| Title |
Pages / Words |
Save |
| Lord of the Flies |
2 / 515 |
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| Sun Angel |
2 / 498 |
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| Hamlet (Use of Minor Characters) |
2 / 516 |
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| King Lear |
4 / 1121 |
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| The Fate of Romeo and Juliet |
2 / 598 |
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| The Temptresses of Unconcious Enticements |
2 / 376 |
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| The Theme of Blindness in King Lear |
3 / 872 |
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| Across the Universe - Pop Culture/American History |
1 / 128 |
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| ALL ABOUT SHAKESPEARE |
7 / 1916 |
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| Shake |
8 / 2138 |
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| A Midsummer night's Dream |
5 / 1469 |
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| Another Much Ado About Nothing |
3 / 714 |
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| Brave New World (Style) |
2 / 385 |
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| Comparison Of Shakespeare's Sonnet 73 And Sonnet 116 |
3 / 865 |
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| Contrast Essay: Romeo And Juliet |
3 / 882 |
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| Dan Brown |
2 / 390 |
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| Degrees of Guilt in Othello |
9 / 2469 |
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| great gatsby |
2 / 379 |
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| Hamlet: Hamlet Defeated By His Own Flaws |
2 / 465 |
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| Heart Of Darkness |
1 / 176 |
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| Henry IV |
8 / 2118 |
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| Henry from \ |
2 / 427 |
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| How does theme help structure Julius Caesar |
4 / 906 |
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| Iago's Motivations |
3 / 719 |
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| King Lear: Sense Of Renewal |
8 / 2295 |
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| Macbeth: Macbeth A Tragic Hero |
2 / 459 |
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| Macbeth: Macbeth's Ambition, Courage, And Moral Cowardness Leads To Hi |
2 / 460 |
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| Much Ado About Nothing: Love, Hate & Marriage - An Analytical Essay O |
6 / 1514 |
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| Oedipus |
3 / 690 |
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| Oedipus |
2 / 430 |
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| Othello - Evil Iago |
3 / 882 |
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| Othello: Iago Makes Othello Believe His Wife Is Having An Affair |
4 / 1094 |
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| Proff. |
1 / 288 |
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| Realism And Naturalism |
1 / 234 |
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| Romeo And Juliet: Love And Hate |
2 / 589 |
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| Shakespeare's Definition Of A Ghost |
4 / 1169 |
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| Symbolism In Camus' "the Plague" |
2 / 305 |
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| The Taming Of The Shrew: Kate's Soliloquy |
3 / 609 |
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| To Kill a Mockingird |
2 / 438 |
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| the great gatsby |
2 / 386 |
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| Wuthering Heights |
1 / 214 |
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| 12th night love essay |
8 / 2153 |
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| 6 Characters Essay |
3 / 648 |
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| A Midsummer Night's Dream: Bottom |
5 / 1425 |
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| A Room Of One's Own |
6 / 1648 |
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| Appearance Vs. Reality In Macbeth |
3 / 842 |
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| Aristotle |
2 / 559 |
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| Best Man |
2 / 348 |
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| Blind Ambition in Macbeth |
4 / 1121 |
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| Blood Motif in Macbeth |
3 / 626 |
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| Candide and Hamlet |
3 / 755 |
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| Comparative Essay |
2 / 507 |
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| Comparison of the Novel Pride and Predjudice and the Movie Sense and Sensibility |
2 / 582 |
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| Critical lens essay-macbeth, animal farm |
2 / 377 |
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| English oral |
5 / 1464 |
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| Explore how the character of Prospero develops in the course of The Tempest. How does the Prospero of Act One Scene Two compare to that we hear in the final scene of the play? Compare your interpretation of the play with that of other critics. |
6 / 1609 |
|
| Explore the ways that Shakespeare makes Act 1 Scene 5 of Romeo and Juliet dramatically effective. |
4 / 1144 |
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| Gender Roles in Twelfth Night |
6 / 1610 |
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| Gfhhf |
2 / 463 |
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| Goodnight Sweet Ladies |
7 / 1955 |
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| Hamlet His own Victim |
3 / 786 |
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| Hamlet Insane or Sane |
3 / 776 |
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| Hamlet as a Tragic Hero |
6 / 1562 |
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| Hamlet vs. Oedipus |
3 / 859 |
