| Title |
Pages / Words |
Save |
| Lawrence |
5 / 1282 |
 |
| year 12 physical journeys |
4 / 1104 |
|
| El Nino |
2 / 549 |
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| Blood In Macbeth |
4 / 1169 |
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| Macbeth - Blood In Macbeth |
4 / 1169 |
|
| Fahrenheit 451 Outline of Pgs 99-101 |
2 / 477 |
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| The Discovery vs This Poem |
2 / 585 |
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| Spirit of Poet |
4 / 915 |
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| Dylan Thomas |
4 / 909 |
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| Dylan Thomas |
4 / 909 |
|
| How does the play Macbeth follow what is expected in a Shakespearean tragedy? |
4 / 1171 |
|
| Visualing Iran Through Satrapi'S Persepolis |
4 / 912 |
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| "More light and light, more dark and dark our woes". |
2 / 437 |
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| Araby: How The Setting Reinforces The Theme And Characters |
2 / 414 |
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| Robert Frost |
2 / 509 |
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| Robert Frost |
2 / 509 |
|
| Martin Luther King on "Why we cannot wait" |
2 / 462 |
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| Island |
2 / 456 |
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| Tess of the D'Urbervilles |
4 / 1083 |
|
| John Keats |
3 / 896 |
|
| Preludes |
2 / 342 |
|
| Millay Vs. Shakespeare: Love, Loss and Lament |
5 / 1340 |
|
| Follower by Seamus Heaney |
6 / 1674 |
|
| Loneliness in The Lady of Shalott and Mariana. |
9 / 2576 |
|
| The Crucible 8 |
2 / 445 |
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| human beings and computers |
2 / 450 |
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| Robert Frost |
4 / 1013 |
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| Romantic Revolution (Article) |
4 / 929 |
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| Imagery of Blood in Macbeth |
2 / 541 |
|
| Ray Bradbury Biography |
2 / 365 |
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| Ray Bradbury Biography |
2 / 365 |
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| Yeats |
6 / 1728 |
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| thanatopsis |
4 / 1115 |
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| great gatsby |
4 / 1150 |
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| Heart of Darkness |
2 / 490 |
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| a rose for emily |
2 / 467 |
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| imaginative Journeys essay |
3 / 863 |
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| Kustom Kar Kommandos |
2 / 579 |
|
| A Comparison Of Macbeth And Cr |
6 / 1568 |
|
| Mamore river |
2 / 400 |
|
| Love Poem |
2 / 551 |
|
| Optimal Synthetic Aperture Radar Image Detection |
6 / 1592 |
|
| Bless Me Ultima Book Report |
7 / 1958 |
|
| Bless Me Ultima Book Report |
7 / 1958 |
|
| Literary Devices |
6 / 1558 |
|
| Cultural Analysis of Boyz N the Hood |
6 / 1603 |
|
| Kubla Khan |
4 / 1080 |
|
| Forget Me "Sonnet 71" |
2 / 547 |
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| Crossing the Swamp |
2 / 530 |
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| Compare And Contrasting "The Young Ravens That Call Upon Him" And "Th |
2 / 557 |
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| Compare And Contrasting "the Young Ravens That Call Upon Him" And "th |
2 / 557 |
|
| Disscussion of Change in Poetry |
4 / 935 |
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| Like Water For Chocolate |
4 / 986 |
|
| Analyse The Relationship Between Dorothy’S Diary Entry And William’S Poem, Paying Close Critical Attention To The Ways In Which The Poem Draws On The Diary Entry, And The Ways In Which It Departs From It. Then, In The Second Half Of Your Essay... |
6 / 1584 |
|
| Taggerung |
2 / 425 |
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| Representations of Romantic Love in Poetry Across the Periods |
5 / 1346 |
|
