Title |
Pages / Words |
Save |
The Sniper |
3 / 836 |
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The Sniper |
3 / 836 |
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Dr Faustus |
7 / 1849 |
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Baz Luhrman?s Version of Romeo and Juliet |
3 / 721 |
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American Realism |
3 / 887 |
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Does Phyllis Wheatley use religious references to warn her readers about slavery and sin and its repercussions? |
3 / 738 |
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Nino Ricci |
1 / 261 |
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1984 |
1 / 226 |
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5 People You Meet In Heaven |
2 / 556 |
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"Pride And Prejudice" By Jane Austen |
3 / 778 |
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"The Lottery" by Shirley Jackson: Cruelty or Human Nature? |
6 / 1769 |
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A Journey Into A Clockwork Orange |
2 / 561 |
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A Tale Of Two Cities: Recalled To Life |
2 / 461 |
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After the First Death |
2 / 359 |
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Another Much Ado About Nothing |
3 / 714 |
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Another Romeo and Juliet |
2 / 511 |
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Avril Crump And Her Amazing Clones by Angela Woolfe |
1 / 259 |
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Big Fish |
2 / 599 |
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Black Like Me |
4 / 1187 |
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COLD MOUNTAIN |
3 / 702 |
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Compare and Contrast of the Love Stories |
3 / 797 |
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Dances with Wolves |
2 / 421 |
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David Copperfield: The Many Differences Between James Steerforth And T |
2 / 569 |
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Dream Quest of Unknown Kadath |
1 / 231 |
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Earth 2 puzzle |
3 / 728 |
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Extended Formal Analysis: Biographical and Cultural Criticism on The Lords of Discipline |
2 / 592 |
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Extremes Collide in My name is Asher Lev By: Chaim Potok |
4 / 1065 |
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Great Expectations |
3 / 604 |
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Heart of Darkness |
3 / 630 |
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How Multiple Incidents Develop the Plot Line in The Great Gatsby |
3 / 843 |
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In The Forests of Serre |
4 / 948 |
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Jurassic Park |
3 / 765 |
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Love and Hate "Shakespear" |
3 / 671 |
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On MY Honor |
2 / 447 |
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Ovid's Metamorphoses Book II |
5 / 1218 |
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Reservation Road |
3 / 809 |
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Samuaris Garden |
2 / 508 |
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Sarny A life rememberred |
2 / 347 |
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Streetcar Named Desire Essay |
2 / 591 |
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Style And Themes Of James Joyce |
9 / 2437 |
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sams letters to jennifer |
2 / 493 |
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Tell Tale Heart and The Black Cat. |
3 / 683 |
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The Beloved |
3 / 841 |
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The Things They Carried: What's "Real"? |
3 / 821 |
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To Kill A Mocking Bird |
3 / 664 |
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To Kill A mockingbird |
2 / 305 |
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Too Bare Hamlet |
3 / 806 |
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Twelfth Night: Two Faces, One Mind |
2 / 488 |
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Watchmen |
2 / 580 |
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Wicked Angel |
2 / 388 |
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Wuthering Heights: Not A Fun Place To Stay |
2 / 538 |
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Com/150 Characteristics of Expository Essays |
2 / 558 |
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WWF as a Business |
4 / 1177 |
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A Farewell to Arms |
2 / 508 |
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All my Sons |
4 / 938 |
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An Interview with Khaled Hosseini |
2 / 442 |
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Analysis On Mostellaria |
4 / 916 |
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Are The Characters In Arthur Miller’S Play ‘A View From The Bridge’ Influenced By Social Or Personal Factors? |
3 / 650 |
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Book - waiting for the mahatma - plot vs style |
4 / 1184 |
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Book Review on Raymond Carver's Will You Please Be Quiet, Please? |
2 / 539 |
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Candide |
3 / 636 |
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Chekhov |
1 / 113 |
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College Writing Movie Genres |
3 / 736 |
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Color Purple: Compare and Contrast Novel With Movie |
3 / 727 |
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Common Theme |
