| Title |
Pages / Words |
Save |
| Film genres |
2 / 479 |
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| The Airport Novel |
2 / 502 |
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| discuss how genre is communicated in halloween |
2 / 505 |
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| Horror Show |
2 / 397 |
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| Discussing Literary Genre |
3 / 805 |
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| Genre |
4 / 964 |
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| classification of movies |
2 / 425 |
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| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
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| Mummy |
2 / 368 |
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| The relationship between reader and writer |
2 / 406 |
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| a knights tale analysis |
1 / 202 |
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| Dr Jekyll &Amp; Mr Hyde |
1 / 289 |
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| Gothic Literature And Jekyll And Hyde |
1 / 289 |
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| health |
2 / 374 |
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| Gospel |
2 / 555 |
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| Moulin Rouge |
1 / 266 |
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| Ernest Hemmingway Speech |
3 / 678 |
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| "Chinatown" as film noir |
3 / 849 |
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| College Writing Movie Genres |
3 / 736 |
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| favourit music genre. |
2 / 370 |
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| Essay Writing Tips |
1 / 235 |
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| A Comparison of the Wong and Zoellner Essays |
2 / 476 |
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| Media |
3 / 700 |
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| Lake |
3 / 809 |
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| The Develoment of the Horror Genre |
4 / 966 |
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| wife of bath analysis |
1 / 255 |
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| snatch |
4 / 920 |
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| Heavy Metal |
3 / 616 |
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| Memento |
4 / 1093 |
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| Heavy Metal |
3 / 656 |
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| Techno Music |
2 / 589 |
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| Jan Vermeer (1632 ? 1675) |
1 / 253 |
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| punk rock |
2 / 596 |
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| media |
4 / 978 |
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| Country Music |
3 / 694 |
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| Emo as Propaganda in Advertising |
4 / 913 |
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| Book Film Comparison About When One Flies Over The Cuckoos Nest |
4 / 923 |
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| Process Of Law (short) |
2 / 346 |
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| lord of the rings |
2 / 341 |
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| Morality and Computer Games, Where do you draw the line? |
2 / 430 |
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| C:\Documents And Settings\Jo\My Documents\An Inspector Calls Was Written In 1944.Doc |
1 / 124 |
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| Outfoxed vs Supersize me |
2 / 360 |
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| Gothicism In Rose For Emily” |
2 / 559 |
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| Music |
2 / 468 |
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| l.a confidential film noir |
4 / 952 |
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| Mr |
2 / 315 |
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| Reality Telivision |
2 / 332 |
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| Effects of Music |
2 / 531 |
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| Dark They Were And Golden-Eyed |
3 / 633 |
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| Babam Ve Oglum |
4 / 1139 |
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| Phaedo |
2 / 449 |
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| Sony Playstation Vs Nintendo 64 |
2 / 390 |
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| Popular Music Revolution |
4 / 1198 |
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| land rover north american, Inc |
3 / 704 |
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| Machiavelli: a Cynic? |
2 / 552 |
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| The Lost Boys Horror Genre |
3 / 619 |
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| Canterbury Tales |
3 / 833 |
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| Cantebury Tales |
3 / 833 |
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| History of Detective Fiction |
2 / 349 |
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| bend in the road |
2 / 405 |
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| Heavy Metal |
3 / 819 |
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| Outlines |
2 / 508 |
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| No paper |
2 / 566 |
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| THE BOOK OF DEUTERONOMY |
3 / 643 |
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| Lisa Lewis Paper |
2 / 573 |
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| Assignment111 |
1 / 291 |
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| The Winter's Tale: The Tragedy Within A Romance |
2 / 413 |
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| Rebecca Notes |
3 / 807 |
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| Marsh |
2 / 478 |
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| Definition of Science Fiction |
4 / 1061 |
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| Bhangra, A Great Dance To Learn |
6 / 1516 |
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| alternative |
2 / 448 |
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| Genre And Landscape Painting |
4 / 1057 |
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| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
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| Daliism |
2 / 578 |
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| Edgar Allan Poe |
3 / 861 |
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| sci-fi tv |
4 / 1088 |
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| Shallow Persecutions |
3 / 748 |
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| Shallow Persecutions |
3 / 748 |
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| Terms and Conditions of Employment |
2 / 451 |
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| Moulin Rouge |
3 / 649 |
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| Hong Kong Cinema |
3 / 709 |
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| Music'S Impression |
2 / 502 |
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| Film Methodologies - Point Break (1991) |
4 / 1084 |
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| The History of the Hard-Boiled Detective |
3 / 808 |
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| Marketing James Patterson |
7 / 1829 |
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| A Bronx Tale |
1 / 159 |
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| King Lear |
2 / 530 |
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| Dream Deffered |
1 / 231 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| Bildungsroman |
3 / 637 |
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| Mercedes Lackey |
3 / 672 |
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| AI |
3 / 671 |
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| semiotics |
4 / 908 |
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| The Matrix |
4 / 1011 |
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| Batman begins and sleepy hollow |
2 / 502 |
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| Bessie Smith and St. Louie Blues |
2 / 411 |
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| Kill Bill |
2 / 367 |
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| Critique of "Genres at Home and at School: |
5 / 1385 |
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| Bless Me Ultima Response |
1 / 155 |
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| Talented Mr Ripley |
2 / 372 |