| The Dashing Young Woman |
2 / 488 |
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| Critical Review, Lionel Fogarty |
4 / 1066 |
|
| AP response "girl and tree" |
2 / 425 |
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| Robert Frost's Use of Aminmals and Insects In His Works |
2 / 539 |
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| Descriptive Language |
4 / 996 |
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| "Mirror": Reflections of Truth |
2 / 502 |
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| Popular Music Under Siege |
3 / 846 |
|
| Post |
2 / 520 |
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| Wasteland |
7 / 1906 |
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| Is it Better To Have Loved and Lost? |
5 / 1312 |
|
| Sport Psychology |
4 / 1025 |
|
| gatsby american dream |
4 / 1016 |
|
| Discuss the role of the inspector in Priestly's 'An Inspector Calls'. |
7 / 1826 |
|
| Beats as a counterculture |
4 / 1058 |
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| Winston Churchill versus Henry V |
4 / 1123 |
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| What Lips |
4 / 1147 |
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| Celebrity Endorsement |
2 / 428 |
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| because i c ould not stop death |
5 / 1226 |
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| School |
2 / 434 |
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| King Lear Act 1 Scene |
5 / 1255 |
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| White Fang book report |
2 / 507 |
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| Clockwork ORange and 1984 |
2 / 525 |
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| Shampoo Planet |
4 / 1130 |
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| Jan Svankmajer |
5 / 1271 |
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| Convert Or Feels God'S Wrath |
2 / 539 |
|
| The Virgin And The Gypsy |
7 / 1938 |
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| Salvation |
5 / 1457 |
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| william butler yeats |
4 / 962 |
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| the glass menagerie |
4 / 1191 |
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| Poem |
2 / 585 |
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| Good Literature |
2 / 466 |
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| Woman in the Dunes - movie Review |
2 / 512 |
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| No sugar - Dramatic performance |
4 / 1088 |
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| Novel WIthout a Name |
6 / 1634 |
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| DULCE ET DECORUM EST |
5 / 1206 |
|
| The Catcher in the Rye |
5 / 1273 |
|
| one flew over the cuckoos nest |
4 / 1086 |
|
| Robert Frost: Life and Poetry |
6 / 1633 |
|
| Fahrenheit 451 |
2 / 567 |
|
| Imagery In Bel-Ami |
6 / 1609 |
|
| Use of Gothic Elements in Charlotte Bronte's Jane Eyre |
6 / 1686 |
|
| Ozymandias |
2 / 530 |
|
| Romanticism |
4 / 1081 |
|
| "It does no good to be afraid"-Roberston Davies |
2 / 554 |
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| industrial revolution |
4 / 1062 |
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| The soft machine |
8 / 2220 |
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| The Hollow Men |
2 / 487 |
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| The Little Prince |
2 / 450 |
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| Sonnet 30 |
2 / 551 |
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| giving blood |
5 / 1492 |
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| Critical Anylasis |
3 / 622 |
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| Othello |
2 / 594 |
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| Symbolism In The Pearl |
2 / 526 |
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| art history |
5 / 1296 |
|
| Pornography |
2 / 392 |
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| Pornography |
2 / 392 |
|
| Ex-Basketball Player |
