| Title |
Pages / Words |
Save |
| Frankenstein, The modern prometheus |
4 / 933 |
 |
| The Truth is A Lie: An Analysis of Lying |
2 / 545 |
|
| Medea By Euripides |
2 / 509 |
|
| devil on the cross |
4 / 1148 |
|
| Lord Of The Flies |
4 / 956 |
|
| Lord Of The Flies 8 |
4 / 956 |
|
| Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
|
| the dream scheme |
2 / 358 |
|
| Metaphysics |
2 / 403 |
|
| Odysseus |
2 / 432 |
|
| Odysseus |
2 / 432 |
|
| Stephen Crane's "the Open Book": Cosmic Irony |
2 / 429 |
|
| Reality TV- Time to switch off |
3 / 802 |
|
| "From the perspective of an outsider, the only |
3 / 723 |
|
| Humanism During The Renaissance |
7 / 1827 |
|
| The Grapes Of Wrath: Symbols And The Theme Of Man Vs. A Hostile Enviro |
5 / 1208 |
|
| death of a salesman |
2 / 539 |
|
| Frankenstien All Behavior Is L |
2 / 524 |
|
| sir |
4 / 1033 |
|
| dbq |
2 / 345 |
|
| Lady Macbeth |
1 / 172 |
|
| Dichotomous Table Lab |
2 / 304 |
|
| M |
2 / 565 |
|
| Character Study of Piggy from Lord of the Flies |
2 / 344 |
|
| Role of Identity in Mary Shelleys Frankenstein |
4 / 933 |
|
| Miss Brill |
1 / 263 |
|
| Tehran And Opression |
2 / 470 |
|
| Mice Of Men |
2 / 502 |
|
| death in litereature |
2 / 591 |
|
| Roots |
3 / 627 |
|
| Reality TV - The Real Issues |
4 / 1059 |
|
| Manners |
3 / 726 |
|
| Marijuana |
1 / 228 |
|
| Invisible Man |
3 / 856 |
|
| The Great Gatsby |
2 / 304 |
|
| Alistair MacLeod- Modern world versus Traditional World |
3 / 888 |
|
| FRANKENSTEIN |
5 / 1468 |
|
| Simple Life Essay |
1 / 248 |
|
| "Beefburger" by Ogden Nash |
2 / 330 |
|
| After the First Death |
2 / 359 |
|
| Frankenstein |
2 / 424 |
|
| Micro |
3 / 779 |
|
| Symbolism Use In: "young Goodman Brown" And "the Lottery" |
3 / 676 |
|
| All Quiet On The Western Front |
3 / 877 |
|
| Jahova |
1 / 16 |
|
| Reality and Truth |
4 / 1042 |
|
| Male & Female Relationships |
3 / 617 |
|
| victorian art |
2 / 498 |
|
| Paper |
1 / 256 |
|
| Grapes Of Wrath Essay |
4 / 1186 |
|
| Lord Of The Flies book review |
2 / 408 |
|
| The Major Years: Isolation And Emily Grierson - A Deadly Combination |
3 / 832 |
|
| sylvia plath |
4 / 1028 |
|
| Frankenstein 3 |
3 / 683 |
|
| Frankenstein |
3 / 683 |
|
| A SEPARATE PEACE |
4 / 977 |
|
| I'm Not Scared Text Response |
3 / 672 |
|
| The Bonesetter's Daughter |
2 / 594 |
|
| Character and Greatness |
5 / 1249 |
|
| Prejudice in To Kill a Mockingbird |
2 / 442 |
|
| compare and contrast of Owl creek, Bad boy, and to light a fire |
4 / 1048 |
|
| themes used in jamejoyce's the sisters |
2 / 481 |
|
| Barkov's Hamlet: A Tragedy of Errors |
23 / 6774 |
|
| A Separate Peace: Finny |
3 / 784 |
|
| Othello |
4 / 1006 |
|
| Compare And Contrast |
2 / 597 |
|
| An Examination of Dickens |
12 / 3594 |
|
| Huck |
2 / 308 |
|
| Lord of the Flies |
3 / 733 |
|
| Cognitive Development In Adolescence |
1 / 249 |
|