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| The Context of Collapse: Surrealism, dialectic nihilism and objectivism |
3 / 860 |
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| Farce |
2 / 429 |
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| How TV title music influences it's viewers |
4 / 995 |
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| HUD: Bucking the Western film stereotype |
5 / 1359 |
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| A Brief History of American Hardcore |
5 / 1240 |
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| Romanesque |
4 / 1121 |
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| Dodge City And Unforgiven |
4 / 1017 |
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| Sahara Review |
2 / 458 |
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| 24 and how it fits into many genres |
5 / 1339 |
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| big sleep |
4 / 923 |
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| Cultural Studies |
2 / 405 |
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| Dracula - Gothic Response |
2 / 464 |
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| Rabbit Proof Fence |
2 / 495 |
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| Cask of amontillado |
2 / 503 |
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| Direct from Dell |
2 / 512 |
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| music |
2 / 524 |
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| Odalah Equiano |
1 / 211 |
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| Horror Movies |
3 / 755 |
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| Reality TV |
2 / 594 |
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| Genre Of Clowning (Theatre, Drama, Arts) |
2 / 498 |
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| STRATEGIC MANAGEMENT |
1 / 187 |
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| Music Degrading To Women |
1 / 199 |
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| Maltese Falcon |
5 / 1477 |
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| Respect |
2 / 326 |
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| How To Write An Essay |
2 / 576 |
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| scarlet letter |
2 / 557 |
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| The Life Aquatic |
1 / 226 |
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| Motivation |
1 / 218 |
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| Type of Genre |
3 / 612 |
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| Charcoal Drawing |
2 / 565 |
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| To Listen Or Not To Listen: A Pop-music Question |
3 / 745 |
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| To Listen Or Not To Listen: A Pop-Music Question |
3 / 745 |
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| Music Therapy |
2 / 487 |
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| Sarah Plain and Tall |
1 / 174 |
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| Sociology |
1 / 207 |
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| Is "Loaded" Grunge |
4 / 1060 |
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| Exploring Popular music |
5 / 1248 |
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| Literary Elements |
2 / 466 |
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| Photography |
2 / 533 |
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| The Genre of Horror |
2 / 597 |
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| Samurai in Film |
2 / 421 |
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| Presidential Election |
3 / 720 |
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| The Maltese Falcon |
6 / 1564 |
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| Writing |
3 / 642 |
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| Respect |
2 / 348 |
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| Reality Television |
2 / 432 |
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| Hip Hop is a Culture |
5 / 1300 |
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| The Best |
3 / 716 |
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| Stephen King |
1 / 188 |
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| Italian & French Opera |
2 / 512 |
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| how to make an outline |
4 / 977 |
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| Music Of Seville, Spain Powerpoint Slides |
2 / 456 |
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| All Types Of Entertainment |
3 / 717 |
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| Horror Movies: Gateway to Our Dark Side |
4 / 1176 |
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| CONSTITUTION |
1 / 242 |
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| Mis-Management Information System |
2 / 496 |
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| History of Rock |
3 / 725 |
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| Leone: The Movies of Fantasy |
2 / 582 |
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| Fast Break |
3 / 727 |
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| Music |
5 / 1302 |
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| Seeing is believing |
4 / 991 |
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| Renaisance Art 2 |
3 / 665 |
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| Emo VS Indie |
4 / 974 |
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| 70'S Music And Style |
3 / 607 |
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| American Diplomacy |
1 / 244 |
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| chinas |
1 / 257 |
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| Rebt Vs A.A. |
3 / 823 |
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| Real But Not Really: The Reality TV Genre |
6 / 1654 |
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| Stuff |
1 / 220 |
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| science fiction and fantasy |
4 / 1046 |
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| Langston Huges |
2 / 599 |
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| Tupac |
2 / 546 |
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| Tupac |
2 / 546 |
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| Keller Williams One Man Band |
6 / 1614 |
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| Tupac Shakur |
2 / 546 |
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| The Island |
2 / 574 |
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| Steel drums |
1 / 225 |
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| Shakespeare |
3 / 610 |
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| respect |
2 / 391 |
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| Types of Gamers |
3 / 669 |
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| blood pressure |
1 / 224 |
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| Significance of chapter 5 to the novel as a whole-Frankenstein |
3 / 687 |
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| Unhappily Average (exemplification essay) |
3 / 611 |
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| Film genre, narration, reality tv |
6 / 1677 |
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| Emmanuel Kant's Ethics |
2 / 349 |
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| The Arizona Department of Juvinille Corrections |
3 / 615 |
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| African Drumming |
3 / 679 |
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| Computers |
1 / 217 |
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| Critical Analysis of a passage from Horace Walpole's Castle of Otranto |
3 / 864 |
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| jazz musci |
1 / 240 |
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| Anxiety in sport |
1 / 244 |
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| Iberian slavery |
1 / 289 |
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| Entering The Post-modern Era |
1 / 247 |
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| The social and political context of the 1950's is crucial to any understanding of the birth of rock n roll |
3 / 811 |
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| What makes a successful romantic tragedy? |
7 / 1887 |
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| breathing under water |
4 / 1132 |
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| Cat Stevens |
1 / 266 |
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| 2 super villians |
1 / 268 |
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| Kane and able |
1 / 288 |
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