beloved country summer reading |
3 / 853 |
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| David Mamet's Duck Variations Report |
3 / 700 |
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| Discuss the characters we hear but do not see why are they significant in terms of the themes of the play and in comparison with Willy? |
2 / 438 |
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| everything that rises must converge |
4 / 1061 |
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| Fate And Feminism |
2 / 476 |
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| great gatsby - nick |
1 / 256 |
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| Hounds Of Baskervilles |
4 / 1078 |
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| House of the Seven Gables: Sins Represented by Characters |
2 / 355 |
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| I'm Not Scared |
2 / 474 |
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| Jurassic Park |
3 / 645 |
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| Kingsolver |
3 / 624 |
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| MAGGIE: A Girl Of the Streets |
2 / 497 |
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| Murder Must Advertise |
3 / 728 |
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| not too dure |
2 / 367 |
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| Of Mice and men |
5 / 1326 |
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| Red Badge Of Courage |
2 / 389 |
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| Revelation |
3 / 771 |
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| THE STING |
2 / 553 |
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| Taming of the Shrew Critical Lens |
2 / 367 |
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| The Age of Innocence |
3 / 817 |
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| The Catcher in the Rye |
2 / 589 |
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| The Notebook |
2 / 406 |
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| The Odyssey |
2 / 564 |
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| The Runaway Bunny |
2 / 368 |
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| The most dangerous game |
3 / 602 |
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| their eyes were watching god |
3 / 844 |
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| Winston |
1 / 261 |
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| women in hamlet |
2 / 471 |
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| knowledge |
2 / 388 |
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| Marketing Mix |
4 / 902 |
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| Mr |
1 / 220 |
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| Student |
2 / 429 |
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| Who Moved My Cheese |
5 / 1262 |
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| 12 angrey men |
3 / 825 |
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| A Good Cop |
1 / 262 |
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| A Good Man Is Hard to Find - Flannery O'Connor |
3 / 706 |
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| Antigone and Aristotle |
2 / 469 |
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| CONTEXTUAL ESSAY: THE IMPORTANCE OF BEING EARNEST |
3 / 684 |
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| Cherry Orchard |
2 / 586 |
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| Comparison Between King Lear and A Thousand Acres |
2 / 497 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
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| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Crash Critic |
2 / 511 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| Dont Judge A Book By It's Cover:A Twelfth Night Comparrison Of Feste A |
3 / 627 |
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| Farewell To Arms |
1 / 281 |
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| Fenstad's Mother |
4 / 954 |
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| Film Task ? A Knights Tale |
2 / 400 |
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| Finances |
2 / 576 |
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| Function of setting in man of la mancha |
4 / 1003 |
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| Hamlet Analysis: Queen Gertrude |
2 / 513 |
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| Hard Times/Charles Dickens |
2 / 555 |
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| How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play? |
3 / 877 |
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| How does William Golding create the tensions in The Spire? |
3 / 768 |
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| How to change the oil in a car |
2 / 532 |
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| Iago's Vengefulness |
2 / 522 |
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| Illistration Essay |
2 / 521 |
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| In Cold Blood: The Devastation of an American Dream |
6 / 1691 |
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| Invisible Man Revision |
1 / 261 |
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| Is Othello a Racist Play |
2 / 415 |
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| Jackie Robinson |
1 / 214 |
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| King Lear |
3 / 622 |
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| "No Sugar" Essay |
3 / 655 |
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| a rose for emily |
2 / 323 |
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| age of innocence |
2 / 305 |
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| are you ready boots |
1 / 261 |
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| comparrison of dr jekyll and mr hyde, and the picture of dorian grey |
6 / 1755 |
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| importance of being ernest |
3 / 692 |
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| literature |
1 / 261 |
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| Lord of the rings. worth seeing ? |
2 / 542 |
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| MacBeth |
3 / 647 |
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| Macbeth |
3 / 820 |
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| Measure For Measure |
3 / 772 |
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| Night |
2 / 311 |
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| Of Mice and Men |
3 / 613 |
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| Of Violence |
3 / 622 |
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| Ollie Vs. The Dragon |
2 / 574 |
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| Orwell 1984 And Burmese Days |
3 / 730 |
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| Othello |
2 / 594 |
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| Pit and Pendulum movie vs book |
2 / 301 |
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| Point of View Analysis of "A Rose for Emily" by William Faulkner |
2 / 523 |
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| Quest for Something More |
1 / 292 |
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| Ros and Guil |
4 / 948 |
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| Success vs. Failure in Two Heroic Icons |
1 / 249 |
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| The Pearl |
1 / 278 |
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| The Role of Women in the Iliad |
3 / 725 |
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| The Shawshank Redemption |
2 / 386 |
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| The Struggle For Inner Truth And Reality |
3 / 694 |
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| Varying Perspectives of Killing: Jack from Lord of the Flies vs. The Barber from "Just Lather, That's All" |
