| Title |
Pages / Words |
Save |
| How People Remember Events |
3 / 847 |
 |
| Journalism, Real Creativity and Reactionary Creativity |
3 / 801 |
|
| 2001 A space odyssey |
2 / 566 |
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| Changes Since The Sixties |
3 / 703 |
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| Movies |
2 / 304 |
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| none |
2 / 330 |
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| Anthony Burgess |
2 / 327 |
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| Biography Of Arthur Clarke |
2 / 474 |
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| Daniel Keyes |
1 / 261 |
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| Edgar Allan Poe |
3 / 607 |
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| Ernest Hemingway |
2 / 369 |
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| Isabel allende |
2 / 414 |
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| James Alan McPherson |
3 / 875 |
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| Jimmy Buffet |
1 / 174 |
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| John Steinbeck |
2 / 572 |
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| Kyle's Paper |
1 / 150 |
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| Piers Anthony |
1 / 265 |
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| planet Of The Apes |
2 / 465 |
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| Ray Bradbury Biography |
2 / 365 |
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| Stephen King |
2 / 428 |
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| Stephen King |
2 / 419 |
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| The Life and Times of Edgar Allan Poe |
2 / 495 |
|
| Tom Clancy Bio |
2 / 325 |
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| A Clean, Well Loghted Place- Survival through Irony |
1 / 37 |
|
| A Wrinkle In Time |
1 / 139 |
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| Abc |
2 / 378 |
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| An Analysis Of A Fable, Parable, And A Tale |
2 / 476 |
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| analysis of "the handmaid's tale" |
4 / 1057 |
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| Clean Up Your Room! |
2 / 435 |
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| Comparing A Cage of butterflies to Mission to mars |
3 / 756 |
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| Dangers of Reading Fiction |
2 / 495 |
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| Dark They Were And Golden-Eyed |
3 / 633 |
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| Dune |
2 / 419 |
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| demon in the freezer |
2 / 331 |
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| Eldest Synopsis |
2 / 398 |
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| Elements Of Fiction |
3 / 656 |
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| Flowers for Algernon |
2 / 346 |
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| Frankenstein |
2 / 509 |
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| frankenstein ethos |
2 / 416 |
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| Going After Cacciato |
1 / 79 |
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| Harry Potter |
2 / 317 |
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| Hoops |
1 / 142 |
|
| I Am Nothing More Than A Dust Jacket |
2 / 538 |
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| In Cold Blood |
2 / 343 |
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| In Cold Blood |
4 / 1012 |
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| Insight into milan kundera's narrative |
4 / 1000 |
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| Kate Chopin |
2 / 355 |
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| Native Son - An Analysis |
4 / 1130 |
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| Perfect Storm |
1 / 16 |
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| Rosencrantz and Guildenstern are Dead |
1 / 268 |
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| sarah, plain and tall |
2 / 367 |
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| The X-files, X Marks The Spot: Book Report |
1 / 260 |
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| The crucible |
3 / 723 |
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| Fdfsds |
2 / 512 |
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| Harlequin Case Study |
3 / 650 |
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| Mysterious Books |
2 / 557 |
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| marketing : the euro disney case |
2 / 382 |
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| A Fiction Writer'S Power |
3 / 743 |
|
| A.S. Byatt |
2 / 498 |
|
| Analysis Of “Reginald’S Choir Treat” By Saki |
1 / 203 |
|
| Ananlysis Of Andrew Marvell Coy Mistress |
2 / 348 |
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| Authors: M. Rowlandson, J. Edwards, T. Jefferson, W. Irving, And J. Co |
1 / 300 |
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| Book Report On Rebecca |
1 / 88 |
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| Book Review on Raymond Carver's Will You Please Be Quiet, Please? |
2 / 539 |
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| Book Review |
3 / 842 |
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| Chndsln |
2 / 413 |
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| Definition of Science Fiction |
4 / 1061 |
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| Description of Fiction |
2 / 522 |
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| Detective Fiction |
4 / 1158 |
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| Egar Allen Poe Biography |
2 / 530 |
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| Elements of Fiction |
1 / 110 |
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| Essay |
1 / 239 |
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| Fables, Parables, and Tales |
3 / 886 |
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| Favorite Genre |
1 / 293 |
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| Fiction vs. Nonfiction |
5 / 1279 |
|
| Flowers for Algernon |
2 / 434 |
|
| George Wells |
4 / 969 |
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| H.G.Wells' "War Of The World" In Retrospect To The Science Fiction Gen |
9 / 2651 |
|
| Hemingway |
1 / 255 |
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| Historiographic metafiction in \ |
5 / 1366 |
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| History of Detective Fiction |
2 / 349 |
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| Isaac Asimov, Mind of a Child |
4 / 963 |
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| Life of Pi |