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| Hamlet'S Motive |
5 / 1489 |
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| Hamlet's Revenge |
4 / 1147 |
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| Hamlet: Masks We Wear |
4 / 1132 |
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| Hamlet: Revenge VS Justice |
2 / 390 |
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| How John Godber plays have affected the image of the North |
3 / 843 |
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| How Shakespear Makes Act 1 Scene 5 of Rome & Juliet Dramatically Effective |
3 / 846 |
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| Iago and his overall character |
7 / 2034 |
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| Iago |
5 / 1443 |
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| Identity in King Lear |
4 / 1192 |
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| Imagery in Macbeth |
5 / 1309 |
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| King Lear vs. The Stone Angel |
6 / 1661 |
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| King Leer |
5 / 1457 |
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| Lady Macbeth |
2 / 415 |
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| hamlet |
5 / 1255 |
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| julius caesar |
4 / 1200 |
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| Love |
10 / 2731 |
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| Macbeth A Warrior Till the End |
2 / 502 |
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| Macbeth Irony |
6 / 1573 |
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| Macbeth |
3 / 885 |
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| Macbeth |
4 / 954 |
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| Macbeth |
2 / 461 |
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| Macbeth |
4 / 902 |
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| Merchant of venice - Shylock |
3 / 831 |
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| Mid Summer Night's Dream |
1 / 210 |
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| Midsummer Night's Dream |
1 / 210 |
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| Millay Vs. Shakespeare: Love, Loss and Lament |
5 / 1340 |
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| More Than Anything Else, Imaginative Journeys Are About The Process Of Speculation. |
7 / 1872 |
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| Much Ado about Nothing |
5 / 1340 |
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| Natures of Love in A Midsummer Night's Dream |
7 / 1974 |
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| Ophelia |
2 / 515 |
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| Ophelia |
6 / 1511 |
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| Othello A Tragic Hero |
5 / 1369 |
|
| Othello Essay |
7 / 1885 |
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| Othello Summary |
4 / 946 |
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| Othello |
4 / 1023 |
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| Priest And Chaplain |
2 / 461 |
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| Puck in Bottom in Hoffmans "A Midsummer Nights Dream" |
5 / 1274 |
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| Pursuasion Essay |
5 / 1264 |
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| Queen Of Spades |
1 / 133 |
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| Racism in Othello |
2 / 474 |
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| Review - Macbeth |
4 / 997 |
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| Romeo And Juliet - Love And Fate |
2 / 409 |
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| Romeo And Juliet Act 3 Scene 1 |
3 / 604 |
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| Shakespeare Comedy |
8 / 2312 |
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| Shakespeare Elitist |
10 / 2810 |
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| Shakespeare |
4 / 1003 |
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| Shakespeare |
3 / 644 |
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| Smile |
2 / 342 |
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| Sweat |
1 / 262 |
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| T.S. Eliot's "The Love Song of J. Alfred Prufrock" as a Modernist Work |
4 / 1099 |
|
| Task: - Explain what act 1 scene 7 tells us about the character of Macbeth and Lady Macbeth. What is troubling Macbeth at the beginning of the scene and how does Lady Macbeth persuade him to go through with the murder of Duncan? |
6 / 1639 |
|
| The Downfall Of Lady Macbeth |
2 / 578 |
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| The Relationship Between Macbeth And Lady Macbeth In Act I, Scene Vii |
3 / 671 |
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| The Sandman: A Case of the Uncanny |
3 / 671 |
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| The Tempest |
2 / 350 |
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| The conscience of a King |
3 / 825 |
|
| There are many critical interpretations of Iago’s character. Was he a ‘skillful villain’? Or perhaps he was a ‘mysterious creature of unlimited cynicism’? Or was he simply a ‘wronged man’? More sinned against than sinning? |
9 / 2517 |
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| Tragedy In Drama |
6 / 1705 |
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| Transformation Of Juliet |
2 / 462 |
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| Transformations |
4 / 926 |
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| Violence and Conflict are central to ?Romeo and Juliet'. Discuss this theme with reference to Act 3, Scene 1 and one other scene. |
9 / 2604 |
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| Witchcraft from Within: Hippy's, Murder and Shakespeare |
6 / 1752 |
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| macbeth |
3 / 651 |
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| midsummer nights dream |
7 / 1838 |
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| music in Much Ado About nothing |
