| Title |
Pages / Words |
Save |
| Jenny Saville |
2 / 407 |
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| Pierre-Auguste Renoir |
2 / 541 |
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| Fernand Leger |
1 / 160 |
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| Henri Cartier-Bresson |
2 / 476 |
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| Marc Chagall |
5 / 1219 |
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| American Gothic |
4 / 957 |
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| Art History |
4 / 1093 |
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| buffalo soldiers |
3 / 811 |
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| bunching hoisery |
3 / 747 |
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| Edvard Munch |
5 / 1413 |
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| Graffiti Culture |
2 / 544 |
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| History |
5 / 1222 |
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| It Did Matter if You Were Black or White |
4 / 1190 |
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| letters from an american farmer |
1 / 185 |
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| Norton Simon Museum |
2 / 461 |
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| nero |
3 / 663 |
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| Andrew Wyeth |
3 / 716 |
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| Artists |
2 / 412 |
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| Blow |
4 / 1075 |
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| claude monet |
5 / 1326 |
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| Edgar Degas |
3 / 683 |
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| Fra Lippi |
2 / 493 |
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| Frida Kahlo: A Life in Pain |
4 / 1157 |
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| Hieronymus Bosch |
3 / 845 |
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| Leonardo DaVinci |
2 / 525 |
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| Leonardo da Vinci |
2 / 512 |
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| Michelangelo Buonarroti |
4 / 1189 |
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| Michelangelo Buornarriti |
6 / 1604 |
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| Pablo Picasso |
6 / 1649 |
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| Paul Gauguin Where Do We Come From? What Are We? Where Are We Going? |
5 / 1383 |
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| raphael sanzio |
6 / 1528 |
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| Salvador Dali biography |
8 / 2242 |
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| Siqueiros |
4 / 1088 |
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| Van Gogh |
4 / 907 |
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| Barogue through the post modern era |
1 / 179 |
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| censorship |
2 / 334 |
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| Girl with a pearl earring |
3 / 866 |
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| Girl |
9 / 2466 |
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| image as text |
4 / 967 |
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| Of Mice and Men |
3 / 680 |
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| pollock |
3 / 629 |
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| shakespeare |
3 / 769 |
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| dublin business plan |
3 / 880 |
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| How To Make Sandblasted Signs |
3 / 628 |
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| InterClena Inc |
5 / 1312 |
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| Psychology of Marketing |
4 / 953 |
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| Robert Hayden |
6 / 1532 |
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| A Way of Escape |
1 / 264 |
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| Art of the Ages |
2 / 365 |
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| Culture |
4 / 953 |
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| Foreshadowing of Death in Moby Dick |
2 / 556 |
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| GOYA |
2 / 463 |
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| Gertrude Stein: Making Perception |
4 / 985 |
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| Gertude Stein and the Art of Cubism |
5 / 1298 |
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| Giovanni Panini |
1 / 171 |
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| Lady Lazarus, Sylvia Plath and the Art of Dying |
3 / 652 |
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| Landscape with the Fall of Icarus |
3 / 614 |
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| Literature |
3 / 894 |
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| landscape and the fall of icarus |
5 / 1327 |
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| Memorial Site At Warren Avenue |
4 / 919 |
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| My Analysis on Phyllis Wheatley |
1 / 206 |
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| My Last Duchess |
3 / 619 |
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| My Mother Pieced Quilts |
2 / 535 |
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| Outsider Speech Exploring The "Outsider" Notion |
3 / 776 |
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| Power of Youth and Beauty |
6 / 1778 |
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| Powerful Society |
5 / 1217 |
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| Response To Billy The Kid By Jack Spicer |
4 / 1066 |
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| Spirit |
3 / 738 |
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| The Age of Innocence |
3 / 842 |
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| To The Lighthouse |
5 / 1422 |
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| my name is asher lev |
7 / 1890 |
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| summary Of Mice and Men |
2 / 541 |
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| Annunciation in Northern Renaissance Art |
8 / 2317 |
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| american people series by faith ringgold |
4 / 1188 |
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| art history |
5 / 1255 |
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| baron haussmann |
4 / 914 |
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| Caravaggio vs. The Camera Obscura |
5 / 1308 |
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| Cubism Art |
5 / 1381 |
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| Cultural Event |
3 / 762 |
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| Da Vinci |
5 / 1250 |
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| DaVinvi VS Michelangelo: Who's the true Renaissance man? |
2 / 485 |
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| Description, Function, Attribution, and Analysis of a Red-figure Type B Kylix |
3 / 700 |
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| Euopean Art in the Wake of World War 1 |
4 / 976 |
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| French Revolution Journalists |
2 / 477 |
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| Gilded Age |
2 / 326 |
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| Goya: Truth and War |
4 / 1126 |
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| Group of Seven |
4 / 992 |
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| graffiti |
3 / 888 |
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| How The Treaty Of Versailles Effected Germany |
2 / 473 |
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| Jupiter and Semele |
5 / 1216 |
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| japanese ink paintings |
6 / 1572 |
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| Leonardo Da Vinci |
2 / 545 |
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| Leonardo Da Vinci |
2 / 501 |
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| Los Dos Fridas |
4 / 1022 |
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| Metroploitan Art |
5 / 1223 |
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| Michaelangelo |
3 / 786 |
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| Michelangelo |
1 / 138 |
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| Pablo Picasso'S Guernica |
2 / 550 |
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| Paul Poiret |
3 / 898 |
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| Picasso |
6 / 1504 |
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| Pictorialism |
2 / 485 |
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| Venus, Cupid, Folly, and Time |
2 / 566 |
