| Title |
Pages / Words |
Save |
| Picture Perfect |
1 / 194 |
 |
| ambrose |
2 / 596 |
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| Ernest Hemingway |
2 / 369 |
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| James |
2 / 589 |
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| Steven Spielberg |
1 / 207 |
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| 'Misery' by Stephen King |
3 / 898 |
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| a rose for emily |
4 / 1010 |
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| Big Two-Hearted River: Part II |
4 / 1169 |
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| Bluest Eye |
4 / 1161 |
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| Catcher in the Rye |
2 / 508 |
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| Cather in the Rye |
5 / 1292 |
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| Ch. Achebe-Things Fall Apart |
2 / 320 |
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| Commentary of “The Curious Incident of the Dog at Nighttime” |
2 / 350 |
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| Crime and Punishment as Polyphonic |
2 / 350 |
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| catcher in the rye |
2 / 461 |
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| computing through the ages |
3 / 680 |
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| Eating Chinese Food Naked by Mei Ng |
2 / 343 |
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| ek khiladi |
2 / 550 |
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| Faulkner's Absalom, Absalom!: An Innovative Narrative Technique |
8 / 2146 |
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| Faust: Book Review |
2 / 584 |
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| How Does The Basic Concept Of A “First-Person Narrative” Create Meaning In “I Stand Here Ironing” By Tillie Olsen? |
1 / 153 |
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| Insight into milan kundera's narrative |
4 / 1000 |
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| Like Water for Chocolate-Feminsim |
5 / 1214 |
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| My Brother, My Executioner |
2 / 459 |
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| Narration Analysis of “The Cask of Amontillado” |
4 / 1008 |
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| One Flew Over The Cuckoo's Nest: 3 points |
3 / 895 |
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| Owen Meany |
3 / 610 |
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| Paradiso |
2 / 588 |
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| ragtime |
1 / 290 |
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| She Wasnt Soft Essay |
2 / 522 |
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| Speak Character and Plot Summary |
2 / 504 |
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| The Catcher In The Rye: First Person Narration Is Critical |
3 / 707 |
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| The Catcher in the Rye |
3 / 705 |
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| The Day Lincoln Was Shot |
1 / 211 |
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| The Garden Of Forking Path |
2 / 376 |
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| The Little Prince |
2 / 406 |
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| The Old Man And The Sea: The Old Man |
2 / 533 |
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| Two Perspectives |
1 / 186 |
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| advance about virtual management |
1 / 257 |
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| Strategic Management |
4 / 918 |
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| Virtual Management At Accenture |
1 / 289 |
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| "Sweat" Hurston |
2 / 444 |
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| "The Sound And The Fury" Literary Criticism |
5 / 1268 |
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| A Rose For Emily |
6 / 1606 |
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| A Rose For Emily |
2 / 372 |
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| A Summer Life |
2 / 352 |
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| A good man is hard to find |
3 / 851 |
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| Alice in Wonderland |
2 / 340 |
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| An Analysis of “Rights of Summer” |
4 / 944 |
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| Analysis in narration of the The Tell-Tale Heart |
5 / 1284 |
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| As I Lay Dying |
3 / 802 |
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| Atonement |
3 / 808 |
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| Beowulf: An Epic Hero |
4 / 964 |
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| Cathedral |
4 / 1134 |
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| Christopher Boone Seems Utterly Unsuited To Narrating But Becomes A Rather Wonderful Narrator. |
2 / 429 |
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| Comparasion Essay |
4 / 1045 |
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| Compare the methods used to present a similar theme in TWO short stories you have studied |
4 / 1125 |
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| Comparing and contrast of 19th century writers |
4 / 1179 |
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| Comparison of Original Blade Runner film and Director's Cut |
7 / 1857 |
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| Covert War: Nature Vs. Culture in The Last of the Mohicans |
1 / 223 |
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| Death of a Salesman |
2 / 397 |
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| Dubliners |
3 / 609 |
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| Dustin (Narration) |
4 / 1131 |
