Title |
Pages / Words |
Save |
Lord of the Flies |
2 / 515 |
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Critique on Open City |
4 / 1101 |
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1950's Movie Essay: "Rebel Without a Cause" |
4 / 1018 |
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Beginning Life of Walt Disney |
2 / 468 |
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Film Industry: then and now |
4 / 1111 |
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history of hollywood |
3 / 854 |
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JFK Assassination |
3 / 689 |
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James A. Michner's: TEXAS |
3 / 724 |
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Boy - Tales of Childhood |
2 / 473 |
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bruce lee |
4 / 964 |
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Maryilyn Monroe |
3 / 881 |
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Michael Black Dances with the Wolves |
2 / 460 |
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Norman Rockwell |
3 / 698 |
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Stanley Kubrick |
6 / 1545 |
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Steven Spielburg |
3 / 814 |
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Woody Allen |
3 / 658 |
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Donnie Brasco |
2 / 315 |
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Horror Show |
2 / 397 |
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I never sang for my father |
3 / 857 |
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lack of justice |
3 / 683 |
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Movie |
5 / 1377 |
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Schindlers List |
4 / 1015 |
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Streetcar Named Desire Essay |
2 / 591 |
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The Lost Truth |
2 / 375 |
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The notebook |
2 / 595 |
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Converse |
2 / 375 |
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kl;kkkk |
2 / 507 |
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Radio |
3 / 624 |
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007 |
23 / 6721 |
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2001 A Space Odyssey Analysis |
4 / 915 |
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Beloved |
4 / 963 |
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Bowling For Columbine as a carnivelsque |
5 / 1382 |
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Evaluation Of The Movie Rush Hour 3 |
2 / 548 |
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Everest |
2 / 525 |
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Far and Away |
3 / 827 |
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Film Analysis |
8 / 2111 |
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Film Openings |
3 / 784 |
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Film: Philadelphia, Aids/Gay |
7 / 1853 |
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Gattaca |
3 / 725 |
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Hamlet |
2 / 453 |
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Hitchcock, The Artist |
5 / 1223 |
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How has James Cameron presented and adapted the true story of the Titanic? |
5 / 1413 |
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Importance of Bein Earnest |
4 / 1153 |
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It happened One Night Film |
3 / 616 |
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King Lear vs Thousand Acres |
2 / 491 |
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?In Gattaca the film-maker presents characters who are emotionally cold.' Discuss. |
2 / 574 |
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hehe |
4 / 996 |
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Macbeth Film Interpretation |
4 / 1032 |
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Miss |
4 / 1055 |
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Othello Movie Review |
2 / 418 |
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Rashomon |
3 / 722 |
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Review: Pulp Fiction |
3 / 776 |
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Romeo And Juliet Film Review |
3 / 660 |
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Romeo and Juliet Speech |
2 / 349 |
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Shine - David Helfgott |
2 / 512 |
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Students And Teachers |
5 / 1318 |
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The Analysis of Death You Plagerising son of a bitch |
3 / 870 |
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The Crucible Movie Review |
2 / 525 |
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The Wind That Shakes The Barley |
5 / 1205 |
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The point of citizen Kane |
5 / 1244 |
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What are the Strengths and Weaknesses of the Truman Show? |
7 / 2006 |
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White Man's Muscles |
4 / 908 |
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the breakfast club |
4 / 913 |
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Fads in the 1940s |
1 / 279 |
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film history |
4 / 1047 |
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Gladiator |
5 / 1269 |
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The Most Convincing Propogandist |
5 / 1204 |
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the kingdom of heaven |
6 / 1622 |
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What Is Good |
1 / 247 |
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A COMPARISON BETWEEN THE BOOK AND MOVIE: MALCOLM X |
2 / 538 |
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argumentative |
4 / 1161 |
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Bridge over the River Kwai |
2 / 476 |
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beautiful mind |
2 / 441 |
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Cabaret |
4 / 939 |
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Censorship |
4 / 945 |
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Comparison Of The Film Beloved |
3 / 695 |
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Curious Incident of the dog in the nighttime |
2 / 515 |
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capra cu trei iezi |
2 / 549 |
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Deceiving Images of Bowling for Columbine |
6 / 1638 |
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Fear And Loathing In Las Vegas |
2 / 574 |
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George Eastman |
2 / 514 |
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Great Depression Themes in 42nd Street |
3 / 711 |
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Hitchcock, The Artist |
5 / 1223 |
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Liberty Valance |
2 / 398 |
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Mahatma Gandhi |
3 / 616 |
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Manet's Olympia |
3 / 652 |
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Media |
3 / 700 |
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Mrs Dalloway - Analysis Of The |
2 / 427 |
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Nanook of the North |
3 / 877 |
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North Country, the Movie |
3 / 629 |
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One Flew Over the Cuckoos Nest |
3 / 821 |
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Romeo And Juliet 4 -2 |
3 / 722 |
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romeo and juliet |
4 / 1200 |
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Schindler's List |
3 / 814 |
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Sex with Brad Pitt |
3 / 826 |
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The Birth Of A Nation And Greed |
4 / 1185 |
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To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir? |
8 / 2206 |
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Tragically Real |
5 / 1371 |
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Viewer Response - The Graduate |
2 / 387 |
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A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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A flavour of contemporary India monsoons on screen |
3 / 728 |
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Alfred Hitchcock |
4 / 945 |
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Alfred Hitchcock |
4 / 965 |
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Annie Hall and Jesus |
3 / 750 |
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BMW Films |
6 / 1711 |
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Blackrobe Movie Review |