3 / 688 |
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Compare and Contrast "Genesis" and "Penetrating to the Heart of the Forest", |
5 / 1262 |
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Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
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Critique of Black Writing, White Reading: Race and the Politics of Feminist Interpretation |
2 / 517 |
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Dead Men's Path |
2 / 385 |
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Dimmsdale vs. Chillingworth |
3 / 744 |
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Dracula - Gothic Response |
2 / 464 |
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Evelina |
4 / 1040 |
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Examining Literary Catalysts in Two Short Novels |
6 / 1704 |
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Geroge Orwell |
4 / 915 |
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Girl |
2 / 451 |
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Heart of Darkness and Self Actualization |
3 / 630 |
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Holden Caulfield: A Timeless Teenager |
3 / 875 |
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Iago's Vengefulness |
2 / 522 |
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Iago:The Evil In Othello |
4 / 958 |
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Jane Erye |
8 / 2128 |
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John Steinbeck: Interview Transcript |
3 / 698 |
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King Lear |
3 / 752 |
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Life As A Kaffir Boy |
2 / 586 |
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Literature |
1 / 197 |
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about macbeth |
2 / 464 |
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advertisement |
3 / 607 |
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comparative essay |
2 / 528 |
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literature |
1 / 230 |
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Loneliness As A Key Theme In ‘Of Mice And Men’ By John Steinbeck |
4 / 929 |
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Lord of the rings. worth seeing ? |
2 / 542 |
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Minor Characters In Ragged Dick |
6 / 1579 |
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Othello: Iago The Evil |
3 / 893 |
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Portofolio |
3 / 842 |
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Problem Posing Paragraph - Strong Topic Sentences |
2 / 453 |
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Race and Reading: The Problems of Interpretation |
6 / 1542 |
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Romeo and Juliet |
1 / 189 |
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Ros and Guil |
4 / 948 |
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Saboteur |
2 / 326 |
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Sandman-Case-Uncanny |
1 / 181 |
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Slaughter House |
3 / 726 |
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Stereotypes In Print Texts Legally Blonde |
3 / 607 |
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Summer Of 42 |
2 / 508 |
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Tale Of Two Cities |
5 / 1332 |
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Tempest Essay |
4 / 1027 |
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The Fall of the House of Usher |
5 / 1333 |
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The Guardian-Nichoals Sparks |
5 / 1471 |
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The Human Mind Exploring the Evil side of Human Life |
3 / 843 |
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The Important Contextual Influences On Shakespeare'S "King Lear" |
4 / 1090 |
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The Maltese Falcon: Book Vs. Movie |
4 / 1135 |
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The Scarlet Letter- Chillingworth Vs Dimmesdale |
3 / 736 |
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The Story of an Hour |
6 / 1660 |
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The Tragic End Of Romeo And Juliet Was The Result Human Action Not Fate As The Prologue Suggests. |
2 / 476 |
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The similarity between "The Yellow Wallpaper" and "Jane Eyre" |
2 / 506 |
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Themes In Once And Future King |
6 / 1524 |
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Tradgedy:The Scarlet Letter |
2 / 553 |
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Treasure Island |
3 / 751 |
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Trifles |
4 / 1050 |
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What's Hidden in Kate Chopin's "The Storm"? |
5 / 1486 |
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prologue |
2 / 326 |
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the use of force |
3 / 831 |
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to kill a mckingbird |
4 / 945 |
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tuesday siesta |
2 / 354 |
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what we talk about when we talk about love |
2 / 487 |
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Children's Literature |
2 / 398 |
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Dante's Francesca and Paolo: "She Loves You, Yeah, Yeah, Yeah" |
5 / 1386 |
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Revenge themes in Hamlet |
4 / 932 |
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Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
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The Crucible |
4 / 1065 |
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The Underdogs |
3 / 834 |
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Advertisement Manipulation |
