| Title |
Pages / Words |
Save |
| Michelangelo Buonarroti, the artist. |
2 / 470 |
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| The Crucible |
2 / 465 |
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| Hope |
4 / 935 |
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| Glory |
1 / 283 |
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| Kyle's Paper |
1 / 150 |
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| Michelangelo Buonarroti, The Artist. |
2 / 470 |
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| Poe Test |
3 / 802 |
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| A Comparison Of "the Handmaid's Tale" And "anthem" |
3 / 777 |
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| A Farewell To Arms: Overview |
1 / 293 |
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| A Farewell to Arms |
2 / 511 |
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| A Single Shard |
2 / 317 |
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| Balzac |
3 / 722 |
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| Bolt's "a Man For All Seasons": Reasons For A Person's Actions |
3 / 765 |
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| Catcher in the rye |
1 / 297 |
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| Clashing Rocks |
1 / 284 |
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| D H Lawrence'S Rocking Horse Winner Theme |
2 / 322 |
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| David Mamet's Duck Variations Report |
3 / 700 |
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| Death of a Salesman, Wuthering Heights, and A Clockwork Orange |
2 / 428 |
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| Discuss the characters we hear but do not see why are they significant in terms of the themes of the play and in comparison with Willy? |
2 / 438 |
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| Distrust And The American Dream |
3 / 654 |
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| everything that rises must converge |
4 / 1061 |
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| Feminisim in Frankenstein |
2 / 499 |
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| Game |
1 / 271 |
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| Hawthorne's Characters: Pride Of Intellect |
3 / 730 |
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| hamlet |
2 / 460 |
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| Inkspell |
2 / 515 |
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| Millions By Frank Cottrell Boyce |
3 / 864 |
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| not too dure |
2 / 367 |
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| Of Mice And Men Book Report |
2 / 359 |
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| Of Mice and Men |
3 / 755 |
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| of mice and men |
2 / 527 |
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| of mice and men |
3 / 817 |
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| semiotics |
3 / 657 |
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| Taming of the Shrew Critical Lens |
2 / 367 |
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| The Catcher in the Rye |
2 / 589 |
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| The Full Cupboard of Life |
2 / 509 |
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| The Horse Dealer'S Daughter |
3 / 625 |
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| The Runaway Bunny |
2 / 368 |
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| The purpose of Rosencrantz and Guildenstearn in Hamlet |
1 / 261 |
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| To Kill A Mockingbird Character Analysis |
3 / 725 |
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| tale of two cities quote analasys |
1 / 258 |
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| the kill artist |
3 / 686 |
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| their eyes were watching god |
3 / 844 |
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| What looks like crazy on an ordinary day |
3 / 794 |
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| Winston |
1 / 261 |
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| women in hamlet |
2 / 471 |
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| Yet Another Romeo and Juliet |
2 / 542 |
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| AIS |
1 / 270 |
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| Business plan |
1 / 299 |
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| Compared Study, Of The Cultural Organization, Of Toyota And Ford. |
2 / 354 |
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| Costumer / company branch analysis BULTHUIS |
2 / 364 |
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| Economics |
2 / 380 |
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| Ibm' Five Forces Analysis |
1 / 279 |
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| Porter'S Five Basic Forces Of Competition - Analysis Of The Banking Industry |
2 / 320 |
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| The Infrastructure is important to the economic development of an economy. |
1 / 297 |
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| Tollhouse Cookies |
2 / 359 |
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| Who Moved My Cheese? |
2 / 565 |
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| A Doll's House : Minor Characters |
4 / 1174 |
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| A Good Man Is Hard To Find |
2 / 321 |
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| Aborgines |
1 / 263 |
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| Anti-Transcendentalists in Rappaccini's Daughter |
2 / 378 |
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| As I Lay Dying |
3 / 802 |
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| Both stories bestow us characters for whom the reader feels sympathy for. The statement is accurate in that both Rosaura from “The Stolen Party” and Njoroge from “The Martyr” |
2 / 524 |
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| Business letter component |
3 / 722 |
