| Title |
Pages / Words |
Save |
| Buddhist Art in Japan |
7 / 1825 |
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| Pierre-Auguste Renoir |
2 / 541 |
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| Fernand Leger |
1 / 160 |
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| Henri Cartier-Bresson |
2 / 476 |
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| Marc Chagall |
5 / 1219 |
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| Art Styles |
2 / 356 |
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| bunching hoisery |
3 / 747 |
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| Graffiti Culture |
2 / 544 |
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| History Past And History The Present |
1 / 130 |
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| History and Demographics |
2 / 564 |
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| letters from an american farmer |
1 / 185 |
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| Norton Simon Museum |
2 / 461 |
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| nero |
3 / 663 |
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| Andrew Wyeth |
3 / 716 |
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| claude monet |
5 / 1326 |
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| Edgar Degas |
3 / 683 |
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| Fra Lippi |
2 / 493 |
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| George Seurat |
3 / 679 |
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| Leonardo DaVinci |
2 / 525 |
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| Leonardo da Vinci |
2 / 512 |
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| Michelangelo Buornarriti |
6 / 1604 |
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| Pablo Picasso |
2 / 498 |
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| Paul Gauguin Where Do We Come From? What Are We? Where Are We Going? |
5 / 1383 |
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| Picasso |
3 / 614 |
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| raphael sanzio |
6 / 1528 |
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| Siqueiros |
4 / 1088 |
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| salvador dali |
2 / 571 |
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| Van Gogh |
4 / 907 |
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| Vincent Van Gogh |
3 / 670 |
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| Vincent Van Gogh: Woe Is Me |
3 / 817 |
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| AAA |
2 / 326 |
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| Art from Baroque Period through the Postmodern Era |
5 / 1455 |
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| Crappy religious analysis of Gates of Fire |
2 / 486 |
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| censorship |
2 / 334 |
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| Girl with a pearl earring |
3 / 866 |
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| image as text |
4 / 967 |
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| pollock |
3 / 629 |
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| dublin business plan |
3 / 880 |
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| How To Make Sandblasted Signs |
3 / 628 |
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| InterClena Inc |
5 / 1312 |
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| Robert Hayden |
6 / 1532 |
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| A Way of Escape |
1 / 264 |
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| ARTS |
3 / 716 |
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| Art of the Ages |
2 / 365 |
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| Artist Members Of Society |
4 / 1102 |
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| Classification Essay |
2 / 539 |
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| Cubism |
5 / 1293 |
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| Culture |
4 / 953 |
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| Foreshadowing of Death in Moby Dick |
2 / 556 |
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| Frankenstein and Crary |
3 / 684 |
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| GOYA |
2 / 463 |
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| Gertude Stein and the Art of Cubism |
5 / 1298 |
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| Giovanni Panini |
1 / 171 |
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| John Berger |
7 / 1919 |
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| Lady Lazarus, Sylvia Plath and the Art of Dying |
3 / 652 |
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| Landscape with the Fall of Icarus |
3 / 614 |
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| Literature |
3 / 894 |
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| landscape and the fall of icarus |
5 / 1327 |
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| Memorial Site At Warren Avenue |
4 / 919 |
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| My Analysis on Phyllis Wheatley |
1 / 206 |
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| My Last Duchess |
3 / 619 |
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| My Mother Pieced Quilts |
2 / 535 |
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| Mystification |
2 / 341 |
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| Outsider Speech Exploring The "Outsider" Notion |
3 / 776 |
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| Passion |
1 / 269 |
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| Power of Youth and Beauty |
6 / 1778 |
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| Powerful Society |
5 / 1217 |
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| Raphael Sanzio inspired |
5 / 1230 |
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| Response To Billy The Kid By Jack Spicer |
4 / 1066 |
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| Spirit |
3 / 738 |
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| The Age of Innocence |
3 / 842 |
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| The Deliverance from Traditional Black Writings |
5 / 1218 |
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| The Rabbits by Shaun Tan and John Marsden |
2 / 586 |
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| Week One English |
2 / 566 |
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| my name is asher lev |
7 / 1890 |
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| African history |
2 / 410 |
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| Art of Egypt |
3 / 866 |
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| ancient egyptian art |
3 / 664 |
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| Child Raising in European History |
4 / 1175 |
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| Cubism Art |
5 / 1381 |
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| Cultural Event |
3 / 762 |
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| Da Vinci |
5 / 1250 |
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| Description, Function, Attribution, and Analysis of a Red-figure Type B Kylix |
3 / 700 |
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| Euopean Art in the Wake of World War 1 |
4 / 976 |
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| Gauguin:The Tahitian Escape |
7 / 1843 |
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| Girl With The Pearl Earring - Review |
6 / 1665 |
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| Goya: Truth and War |
4 / 1126 |
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| graffiti |
3 / 888 |
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| greek vase painting |
4 / 1034 |
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| History of Da Truong Thinh ceramics |
2 / 403 |
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| Hitler |
3 / 656 |
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| Humanism During the Renaissance |
2 / 508 |
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| Jupiter and Semele |
5 / 1216 |
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| Leonardo Da Vinci |
2 / 545 |
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| Michaelangelo |
3 / 786 |
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| Michelangelo |
1 / 138 |
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| Muromachi Period |
6 / 1699 |
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| Pablo Picasso'S Guernica |
2 / 550 |
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| Pictorialism |
2 / 485 |
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| Rembrandt |
3 / 789 |
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| Ringling Museum Review |
4 / 991 |
