| Title |
Pages / Words |
Save |
| The Spectacle of Violence in a Post-cHc Film |
7 / 1962 |
 |
| enagaging ausiences with reality television |
7 / 1956 |
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| Everest |
2 / 525 |
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| Morpheus's view on reality |
2 / 504 |
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| Implications of the Classical Symphony |
6 / 1540 |
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| Hitchcock, The Artist |
5 / 1223 |
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| Hitchcock, The Artist |
5 / 1223 |
|
| bae systems |
2 / 537 |
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| Plato and Aristotle |
4 / 994 |
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| A flavour of contemporary India monsoons on screen |
3 / 728 |
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| Cabaret |
4 / 939 |
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| The Royal Tenenmbaums |
3 / 860 |
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| Conrad Background |
3 / 803 |
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| Liberty Valance |
2 / 398 |
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| Stuff |
1 / 220 |
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| Life & Debt |
2 / 444 |
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| Crash - Analysis |
2 / 533 |
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| The Matrix |
3 / 738 |
|
| American Filmmaking History/D.W. Griffith and the age of progressivism |
4 / 962 |
|
| An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
|
| Rabbit Proof Fence |
4 / 1073 |
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| Europa Europa and Olivier Olivier Analysis |
5 / 1400 |
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| science fiction and fantasy |
4 / 1046 |
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| The Defining characteristic of Expression: Expressionism in the works of Joyce |
6 / 1653 |
|
| in Cold Blood Review |
3 / 670 |
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| Aristotle vs Plato |
3 / 822 |
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| The Banking Concept of Education |
4 / 959 |
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| Rashomon |
3 / 722 |
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| Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
|
| sterphen spielberg |
3 / 605 |
|
| Historical Accuracy In Films |
6 / 1711 |
|
| Miss |
4 / 1055 |
|
| Norman Rockwell |
3 / 698 |
|
| Hamlet |
2 / 453 |
|
| the old man with broken wings |
14 / 4011 |
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| Planet of the Apes |
3 / 848 |
|
| Romeo & Juliet |
6 / 1665 |
|
| White Man's Muscles |
4 / 908 |
|
| Langston Huges |
2 / 599 |
|
| Effect Of Temperature On Activity Of Alcalase And Savinase |
6 / 1643 |
|
| Censorship |
4 / 945 |
|
| Bridge over the River Kwai |
2 / 476 |
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| Patch Adams |
2 / 510 |
|
| Alice in Wonderland |
2 / 340 |
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| Allegory of the Cave |
2 / 427 |
|
| Tupac |
2 / 546 |
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| Tupac |
2 / 546 |
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| the dream scheme |
2 / 358 |
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| Current Event |
2 / 311 |
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| Krik? Krak! |
4 / 1061 |
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| Metaphysics |
2 / 403 |
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| Tupac Shakur |
2 / 546 |
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| Firestarter |
3 / 769 |
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| John Wayne |
6 / 1681 |
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| Reality TV- Time to switch off |
3 / 802 |