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| CONTEXTUAL ESSAY: THE IMPORTANCE OF BEING EARNEST |
3 / 684 |
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| Cherry Orchard |
2 / 586 |
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| Dont Judge A Book By It's Cover:A Twelfth Night Comparrison Of Feste A |
3 / 627 |
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| During the time men live without a common Power to keep them all in awe, they are in that condition which is called Warre; and such a warre, as is of every man, against every man (Hobbes, Leviathan). How does Hobbes' view of the ?condition of Ma... |
6 / 1779 |
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| English |
3 / 695 |
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| English |
2 / 392 |
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| Eto Sabi |
2 / 339 |
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| Farewell To Arms |
1 / 281 |
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| Fenstad's Mother |
4 / 954 |
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| Focus Statement Essay: Romeo & Juliet |
2 / 568 |
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| Foils In Hamlet |
3 / 771 |
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| Greasy Lake |
2 / 568 |
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| HUMAN ACTIONS IN ROMEO AND JULIET |
2 / 529 |
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| How does loneliness affect the characters in “Of Mice and Men”? |
3 / 877 |
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| children book analysis |
2 / 587 |
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| everyman |
3 / 628 |
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| hamlet |
2 / 426 |
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| huckleberry finn |
3 / 810 |
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| “A&P” vs. “Secret Life Of Walter Mitty” |
2 / 471 |
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| Loneliness In |
4 / 1035 |
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| Lord of the rings. worth seeing ? |
2 / 542 |
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| Marriage in Pride and pRejudice |
3 / 888 |
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| Marriage |
2 / 389 |
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| Mary's Convert Analytical Paper |
4 / 1090 |
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| Night |
2 / 311 |
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| Of Mice of Men |
2 / 586 |
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| Ofmmice And Men |
3 / 706 |
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| Orwell 1984 And Burmese Days |
3 / 730 |
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| Osborne’s use of Language is ‘Look Back in Anger’ / Language as a protagonist in ‘Look Back in Anger’ |
4 / 1043 |
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| Othello Movie Review |
2 / 418 |
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| Othello |
2 / 594 |
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| Othello |
1 / 296 |
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| Othello: Shakespeare vs. Parker |
2 / 596 |
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| Point of View Analysis of "A Rose for Emily" by William Faulkner |
2 / 523 |
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| Point of View |
3 / 708 |
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| Power exists mostly in shades of black and white |
3 / 737 |
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| Pride and Prejudice |
3 / 779 |
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| Procrastination |
1 / 287 |
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| Quest for Something More |
1 / 292 |
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| Rasomon |
2 / 429 |
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| Report on Gulliver's Travels, Part 3 |
5 / 1383 |
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| Rip Van Winkle |
2 / 408 |
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| Roland Barthes Narrative |
1 / 263 |
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| Romeo & Juliet |
2 / 306 |
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| Ser |
2 / 303 |
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| Shakespearean Tragedies |
6 / 1587 |
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| Shakespere |
1 / 277 |
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| Sonny's Blues |
2 / 437 |
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| Tale Of Two Cities |
3 / 737 |
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| Tess of the D'Urbervilles |
3 / 644 |
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| The Bloody Chamber |
1 / 239 |
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| The English Restoration |
4 / 1023 |
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| The Great Gatsby |
1 / 288 |
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| The Iliad |
2 / 490 |
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| The Love and the Nightgale |
2 / 566 |
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| The Outsiders: Movie vs Book |
2 / 590 |
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| The nature of the beast |
1 / 264 |
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| Varying Perspectives of Killing: Jack from Lord of the Flies vs. The Barber from "Just Lather, That's All" |
2 / 517 |
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| What We Talk About When We Talk About Love |
4 / 1116 |
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| White Heron |
2 / 308 |
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| othello |
3 / 656 |
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| pride and prejudice and bridget jones's diary |
7 / 1820 |
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| shadow of a doubt |
3 / 713 |
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| shakespear |
7 / 2029 |
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| the great gatspy |
3 / 680 |
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| the tragedy of Anthony and Cleopatra |
