Title |
Pages / Words |
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Rainman |
4 / 937 |
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American Diplomacy |
1 / 244 |
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American Legion Report |
2 / 434 |
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An American |
2 / 352 |
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Beautiful Mind |
5 / 1205 |
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Blacklisting |
2 / 390 |
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Book Review, The Jungle |
2 / 592 |
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Brokeback |
4 / 1014 |
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Could the American Revolution be avoided? |
1 / 248 |
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Film Review Mona Lisa Smile |
4 / 1024 |
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Grapes of Wrath |
2 / 587 |
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Irish American Culture |
3 / 839 |
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native american |
4 / 927 |
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disney |
5 / 1383 |
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Famous Americans - Jim Morrison |
2 / 598 |
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John Wayne |
6 / 1681 |
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Man With The Movie Camera: Shot Change Constructs A New Perspective |
3 / 862 |
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Movies Of 2001 |
4 / 914 |
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Stanley Kubrick |
6 / 1545 |
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Tolkien |
2 / 486 |
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Hannibal |
3 / 716 |
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Last of the Mohicans |
4 / 1015 |
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Malcolm X |
2 / 419 |
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March Of the Penguins |
2 / 520 |
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Of Mice and men |
5 / 1326 |
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Starstruck |
3 / 630 |
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The Boy Next Door |
4 / 1116 |
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The Last Samurai |
2 / 570 |
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The Matrix |
4 / 1011 |
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Arundel |
7 / 1827 |
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decision making |
2 / 486 |
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Forecasting Report on Drive-In Theatres |
5 / 1267 |
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l oreal |
3 / 748 |
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Marine Biology |
4 / 1014 |
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warner bros history |
1 / 159 |
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Beauty and the Beast Contrast |
3 / 805 |
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Bowling for Columbine |
3 / 859 |
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CRASH |
4 / 1050 |
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Color Purple |
5 / 1306 |
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Dead Poets Society/ Why Poetry Is Important |
2 / 498 |
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Efficacy of Flu Shots |
2 / 483 |
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Essay (Power Of One) |
2 / 572 |
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Essay on One Hundred Years of solitude |
3 / 807 |
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Film Noir |
8 / 2295 |
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Gattaca |
2 / 561 |
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How to Review a book |
3 / 706 |
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How to write Term Paper? |
1 / 259 |
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Ken Kesey Life Behind the Cuckoo's Nest |
1 / 257 |
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lies my teacher told me |
2 / 453 |
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Look Both Ways (film text) |
3 / 767 |
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Miss Julie |
2 / 500 |
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Othello: Shakespeare vs. Parker |
2 / 596 |
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Paper Outline |
2 / 465 |
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Pornography In The American Social Strata |
5 / 1416 |
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Raw |
1 / 193 |
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Romeo & Juliet |
2 / 306 |
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Shawshank Redemption |
3 / 779 |
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Symbolism in The Ancient Marinier |
2 / 380 |
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The Aeneid |
2 / 519 |
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The Castle |
3 / 680 |
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The Crow Review |
4 / 965 |
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The Deep End Of The Ocean |
3 / 836 |
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The Fallen Movie Reveiw |
2 / 363 |
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The Harder They Come |
4 / 952 |
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Under Construcition |
3 / 783 |
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Violance Should Be Banned |
2 / 333 |
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You Belong to Me |
1 / 209 |
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radiance |
2 / 522 |
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Casablanca |
4 / 943 |
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Dead |
2 / 455 |
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ELIZABETH' AS AN EXAMPLE OF ART CINEMA |
4 / 1187 |
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Helena (Leni) Bertha Amalie Riefenstahl |
8 / 2215 |
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Performind the border |
3 / 650 |
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Review of Dower's War Without Mercy |
7 / 2041 |
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Robert Pattinson |
1 / 264 |
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Troy Film Review |
5 / 1432 |
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Formal-operational Stage |
3 / 603 |
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A History of Storyboarding |
2 / 467 |
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Accountability |
2 / 338 |
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ads |
2 / 320 |
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Bats |
3 / 899 |
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Briar rose symbols |
2 / 358 |
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Color Purple |
5 / 1306 |
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Compare and contrast black representations in 'Gone with the wind' (1939) and 'Guess who's coming to dinner' (1967). |
3 / 748 |
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Critical evaluation of Fahrenheit 9/11. |
7 / 1805 |
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English |
2 / 533 |
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Film Review (the Money Pit) |
1 / 269 |
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Film studies of syriana |
4 / 1021 |
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Gallipoli - Australian Film Review |
3 / 853 |
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HEY |
6 / 1641 |
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HUD: Bucking the Western film stereotype |
5 / 1359 |
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Iowa- An American Portrait |
2 / 455 |
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Jaws Media Coursework Essay |
2 / 516 |
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Judicial Review |
3 / 880 |
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Love, Sex & Eating the Bones |
4 / 1124 |
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My Left Foot: The Strength Of A Mother |
1 / 290 |
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Natural Born Killers |
4 / 975 |
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Possibilities and constraints of shooting in the studio and on location. |
4 / 958 |
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pandoras' box |
2 / 399 |
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Roswell |
3 / 787 |
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Scarface |
2 / 368 |
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Seeking donations |
2 / 407 |
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The Deep End Of The Ocean |
3 / 836 |
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The Power of Dance |