| The Grapes of Wrath |
4 / 1195 |
|
| brave new world |
2 / 328 |
|
| Frankenstein |
3 / 827 |
|
| Independent Novel Essay on Pride and Prejudice |
3 / 765 |
|
| Analysis Of Hills Like White E |
3 / 870 |
|
| Birches |
3 / 878 |
|
| Daisy's Role in the Great Gatsby |
3 / 646 |
|
| Plato's Cave |
5 / 1408 |
|
| Setting And Story |
2 / 443 |
|
| Othello |
5 / 1371 |
|
| AN INCONVINEINT TRUTH AL GORE |
2 / 554 |
|
| Mathematician And The Musician |
1 / 166 |
|
| Homecoming |
2 / 366 |
|
| Macbeth - Conflict |
5 / 1473 |
|
| Last Of The Mohicans |
2 / 525 |
|
| Last Of The Mohicans |
2 / 525 |
|
| Setting in The Araby |
3 / 717 |
|
| power of one |
1 / 256 |
|
| Farenheit 451 Book Report |
2 / 346 |
|
| Cosmetic Surgery |
3 / 785 |
|
| Hills Like White Elephants By Ernest Hemingwya |
3 / 870 |
|
| The Grapes of Wrath |
4 / 1200 |
|
| Glass Managerie |
2 / 598 |
|
| Doctor Jekyll &Amp;Amp; Mr Hyde |
3 / 633 |
|
| pirandello |
13 / 3671 |
|
| appreciation of poem |
3 / 809 |
|
| The Grapes Of Wrath: Symbolism |
4 / 1195 |
|
| A Separate Peace |
4 / 1069 |
|
| Violence In The Media |
2 / 543 |
|
| morality vs. reality |
3 / 699 |
|
| Grapes Of Wrath |
5 / 1208 |
|
| The Grapes of Wrath |
5 / 1208 |
|
| Grapes Of Wrath |
5 / 1208 |
|
| Jesus In The Year 2000 |
3 / 858 |
|
| Jesus In The Year 2000 |
3 / 858 |
|
| The characters in Donnie Darko are isolated, confused and many are unable to cope with reality. Richard Kelly has presented a disturbing portrait of human existence and interpersonal relationships. Discuss. |
3 / 645 |
|
| The Grapes Of Wrath: Symbols |
5 / 1210 |
|
| Great Gatsby 12 |
5 / 1358 |
|
| Art Vs Government |
3 / 691 |
|
| The Traveler |
2 / 482 |
|
| Microevolution And Macroevolution |
1 / 58 |
|
| An Acute Angle in an Obtuse World |
4 / 1092 |
|
| Greeks |
1 / 109 |
|
| A Dead Lion |
3 / 880 |
|
| Pardoner's Tale, Chaucer, Canterbury |
5 / 1302 |
|
| Pardoner's Tale, Chaucer, Canterbury |
5 / 1302 |
|
| the theme of a good man is hard to find |
3 / 627 |
|
| Common Themes In Short Stories |
3 / 879 |
|
| Hunchback Analysis Essay |
3 / 793 |
|
| Shakespeare 130th sonnet analysis |
5 / 1282 |
|
| Who I would take to dinner |
2 / 410 |
|
| Choice And Circumstance |
4 / 1044 |
|
| Decison In Paradise |
2 / 324 |
|
| balzac and the little chinese seamstress |
4 / 1172 |
|
| Slips Of Fate -the Lottery |
2 / 526 |
|
| Ambiguity in O'Connor |
4 / 1179 |
|
| Act III of Luigi Pirandello's Six Characters in Search of an Author |
1 / 146 |
|
| Victims of Domestic Abuse |
1 / 278 |
|
| Lanston hughes comparison of two poems |
3 / 669 |
|
| A Women Of Castiglione's The Courtier And Machiavelli's The Prince |
3 / 834 |
|
| A Women Of Castiglione's The Courtier And Machiavelli's The Prince |
3 / 834 |
|
| Plato |
5 / 1428 |
|
| What's So Funny |
3 / 736 |
|
| Robinhood |
2 / 308 |
|
| The Waitress |
1 / 268 |
|
| barbies |
2 / 326 |