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| Edgar Allen Poe The Black Cat |
2 / 437 |
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| Enduring Love Extract |
2 / 535 |
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| Epiphany |
2 / 458 |
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| Essay Writing Tips |
1 / 235 |
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| Examining Perspective in Literature |
3 / 830 |
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| Focalization in Richard Wrights |
5 / 1496 |
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| Guest of the Nation by Frank O' Connor |
2 / 441 |
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| Heart of Darkness key points |
4 / 1172 |
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| Heart of Darkness versus Apocalypse Now |
2 / 491 |
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| Heroshima |
1 / 290 |
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| History In The Making |
4 / 916 |
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| Importance Of Point Of View In "The Black Cat" By Egar Allen Poe |
5 / 1320 |
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| Judge Pynchion |
2 / 422 |
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| critical lens 11th grade english |
2 / 493 |
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| Mystery cases |
4 / 1053 |
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| Narratiion and Narrative Technique in Sec V + VI of The Handmaid's Tale |
2 / 459 |
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| Narration and Description in Frost's "The Road Not Taken" |
3 / 811 |
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| Narration |
2 / 376 |
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| Narration: Faulkner's "A Rose for Emily" |
3 / 694 |
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| Narrative Styles In Poe, Melville, Hawthorne |
4 / 1137 |
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| Narrative |
3 / 706 |
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| Odyssey |
2 / 353 |
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| Othello racism ? Othello tragedy |
3 / 623 |
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| Ozymandias |
2 / 396 |
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| Pins218@hotmail.com |
2 / 465 |
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| Point of View and Narration in The Color Purple and Jane Eyre |
4 / 949 |
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| Point of View on the Cask Bridge |
3 / 772 |
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| Point of View |
3 / 708 |
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| Pride And Predjudice Dialogue |
5 / 1413 |
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| Review: Pulp Fiction |
3 / 776 |
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| Shelly |
2 / 330 |
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| Sherman Alexie |
1 / 189 |
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| Sick Coller -Analysis |
3 / 711 |
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| Story of an Hour |
4 / 908 |
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| The Barred Owl |
2 / 586 |
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| The Curious Incident of the Dog in the Night-Time |
3 / 886 |
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| The Faithful Wife |
3 / 711 |
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| The Great Gatsby |
5 / 1203 |
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| The Right Stuff might be the Wrong stuff after all |
3 / 611 |
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| The Styles of Curt Vonnegut |
3 / 772 |
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| The Truth To A Ballad |
3 / 817 |
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| The Writing Process |
2 / 363 |
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| The Writing Style Of Edgar A. Poe |
4 / 1019 |
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| Understanding Characters in Objectively Narrated Stories |
7 / 2065 |
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| Wag The Dog |
3 / 749 |
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| Who Tells the Tale |
4 / 1112 |
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| Yeats |
2 / 377 |
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| ms |
4 / 1072 |
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| not waving but drowning |
3 / 834 |
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| pride and prejudice |
3 / 883 |
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| profile of stewie griffin |
3 / 892 |
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| short stories |
6 / 1703 |
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| sound and the fury |
2 / 350 |
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| the great gatsby - stylistic devices |
7 / 1826 |
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| weight of water |
2 / 350 |
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| Career |
1 / 204 |
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| Frederick Douglass |
2 / 502 |
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| JFK |
2 / 393 |
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| Narration In A Telephone Call And Miss Brill |
3 / 603 |
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| the reformation |
2 / 323 |
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| Rose For Emily |
2 / 374 |
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| Anderson And Hemingway's Use Of The First Person |
4 / 1162 |
|
| Big Two-hearted River: Part Ii |
4 / 1169 |
|
| Bluest Eye |
4 / 1161 |
|
| Catcher In The Rye And Red Badge Of Courage - The Maturation Of Holden |
4 / 1135 |
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| Cause and Effect |
2 / 301 |
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| Comparison Of Franklin & Douglass |
