| Title |
Pages / Words |
Save |
| Greek Chorus |
2 / 386 |
 |
| The Two Last Suppers |
2 / 580 |
|
| Phantoms |
2 / 320 |
|
| Escape from civilization: an Analysis of the Adventures of Huckleberry Finn |
5 / 1435 |
|
| Metaphysical Poetry - the flea + sune rising |
5 / 1461 |
|
| The Cask Of Amontillado - Irony And Symbolism |
4 / 1155 |
|
| Romeoo and Juliet |
3 / 676 |
|
| Shakespeare's Richard III |
3 / 647 |
|
| Life is a dream |
2 / 425 |
|
| Careful paper |
1 / 234 |
|
| A view from a bridge dramatic techniques |
8 / 2144 |
|
| alive |
1 / 296 |
|
| American History X |
2 / 487 |
|
| Dances With Wolves |
2 / 432 |
|
| Antigone |
2 / 440 |
|
| The Tell-Tale Heart |
4 / 1009 |
|
| Harrison Bergeron |
5 / 1209 |
|
| Harrison Bergeron 2 |
5 / 1209 |
|
| Shaun of the Dead- Movie Critic |
3 / 705 |
|
| “Salvation” By Langston Hughes |
2 / 315 |
|
| The Storm |
2 / 318 |
|
| Show Boat |
1 / 276 |
|
| Romeo & Juliet |
2 / 306 |
|
| Metaphysical Poetry - the Flea and the Sunne Rising - binary oppositions |
5 / 1473 |
|
| Analysing Shylock's Dual-Role as Villain and Victim |
5 / 1476 |
|
| Darkness Imagery In Macbeth |
3 / 899 |
|
| A Beautiful Mind |
2 / 315 |
|
| The Cask Of Amontillado |
5 / 1258 |
|
| The Cask Of Amontillado |
5 / 1258 |
|
| War in the Modern World |
4 / 1126 |
|
| Romeo and Juliet Act 3 Scene 1 |
8 / 2342 |
|
| bipolar |
1 / 126 |
|
| The Ironic Storm |
2 / 318 |
|
| Insanity of War in Slaughterhouse Five |
5 / 1332 |
|
| Alive Book Report |
4 / 963 |
|
| How language is used in King Lear |
1 / 275 |
|
| King Lear |
2 / 428 |
|
| The Cask Of Amatillado |
5 / 1267 |
|
| An Analysis Of The Cask Of Ama |
5 / 1267 |
|
| An Analysis Of The Cask Of Ama |
5 / 1267 |
|
| There Will Be Blood |
3 / 830 |
|
| The LehrstuCke Project |
2 / 393 |
|
| Muchadoaboutsomting |
2 / 536 |
|
| Help on The Fall of the House of Usher |
2 / 440 |
|
| speech |
3 / 617 |
|
| Freud and psychosexual developement |
5 / 1260 |
|
| "Design" |
1 / 276 |
|
| Design |
1 / 276 |
|
| Benedick Transformed |
6 / 1600 |
|
| All Quiet On The Western Front |
3 / 712 |
|
| sophocles movie |
10 / 2754 |
|
| Boroque Music |
3 / 706 |
|
| The lottery |
3 / 709 |
|
| Show the importance of the ‘Balcony Scene’ (Act 2 Scene 2). How does this scene help us to understand the characters of Romeo and Juliet? How the scene might be presented in performance |
7 / 2044 |
|
| Passion for Equality |
3 / 729 |
|
| War and Memory in Irene Zabytko's "Home Soil", Bruce Weigl's "Song of Napalm", and Wilfred Owen's "Dulce et Decorum Est" |
3 / 693 |
|
| origin of epic theatre |
4 / 945 |
|
| A Farewell to Arms |
3 / 803 |
|
| Harrison Bergeron |
4 / 1045 |
|
| Harrison Bergeron |
4 / 1045 |
|
| "No Sugar" Essay |
3 / 655 |
|
| In Our Time |
1 / 300 |
|
| The bravest of individuals is one who obeys his or her conscience," |
3 / 729 |
|
| Review Of An Inspector Calls |
4 / 1008 |
|
| Review Of An Inspector Calls |
4 / 1008 |
|
| Huckleberry Finn Information |
9 / 2469 |
|