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| Steel drums |
1 / 225 |
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| Interview with Mel Stuart |
4 / 977 |
|
| ?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
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| Romeo And Juliet Film Review |
3 / 660 |
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| Shakespeare |
3 / 610 |
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| Film Openings |
3 / 784 |
|
| The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
|
| death of a salesman |
2 / 539 |
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| Beloved |
4 / 963 |
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| easy rider |
2 / 471 |
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| The Usual Suspects |
5 / 1240 |
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| Lady Macbeth |
1 / 172 |
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| Cold Hard Facts of Cold Mountain |
4 / 946 |
|
| Miss Brill |
1 / 263 |
|
| Film Adaptation of Shakespearean Comedy: Twelfth Night and Much Ado About Nothin |
8 / 2216 |
|
| Analysis of Singin in the Rain |
4 / 953 |
|
| Film Industry: then and now |
4 / 1111 |
|
| Cinematography |
4 / 1048 |
|
| The Shogun Dynasty |
4 / 961 |
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| Bradbury |
12 / 3423 |
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| Reality TV - The Real Issues |
4 / 1059 |
|
| Thin |
3 / 676 |
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| Portrayal Of The Truth In Hollywood Films, Girl Interrupted, By Susanna Kaysen |
6 / 1670 |
|
| compare & contrast Mrs. Mallard, "The Story of an Hour" to Jane, "The Yellow Wallpaper" |
4 / 949 |
|
| Quest in Lord of the Rings |
6 / 1613 |
|
| Curious Incident of the dog in the nighttime |
2 / 515 |
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| Marijuana |
1 / 228 |
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| The Curious Incident of the Dog in the Night-Time |
3 / 886 |
|
| French New Wave Cinema: Breathless 1959 |
5 / 1251 |
|
| Indonesian Cinema by Christine Hakim |
5 / 1323 |
|
| Richard Linklater: An Overview |
6 / 1625 |
|
| Blue Velvet: Scene Analysis |
2 / 594 |
|
| Simple Life Essay |
1 / 248 |
|
| Types of Gamers |
3 / 669 |
|
| Dr. Jekyll And Mr. Hyde |
9 / 2554 |
|
| the deception point |
2 / 504 |
|
| history of hollywood |
3 / 854 |
|
| Hybridity in Ezekiel Mphahlele's Down Second Avenue |
5 / 1201 |
|
| kramer Vs kramer |
4 / 908 |
|
| Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
|
| The Struggle For Inner Truth And Reality |
3 / 694 |
|
| marix |
3 / 854 |
|
| Crashing into Reality |
6 / 1698 |
|
| 007 |
23 / 6721 |
|
| Hevay Metal and its Role in American Society |
8 / 2134 |
|
| indian cinema |
3 / 713 |
|
| Reality and Truth |
4 / 1042 |
|
| Hollywood vs history |
4 / 919 |
|
| Woody Allen |
3 / 658 |
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| Billy Elliot |
2 / 342 |
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| Psycho, The Movie |
8 / 2308 |
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| blacks in the film |
6 / 1641 |
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| Romeo And Juliet 4 -2 |
3 / 722 |
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| History In The Making |
4 / 916 |
|
| James A. Michner's: TEXAS |
3 / 724 |
|
| Of Mice and men |
5 / 1326 |
|
| How effectively does the opening sequence of "Saving Private Ryan" convey the sadness and horror of war? |
6 / 1774 |
|
| Dover Beach By Matthew Arnold |
9 / 2554 |
|
| Psycho |
2 / 489 |
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| film auterism |
5 / 1361 |
|
| Bye Bye Brazil |
3 / 715 |
|
| Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
|
| The Bicycle Thief |
4 / 1119 |
|
| The Pelican Brief Novel vs. Movie |
6 / 1775 |
|
| Romeo and Juliet Speech |
2 / 349 |
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| glass menagerie |
5 / 1235 |
|