2 / 520 |
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| Life of Pi |
1 / 264 |
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| comparative narrative |
4 / 1181 |
|
| henry james |
2 / 587 |
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| humanity |
2 / 420 |
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| james boswel |
4 / 978 |
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| literature |
2 / 470 |
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| Modern Drama |
4 / 1090 |
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| Narrator |
2 / 522 |
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| Nature in Man |
1 / 133 |
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| Notorious Jumping Frog of Calaveras County |
2 / 600 |
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| Objectivism And Batailleist `powerful Communication' |
2 / 534 |
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| Origin of Greek Play |
1 / 282 |
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| Passion |
1 / 269 |
|
| Phillis Wheatley and Edgar Allan Poe |
2 / 498 |
|
| Point Of View In "A Rose For Emily" |
2 / 552 |
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| Pulp Fiction |
3 / 609 |
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| Purpose of Italo Calvino's If on a winters night a traveller. |
4 / 1079 |
|
| Queen Of Spades |
1 / 133 |
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| Ray Bradbury Writing Style |
3 / 885 |
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| Ray bradbury |
2 / 351 |
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| Review: Pulp Fiction |
3 / 776 |
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| Roland Barthes Narrative |
1 / 263 |
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| Samantha Nevals |
3 / 750 |
|
| Start Of Postmodern Essay |
1 / 280 |
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| Teenage Suicide: How The Media Influences Teenage |
2 / 304 |
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| The Cast Of Amontillado |
2 / 338 |
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| The Discourse Of Economy: Deconstructive Theory And Precapitalist Narr |
3 / 844 |
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| The French Lieutenant’s Woman |
3 / 899 |
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| The Purpose of Literature |
1 / 290 |
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| The Rhetoric Of Science Fiction |
2 / 408 |
|
| The Rocking horse winner |
3 / 616 |
|
| The Seven Key Essentials of Fiction |
3 / 644 |
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| The Things They Carry |
3 / 731 |
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| The Trojan War History |
3 / 721 |
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| The relationship between reader and writer |
2 / 406 |
|
| Theories on Time: Einstein vs. Viriginia Woolf |
4 / 1082 |
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| Wants |
2 / 349 |
|
| Wayson Choy Literary Biography |
2 / 449 |
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| Where Am I Does It Matter? |
2 / 378 |
|
| Why We Crave Horror Movies |
1 / 195 |
|
| response |
3 / 633 |
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| science-fiction specifications |
1 / 285 |
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| the jungle |
5 / 1475 |
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| uncany |
2 / 398 |
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| H. G. Wells |
2 / 427 |
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| History paper |
5 / 1320 |
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| Is History Fiction |
5 / 1325 |
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| Nuclear Radiation |
2 / 545 |
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| Source G is an extract taken from a Novel. Is it reliable as evidence |
2 / 450 |
|
| The grapes of wrath |
2 / 306 |
|
| Trojan War: Fact or Fiction? |
2 / 330 |
|
| Why did Director Scott Fictionalize? |
2 / 547 |
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| Literature Reading |
2 / 314 |
|
| A Time Of Prosperous Change |
4 / 1102 |
|
| A Time Of Prosperous Change |
4 / 1102 |
|
| A&P Theme |
3 / 694 |
|
| Alice Walker |
1 / 223 |
|
| Ananlysis Of Andrew Marvell Coy Mistress |
2 / 348 |
|
| Arthur Clarke |
2 / 491 |
|
| Bone |
2 / 550 |
|
| Catcher In The Rye |
1 / 106 |
|
| Comparison Of The Film Beloved |
3 / 695 |
|
| Cruise Ship |
1 / 291 |
|
| capra cu trei iezi |
2 / 549 |
|
| Dont have any |
6 / 1576 |
|
| Elements Of Fiction |
2 / 516 |
|
| Flying Home |
1 / 53 |
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| Genres |
4 / 1040 |
|
| Gonzo |
2 / 519 |
|
| goo goo dolls |
3 / 782 |
|
| H.g.wells' "war Of The World" In Retrospect To The Science Fiction Gen |
9 / 2651 |
|
| Henry James And "the Art Of Fiction" |
2 / 475 |
|
| House Of The Seven Gables |
3 / 748 |
|
| Life Of Ma Parker |
1 / 72 |
|
| Memoirs Of A Geisha |
1 / 254 |
|
| Meth |
1 / 154 |
|
| My Brother Sam Is Dead |
1 / 138 |
|
| Offensive line |
3 / 795 |
|
| Philip Roth- Master of the Double Identity |
4 / 1151 |
|
| Poetry Difficulty |
2 / 357 |
|
| Poetry Difficulty |
2 / 357 |
|
| Ray Bradbury Biography |
2 / 365 |
|
| Realism and Naturalism |
3 / 627 |
|
| Robert Frost 2 |
2 / 558 |
|
| Scientology |
2 / 400 |
|
| Specific purpose: To inform my audience of the steps to becoming a published fiction writer. |
4 / 967 |
|
| Star Wars |
3 / 675 |
|
| Starwars |
3 / 675 |
|
| science fiction and fantasy |
4 / 1046 |
|
| The Genre Of Science Fiction |
4 / 1200 |
|
| The History of the Hard-Boiled Detective |
3 / 808 |
|
| The Island Of Dr. Moreau |
2 / 496 |
|
| Tv Viewing |
1 / 295 |
|
| video games and violence |
2 / 347 |
|
| DARKER CITIES |
2 / 595 |
|
| faherenheit 9/11 |
4 / 1171 |
|
| i Robot |
2 / 514 |
|
| memento |
2 / 369 |
|
| Pulp Fiction Narrative |
4 / 955 |
|
| Storytelling |
4 / 1060 |
|
| Style in pulp fiction |
3 / 709 |
|
| sfsf |
2 / 474 |
|
| The great Escape |
3 / 785 |
|
| The Tragic End |
3 / 778 |
|
| Dancing mania |
1 / 224 |
|
| Cloning: Right or Wrong? |
1 / 51 |
|
| da vinci code |
2 / 408 |
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| My Da Vinci Code Essay |
3 / 715 |
|
| Dark They Were, and Golden-Eyed |
2 / 363 |
|
| Fact, not Science Fiction |
2 / 524 |
|
| the journey to the center of the earth |
2 / 493 |
|
| Faulkner |
1 / 42 |
|
| Advancement Of Technology And Science And Its Influence On Science Fic |
4 / 1179 |
|
| Choppa |
1 / 201 |
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| Japanese Animation |
2 / 315 |
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| robotics |
2 / 525 |
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| SF |
2 / 343 |
|
