| Title |
Pages / Words |
Save |
| Film genres |
2 / 479 |
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| Moulin Rouge |
1 / 266 |
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| Lolita's Boys |
2 / 415 |
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| Film genre, narration, reality tv |
6 / 1677 |
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| Nightmare on Elm Street |
1 / 248 |
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| Genre Is The Best Approach For The Academic Study Of Hollywood Film Texts |
3 / 836 |
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| health |
2 / 374 |
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| "Chinatown" as film noir |
3 / 849 |
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| classification of movies |
2 / 425 |
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| Horror Show |
2 / 397 |
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| The Lost Boys Horror Genre |
3 / 619 |
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| Narration In A Telephone Call And Miss Brill |
3 / 603 |
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| Essay Writing Tips |
1 / 235 |
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| l.a confidential film noir |
4 / 952 |
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| weight of water |
2 / 350 |
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| James Bond |
1 / 295 |
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| Interpretations Of Kite Runner |
2 / 314 |
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| A Bronx Tale |
1 / 159 |
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| snatch |
4 / 920 |
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| Book Film Comparison About When One Flies Over The Cuckoos Nest |
4 / 923 |
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| Batman begins and sleepy hollow |
2 / 502 |
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| Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
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| Sahara Review |
2 / 458 |
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| Media |
3 / 700 |
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| ms |
4 / 1072 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
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| Roger And Me |
2 / 410 |
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| 2004 Stepford Wives |
1 / 300 |
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| Babam Ve Oglum |
4 / 1139 |
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| Reality Telivision |
2 / 332 |
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| Mummy |
2 / 368 |
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| Accenting Temperament |
5 / 1471 |
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| media |
4 / 978 |
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| Ca Twiste a Popenguine |
1 / 123 |
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| battle of karkov |
4 / 1011 |
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| Dubliners |
3 / 609 |
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| big sleep |
4 / 923 |
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| discuss how genre is communicated in halloween |
2 / 505 |
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| Apocalypse Now vs. Heart of Darkness |
2 / 303 |
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| summer reading |
2 / 519 |
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| Lisa Lewis Paper |
2 / 573 |
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| Formalistic Elements in Goodfellas |
3 / 604 |
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| Nescafe |
2 / 475 |
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| The Life Aquatic |
1 / 226 |
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| film noir |
3 / 693 |
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| Amelie |
2 / 330 |
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| Kill Bill |
2 / 367 |
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| "Sweat" Hurston |
2 / 444 |
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| Samurai in Film |
2 / 421 |
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| land rover north american, Inc |
3 / 704 |
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| Life is Beautiful, a fable? |
2 / 386 |
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| Hong Kong Cinema |
3 / 709 |
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| Film Methodologies - Point Break (1991) |
4 / 1084 |
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| The Things They Carried 2 |
2 / 522 |
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| Shane Reaction Notes |
2 / 456 |
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| girl interrupted review |
2 / 473 |
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| Father Of The Bride |
2 / 539 |
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| the man who ate his lover |
5 / 1414 |
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| Commentary of “The Curious Incident of the Dog at Nighttime” |
2 / 350 |
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| LA confidential |
2 / 305 |
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| Glory |
1 / 283 |
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| american splendor |
4 / 922 |
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| Day For night |
1 / 242 |
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| Moulin Rouge |
3 / 649 |
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| semiotics |
4 / 908 |
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| Jaws the movie |
2 / 332 |
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| The hope of life |
2 / 329 |
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| The Genre of Horror |
2 / 597 |
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| Sound in 'PI' |
2 / 323 |
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| Talented Mr Ripley |
2 / 372 |
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| ecommerce |
1 / 258 |
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| Halloween |
1 / 295 |
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| Chicken Run |
2 / 363 |
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| 12 Monkeys |
2 / 513 |
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| Saving Private Ryan |
2 / 354 |
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| Dodge City And Unforgiven |
4 / 1017 |
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| Opening Sequence of Bullet Boy Analysis |
2 / 508 |
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| Monty Python and the Holy Grail |
2 / 395 |
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| american history x |
2 / 365 |
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| Caligula - motivations of the directors |
2 / 392 |
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| Yellow Wallpaper |
2 / 436 |
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| of mice and men movie review |
1 / 267 |
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| Old Movies And America |
2 / 462 |
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| Movie |
2 / 564 |
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| Gatsby Film |
1 / 297 |
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| Dark They Were And Golden-Eyed |
3 / 633 |
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| sci-fi tv |
4 / 1088 |
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| Fight Club |
1 / 253 |
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| The beast |
2 / 394 |
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| HUD: Bucking the Western film stereotype |
5 / 1359 |
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| The Matrix |
4 / 1011 |
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| Mr. Sears’ Catalogue |
2 / 598 |
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| The Island |
2 / 574 |
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| godfrey reggio |
4 / 979 |
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| A Streetcar themes |
1 / 236 |
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| King |
2 / 301 |
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| Analysis in narration of the The Tell-Tale Heart |
5 / 1284 |
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| narrative structures |
3 / 616 |
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| Morality and Computer Games, Where do you draw the line? |
2 / 430 |
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| Maltese Falcon |
5 / 1477 |
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| What makes a successful romantic tragedy? |
7 / 1887 |