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| School of Athens |
6 / 1626 |
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| Standards and perceptions of male bearty throughout history |
6 / 1789 |
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| The European Renaissance |
3 / 799 |
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| The Group of Seven: New Stage in Canadian Art. |
4 / 1070 |
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| The Representation Of The Female Form In Art. |
4 / 1139 |
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| Vatican Museum |
6 / 1776 |
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| Venus, Cupid, Folly, and Time |
2 / 566 |
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| What is history? |
2 / 352 |
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| Different Types Of Art Forms |
5 / 1431 |
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| Should Moral Values Be Taught In Schools |
3 / 732 |
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| Abstract Art |
4 / 1003 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| Art Evaluation (year10) |
4 / 1145 |
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| Art and Anatomy |
2 / 306 |
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| Art and Mind |
4 / 1018 |
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| Art11 Compare and Contrast essy |
5 / 1463 |
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| Art |
2 / 523 |
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| art |
1 / 259 |
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| Baroque Art in Europe and North America |
5 / 1406 |
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| Buddhist Art in Japan |
7 / 1825 |
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| Cave Paintings |
5 / 1243 |
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| Champ D' Avoine |
5 / 1326 |
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| Charles Dickins |
5 / 1326 |
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| Chuck Close |
2 / 479 |
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| Compare And Contrast Italian Renaissance Painting And Sculpture To The Northern Renaissance Painting And Sculpture |
6 / 1605 |
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| Comparison of Picasso and Raoul Dufy |
4 / 1004 |
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| chuck close |
4 / 968 |
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| Defintition Of History |
1 / 294 |
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| Degas |
2 / 566 |
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| Dinosaur |
4 / 1131 |
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| discussions on Alegoria de California |
4 / 924 |
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| Edgar Degas |
2 / 414 |
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| Edward Hallett Carr |
1 / 198 |
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| Egyptian Art |
3 / 781 |
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| Egyptian Art |
3 / 781 |
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| El Toro Bravo |
2 / 397 |
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| Fffff |
2 / 567 |
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| Florence: works of art |
8 / 2147 |
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| Fra Lippo Lippi |
5 / 1481 |
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| George Berkley |
2 / 547 |
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| Goya and Daumier comparison |
4 / 1158 |
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| Goya |
2 / 463 |
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| Henri Matisse:Goldfish |
5 / 1241 |
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| History |
1 / 293 |
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| Humanism And Clericism Of The 16th Century |
5 / 1262 |
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| Impressionism |
2 / 456 |
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| Juan Gris |
5 / 1467 |
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| Ken Ferguson: Kansas City Ceramics |
1 / 199 |
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| Kintaro |
3 / 849 |
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| Lady of Shallott |
5 / 1322 |
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| Leonardo Da Vinci (!) |
1 / 284 |
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| Leonilla, Princess of Sayn-Wittgenstein-Sayn |
4 / 1169 |
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| last supper |
3 / 893 |
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| Manet - Still Life |
7 / 1938 |
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| Marilyn Monroe Vs. Crying Girl: Who Is The Face Of Pop Art? |
4 / 1141 |
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| Matisse |
1 / 198 |
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| Michelangelo 3 |
2 / 514 |
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| Modernity and the Spaces of Femininity |
4 / 1038 |
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| Monet |
7 / 1938 |
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| Monets Green Reflections |
3 / 870 |
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| Museum Tour of Louvre |
2 / 427 |
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| miss |
6 / 1755 |
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| modern-day and 18th century artist comparison |
5 / 1288 |
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| Paint a House |
3 / 655 |
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| Paul Cezanne and Samuel Peploe |
7 / 2039 |
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| pablo picasso |
5 / 1287 |
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| Quotes About Life |
1 / 219 |
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| Renee Magritte |
2 / 459 |
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| renesance art |
3 / 899 |
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| roman art |
4 / 1174 |
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| Symbolism and multiple meanings in Jan Van Eyck's Wedding Portrait |
7 / 1836 |
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| The European Renaissance |
3 / 799 |
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| The Picture Of Dorian Gray: Evil |
3 / 897 |
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| Vincent Van Gogh |
5 / 1233 |
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| Vincent Van Gogh: Woe Is Me |
3 / 817 |
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| Vincent van Gogh |
4 / 1118 |
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| Visual Art in Greek Mythology |
5 / 1296 |
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| Wang Hui Art |
3 / 651 |
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| What's in a Portrait? |
7 / 1856 |
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| works of art compaired |
7 / 1995 |
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| European Fine Art |
4 / 1006 |
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| Life is Beautiful, a fable? |
2 / 386 |
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| rennacaince power point |
2 / 512 |
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| Vincent Van Gogh Critique |
1 / 262 |
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| Aquinas' 2nd Argument |
3 / 724 |
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| Definition of Fashion |
2 / 330 |
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| Descartes Meditation I |
4 / 1119 |
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| Gustave Courbet |
4 / 1161 |
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| History repeats itself |
1 / 234 |
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| What does it mean to be an Individual? |
3 / 778 |
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| An Apostate's Fate |
3 / 808 |
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| Art Theories and Influence on Artists |
7 / 1828 |
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| There is a God! |
3 / 723 |
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| Perceptual Compression of Space Through Position Integration |
6 / 1760 |
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| Botticelli Code |
1 / 290 |
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| No More Killing |
3 / 606 |
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| Stress |
1 / 252 |
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| The Heated Debate Surrounding Navajo Sand Painting |
3 / 894 |
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| United States Centric Views |
2 / 311 |
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