4 / 1051 |
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Blue Velvet: Scene Analysis |
2 / 594 |
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Butterfly Effect Movie Review |
4 / 943 |
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Bye Bye Brazil |
3 / 715 |
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belly vs. traning day |
3 / 747 |
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Casablanca |
2 / 486 |
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Casablanca |
4 / 916 |
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Choose A Film Or Television Programme And Discuss How Its Mise-En-SceNe And Cinematography Operate To Create Meaning For The Audience. How Does The Visual Style Contribute To The Text’S Overall Appeals And Meanings? |
4 / 1141 |
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Citizen Kane |
2 / 600 |
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Crash - Analysis |
2 / 533 |
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citizen kane |
2 / 600 |
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citizen kane |
5 / 1339 |
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Dodge City And Unforgiven |
4 / 1017 |
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Ethical And Moral Issues |
3 / 717 |
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Etre et Avoir - a documentary |
9 / 2553 |
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Examine the ways in which Hollywood cinema has conventionally represented African Americans. |
6 / 1743 |
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False Proclamations of Love and Other Betrayals in Talk to Her |
3 / 642 |
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Far and Away |
4 / 1097 |
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Fear And Loathing In Las Vegas An Essay |
2 / 574 |
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Film analysis Guess Who and Guess who's coming to dinner |
4 / 1067 |
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Film:Analysis: The Life of David Gale |
3 / 643 |
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Firestarter |
3 / 769 |
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Follow Your Dreams |
5 / 1368 |
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finding neverland movie review |
2 / 557 |
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Horror Movies Are a Waste of Time |
4 / 942 |
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Impressive Nobodies |
3 / 649 |
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In the Heat of the Night: A Classic Murder Melodrama |
5 / 1315 |
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Indonesian Cinema by Christine Hakim |
5 / 1323 |
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Interview with Mel Stuart |
4 / 977 |
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Is war changed as it becomes a ?media event'? Based on the Spanish-American War in Motion Pictures, analyse the historical significance of the emergence of film as a, medium for representing war in the 1890s. |
4 / 1046 |
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in Cold Blood Review |
3 / 670 |
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indian cinema |
3 / 713 |
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Kite Runner Movie |
1 / 298 |
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kramer Vs kramer |
4 / 908 |
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Moral Issues Within Gattaca |
3 / 728 |
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Paradise Lost: Censorship and Hypocrisy in the Italian film Cinema Paradiso |
3 / 762 |
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Patch Adams |
2 / 510 |
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Planet of the Apes |
3 / 848 |
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Psycho |
2 / 489 |
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picasso movie |
2 / 334 |
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Red Rock West |
2 / 577 |
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Review |
3 / 707 |
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real window review |
2 / 337 |
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ritchie rich |
2 / 433 |
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Seabiscuit |
1 / 126 |
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Shadow of a Doubt review |
4 / 1125 |
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Space Jam |
2 / 467 |
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Spinning Gasing |
4 / 1104 |
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Summary Of Beyond Formula: American Film Genres |
6 / 1520 |
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sterphen spielberg |
3 / 605 |
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Talented Mr Ripley |
2 / 372 |
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Tarantino |
5 / 1293 |
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The Bicycle Thief |
4 / 1119 |
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The Chamber: A Look Into The Novel And Film |
6 / 1599 |
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The Dude's Edition |
4 / 925 |
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The Italian Job |
3 / 755 |
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The Royal Tenenmbaums |
3 / 860 |
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The Shawshank Redemption: Rhetorical Criticism |
4 / 1016 |
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The characters in Donnie Darko are isolated, confused and many are unable to cope with reality. Richard Kelly has presented a disturbing portrait of human existence and interpersonal relationships. Discuss. |
3 / 645 |
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The glorious world of stagnation: A look at the Martin Scorsese and Paul Schrader film, "Taxi Driver" |
4 / 960 |
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Tommy: the album vs. the movie |
5 / 1455 |
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the life of david gale film review |
4 / 1011 |
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the piano movie |
3 / 609 |
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U-571: Historically Accurate? |
6 / 1610 |
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Vera Drake |
5 / 1222 |
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Vertigo |
4 / 1072 |
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Vertov and Eisenstein |
3 / 750 |
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Viewer Response - The Graduate |
2 / 387 |
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Waking Life |
4 / 1102 |
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Walter Benjamin and Siegfrizd Kracauer |
5 / 1400 |
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What It Takes To Produce A Film |
3 / 844 |
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Why do you think the Italian authorities might not have been too pleased for Ladri di biciclette to be distributed abroad? |
5 / 1220 |
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Women in Spike Lee's Bamboozled |
3 / 790 |
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Wong Kar Wai and french new wave |
3 / 652 |
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A Clockwork Orange Film Analysis |
2 / 536 |
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A Beautiful Mind |
2 / 383 |
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A Beautiful Mind |
3 / 644 |
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I am Sam psychology movie review |
2 / 433 |
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Interpersonal comm. "Good Will Hunting" |
4 / 1145 |
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parent and child relationships |
2 / 493 |
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Thin |
3 / 676 |
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Faith VS Belief |
3 / 878 |
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the big one |
2 / 519 |
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Vice Virtue |
3 / 831 |
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Zen Buddhism In Japan |
6 / 1518 |
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March of the Penguins |
3 / 607 |
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Americans In Film- Race, Gender, And |
2 / 494 |
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Bombs Away: Different Reactions to the Vietnam War in Across the Universe |
2 / 570 |
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Current Event |
2 / 311 |
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How Women Are Viewd |
3 / 747 |
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Justifiable Means |
2 / 534 |
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Kinship and Residence |
3 / 827 |
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Life & Debt |
2 / 444 |
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Portrayal of Women |
5 / 1223 |
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Selective Perception in Paul Haggis' Crash |
3 / 826 |
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