| Discuss the role of the inspector in Priestly's 'An Inspector Calls'. |
7 / 1826 |
|
| Founding Myths of Greek and Roman Cities |
3 / 874 |
|
| Looking closely at Act 5 sc 3 and Act 3 sc 3 how does Shakespeare make Coriolanus into a tragic character? |
6 / 1784 |
|
| trifles review |
4 / 1092 |
|
| The Nun's Priest's Tale |
4 / 1146 |
|
| In Cold Blood |
7 / 2079 |
|
| In Cold Blood |
7 / 2079 |
|
| the story of an hour |
4 / 968 |
|
| Pride And Prejudice |
4 / 1082 |
|
| The Importance Of Being Earnest |
3 / 753 |
|
| the curse |
5 / 1265 |
|
| Socrates 2 |
1 / 253 |
|
| the purpose of narrative form in orwell and angelou's essyas |
3 / 611 |
|
| aida |
3 / 819 |
|
| shoe horn sonata |
6 / 1732 |
|
| Spellbound ( fact more compelling than fiction) |
3 / 710 |
|
| areas of interest |
3 / 836 |
|
| Racism in Heart of Darkness |
1 / 265 |
|
| A And P Essay |
2 / 448 |
|
| A And P Essay 1 |
2 / 448 |
|
| "Each of you helped to kill her." Says the Inspector. Show exactly what part each member of the Birling family (and Gerald Croft). Played in the death of Eva Smith. Do you think that some characters are more guilty than others? |
10 / 2776 |
|
| The Understanding On Sense And Sensibility |
3 / 715 |
|
| How Does Arthur Miller Use Alfieri As A Dramatic Device |
5 / 1310 |
|
| The Lord of the Flies |
4 / 1002 |
|
| Symbolisim and themes in the Lottery |
4 / 1006 |
|
| Eto Sabi |
2 / 339 |
|
| Adaptation |
5 / 1236 |
|
| Horrible Happiness |
1 / 291 |
|
| poe |
2 / 329 |
|
| In Jonathan Swift's Essay, "a |
4 / 1011 |
|
| Hitler |
1 / 280 |
|
| Irony Of Fate In W.B.Yeats Why Should Not Old Men Be Mad? |
5 / 1460 |
|
| Little Irish Kids, Another Whi |
4 / 1011 |
|
| Hunters In The Snow |
2 / 540 |
|
| The Stories of John Cheever |
4 / 1124 |
|
| the character of juliet in Romeo and Juliet |
3 / 792 |
|
| Invisible Man Irony |
10 / 2860 |
|
| fiddler on the roof, Broadway |
4 / 1089 |
|
| How does the author use humour in Out Island Doctor? |
4 / 955 |
|
| Who Knows |
2 / 563 |
|
| Contrasting Apollo & Dionysus |
2 / 551 |
|
| The Giver |
2 / 303 |
|
| Literary Analysis of “Survivor Type” by Stephen King |
3 / 776 |
|
| Literary Devices |
6 / 1558 |
|
| Is The Ending Of The Wall By Jean Paul Sartre Ironic? |
4 / 1002 |
|
| Comedies and Tragedies a contrast in protagonists |
3 / 710 |
|
| William Blake |
6 / 1625 |
|
| Mid Summer Night's Dream |
1 / 210 |
|
| Midsummer Night's Dream |
1 / 210 |
|
| Is Antigone A Tragic Play As D |
2 / 577 |
|
| In Iago, Shakespeare has Created an Engaging and Complex Villain who Governs the Actions of the Play. Discuss |
9 / 2428 |
|
| Power of Words |
1 / 290 |
|
| A Good Man Is Hard To Find |
2 / 321 |
|
| A Separate Peace - Gene and Finny |
3 / 730 |
|
| Contemperary photography today |
3 / 644 |
|
| Parallel Lear |
4 / 1039 |
|
| King Lear |
2 / 530 |
|
| Macbeth Makes For Fasinating Threater |
3 / 769 |
|
| My Last Duchess |
2 / 567 |
|
| Review Of Guys And Dolls Play |
1 / 168 |
|
| SS |
4 / 1179 |
|
| Parrellelism In King Lear |
4 / 1040 |
|
| Porphyria's Lover And My Last Duchess |
