Title |
Pages / Words |
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How Plot, Setting and Characters Influence Readers Response |
3 / 837 |
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Burkina Faso |
2 / 387 |
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Movies |
2 / 463 |
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2001 A space odyssey |
2 / 566 |
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Creative Execution |
2 / 317 |
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Films Today |
5 / 1333 |
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Jack Kerovac |
2 / 561 |
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me |
2 / 316 |
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netflix |
2 / 343 |
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Audrey Hepburn |
2 / 351 |
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B.B King |
2 / 336 |
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Charles Chaplin |
1 / 287 |
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D.W.Griffith |
4 / 1076 |
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Jean-Michel Basquiat |
2 / 409 |
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John Steinbeck |
2 / 572 |
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John Wayne |
3 / 629 |
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Steven Spielburg |
3 / 814 |
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Walt Disney |
2 / 345 |
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a clockwork orange |
2 / 475 |
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Gibson v. Branagh |
1 / 72 |
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Good Morning, Midnight Short Analysis Of An Extract Ot The Book |
2 / 311 |
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Hamlet |
1 / 284 |
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Like waster |
1 / 266 |
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Macbeth is boring |
1 / 163 |
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Romeo and Juliet |
2 / 436 |
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Stuart Little Is A Book That Tolerates Difference |
3 / 774 |
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Arundel Partners Case |
2 / 484 |
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Bmw Films |
3 / 698 |
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Comparision And Contrast Of Dcf And Capm |
1 / 260 |
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Consumer Behaviour |
1 / 260 |
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Geography |
3 / 666 |
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Globalization |
1 / 229 |
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Mainline Vs. Kim Basinger |
3 / 781 |
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Marketing |
2 / 361 |
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Pixar Investment Profile |
2 / 449 |
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Project Shakthi - HUL rural initiative |
1 / 255 |
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The Rule Of Legal Analysis |
2 / 519 |
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Understanding Of Brand |
2 / 350 |
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United Way |
1 / 263 |
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Ballad Of Birmingham |
1 / 197 |
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Comparing And Contrasting Hitchcock And Spielberg |
4 / 1183 |
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Crash Overview |
2 / 380 |
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Demuth |
1 / 146 |
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Dialectic Deappropriations: Pretextual discourse in the works of Spelling |
2 / 406 |
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Film Analysis |
8 / 2111 |
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Film Comparison- Shawshank Redemption VS Murder In The First |
3 / 652 |
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Film Openings |
3 / 784 |
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Glory: A Review |
7 / 1968 |
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Homo sexuality |
1 / 234 |
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Judy Garland |
1 / 263 |
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Jumanji scene analysis |
2 / 513 |
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Jungian) image of the "beast" in society/film/literature |
3 / 882 |
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aaliyah |
1 / 281 |
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Love |
2 / 393 |
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Maya Angelou's Sounds of her Life |
2 / 494 |
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O Captain! My Captain! |
1 / 274 |
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Outlaw heroes |
3 / 783 |
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Postmodern Materialism And Subsemantic Cultural Theory |
2 / 565 |
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Review |
2 / 494 |
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Silence and the Notion of the Commons |
2 / 453 |
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Soical Class |
3 / 858 |
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The Comparison Between This And That |
3 / 655 |
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The Tell-Tale Heart Analysis |
1 / 217 |
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Thematic Essay |
3 / 610 |
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To Act or Not to Act |
2 / 550 |
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Unconditional Love |
1 / 99 |
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north |
3 / 669 |
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rime of the Ancient mariner |
2 / 389 |
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scarlet ibis vs simon birch |
4 / 971 |
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Box office Decline |
1 / 53 |
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Film and society |
3 / 894 |
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Slaying the Dragon |
2 / 459 |
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A Nightmare On Elm Street |
8 / 2284 |
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Babam Ve Oglum |
4 / 1139 |
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Beat Down: fists of vengeance review |
2 / 383 |
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Beauty And The Beast |
3 / 609 |
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blah |
2 / 567 |
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Digital Art in Film |
5 / 1340 |
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Directing: More than Fame and Fortune |
4 / 1040 |
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Dylan Thomas |
4 / 1171 |
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Dylan Thomas |
4 / 1171 |
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Film Report - A Time To Kill, Sleepers, An Eye For An Eye |
9 / 2599 |
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Frank Liszt |
2 / 577 |
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fallacy |
2 / 357 |
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Guitar |
2 / 428 |
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How Does The "surround-sound" |
2 / 365 |
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How To Mic A Drum Kit |
4 / 1063 |
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Kubrick Lives |
4 / 1140 |
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Leading men |
1 / 287 |
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Letters From A War Zone |
4 / 1061 |
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Media Violence |
2 / 528 |
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mexican history |
4 / 1008 |
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Nightmare On Elm Street |
8 / 2123 |
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Nightmare On Elm Street: Film And Reality |
9 / 2629 |
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Reilyism Speech |
3 / 674 |
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Schools And Tests |
3 / 674 |
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Seabiscuit |
2 / 541 |
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Sound Vs. Silence |
3 / 889 |
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Sound |
3 / 726 |
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Sweeny Todd |
1 / 264 |