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| Flim Review on Jaguar by Jean Rouch |
2 / 566 |
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| The Airport Novel |
2 / 502 |
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| heavenly creatures |
1 / 223 |
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| Miss |
1 / 251 |
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| Photography |
2 / 533 |
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| Imagination 2 |
3 / 809 |
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| Imagination |
3 / 809 |
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| Reality TV |
2 / 594 |
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| Abc |
2 / 347 |
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| Analysis of "Vantage Point" trailer |
4 / 1076 |
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| Reality Telivision |
3 / 641 |
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| rock |
1 / 202 |
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| Gummo: A Review |
2 / 413 |
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| Psycho |
1 / 223 |
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| L.A. Confidential review |
3 / 738 |
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| Process Of Processing |
2 / 430 |
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| Process Of Processing |
2 / 430 |
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| ife |
2 / 478 |
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| Nightmare On Elm Street |
8 / 2123 |
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| Book Review |
2 / 473 |
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| One Flew Over The Cuckoo'S Nest |
3 / 744 |
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| What makes a film great |
3 / 630 |
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| Review: Pulp Fiction |
3 / 776 |
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| Discussing Literary Genre |
3 / 805 |
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| Chinatown |
2 / 377 |
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| epic theatre |
3 / 624 |
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| frankenstein |
2 / 471 |
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| A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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| Harry Potter and the Camber of Secrets |
2 / 557 |
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| Genre |
4 / 964 |
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| Media Arts |
3 / 814 |
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| sound and the fury |
2 / 350 |
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| 2001 A Space Odyssey Analysis |
4 / 915 |
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| Stagecoach movie critique |
2 / 382 |
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| Globalization |
2 / 329 |
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| The Right Stuff might be the Wrong stuff after all |
3 / 611 |
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| Jaws |
1 / 145 |
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| The Maltese Falcon |
6 / 1564 |
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| Reading summary |
3 / 793 |
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| Cultural Studies |
2 / 405 |
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| count of monte cristo |
1 / 242 |
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| Deceiving Images of Bowling for Columbine |
6 / 1638 |
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| Term Paper |
1 / 141 |
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| Fantasy In Cairo |
4 / 948 |
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| Reality Television |
2 / 432 |
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| Story To Film |
2 / 421 |
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| PHOTOSHOP LAB REPORT |
2 / 391 |
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| Writers are like photographers |
2 / 345 |
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| The Harder They Come |
4 / 952 |
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| Anderson And Hemingway's Use Of The First Person |
4 / 1162 |
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| She Wasnt Soft Essay |
2 / 522 |
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| what makes an excellent film |
2 / 491 |
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| March Of the Penguins |
2 / 520 |
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| A Nightmare On Elm Street |
8 / 2284 |
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| A Nightmare On Elm Street |
8 / 2284 |
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| Homesick |
2 / 397 |
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| The Barred Owl |
2 / 586 |
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| A film I have seen |
2 / 523 |
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| taxi driver |
1 / 167 |
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| Big Two-hearted River: Part Ii |
4 / 1169 |
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| Big Two-Hearted River: Part II |
4 / 1169 |
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| Robert Altman's The Long Goodbye As A Genre Revisionist Film |
6 / 1570 |
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| Odyssean Epic Film |
3 / 656 |
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| The relationship between reader and writer |
2 / 406 |
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| The Great Gatsby |
5 / 1203 |
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| The Great Gatsby |
5 / 1203 |
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| What the Bleep Do I know? |
2 / 571 |
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| Who moved my cheese |
3 / 852 |
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| The Bronze Screen |
2 / 317 |
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| Rabbit Proof Fence |
2 / 479 |
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| Wizard Of Oz |
1 / 185 |
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| Wag the Dog |
2 / 472 |
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| The Bicycle Thief |
2 / 427 |
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| Crash Overview |
2 / 380 |
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| Follow Your Dreams |
5 / 1368 |
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| Requiem for a Dream |
2 / 328 |
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| Nightmare on Elm Street: The Relation of Theater and the Nightmare |
4 / 978 |
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| The Wild Bunch |
2 / 375 |
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| Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
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| The Styles of Curt Vonnegut |
3 / 772 |
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| Fight Club |
2 / 496 |
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| animal farm reveiw |
1 / 260 |
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| Scarface |
2 / 368 |
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| The U.S. vs. John Lennon |
2 / 305 |
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| Heavy Metal |
3 / 616 |
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| Reading Summary: Amplification of Sound |
2 / 316 |
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| grouping |
2 / 308 |
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| Black Hawk Down |
1 / 195 |
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| Classical Hollywood narrative |
2 / 342 |
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| reality or not |
3 / 818 |
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| Mississippi Burning |
2 / 342 |
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| Baz R+J |
1 / 126 |
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| Reality Shows - Should It Be Banned? |
2 / 574 |
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| Body Of Lies |
2 / 378 |
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| Macbeth |
2 / 511 |
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| romeo and juliet |
3 / 652 |
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| Christopher Boone Seems Utterly Unsuited To Narrating But Becomes A Rather Wonderful Narrator. |
2 / 429 |
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| Me |
1 / 262 |
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| Genre Criticism of Stanley Kubrick's The Shining |
6 / 1626 |
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