6 / 1709 |
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| othello |
10 / 2714 |
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| othello: Iago the outsider |
6 / 1603 |
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| romeo and juliet and king and I |
6 / 1776 |
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| the tempest |
3 / 765 |
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| unadmirable relationships hamlet |
7 / 1969 |
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| weight of water |
2 / 350 |
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| who is ultimately responsible for the tragedy of mackbeth |
3 / 825 |
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| Marc Anthony's speech |
2 / 493 |
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| Humanities |
4 / 1152 |
|
| A Comparison Of Macbeth And Cr |
6 / 1568 |
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| A Midsummer Night's Essay |
3 / 650 |
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| Analysis Of Act Iv, Scene I, Lines 89-106 (friar Laurence) |
3 / 667 |
|
| Analyzing Shakespearean Sonnet |
4 / 1020 |
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| Blood As An Image In Macbeth |
2 / 529 |
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| Comparison And Contrast Of Mac |
6 / 1671 |
|
| Contrast Of Romeo And Juliet And West Side Story |
6 / 1651 |
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| Disguise In Shakespearean Come |
3 / 642 |
|
| Explication From Hamlet |
4 / 919 |
|
| Flannery |
2 / 390 |
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| Forces Keeping Romeo And Juliet Apart |
3 / 651 |
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| Glass Menagerie 3 |
3 / 709 |
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| Hamlet's Humanness |
3 / 689 |
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| Hamlet: The Dog Will Have His Day |
3 / 715 |
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| How People Interacted With Eac |
4 / 995 |
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| Imagery In Macbeth |
2 / 487 |
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| King Lear - Clear Vision In King Lear |
5 / 1261 |
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| Macbeth - Blood As An Image In Macbeth |
2 / 529 |
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| Macbeth - Imagery In Macbeth |
2 / 487 |
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| Macbeth - Kingship |
6 / 1573 |
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| Macbeth - Macbeth Is A Statement Of Evil |
4 / 947 |
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| Macbeth - Manipulation |
3 / 847 |
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| Macbeth - Power |
2 / 579 |
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| Macbeth 9 |
2 / 433 |
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| Macbeth Is A Statement Of Evil |
4 / 947 |
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| Macbeth's Manipulation |
3 / 847 |
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| Macbeth |
2 / 433 |
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| Macbeth |
2 / 432 |
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| Power In Macbeth |
2 / 579 |
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| Priest And Chaplain |
2 / 461 |
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| Rivalry In A Separate Peace |
5 / 1375 |
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| Roll Of Thunder Hear My Cry |
2 / 600 |
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| Roll Of Thunder, Hear My Cry |
2 / 600 |
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| Shakespeare - His View On Kingship |
6 / 1541 |
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| Shakespeare |
4 / 1003 |
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| Sonnet 18 Metaphore |
2 / 465 |
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| Star Wars |
3 / 675 |
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| Starwars |
3 / 675 |
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| The Birds |
2 / 505 |
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| The Changes Which Occurred Whi |
2 / 417 |
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| The Dead Butcher And The Fiend |
3 / 779 |
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| The Fall Of Macbeth |
3 / 673 |
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| The Globe Theatre |
3 / 754 |
|
| The Merchant Of Venice: Portia's Suitors |
6 / 1504 |
|
| The merchant of Venice |
4 / 970 |
|
| Viewer Response - The Graduate |
2 / 387 |
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| Baz R+J |
1 / 126 |
|
| Comparing "buddy" pairs of the old cinema |
3 / 861 |
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| Film Adaptation of Shakespearean Comedy: Twelfth Night and Much Ado About Nothin |
8 / 2216 |
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| movie analyze of "Heat" |
1 / 282 |
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| on Experiencing Verdi's Aida |
1 / 287 |
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| Torrance Vs. Torrance |
4 / 923 |
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| Viewer Response - The Graduate |
2 / 387 |
|
| Parmenides' Argument |
3 / 651 |
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| To Do A Great Right, Do A Little Wrong |
2 / 512 |
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| Facial Recognition |
4 / 1153 |
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| Psych-meaning |
2 / 485 |
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| psychosis |
3 / 866 |
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| The Eightfold Path is a treatment |
2 / 424 |
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| Greasy Lake |
3 / 726 |
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| Social Classes From “Midsummer Night’S Dream” By Shakespeare |
3 / 801 |
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| What We Talk About When We Talk About Love What We Talk About When We Talk About Love |
2 / 348 |
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