| La Notion De Genre |
10 / 2803 |
|
| Vice Virtue |
3 / 831 |
|
| Gattaca |
3 / 725 |
|
| You are Being Lied to |
2 / 390 |
|
| Significance of chapter 5 to the novel as a whole-Frankenstein |
3 / 687 |
|
| The Little Prince |
2 / 406 |
|
| Unhappily Average (exemplification essay) |
3 / 611 |
|
| father son rel in phic |
4 / 1121 |
|
| Michael Black Dances with the Wolves |
2 / 460 |
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| brave new world |
2 / 328 |
|
| It happened One Night Film |
3 / 616 |
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| George Eastman |
2 / 514 |
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| Realiti Tv |
3 / 788 |
|
| Citizen Kane |
2 / 600 |
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| citizen kane |
2 / 600 |
|
| Viewer Response - The Graduate |
2 / 387 |
|
| Viewer Response - The Graduate |
2 / 387 |
|
| Myth, Truth, and Storytelling |
6 / 1677 |
|
| american history x |
3 / 781 |
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| Mathematician And The Musician |
1 / 166 |
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| 15 Minutes |
3 / 712 |
|
| The Outsiders |
4 / 1004 |
|
| Bombs Away: Different Reactions to the Vietnam War in Across the Universe |
2 / 570 |
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| the piano movie |
3 / 609 |
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| Hamlet theme of appearance vs. reality |
3 / 823 |
|
| African Drumming |
3 / 679 |
|
| A Clockwork Orange Film Analysis |
2 / 536 |
|
| ragtime |
1 / 290 |
|
| Schindlers List |
4 / 1015 |
|
| Space Jam |
2 / 467 |
|
| Mrs Dalloway - Analysis Of The |
2 / 427 |
|
| Shine - David Helfgott |
2 / 512 |
|
| Glass Managerie |
2 / 598 |
|
| i'm not scared |
5 / 1245 |
|
| capra cu trei iezi |
2 / 549 |
|
| A Beautiful Mind |
2 / 383 |
|
| Critical Analysis of a passage from Horace Walpole's Castle of Otranto |
3 / 864 |
|
| morality vs. reality |
3 / 699 |
|
| parent and child relationships |
2 / 493 |
|
| Depiction of Native Americans in American Film |
4 / 1009 |
|
| Harry Potter Differences |
4 / 1154 |
|
| Appearance vs. Reality |
2 / 509 |
|
| Entering The Post-modern Era |
1 / 247 |
|
| Deception |
6 / 1616 |
|
| The Birth Of A Nation And Greed |
4 / 1185 |
|
| Othello Movie Review |
2 / 418 |
|
| I never sang for my father |
3 / 857 |
|
| A COMPARISON BETWEEN THE BOOK AND MOVIE: MALCOLM X |
2 / 538 |
|
| Streetcar Named Desire Essay |
2 / 591 |
|
| Comparison Of Psycho And Vertigo |
4 / 1096 |
|
| Film: Philadelphia, Aids/Gay |
7 / 1853 |
|
| Alfred Hitchcock |
4 / 945 |
|
| breathing under water |
4 / 1132 |
|
| Alfred Hitchcock |
4 / 965 |
|
| Analysis of the movie Out of the Past |
8 / 2365 |
|
| True Event in Colorful Film |
2 / 513 |
|
| Artest Write Up (music) |
4 / 957 |
|
| faherenheit 9/11 |
4 / 1171 |
|
| George Lucas |
6 / 1601 |
|
| George Lucas |
6 / 1601 |
|
| Toulmin Analysis of "It's the ABC Oscars: anything but Crash" |
2 / 599 |
|
| Cat Stevens |
1 / 266 |
|
| strategy |
5 / 1476 |
|
| Mica and men review |
2 / 366 |
|
| Henry V - Film |
4 / 929 |
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| Sunset Blvd. |
8 / 2127 |
|
| Act III of Luigi Pirandello's Six Characters in Search of an Author |
1 / 146 |
|
| Eat Man Drink Woman |
2 / 359 |
|
| How Does Mary Shelley use Chapters 15 and 16 of "Frankenstein" to Evoke the Reader's Sympathy for the Creature? |
5 / 1493 |
|
| The Searchers' Narrative Structure |
4 / 1129 |
|
| Critique ( Choices) |
3 / 892 |
|
| Cather in the Rye |
5 / 1292 |
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| Jimmy Corrigan |
9 / 2544 |
|
| Faust |
6 / 1622 |
|
| american pie |
2 / 390 |
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| Hannibal |
3 / 716 |
|
| Kane and able |
1 / 288 |
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| Kiss Me Deadly and Film Noir |
2 / 530 |
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| James Joyce |
4 / 1011 |
|