4 / 980 |
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| Dirtbiking |
3 / 615 |
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| Engligh Literary Terms |
2 / 404 |
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| ernest hemingway |
4 / 1134 |
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| Fiction |
2 / 504 |
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| Formalistic Elements in Goodfellas |
3 / 604 |
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| HEY MAN, YOUR SOCKS STINK! |
3 / 856 |
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| Homesick |
2 / 397 |
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| Honor |
2 / 598 |
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| Imagery Depicted Through T.s. Elliot's |
3 / 849 |
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| Importance Of Point Of View In "the Black Cat" By Egar Allen Poe |
5 / 1320 |
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| Indian Persecutions |
2 / 338 |
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| Inferno |
2 / 303 |
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| Insight On Necrophilia,whats T |
3 / 638 |
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| James Joyce |
4 / 1011 |
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| Letter From A Birmingham Jail |
2 / 424 |
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| Letter of Understanding |
2 / 346 |
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| Lolita's Boys |
2 / 415 |
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| mer |
36 / 10538 |
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| Never The Sinner - Production Critique |
3 / 826 |
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| Nick - Detached Or Dishonest? |
4 / 992 |
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| One Flew Over the Cuckoos Nest |
3 / 821 |
|
| Pins218@hotmail.com |
2 / 465 |
|
| Rain Man's Autistic Traits |
3 / 652 |
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| Rattle Bone |
4 / 1131 |
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| The Bluest Eye 4 |
3 / 874 |
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| The Bluest Eye |
3 / 874 |
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| The Catcher In The Rye |
3 / 705 |
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| The Great Gatsby |
5 / 1203 |
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| The House that Ruth Built |
4 / 1090 |
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| The Main Question |
2 / 564 |
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| The Rainman |
6 / 1710 |
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| The Reader |
3 / 808 |
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| The Stage Manager Is A Man Of Many Roles |
5 / 1283 |
|
| The Stage Manager is a man of many roles |
5 / 1283 |
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| The Things They Carried 2 |
2 / 522 |
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| Virginia Woolf Creates Interes |
2 / 418 |
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| Wag The Dog |
3 / 749 |
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| What does Islam say about terrorism? |
3 / 852 |
|
| Who moved my cheese |
3 / 852 |
|
| Wordsworth-shelly Comparative |
3 / 685 |
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| Accenting Temperament |
5 / 1471 |
|
| American Beauty |
7 / 2011 |
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| Apocalypse Now vs. Heart of Darkness |
2 / 303 |
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| a Rose For Emily: A Review |
3 / 626 |
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| Death of a Salesman Film/Drama Comparison |
2 / 352 |
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| Film genre, narration, reality tv |
6 / 1677 |
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| Gatsby Film |
1 / 297 |
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| Kramer vs. Kramer |
4 / 1066 |
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| kramer Vs kramer |
4 / 908 |
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| Media Arts |
3 / 814 |
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| Odyssean Epic Film |
3 / 656 |
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| Shane Reaction Notes |
2 / 456 |
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| Sound in 'PI' |
2 / 323 |
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| snowboards, beer, and casablanca |
3 / 750 |
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| sphere critique |
3 / 684 |
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| The Graduate |
8 / 2259 |
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| Thrice |
5 / 1257 |
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| the man who ate his lover |
5 / 1414 |
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| When a Woman Ascends the Stairs |
6 / 1506 |
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| Alice studies in Politics |
2 / 301 |
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| encomium of helen |
2 / 494 |
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| Quest for Wisdom |
4 / 903 |
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| Kim Peek - The Real Rainman |
2 / 593 |
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| battle of karkov |
4 / 1011 |
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| Deception |
6 / 1616 |
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| Sweat By Zora Neale Hurston |
2 / 326 |
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| tootsie |
5 / 1228 |
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| Value of Popular Culture |
4 / 1153 |
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| Worst news |
3 / 698 |
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| The Tell Tale Heart |
4 / 1119 |
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