|
| Great Gatsby |
3 / 844 |
|
| The World is a Circus ; Ghost Boy |
5 / 1438 |
|
| Great Gatsby |
3 / 845 |
|
| Dr. Heidegger's Experiment: Reality Or Illusion |
3 / 797 |
|
| Waiting for Godot |
2 / 356 |
|
| budd |
1 / 147 |
|
| semiotic analysis of advertisement |
3 / 664 |
|
| Frankenin |
2 / 377 |
|
| Hawthorne's "dr. Heidegger's Experiment": Reality Or Illusion |
3 / 797 |
|
| song and dance |
1 / 288 |
|
| Waiting For Godot |
4 / 966 |
|
| bararet |
2 / 520 |
|
| Philosophy of Truth |
4 / 1024 |
|
| Othello and Macbeth show Evil? |
2 / 522 |
|
| Symbolism in "The Lottery" |
4 / 1019 |
|
| characterization |
3 / 718 |
|
| Brilliant Folly: The Role Of Feste |
4 / 930 |
|
| Brilliant Folly: The Role Of Feste |
4 / 930 |
|
| Gilman's Yellow Wallpaper |
1 / 288 |
|
| Metafiction In "Continuity Of Parks" And "The Theme Of The Traitor |
7 / 2012 |
|
| reality tv |
4 / 940 |
|
| north by northwest |
3 / 607 |
|
| Gatsby |
3 / 647 |
|
| Biography |
2 / 338 |
|
| Parmenides: The Real Being |
6 / 1532 |
|
| Allegory Of The Cave |
2 / 386 |
|
| Isolation Through Symbolism in Nathaniel Hawthorne's The Scarlet Lette |
3 / 681 |
|
| President Machiavelli Bush |
3 / 833 |
|
| Superficiality vs. Reality: an Analysis of Guy de Maupassant~{!/~}s ~{!0~}The Necklace~{!1~} |
4 / 1091 |
|
| Sonnet 130 |
3 / 794 |
|
| Paraphrase of Alexa Hackbarth's: "Vanity, Thy Name Is Metrosexual" |
4 / 931 |
|
| I Started Early-took My Dog |
4 / 914 |
|
| Frankenstein- Society And Alienation |
3 / 795 |
|
| Sonnet 130 Vs. The Passionate |
3 / 794 |
|
| Reflection on There eyes were watching god |
1 / 260 |
|
| Paramenides |
2 / 411 |
|
| relations |
2 / 486 |
|
| Photographic Memories |
3 / 636 |
|
| For Whom The Bell Tolls |
3 / 831 |
|
| For Whom The Bell Tolls |
3 / 831 |
|
| Thousand Acres |
6 / 1764 |
|
| Thousand Acres |
6 / 1764 |
|
| A Good Man Is Hard To Find |
2 / 321 |
|
| Macbeth Makes For Fasinating Threater |
3 / 769 |
|
| Writing Styles Of Good Earth Compared To Chinese Sagas |
1 / 257 |
|
| Lonliness In Of Mice And Men - |
2 / 343 |
|
| Lonliness In Of Mice And Men |
2 / 343 |
|
| Shakespeare?s 10 things |
4 / 1187 |
|
| AI vs Frankenstein |
3 / 709 |
|
| Play called Absent Friends |
5 / 1205 |
|
| analysis of the mirror |
2 / 392 |
|
| Heart of Darkness Info |
3 / 810 |
|
| Interpretation of The Love Song of J. Alfred |
2 / 434 |
|
| There Are Plusses To Aging |
2 / 374 |
|
| Sonata Allegro Form |
4 / 1035 |
|
| The Pardoner |
2 / 540 |
|
| What Is Good |
1 / 247 |
|
| New Twists on an Old Theme |
5 / 1266 |
|
| Appearance |
2 / 454 |
|
| colour symbolism in great gatsby, (critical analysis) |
2 / 503 |
|
| The Danger Of The Public Obsession Of Physical Appearance In Korea |
3 / 710 |
|
| Christians & communists against Jean-Paul Sartre's Existentialism |
1 / 126 |
|
| Abe |
5 / 1206 |
|
| What The Bleep Do We Know |
2 / 564 |
|