2 / 517 |
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| White Oleander |
2 / 341 |
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| ms |
4 / 1072 |
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| on magical realism |
2 / 520 |
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| rasin in the sun |
2 / 429 |
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| self reliance |
2 / 338 |
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| the Role of the Intrusive narrator/ author |
2 / 444 |
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| the black cottage |
2 / 433 |
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| the club - character differences |
2 / 566 |
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| time to gro up alice |
5 / 1253 |
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| tomorrow when the war began |
2 / 367 |
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| Fathers of Theater |
4 / 966 |
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| Nichts |
1 / 300 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
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| The Major Motion Picture "Pearl Harbor" |
3 / 657 |
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| A Tale Of Two Cities And The Princess Bride: Loyalty |
1 / 272 |
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| Analysis On Beowulf |
6 / 1505 |
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| Appealing to our children, teens and tweens |
1 / 259 |
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| Barn Burning 2 |
2 / 401 |
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| Barn Burning |
2 / 401 |
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| Basics of the Statutes of Limitations |
3 / 691 |
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| Charater and Plot Master Harold and the boys. |
2 / 510 |
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| Classic Tales Of Tom Sawyer |
2 / 586 |
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| Comparing Henry David Thoreau And Herman Melville's Writings |
6 / 1691 |
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| Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
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| Cyrano The Bergerac - Love |
3 / 667 |
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| Definition Of Modernism In Fiction |
3 / 611 |
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| dc vs marvel |
3 / 682 |
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| E. M. Forster |
4 / 966 |
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| Easy Rider |
2 / 396 |
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| Fahrenheit 451 |
6 / 1544 |
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| Fahrenheit 451 |
6 / 1533 |
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| Farewell To Arms |
1 / 281 |
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| Fifth Business |
4 / 945 |
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| Greek Actors |
2 / 339 |
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| Harry Potter And The Sorcerers Stone |
1 / 230 |
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| Human Actions In Romeo And Juliet |
2 / 498 |
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| Immoral Materialism |
3 / 608 |
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| investigation into jazz |
3 / 816 |
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| Lord Of The Flies 9 |
3 / 717 |
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| Lord Of The Flies |
3 / 717 |
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| Lost |
2 / 325 |
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| Love |
3 / 685 |
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| Media In The Seventies |
2 / 524 |
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| Media |
3 / 700 |
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| Murder Must Advertise |
3 / 728 |
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| Never The Sinner - Production Critique |
3 / 826 |
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| O Brother where art thou? |
2 / 552 |
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| Othello - Change Of Character |
3 / 878 |
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| Othello Vs Much Ado About North |
3 / 618 |
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| Power of Advertising |
2 / 510 |
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| Rattle Bone |
4 / 1131 |
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| Richard Iii: How Are Mckellen's Aims Achieved? |
2 / 432 |
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| Richard and Iago: Rational, Sensitive, or Vegetative? |
2 / 595 |
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| Role Of The Common Man In A Ma |
3 / 717 |
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| Romeo And Juliet - Chain Of Hu |
2 / 498 |
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| Romeo And Juliet, Human Action |
2 / 498 |
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| reality tv |
4 / 940 |
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| Setting And Story |
2 / 443 |
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| Sitcoms analyzed |
4 / 936 |
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| street car named desire |
1 / 245 |
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| The Age Of Innocence |
3 / 817 |
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| The Cherry Orchard |
2 / 504 |
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| The Longest Memory |
3 / 701 |
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| The Odyssey - Comparing The Ro |
3 / 832 |
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| The Sting |
2 / 553 |
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| Two Men In Buckram Critque |
3 / 805 |
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| Writing Style And The Reader - |
1 / 266 |
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| As good as it gets |
3 / 644 |
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| Beethoven’s 9th Symphony: Mvt. 2 Scherzo |
3 / 898 |
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| Easy Rider |
2 / 396 |
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| Review of Hustle and Flow |
2 / 420 |
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| Rogers And Hammerstein's South Pacific |
4 / 901 |
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| Seinfeld |
2 / 313 |
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| Show Boat |
1 / 276 |
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| Sidetracked Movies |
4 / 1060 |
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| Sonata Allegro Form |
4 / 1035 |
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| Spartacus |
3 / 700 |
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| Stand By Me |
5 / 1343 |
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| The Prestige movie critique |
1 / 248 |
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| the pianist |
2 / 550 |
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| The Tao of Pooh |
2 / 519 |
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| Behold the Dreamer Cometh |
2 / 463 |
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| Brain |
3 / 658 |
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| Metaphorical And Symbloic Ambiguities |
1 / 253 |
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| Police discretion |
3 / 744 |
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| Rogerian Argument |
2 / 557 |
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| Sociology - Labeling and Deterrence |
3 / 654 |
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| Computers |
6 / 1538 |
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