4 / 940 |
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Animal Farm And The Russian Revolution |
2 / 544 |
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Capote Vs. Krakauer |
3 / 850 |
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Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And " |
3 / 703 |
|
Creon As The Tragic Hero In An |
2 / 522 |
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Creon As The Tragic Hero In An |
2 / 522 |
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Earth 2 Puzzle |
3 / 735 |
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Earth 2 Puzzle |
3 / 728 |
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Emma |
3 / 640 |
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Emma |
3 / 640 |
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Flowers For Algernon - Comparing And Contrasting |
4 / 961 |
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For Whom The Bell Tolls |
3 / 831 |
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For Whom The Bell Tolls |
3 / 831 |
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Great Expectations |
3 / 604 |
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Hamlets Troubles |
3 / 683 |
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Henry James And "the Art Of Fiction" |
2 / 475 |
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Iago: The Evil In Othello |
3 / 893 |
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Jane Erye |
8 / 2128 |
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Jurassic Park |
3 / 765 |
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Lady Macbeth Character Analysis |
2 / 481 |
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Les Miserables |
2 / 458 |
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Logan Pearsall Smith |
2 / 444 |
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Logical Fallacies |
2 / 395 |
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Lord Of The Flies - Setting |
3 / 610 |
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Lord Of The Flies Passage Anal |
2 / 481 |
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Market Knowledge |
2 / 369 |
|
No Sugar Act 1, Scenes 1-3 (Notes) |
4 / 1094 |
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narrative structures |
3 / 616 |
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On My Honor |
2 / 447 |
|
One Of The Weaknesses Of The N |
3 / 833 |
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Our Town |
4 / 964 |
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Reaction Paper to Hip Hop Anansi |
2 / 513 |
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Response to "The Lottery" and "Eveline" |
2 / 454 |
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Soike Heels |
5 / 1422 |
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Summer Of 42 |
2 / 508 |
|
sir |
4 / 1033 |
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Tale Of Two Cities |
5 / 1332 |
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The Araby |
3 / 714 |
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The Catcher In The Rye |
2 / 508 |
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The Joy Of Reading |
3 / 720 |
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The Last Night Of Ballyhoo - Production Critique |
4 / 1175 |
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The Maltese Falcon: Book Vs. Movie |
4 / 1135 |
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The Picture Of Dorian Gray: Evil |
3 / 897 |
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The Steel Windpipe |
3 / 645 |
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Theme, Atmosphere, and Style of The Chrysalids |
4 / 950 |
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Themes In Once And Future King |
6 / 1524 |
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Tradgedy:the Scarlet Letter |
2 / 553 |
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Watership Down |
3 / 677 |
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Why Should Students Study Shakespeare In School? |
2 / 535 |
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Why Should Students Study Shakespeare In School? |
2 / 535 |
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Wuthering Heights (comments) |
7 / 1971 |
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12 Monkeys |
2 / 513 |
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Black Hawk Down |
4 / 1045 |
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Film: From Silent to Sound |
2 / 551 |
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Frankenstein |
1 / 263 |
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Hamlet: The Prince of Denmark Vs. Strange Brew |
5 / 1256 |
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Hip Hop-Jay Z And Nas |
2 / 551 |
|
How have sitcoms changed over time? |
2 / 569 |
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hitchcock |
5 / 1327 |
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Movie Review on "The Egyptian" |
2 / 377 |
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Napoleon Dynamite Critique |
3 / 679 |
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Review of Hustle and Flow |
2 / 420 |
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Saving Private Ryan |
2 / 354 |
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Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
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The Chamber: A Look Into The Novel And Film |
6 / 1599 |
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Significant characters in jewish faith |
2 / 368 |
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An Eye for Eye |
4 / 1037 |
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Greasy Lake |
3 / 726 |
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Homosexuality in Film |
4 / 914 |
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YU |
2 / 380 |
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Wireless Internet Security |
1 / 220 |
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