2 / 387 |
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The Sheltering Sky |
4 / 1084 |
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The World Is Not Enough |
4 / 1082 |
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Third Amendment |
1 / 238 |
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Vampire Lord |
2 / 579 |
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Vietnam war |
2 / 325 |
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What is an american? |
2 / 356 |
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'The Power of One' could have been the title for all the films. |
5 / 1230 |
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*Dangerous Minds* Deconstructing A Dangerous Mind Anilitical Article *Dangerous Minds* |
3 / 724 |
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A Beautiful Mind |
1 / 274 |
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A Short Review of The West Side Story |
3 / 627 |
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A discussion into whether ?J Horror' is a term of national identity, or cinematic sub-genre, using the texts; Ringu (1998), Audition (2000) and Ju-On (The Grudge) (2003). |
5 / 1471 |
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Alfred Hitchcock |
4 / 965 |
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Amadeus |
3 / 875 |
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American Beauty |
6 / 1637 |
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American History X |
3 / 686 |
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An Exploration Of How The Designer Olivier Kuntzel And Florence Deygas Managed To Incorporate And Interpret The Narrative Of ‘Catch Me If You Can’ Into Their Title Sequence |
4 / 1021 |
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Analyzing Moulin Rouge |
4 / 1113 |
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american history x analysis |
4 / 970 |
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Babel Responce |
3 / 658 |
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Babel |
3 / 817 |
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Birth Of Nation |
1 / 270 |
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brave |
1 / 262 |
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Citizen Kane |
1 / 291 |
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Coppola's short biography |
3 / 738 |
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Critique of SHawshank Redemption |
3 / 729 |
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Discuss How Genre Adapts To Changing Social, Political, Historical And Economical Contexts |
5 / 1252 |
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Do The Right Thing |
2 / 467 |
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Donnie Brasco |
3 / 630 |
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Film Noir At It'S Finest |
2 / 525 |
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Film genre, narration, reality tv |
6 / 1677 |
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Friday night Lights |
3 / 759 |
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Gallipoli - Australian Film Review |
3 / 853 |
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Gattaca Opening Scenes |
2 / 482 |
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Gladiator (Movie) |
5 / 1373 |
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Gladiator |
5 / 1483 |
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Hoosierssssssss |
1 / 251 |
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Ideas for Movies - The How and What... |
5 / 1254 |
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ife |
2 / 478 |
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Jack Nicholson, Star? |
2 / 369 |
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Jaws - filmic techniques, structure of tension/suspense |
2 / 391 |
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Johnny Depp &Amp; Gene Wilder In Charlie &Amp; The Chocolate Factory |
3 / 837 |
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Kenneth Baranagh's "Henry V" |
2 / 457 |
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Legends of the fall |
3 / 887 |
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Lorenzo's Oil |
4 / 1001 |
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Malcolm X |
5 / 1232 |
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Materialism and Greed: The Real Monsters in Poltergeist |
4 / 1137 |
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Matrix Review |
4 / 902 |
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Movie Analysis - Monster In Law |
4 / 1117 |
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Movie Review: Yentl |
4 / 1008 |
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Narrative vs. Montage |
3 / 877 |
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North by Northwest |
3 / 671 |
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Nothing’s New Under the Sun |
3 / 779 |
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Rabbit Proof Fence analysis |
2 / 358 |
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Review Of Three Movies: Trainspotting, Ferris Bueller's Day Off And Ju |
3 / 886 |
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Rick Blaine, nations front figure |
3 / 856 |
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rabbit proof fence |
3 / 624 |
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response to boyz n the hood |
3 / 770 |
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Sleepy Hollow |
4 / 1073 |
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Stand By Me |
5 / 1343 |
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Storytelling |
4 / 1060 |
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Study of Cinema Verite |
3 / 834 |
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The Corporation |
3 / 619 |
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The Indo- Afghan Connection |
4 / 963 |
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The Notebook: Best Film I Have Seen |
2 / 585 |
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The Pelican Brief Novel vs. Movie |
6 / 1775 |
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The Truth About White Supremacy: American History X |
7 / 2021 |
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Third Cinema |
5 / 1236 |
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Tommy: the album vs. the movie |
5 / 1455 |
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Touch Of Evil |
5 / 1284 |
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the quiet american |
3 / 636 |
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Vertigo |
4 / 1072 |
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Visual Images in JFK |
4 / 942 |
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Waking Life |
4 / 1102 |
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Wala Ln |
1 / 220 |
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Walt Disney |
3 / 689 |
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Western And The Man Who Shot Liberty Valance |
3 / 613 |
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"The Matrix" and Religion |
5 / 1448 |
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Inner Power |
3 / 827 |
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seils |
2 / 404 |
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hotdog |
2 / 554 |
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Rainman |
3 / 753 |
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Zen Buddhism In Japan |
6 / 1518 |
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Lab Report |
4 / 1159 |
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penny for thoughts |
2 / 570 |
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American Tongues |
3 / 866 |
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Censorship in America |
4 / 1060 |
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Disney and Race |
4 / 1199 |
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FILM ANALYSIS: Not Without My Daughter |
2 / 424 |
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Hyperreality In The Liminal |
4 / 1101 |
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Minorities and Policing |
2 / 381 |
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n Your Face: 3D Movies Making a Comeback |
2 / 354 |
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The Past Revised: the Dangers of Censorship |
1 / 229 |
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IMAX CINEMA- help sheet |
2 / 498 |
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Kodak |
2 / 590 |
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Reaction: The Pirates of Silicon Valley |
1 / 234 |
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Review about technology |
2 / 436 |
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