19 / 5673 |
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| theatre Studies Portfolio. |
2 / 441 |
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| what we talk about when we talk about love |
2 / 487 |
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| Artists of the Renaissance |
6 / 1518 |
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| Black Skin White Mask |
1 / 300 |
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| Caligula's Madness |
8 / 2120 |
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| Children's Literature |
2 / 398 |
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| Gladiatorial Games |
6 / 1586 |
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| Michaelangelo |
6 / 1595 |
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| NAPOLEON |
5 / 1202 |
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| Rome in the beginning |
14 / 3966 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
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| TRuth or fiction |
16 / 4625 |
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| WWII |
2 / 351 |
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| A Farewell To Arms |
2 / 511 |
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| A Natural Curiosity By Margare |
2 / 400 |
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| Analysis of a Newspaper Reserach Article |
3 / 697 |
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| Appealing to our children, teens and tweens |
1 / 259 |
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| Compare And Contrast Of The Me |
2 / 474 |
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| Differences A like |
3 / 796 |
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| Doctor |
3 / 774 |
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| dc vs marvel |
3 / 682 |
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| Easy Rider |
2 / 396 |
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| Emerson And The Poet |
2 / 396 |
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| Ethan Frome Review |
2 / 572 |
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| Fahrenheit 451 And Brave New World |
2 / 400 |
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| Farewell To Arms |
1 / 281 |
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| Fifth Business |
4 / 945 |
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| Great Gatsby 5 |
2 / 528 |
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| How The Choices Of The Characters Affected Each Other |
1 / 271 |
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| Human Actions: Romeo and Juliet |
2 / 544 |
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| Life Of Raphael Sanzio |
4 / 956 |
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| Lipset's American Creed |
4 / 975 |
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| Macbeth 5 |
3 / 618 |
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| Martin Luther King Jr. |
2 / 405 |
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| Michelangelo |
5 / 1496 |
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| Michelangelo |
6 / 1593 |
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| Minor Characters |
3 / 638 |
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| Much Ado about Nothing |
3 / 783 |
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| O Brother where art thou? |
2 / 552 |
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| One Of The Weaknesses Of The N |
3 / 833 |
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| Pre-AP Summer Assignment |
2 / 388 |
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| Pride And Prejudice - Characters |
3 / 833 |
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| personal statement |
2 / 319 |
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| Setting And Story |
2 / 443 |
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| Showboat - Production Critique |
2 / 543 |
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| Summary Of A Presentation On Machiavelli |
2 / 551 |
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| Summer Of 17th Doll Review |
2 / 333 |
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| Sweeny Todd |
1 / 264 |
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| Swot |
1 / 282 |
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| source of primary law |
2 / 312 |
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| street car named desire |
1 / 245 |
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| The Artist And The Art |
4 / 1150 |
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| The Prince |
6 / 1522 |
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| WENTWORTH MEDICAL CENTER |
4 / 1018 |
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| When Loss Is A Gain Bean Tree |
2 / 445 |
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| 12 Monkeys |
2 / 513 |
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| Camera Tricks |
4 / 1102 |
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| Easy Rider |
2 / 396 |
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| High Noon |
4 / 947 |
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| Leone: The Movies of Fantasy |
2 / 582 |
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| Reaction To The Rocky Horror Picture Show |
1 / 255 |
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| the pianist |
2 / 550 |
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| Woody Allen's "Annie Hall" |
2 / 496 |
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| k |
2 / 447 |
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| Seinfeld Episodes Create Comedy through Paralogy |
2 / 557 |
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| paradise lost |
2 / 316 |
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| Brave New World |
1 / 281 |
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| Computers |
2 / 371 |
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| Animation |
2 / 476 |
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| Mr |
2 / 311 |
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