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The Birth Of A Nation And Greed |
4 / 1185 |
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The Breakfest Club |
3 / 694 |
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The Enlightenment Writers |
2 / 303 |
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the corporation |
2 / 347 |
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Walt Disney |
3 / 711 |
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Wind Chimes |
2 / 480 |
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Wolfbrother |
5 / 1281 |
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"American Beauty" and its Music |
5 / 1247 |
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A Nightmare On Elm Street |
8 / 2284 |
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A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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Alfred Hitchcock's Rear Window: Sound |
5 / 1236 |
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Alfred Hitchcock |
4 / 965 |
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BMW Films |
6 / 1711 |
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Chinatown |
2 / 377 |
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Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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Cinematography |
2 / 415 |
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Cinematography: Everything You Need To Know |
3 / 859 |
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Comparison Of Psycho And Vertigo |
4 / 1096 |
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DARKER CITIES |
2 / 595 |
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DreamWorks Animation |
2 / 314 |
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Edwin S. Porter |
7 / 1905 |
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Elvis |
9 / 2561 |
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FIght Club |
3 / 753 |
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Film genres |
2 / 479 |
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Film noir |
6 / 1584 |
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faherenheit 9/11 |
4 / 1171 |
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film crime |
5 / 1431 |
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guitar |
3 / 623 |
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Music Cocets |
1 / 242 |
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Music |
2 / 350 |
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martin scorsese |
3 / 870 |
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movie |
1 / 214 |
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my paper |
2 / 562 |
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Oscar Awards |
1 / 299 |
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Post-Renaissance Films |
1 / 253 |
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Psycho by Alfred Hitchcock |
2 / 479 |
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Pulp Fiction Thematic Structure |
6 / 1596 |
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Reading Summary: Amplification of Sound |
2 / 316 |
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Reservoir Dogs |
4 / 911 |
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Scorsese |
6 / 1677 |
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Shadow of a Doubt review |
4 / 1125 |
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Some Like It Hot |
2 / 316 |
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Sonata Allegro Form |
4 / 1035 |
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Sound in 'PI' |
2 / 323 |
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Special Effects in 2001: A Space Odyssey |
3 / 755 |
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Stephen Speilberg |
4 / 1036 |
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Taxi Driver: A modern version of the Western Film |
3 / 721 |
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Teenage Film Essay |
3 / 820 |
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The contemporary Hollywood blockbuster is not so much a film as a dev |
6 / 1591 |
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Two Great Rebellion Films |
4 / 990 |
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Wings of Desire |
2 / 415 |
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Woody Allen's "Annie Hall" |
2 / 496 |
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yay |
3 / 707 |
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Anselm’s Ontological Argument |
4 / 1064 |
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Basic Problem with Evil |
3 / 886 |
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Cosmological God |
3 / 845 |
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Critical thinking: week one |
2 / 423 |
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Democracy |
3 / 758 |
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Divisibility Argument |
3 / 800 |
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Explain the problem of induction- Discuss two different solutions to it. |
4 / 996 |
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Fallacies |
3 / 750 |
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Fallacy Summary |
4 / 1128 |
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Famine, Affluence and Morality |
3 / 796 |
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Famine, Affluence, and Morality |
3 / 811 |
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Hobbesian State Of Nature |
5 / 1267 |
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marix |
3 / 854 |
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On Liberty |
2 / 352 |
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Rousseau Social Contract |
5 / 1244 |
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Saussure's definition of language |
2 / 332 |
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The Cartesian Circle |
3 / 893 |
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the existence of god |
6 / 1659 |
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the ontological argument |
4 / 1070 |
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girl interrupted review |
2 / 473 |
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Looking Glass self |
1 / 115 |
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Meichenbaum |
2 / 515 |
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Truths |
2 / 408 |
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dsadsadsa |
2 / 326 |
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H.S. Level - SOund And Light Waves |
2 / 476 |
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How Hearing Works |
1 / 286 |
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heartbeats |
3 / 692 |
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Sound |
3 / 726 |
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sound waves |
3 / 768 |
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Ultrasound ? Quick Project |
2 / 381 |
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Admission Process |
3 / 794 |
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An Arguable Difference |
5 / 1357 |
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BMW |
7 / 1924 |
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Canadian Identity Or “Invisible Culture”. |
2 / 333 |
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Censorship in America |
4 / 1060 |
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Culture Of Film |
6 / 1579 |
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cross cultural communication |
4 / 1032 |
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Media Violence |
2 / 528 |
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Pay the Fee or Watch for free? |
4 / 906 |
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Prelinguistic Language |
4 / 1058 |
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Sorority Girl |
3 / 617 |
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Split Image |
3 / 627 |
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The Media Plays a Crucial Role in Forming Public Opinion |
2 / 349 |
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Dialogue-Driven Learning--The Method Behind the Art |
5 / 1483 |
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Himalayan Mineral Water VFX Case Study |
2 / 306 |
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Phones |
2 / 566 |
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Student |
3 / 859 |
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