8 / 2209 |
|
| King Lear - Parrellelism In King Lear |
4 / 1040 |
|
| Men and Motherhood in Sylvia Plath's "Sow" |
3 / 677 |
|
| Analyzing Poems |
1 / 276 |
|
| Fahrenheit 451 |
1 / 278 |
|
| The One |
2 / 471 |
|
| Story of an hour |
2 / 321 |
|
| I am someone |
2 / 366 |
|
| macbeth |
6 / 1685 |
|
| Realization of freedom |
4 / 979 |
|
| The Lover: A Journey From 1897 to 1987 |
4 / 1080 |
|
| Analisis Of The Poem Dreamers |
3 / 604 |
|
| The Cherry Orchard |
2 / 504 |
|
| Antigone as a Hero |
4 / 1034 |
|
| hamlet: critical analysis |
6 / 1711 |
|
| A Critical Analysis of Hamlet |
6 / 1711 |
|
| Pathos, Ethos, and Logos in Beowulf's Appeal |
2 / 308 |
|
| Democracy in Lord of the Flies and Cuckoo's Nest |
1 / 274 |
|
| Romeo and Juliet: Compare and Contrast William Shakespeare's and Baz Luhrman |
2 / 470 |
|
| Romeo and Juliet Film Analysis |
2 / 461 |
|
| death of a salesman |
4 / 1062 |
|
| Boy's Life Analysis |
2 / 320 |
|
| History of Beauty |
1 / 144 |
|
| Alfred Hitchcock |
7 / 2050 |
|
| my last duchess |
3 / 858 |
|
| preemptive war |
1 / 173 |
|
| Macbeth - Conflict |
5 / 1473 |
|
| Cliff Notes - OEDIPUS TRILOGY |
37 / 10918 |
|
| I Like The Look Of Agony |
6 / 1589 |
|
| guests of the nation |
3 / 714 |
|
| the necklace |
2 / 340 |
|
| What is Greek Tragedy? |
4 / 1029 |
|
| The Taming Of The Shrew: Mistaken Identities |
3 / 863 |
|
| English Taming Shrew |
3 / 863 |
|
| The Lady With the Dog |
4 / 1021 |
|
| The Alchemist |
2 / 332 |
|
| Romeo and Juliet Film Review |
2 / 477 |
|
| Glass Menagerie &Amp; A Doll'S House |
2 / 549 |
|
| Alfred Hitchcock's Rear Window: Sound |
5 / 1236 |
|
| The Styles of Curt Vonnegut |
3 / 772 |
|
| Pauls Case |
3 / 774 |
|
| William Shatner |
1 / 270 |
|
| shadow of a doubt |
3 / 713 |
|
| King Lear - Childishness, Old Age, Sight, Blindness |
2 / 330 |
|
| In a Nut shell |
3 / 727 |
|
| The cask amontillado |
5 / 1297 |
|
| Comparing Jack & Creon |
3 / 662 |
|
| People Who Complain |
1 / 242 |
|
| Tell Tale Heart |
4 / 1182 |
|
| othello |
9 / 2458 |
|
| Canterbury Tales Essay |
4 / 1013 |
|
| In Our Time |
2 / 370 |
|
| Psychoanalysis Of Hamlet |
13 / 3764 |
|
| Unbearable Lightness of being |
4 / 1011 |
|
| Reading Between the Lines |
3 / 811 |
|
| The Big Decision in a Doll's House |
3 / 701 |
|
| Othello: Iago Makes Othello Believe His Wife Is Having An Affair |
4 / 1094 |
|
| Waiting for Godot |
2 / 356 |
|
| Pride And Prejudice |
2 / 384 |
|
| The Tell-tale Heart - Critical Analysis |
4 / 1184 |
|
| ms |
4 / 1072 |
|
| Naturalistic Elements of \ |
2 / 316 |
|
| The Relationship Between Terror and the Media |
2 / 433 |
|
| Christopher Marlowe |
3 / 801 |
|
| Naturally Just And Legally Just |
5 / 1489 |
|
| The Scarlet Letter |
4 / 1059 |
|
| Sweat By Zora Neale Hurston |
2 / 326 |
|
| MacBeth Critical Lens |
5 / 1211 |
|
| There Will Come Soft Rains essay |
1 / 290 |
|
| Alfred Hitchcock: The Creator Of Suspense |
8 / 2113 |
|
| Robert Frost Bio |
1 / 264 |
|
| Young Goodman Brown |
5 / 1238 |
|