2 / 500 |
|
| coleridge |
6 / 1760 |
|
| Gattaca, Andrew Niccols Negative Portrayal Of The 'Not-Too-Distant' Future |
4 / 943 |
|
| Brave New World |
2 / 474 |
|
| Brave New World 7 |
2 / 474 |
|
| Changing Technology Brings With It A New Bag of Tricks |
6 / 1656 |
|
| Gay USA |
2 / 510 |
|
| The Tyger |
2 / 454 |
|
| COM120 Final Grammar Quiz |
3 / 891 |
|
| Artwork Comparison Of Davinci And Michaleangelo |
2 / 424 |
|
| An Analysis of "The Horse Dealer's Daughter" |
2 / 496 |
|
| "Mirror Image" by Lena Coakley |
2 / 559 |
|
| What are the qualities of a successful thriller and how are they exploited? |
4 / 1122 |
|
| Explore Shakespeare's presentation of the three great leaders: Caesar, Antony and Cleopatra, through the changing fortunes of Acts III and IV. Explain how the balance of audience sympathy shifts |
6 / 1665 |
|
| Compare/Contrast The Tyger vs. The Lamb |
2 / 488 |
|
| O'Connor Biography |
4 / 937 |
|
| hills like white elephants |
5 / 1383 |
|
| Imagery In Poems “Daddy” And “Lady Lazarus” By Sylvia Plath |
5 / 1339 |
|
| Beyond the Common Myths of Hypnosis |
8 / 2163 |
|
| The Chrysanthemums |
5 / 1265 |
|
| Everyday Use |
3 / 603 |
|
| Politics and the English Language, Paradise Lost |
6 / 1712 |
|
| Cat On A Hot Tin Roof |
3 / 685 |
|
| Realism and Romanticism in the Poetry of Emily Dickinson |
4 / 1065 |
|
| The Lamb vs. The Rose: A comparison of William Blake |
3 / 613 |
|
| Grapes Of Wrath Project |
2 / 399 |
|
| Plato |
3 / 640 |
|
| Tribute Paper |
2 / 548 |
|
| Helen Keller |
5 / 1493 |
|
| Why Art Is Important To Religion |
3 / 605 |
|
| pawn shop |
2 / 550 |
|
| The Great Gatsby: A Full Spectrum Of Character |
2 / 557 |
|
| Rabbit Proof Fence |
7 / 1804 |
|
| Wolfbrother |
5 / 1281 |
|
| the flea essay |
5 / 1410 |
|
| The Perfect Life |
3 / 678 |
|
| In Iago, Shakespeare has Created an Engaging and Complex Villain who Governs the Actions of the Play. Discuss |
9 / 2428 |
|
| At Cooloola |
2 / 469 |
|
| Maya Angelou'S The Graduation |
2 / 430 |
|
| Poetry Of Sound |
2 / 507 |
|
| Poetry Of Sound |
2 / 507 |
|
| Color Perception After Viewing Emotional Media |
2 / 532 |
|
| Antonio Vivaldi |
2 / 500 |
|
| Stephen King - Film Elements |
12 / 3384 |
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| English |
5 / 1246 |
|
| art |
3 / 845 |
|
| Student |
2 / 549 |
|
| Commentray On rose |
3 / 652 |
|
| Robert Frost - Ideas |
2 / 571 |
|
| Robert Frost Ideas |
2 / 571 |
|
| dream defered |
2 / 538 |
|
| Frederick Douglass: Portraying Slaveholders |
2 / 580 |
|
| A Comparison of Nature in Romantic Poetry |
4 / 1075 |
|
| salvador dali |
2 / 489 |
|
| Writing Styles in the Puritan Time Period |
2 / 520 |
|
| Writing Styles In The Puritan Time Period |
2 / 520 |
|
| Contemporary Insanity |
5 / 1316 |
|
| Race and Racism in Britain review |
2 / 453 |
|
| Emily Dickinson 3 |
7 / 2091 |
|
| The Connection Of God And Nature In Bryant's Thanatopsis |
2 / 574 |
|
| The Art of Poetry: Interpretation and Imagination in William Carlos Williams' ?The Red Wheelbarrow' |
4 / 985 |
|
| Ode on a grecian urn-john keates. |
3 / 625 |
|
| Breaking the Chains of Psychological Slavery |
2 / 509 |
|
| schlesinger's Canon Vs. My High School's Canon |
4 / 1041 |
|
| To Autumn by John Keates - Critical Analysis |
2 / 575 |
|
| Prospice |
4 / 1134 |
|
| annotated bibiliography on eating disorders |
4 / 958 |
|
| Advertisements |
2 / 576 |
|
| Cut by sylvia Plath |
6 / 1612 |
|
| ballad of the landlord |
3 / 616 |
|
| The Fall Of The House Of Usher: Imagery And Parallelism |
6 / 1618 |
|
| case analysis Mcdonalds |
2 / 469 |
|
| Macbeth: Symbolism |
2 / 496 |
|
| Ode to a Grecian Urn |
3 / 621 |
|
| Red rose |
3 / 663 |
|
| Hypnosis 2 |
6 / 1693 |
|
| Great Gatsby |
5 / 1398 |
|
| The Great Gatsby |
7 / 1805 |
|
| Maya Angelou |
2 / 413 |
|
| Light Association, Shaping Our Understanding |
5 / 1211 |
|
| Attachment and early exploration |
2 / 490 |
|
| Turtles Hatching |
5 / 1220 |
|
| A New Forest To Conquer |
3 / 630 |
|
| The Flea |
3 / 684 |
|
| Antony and Cloepatra |
6 / 1701 |
|
| Cold Sassy Tree |
3 / 666 |
|
| Character Roles In Steinbecks |
2 / 535 |
|
| Martha |
2 / 570 |
|