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| Winckelmann Article |
2 / 519 |
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| Different Types Of Art Forms |
5 / 1431 |
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| Should Moral Values Be Taught In Schools |
3 / 732 |
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| Agony Ang The Extacy, Ethical Considerations Concerning Mich |
3 / 607 |
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| An Artist's Life |
4 / 1105 |
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| Another World War I |
2 / 487 |
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| Aphrodite |
3 / 638 |
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| Art Comparison |
6 / 1714 |
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| Art Evaluation (year10) |
4 / 1145 |
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| Art Values |
3 / 606 |
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| Art and Mind |
4 / 1018 |
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| Art11 Compare and Contrast essy |
5 / 1463 |
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| Art |
2 / 523 |
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| art |
1 / 259 |
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| Baroqe Art |
2 / 499 |
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| Champ D' Avoine |
5 / 1326 |
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| Charles Dickins |
5 / 1326 |
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| Chinese Art |
5 / 1204 |
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| Chuck Close |
2 / 479 |
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| Comparison of Picasso and Raoul Dufy |
4 / 1004 |
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| cheater |
2 / 445 |
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| chuck close |
4 / 968 |
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| Dinosaur |
4 / 1131 |
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| Diversity In Body Art |
3 / 609 |
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| discussions on Alegoria de California |
4 / 924 |
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| Eileen Gray |
3 / 713 |
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| Ferrera |
1 / 275 |
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| Fffff |
2 / 567 |
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| Fra Lippo Lippi |
5 / 1481 |
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| George Berkley |
2 / 547 |
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| Goya |
2 / 463 |
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| How The Treaty Of Versailles Effected Germany |
2 / 456 |
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| How The Treaty Of Versailles Effected Germany |
2 / 473 |
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| Humanism And Clericism Of The 16th Century |
5 / 1262 |
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| Impressionism |
2 / 456 |
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| Ken Ferguson: Kansas City Ceramics |
1 / 199 |
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| Lady of Shallott |
5 / 1322 |
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| Leonardo Da Vinnci |
9 / 2470 |
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| Leonilla, Princess of Sayn-Wittgenstein-Sayn |
4 / 1169 |
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| last supper |
3 / 893 |
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| Manet - Still Life |
7 / 1938 |
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| Marc Chagall (french) |
3 / 655 |
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| Marc Chagall (french) |
3 / 655 |
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| Marilyn Monroe Vs. Crying Girl: Who Is The Face Of Pop Art? |
4 / 1141 |
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| Matisse |
1 / 198 |
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| Michelangelo 3 |
2 / 514 |
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| Monet |
7 / 1938 |
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| Monets Green Reflections |
3 / 870 |
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| Mr. |
2 / 402 |
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| modern-day and 18th century artist comparison |
5 / 1288 |
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| Optical Ilusions |
3 / 709 |
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| Paint a House |
3 / 655 |
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| Paul Cezanne and Samuel Peploe |
7 / 2039 |
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| Picasso - Cultural Expression |
3 / 867 |
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| Picasso's Guernica and Uccello's Battle of San Romano : Different Images of War |
6 / 1629 |
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| pablo picasso |
5 / 1287 |
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| Quotes About Life |
1 / 219 |
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| Renee Magritte |
2 / 459 |
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| Rennaisance Art |
2 / 552 |
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| Reproduction Businesses of Thomas Kinkade's painting |
4 / 1063 |
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| Romeo And Juliet, An Affair To Remember And Moulin Rouge - "the Path O |
4 / 932 |
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| renesance art |
3 / 899 |
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| roman art |
4 / 1174 |
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| Symbolism and multiple meanings in Jan Van Eyck's Wedding Portrait |
7 / 1836 |
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| The Birth of Venus |
7 / 2052 |
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| The Picture Of Dorian Gray: Evil |
3 / 897 |
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| Trends in Computer Architecture |
2 / 481 |
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| Vincent Van Gogh |
5 / 1233 |
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| Vincent Van Gogh |
5 / 1470 |
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| Vincent Van Gogh |
5 / 1470 |
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| Visual Art in Greek Mythology |
5 / 1296 |
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| what shapes a trust bridge have |
4 / 1167 |
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| works of art compaired |
7 / 1995 |
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| Cider House Rules |
4 / 1161 |
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| George Bizek |
5 / 1423 |
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| rennacaince power point |
2 / 512 |
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| The Life of Joseph Boulogne |
13 / 3603 |
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| Vincent Van Gogh Critique |
1 / 262 |
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| Aquinas' 2nd Argument |
3 / 724 |
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| Descartes Meditation I |
4 / 1119 |
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| Gustave Courbet |
4 / 1161 |
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| Pablo Picasso |
4 / 1107 |
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| Roman Shit List |
3 / 867 |
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| Truth in Picasso's The Old Guitarist |
5 / 1417 |
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| What does it mean to be an Individual? |
3 / 778 |
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| leonardo |
5 / 1358 |
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| Personalities Theory Paper |
1 / 206 |
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| An Artist's Life |
4 / 1105 |
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| Art Theories and Influence on Artists |
7 / 1828 |
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| There is a God! |
3 / 723 |
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| big bang theory |
2 / 501 |
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| Neon |
2 / 436 |
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| Perceptual Compression of Space Through Position Integration |
6 / 1760 |
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| The Big Bang |
2 / 406 |
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| Malaysia Contemporary Art Issues: Art as Idea-A view from Jalaini Abu Hassan |
6 / 1551 |
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| No More Killing |
3 / 606 |
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| Stress |
1 / 252 |
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| The Heated Debate Surrounding Navajo Sand Painting |
3 / 894 |
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